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A recent forum post by blatanville:
ah, well, just a thought...good luck finding it!
Read More... |
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 The Sonalksis FreeG is an intuitive tool that can be used for a variety of applications to increase the control and flexibility of the signal flow in the insert chain of the host.
To make the workflow and the overview of the signal processing easier, FreeG provides extended, customizable metering features and settings. |
| PWNED! By: swonderme, MIDIManNI, flavio, coreyyy, besanane, shamanix, rebortbst, xybre, arkmabat, snez, Asheee |
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 bit depth and sample rate reduction for added aliasing and decimation noise. a very noisy plugin. |
| PWNED! By: PTV, flyerin |
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 1-Time (one-time) is a free mono tape saturation plug-in. It can smooth out harsh transients, add weight to kicks, and more. There is only one setting and only one knob that adjusts the gain.
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 Classic Stereo 10-Band Graphic Equalizer
Features:
Basic Stereo 10-Band Graphic Equalizer
Selectable 24db / 12db / 6db / 3db Range
Left/Right Channel Slider Lock
Left/Right Channel and Individual Slider Default Reset
128 Patches |
| PWNED! By: UST, Hektagon, swilldog, daffter |
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 Six VST plugins in this bundle, delay-based, stereo, sample-and-hold and regeneration effects. These ship with the 'no-frills' default interface, to avoid the GUI problems of the earlier plugs. (BabySplice, Troll, GoatBoy, ChromaDelay, Spinner, Herbert) |
| PWNED! By: Max_Tin_Plate, shamanix |
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 2 Track VST Audio Recorder With EQ and Analyzers |
| PWNED! By: MarsHottentot |
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 “2RuleFilter” is a self-resonant moog type filter that allows the filter cut-off frequency to be controlled manually, or by LFO, or by an envelope follower. It has a interresting feature called “scrambler” that plays filtered signal randomly depending on the selected beat. The “mix” knob mixies wet and dry signals, The “volume” knob is for setting the output volume level. The”Bit crusher” produces hard sound. Using its scramble feature you can maintain the rhythmic, choppy, buffered and tempo sync output.
Feature:
* High Pass, Low Pass, Band Pass filter
* Modulation of filter cut-off frequency by LFO (tempo-sync), manuallly or envelope follower(reversable)
* Bit crusher (16bit to 1 bit)
* Scrambler that devide one measure to different time intervall and plays beats randomly.
* Mix ballance in between dry(input signal) and wet(filtered and bit crushed).
* Sensitivity that allows the filter cut-off frequency be changed from roughly to smoothly. This effect is the same of parameter smoothing.
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| PWNED! By: blatanville, spiritofhouse, shamanix, hendricx, snez, brand0 |
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 A feedback delay featuring 2 frequency-warped lattice filters in the feedback paths. Lattice filter coefficients are scanned from a bitmap that can be user definable or are extracted in real-time from the input signal. |
| PWNED! By: blatanville |
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 Simulation of microphone placement. |
| PWNED! By: tgersic, blatanville, MarsHottentot, skinless |
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 4 Band Shifter is a VST Plugin that is able to scale (shift) independently the pitch of 4 adjacent, user-definable frequency bands. Plugin pitch-shifting code is based on Stephan M. Bernsee's article, Pitch Shifting Using Fourier Transform.
Plugin takes advantage of FFTW library in performing fast STFTs. |
| PWNED! By: blatanville, skinless, shamanix, Yman, ziv1 |
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 4 Track VST Recorder with effects. |
| PWNED! By: nathel |
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 Vocoder plugin. These free downloads are older versions of the plug-in and include 32 fully functional effects. |
| PWNED! By: blatanville, MIDIManNI, three |
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 5 Cyborgs is an amplifer simulator for the bass guitar. Your woofers will feel it, it is very -powerful. |
| PWNED! By: tsotb |
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 kick drum enforcer/enhancer plug-in. |
| PWNED! By: blatanville |
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 Distortion effect. |
| PWNED! By: flyerin, Teregos, remy60620 |
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 8 Track VST Audio Recorder with many features |
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 bent waveshaper |
| PWNED! By: PTV |
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 Classic reverb VST using 16 parameters to adjust the delay frequencies in the "Room" and "Damp" parameters. |
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 Movements of eight mono inputs inside a eight speaker "cube" :
- the position of the speakers and the distance are fixed
- the movements of the all inputs is controlled excusively by a standard 3D joystick
The following parameters can be controlled :
- distance between each object
- inertia
- chaos (trigged or continuous)
- circle (radius and pulse)
- gravity (top and bottom limits, rate and curve for the bounces)
- automatic 3D trajectory : shape and speed for each axis |
| PWNED! By: kanybelforg, brand0 |
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 - division of a stereo input in two series of four frequency bands
- dynamic spatial control of each band into eight outputs
- can be used from 4.0 to 8.0 |
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 The A-110 is essentially a tube amp simulator with a built in 3 band EQ, compressor and lowpass filter. Also includes a Dry signal mix and an independent white noise osc/filter for recreating speaker "hiss." |
| PWNED! By: brand0 |
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 Get some of the earlier top-selling A0 Digital Audio shareware plug-ins legally and for FREE.
PC VST and DirectX versions included! |
| PWNED! By: blatanville, reusenoise |
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 Abyss is a simple synthesizer effect intended to be inserted on your bass drum channel. While allowing the original signal to come through untouched, it adds a secondary layer of tunable, low end bass synth. This is an easy way to add controlled low end to your bass drum without obliterating it with an equalizer. Includes lowpass filter, envelope and waveform selector for shaping (5 waveforms). |
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 Acousticology is a simple amp sim for an acoustic guitar. It doesn't water down the sound, and produces a full, clean effect. Optional delay and detuning section. |
| PWNED! By: thivas |
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 ActiveQ is a real-time evolving equalizer. It loads as a simple flat line spanning the window. Click anywhere in the window to create a ripple that spreads along the line, reflecting from the sides. Use the control and shift keys to move the anchor points on either side and send tidal waves through the line. Despite all the complex physics, what you see in the window is the actual spectral processing applied to any input signals. The audio engine updates just as quickly as the animation, so what you see is what is being done to the audio signal in real time.
NOTE: Requires Pluggo Runtime |
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 qwerty -> midi tool
check the Publisher Link for details |
| PWNED! By: amiga909 |
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 ADopplerEn is a classic doppler effect. It combines a pitch shifter and a rotator to reproduce the effect a static listener can hear when a train or a car is moving fast. It is based on two synced LFOs with an adjustable phase difference which can be synced to the host. |
| PWNED! By: atomic_afro, lowerland |
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 ADopplerEn2 is vst effect for windows compatible host. This effect is based over the old ADopplerEn, which was a simple effect design to produce the doppler effect with a panner, a delay modulted by a lfo. The new version of the effect still allows to produce this effect but is much more flexible and the overall quality is best than the first version.
The effect consists of eight parallel similar audio processing chain which are composed of a delay tape reader, a stereo panner, a multi mode filter and an amplitude modulator. Each sub block of the processing chain can be modulated (delay, filter cutoff frequency, stereo position, amplitude) by one of the eight low frequency oscillators. All lfos are similar, they can produce various standard shapes and can be synced between themselves.
This effect has grown to become a really powerfull modulator able to produce a wide variety of effects: doppler, autopanner, rich chorus ,stereo enhancer, flanger, multi taps delay, reverberators...
As the first version the effect is totally free to use (donationware). However the distribution is a quality one: it comes with a bunch of preset, a complete manual, and total support (email/forum) is granteed for the product. |
| PWNED! By: brand0 |
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 The ADT technique was developed at Abbey Road Studios by engineers recording the Beatles in the 1960s. To free John Lennon from having to sing everything twice for real double tracking they came up with an artificial replacement: they sent the original signal to another tape machine and re-recorded it. Due to the physical distance between record and playback heads the new signal was delayed. The length of the delay depends on the tape speed (the slower the tape is running the longer it takes for the signal to travel from the record to the playback head). However, due to the machine's (small amounts of) Wow and Flutter the delay time was not fixed but varied slightly, giving an additional chorus-like effect.
The ADT Plug-In takes a mono input signal and creates a stereo output. The original input signal will be output on one channel, the new ADT signal on the other. Blending the two is also possible. The Plug-In allows to control the delay time (10 - 50ms), Wow and Flutter (both with intensity in % and frequency). All values are based on the technical data of the tape machines that was originally used to create this effect. |
| PWNED! By: blatanville, pattonfreak1, vilmoerschbacher, Sophic, shamanix |
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 The 'Advanced Clipper' is basically a hard clipping plugin with two stages. Additional oversampling reduces alias noise. The oversampling algorithm is based on butterworth filters (as can be found in rubberfilter) and thus will affect the group delay (you can notice a delay of some samples in extreme cases).
Some features:
- two stages of minimum phase, butterworth oversampler
- hard clip at higher sample rates
- oversampling of up to 16x (in both stages)
- filter order up to 64 (using the max. order will introduce noticable group delay)
- tunable transition frequency (in parameter view)
- several presets
- nice GUI |
| PWNED! By: blatanville |
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 Aeiou is a vocal filter - its purpose is to apply the spectrum characteristics of the mouth to the input signal by filtering it. By applying the effect to rich signals (saw or square oscillations) it gives the illusion of a human who is sustaining a vowel such as 'a' ,'e' ,'i', etc.
The effect parameters are:
The most important is 'vowel'.
'Size' can be used to spread the output bandwidth.
'Slope' can be used to give some brightness to the result. Technically it is increasing or decreasing the filters gain on the frequency axis.
'Peaking' is a minor parameter. It can be used to increase the filters resonance but it will also reduce the bandwidth.
When 'Smooth' is set to 0, the vowel transitions are direct, when set over 0 they are smoothed.
The 'mix' knob adjusts the amount of wet signal at the output. |
| PWNED! By: blatanville, blazemc, astro, shamanix, brand0 |
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 AffectedME is a free VSTfx based around a 32 step random trance gate which syncs to the host. By raising or lowering the bars on the GUI you can increase / decrease the probability of the individual steps allowing the sound through or muting it.
There are also various effects which can be used to shape the sound to create everything from subtle movement to wild electronic bleeps and screeches. |
| PWNED! By: brand0 |
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| This is a VST plugin to reduce flutter (pitch variations) from analog tapes caused by excentricity or dirt on the capstan axle (or to correct for any periodic pitch variations in audio material). |
| PWNED! By: Stiven |
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 The Aftershock digital delay can hold a delay for up to 6 seconds at a sample rate of 44100. It features 3 independent delays, one left, right and center. Each of these delays have a separate Feedback level, volume level and selectable delay type. You can select from Tap Delay, Host tempo Delay and standard delay. |
| PWNED! By: synthgeek |
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 AirTraffic Control displays a simple map of the room you are in. The input channels appear as numbers with one circle around them, and output channels appear as numbers with two circles. All may be moved around.
AirTraffic Control is a Proximity Mixer, a new kind of audio mixer. Think of the outputs as being like ears: the nearer the inputs come, the easier it is to hear them. |
| PWNED! By: MarsHottentot, rebortbst |
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 airwall is stereo image expand effect. at the newest mixing or mastering, everyone needs stereo imager like a WAVES S1. airwall gives special sounds for your music. and it's free!!
for mastering or mixing, fat chorus, wall of distortion guitar sound, ambience pads, and more immense sound. |
| PWNED! By: rebortbst, brand0 |
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 J1000 ALPHA is an equalizer made for fine tuning in post-production. It separates stereo into mid and side signals and allows you independent equalization over both of them. Each of two sections consists of four identical peak filters. The controls are classic F/G/Q that you can find on every fully-parametric equalizer. Small distinctition is that two horizontal faders, located on top of each section, control filter frequency. The upper [F] is for rough selection and it has range from 50 to 12,500Hz, while lower [f] is for fine adjustments in +/-20% range. Vertical gain fader [G] can boost or cut signal by 3dB. This may seem too little, but for mastering it is quite enough and if you think you really need more you can always use x2 button that doubles gain for that filter, i.e., gives you +/-6dB operating range. Q factor is continually controlled by third horizontal fader [Q]. Master section at the right has high-pass and low-pass filters, input gain and stereo width faders. High-pass and low-pass filters have fixed frequencies and faders actually control filters' steepness. Stereo width adjustment is done with two opposite filters, so that bass remains almost intact. |
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 Ambience is a reverb that rivals the quality of the best commercial reverbs. You are free to decide yourself how much you want to pay for it, and when. |
| PWNED! By: tgersic, PTV, obstgegenrechz, swonderme, blatanville, robojam, MarsHottentot, tweed, blackshadow, ethnix73, West, jodeum, nathel, Moseph, pangrus, trevgibb, 2tan, svo4, BroderYon, un3xp, duckett, shamanix, synthgeek, Razputin, xybre, exi, arkmabat, flynsk, snez, unlike |
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 A simple amplifier simulation roughly based on the mda plugin ‘mdaCombo’. |
| PWNED! By: blatanville, shamanix |
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 AMT-1 is a quad multi-filter that can work like a sequencer.
Features:
4 parallel multi-filters (LP, HP, BP, Notch, Peak).
Each filter's parameters can be sequenced using up to 8 presets.
Presets can be chained with morphing. |
| PWNED! By: blatanville, BroderYon |
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 Analizator is a 50 band, selectable range frequency display. |
| PWNED! By: kickdrummer58, ayiE_gaLs, ridgero |
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 It consist in a delay unit followed by a 2nd order lowpass filter with saturation. The delay-time can evolve between 0 and max-delay which lets you be very accurate. You can also synchronise the delay to the tempo with different resolutions from 1/128 to 1 bar and control the way the delay-time is interpolated with the kind of interpolation and the time-constant.
AnalogDelay is now Donationware i.e. you are free to decide yourself how much you want to pay for it, and when. The plugin is fully working but displays a nag screen when you (re)open the GUI.
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| PWNED! By: PTV, blatanville, Moseph, ayiE_gaLs, duckett, shamanix, ekkord |
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 A free VST tape delay plug-in with host synchronization.
features:
- tape model including tape saturation, wow & flutter, low and high pass filtering, smooth parameter for continuous delay time changes like on a real tape delay
- all parameters are controllable by midi controllers.
- Pop-up hints help to understand the function of each control on the user interface. These appear when the mouse rests over a control.
- Also the assignement of midi controllers is documented in the pop-up hints
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| PWNED! By: blatanville, MarsHottentot, hitechlee, nathel |
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 Incredible Room Simulation Plugin...
This plugin is so high fidelity you won't believe your ears. |
| PWNED! By: MarsHottentot, nathel |
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 AngstroLooper is effectively a rediculously long delay, it partly emulates an old style tape loop system – but rather than trying to model something that it isn't, AngstroLooper is designed to be easy to use tool on a laptop while playing live. |
| PWNED! By: PTV, blatanville |
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 AntiAlias filters out frequencies above the Nyquist frequency by oversampling then shelf filtering with a FIR filter.
Features:
Stereo Input and Output.
32 Bit Floating Point Audio Engine. |
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 A free VST effect designed to automate the process of recording & reversing playback of audio phrases (i.e. speech). |
| PWNED! By: blatanville |
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| Here are the new Versions of Antress Pluggies! Version 3.84 |
| PWNED! By: nathel |
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 This is a "Real Time Crunch Sounds Virtual Guitar Amp".
It has three stages of EQ and two built-in cabinet simulators.
You can get more distortion by Setting the input & gain knobs to maximum. |
| PWNED! By: blatanville, skinless, nathel, brSk |
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| Auto Release Maximizer with manual input gain control |
| PWNED! By: skinless |
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 Easy Loudness Maximizer with Input Control (new algorithm)
Features:
- 3 parameters (Maximize, Character, Output)
- 2 speed types (Normal and Fast)
- 44100 - 192000 Hz sample rate
- 64 bit internal processing
- low CPU usage
[v1.3] VU meter & About box added
[v1.4] CPU consumption has been reduced up to 50%
User Guide:
- Maximize (0 ~ 20 dB / 0.1 dB steps)
Maximize knob is used to control the level of incoming signal.
- Character (0.01 ~ 1 / 0.01 steps)
Character knob can be used to control the speed of attack and release value, for fast music with fast transient set this parameter at small value (0.02 - 0.3). For general type of music, 0.5 should be fine.
- Output (-20 ~ 0 dB / 0.1 dB steps)
Output knob is used to control the volume of the signal that passes the limiting stage. Set this parameter at -0.1 dB to -0.3 dB for a save audio master (mastering).
- 2 speed types (Normal and Fast)
Normal or Fast are types of limiting stage. Use Fast mode for a very fast music such as punk, metal or anything similar. Use Normal mode to keep the music dynamic but don't forget to set the Character knob properly.
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 Realtime granulator effect plugin for VST hosts. Free, licensed under GNU GPLv2.
Description
A grain is a short sample of an input audio stream. Argotlunar can play
up to 20 grains simultaneously, with each grain having unique and adjustably
random settings of delay, amplitude, panning, duration, filter, pitch and glissando.
The implementation is comparable to the AudioMulch® Nebulizer.
Details
* Parabolic grain amplitude envelope.
* 12dB state variable filter (HP/BP/LP/Notch).
* Program change can be modulated by VST parameter.
* Feedback is capable of self-oscillation. |
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 Effect-Reverb plugin with low CPU usage, based on a highly configurable fractional delay design.
When used conservatively as a room simuator, this plugin can do smooth reverbs with a lively and present sound.
In addition, this plugin can do more than just room simulation. Most parameters can be adjusted over a wide range of many orders of magnitude. The fractional delay allows for phasing effects in the microseconds (µs) range, even below the actual sampling rate used. The delay length modulation can be adjusted in depth and speed, where the modulation speed may be so high that FM like effects are possible. The package is completed with an overdrive distortion inside the feedback loop for that extra crunchy edge. |
| PWNED! By: PTV, Evelon, blatanville, MIDIManNI, tweed, nathel |
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 Vintage Style Compressor - Free Edition |
| PWNED! By: snez |
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 A double reverb with equalization and special
double mix for direct sound. Fully automation. |
| PWNED! By: nathel |
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 Although this tool is not entirely complete, I decided to add this to the list of plugins as well. It features several audio processors to enhance the audio signal. However, right now I’m not convinced of the sound, so it’s more some kind of audio aggravation, but please decide yourself if you like! |
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 Audio Delay is an auxiliary plug-in which allows you to delay stereo audio for a specified amount of milliseconds. Delay can be separately specified for each channel. Plug-in also features output level gain parameter for each
channel. |
| PWNED! By: MIDIManNI, nathel |
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 Adds real background noisefloor or the sound of good vinyl. |
| PWNED! By: blatanville |
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 ...a series of 4 audio crossfaders.
Features include a glide for smooth transitions. Midi learn is included by clicking on the lightning bolt.
The "in" series takes one input and allows you to cross fade it across several outputs. It is similar to the scanner module in Reaktor.
The "out" series takes several inputs and lets you fade across wich of them gets sent to the output.
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| PWNED! By: synthgeek |
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 ...a simple AUDIO switcher. The audio switcher uses a note from octave 1 to switch the input to 1 of 12 corresponding audio outputs. |
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 Don't you like to „watch“ your audio, too?
This tool measures levels and stereo
behaviour of incoming audio
as well as frequency levels
It features peak meters for L, R, M and S,
a stereoscope, position and correlation meters
and an analyser (view L, R, M, S) |
| PWNED! By: Moseph, raul, barbosww |
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 Audiovibrato is for those of you who love the sound of vibrato, but find yourselves in a sticky situation where your audio has none.
You can either control the rate manually, or click the "sync" button and have the rate lock to a sync controlled by your bpm clock. |
| PWNED! By: blatanville, MarsHottentot, Moseph |
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 Auto Gate/Expander |
| PWNED! By: tgersic, blackshadow, nathel |
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 Can convert an audio signals level (amplitude) to midi Continuous
controller value (0-127) in real time.
Can be used only in hosts that support midi
connections between VST plugins. |
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 Auto-Filter will perform typical Wah effect on drums, synths or any pecussive sound you like to feed in. Basically, it's designed to combine the analogue-style effect and an deadly easy-to-use graphical user interface together. |
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 Auto-Pan is a VST-plugIn for the automatic adjustment of the panorama position of the signal (where "automatic" means LFO-controlled in this case). The LFO is tempo-synchronized and can be triggered either via the graphical user inface or via note-on events. |
| PWNED! By: blatanville, nathel |
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 Look ahead stereo ducker. |
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 a kind of auto filter |
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 Autopan is a basic autopanner with different LFO shapes and panning modes.
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| PWNED! By: PTV, blatanville, MIDIManNI, rebortbst |
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 This is a VST/AU port of Tom Baran's open source pitch correction LADSPA plug-in. All credit goes to Tom for the algorithm. At the moment it is designed to be used on a mono track, if used on a stereo track, the left channel will be copied to the right. |
| PWNED! By: blatanville |
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 auto-wah circuit . |
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 This is a set of 8 VST plugins, that can create up to 8 aux busses in any VST host.They are intended for use in hosts that do not natively feature auxiliary busses because of their modular design, such as Forte, the live audio workstation from Brainspawn (www.brainspawn.com). |
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 a simple distance filter and doppler effect. |
| PWNED! By: rebortbst |
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 Free 2-5 bands crossover VST Plug-in for all the modular and semi-modular hosts, including Ableton Live, Bidule, Energy XT, etc.. |
| PWNED! By: blatanville, jorjee |
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 Bachelard features a delay module with a filter section and a reverb module with a second filter section. Many parameters can be controlled with key tracking. The effect also features 3 LFOs and a modulation matrix. The 3 LFOs have 5 different waveforms to choose from and 3 different ways to control the oscillator speed. They also have a trigger function controlled by MIDI note commands. Parameters that feature key tracking can also be assigned to different MIDI channels for extra flexibility.
Features:
Delay featuring, free, sync to host and key tracking (KTr) controlled rate.
Delay feedback also features a KTr switch.
Reverb parameters, size, width, damp and mix.
Reverb size and mix controls also have KTr switches.
Both effects have identical filters, 2 self oscillating SVs.
The cutoff on the filters can also be set to KTr.
3 identical LFOs with free, sync to host and KTr rate control.
Each LFO can be assigned in the modulation matrix to several destinations: delay rate, feedback, cutoff and resonance, reverb size, width, damp, mix, cutoff and resonance. |
| PWNED! By: blatanville |
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 Back Stage Vocals is a one-shot VST plug-in that pre-mixes your vocal track, taking care of harsh frequencies and creating space to make it easier for your vocals to sit perfectly inside the mix. Back Stage Vocals combines moderate equalization, early reflections, stereo widening, and very subtle harmonics into one little plug-in, freeing your chain so you can add more effects and further audio level compression. For starters and podcasters, this could be the one plugin that you will need to put your vocals upfront and center in the mix. For pro's, this free vst plugin takes care of the easy but tidious task of prepping the vocals so you can go straight ahead to audio compression and other effects.
Back Stage Vocals gives you two controls for adjusting the vocal effect and air. Main vocals should ideally be more "upfront" and have more air. For backing vocals dial down these controls to push them further back in the mix. There are additional side-switches that allow you to add stereo-width and gain. Main vocals are best left in the center, but you can try applying stereo-width for added effect. Backing vocals complement solo's when stereo-widening is switched on. For simple projects, all that's left to do is add the music and adjust the levels, and you're done! For serious recordings, your job of mixing just got so much easier. |
| PWNED! By: 2tan |
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 Reverses incoming audio signal in sync (it will follow host BPM). This plugin is specially useful on live gigs to make that "back spin" effect DJs usually does. |
| PWNED! By: blatanville, nathel, jorjee |
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 filter-delay VST
Requires Pluggo Runtime |
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 Bankomat is an 8x delay network with bandpassfilters for every purpose from simple delay effects to algorythmic composition methods.
it has been built for live use, but in the last update i added full parameter automation upon someone´s request. |
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 A simple Barberpole flanger implementation. |
| PWNED! By: blatanville |
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 Lo-Fi effect
2 multi-wave, sound mangling LFO's.
Two filters. One for the left channel and one for the right. With routing control.
Delay with time control and feedback.
Includes 10 presets. |
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 JB Barricade is a simple yet effective brick wall limiter. The gain ride curve is very smooth and its time derivative is continuous, to ensure minimum distortion and aliasing artefacts. The drive knob adjusts the signal level before entering the limiter.
A variable saturation knob provides continuous morphing between the behavior of a classical limiter (zero softclipping) and a classical (soft)clipper (100% softclipping).
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| PWNED! By: blatanville, tweed, blackshadow, West, Moseph, dede123, BroderYon, duckett, shamanix, synthgeek |
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 Here is a basic Channelstrip I coded on request of some Brainspawn Forte users, but it might be of some interest for users of other VST hosts as well.
Features:
Logaritmic tapered level fader with numerical display of attenuation
Equal power panning with numerical display: rightclicking on the knob resets to Centered.
A mute button.
A merge function: sums left and right input channels which can then be panned as a mono signal (slight attenuation is built in to avoid overload)
A VU meter monitors the output.
Clicking on the SolidSoundStudio logo displays the about box.
Full midi automation. |
| PWNED! By: ak13 |
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 Have you ever used a stereo chorus on a bass sound and ended up with a muddy bottom end swimming all over the place?
Bass Chorus can avoid that problem by separating the bass and treble frequencies, where you set the cutoff frequency. The effect is only applied to the treble portion, which is then mixed back with the bass for output. |
| PWNED! By: blatanville, synthgeek |
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 Experimental subbass extender plugin (based on a frequency divider and a low band compressor). |
| PWNED! By: blatanville |
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 Have you ever used a phaser on a bass track and ended up with a floppy bottom end wobbling all over the place?
Bass Phaser can avoid that problem by separating the bass and treble frequencies, where you set the cutoff frequency. The effect is only applied to the treble portion, which is then mixed back with the bass for output. |
| PWNED! By: blatanville, MarsHottentot, synthgeek |
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 Basslane is a free audio effect for VST compatible hosts. It's a simple, yet very handy little utility to control the stereo field of lower frequencies in your audio material. Allows you to define the processed frequency range while using several monitoring options, and to tweak how much you want it squeezed .
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| PWNED! By: blatanville, aymat |
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 Battery Acid was inspired by a deteriorated car battery! It uses a set of dual bitcrushers and waveshapers to completely erode your music to "delightful dilapidation". Each stereo channel can be crushed and mutilated individually. You can "dissolve" and "melt" as well as "corrode" and "erode", plus you can set the cutoff and resonance. |
| PWNED! By: tgersic, MarsHottentot, skinless |
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 Vintage style saturation/bass expander unit,
presented as VST effect. We think this plugin is specially good to add warmth and saturation to drums
and basses, and with vocal tracks that need a little punch. It uses very little CPU, and includes 8 factory presets. |
| PWNED! By: blatanville, pattonfreak1, martygras |
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 Beat Counter gives the time length of a loaded sample (.Wav) and the corresponding tempo in BPM. It loads a full folder so then you can just browse thru the files to make folders of matching tempo files. It has a play preview for auditionning files and a tap tempo function.
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| PWNED! By: prepboyswizz |
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 BeatCounter is a simple plugin designed to facilitate beatmatching software and turntables. It displays the current tempo in beats per minute (BPM), while the bottom window displays an accumulated average over the last few seconds. BeatCounter is the perfect tool for DJ's that want to integrate computer effects or elements with turntables. |
| PWNED! By: three |
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| Aphex Twin, Squarepusher and Autechre beats on demand! |
| PWNED! By: PTV, meul |
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 Band Pass Plus Filter, also called a Peaking filter. Based on the BP+ filter in the Korg EMX, this is basically a band pass filter that allows the unfiltered signal to be mixed back into the output. Includes a cutoff LFO. |
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 Beeper is an auxiliary plug-in which you can use to insert short beeps to the program material. This may help you to protect your work from stealing. It is safe to apply this plug-in to any mission-critical material because plug-in does not perform any processing on the audio between beeps.
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| PWNED! By: MIDIManNI, jorjee |
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 Belgian Stutter is a stutter/repeater plugin effect.
Why Belgian?
Belgium is the land of "compromise",
thus the vst works as a compromise between a stutter model and the host time
great for IDM, BreakBeat, Jungle, D&Bass and all glitch style.
Requires Pluggo runtime. |
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 bent is a circuit-bent resynthesis effect. It will recreate the incoming audio into an approximation of itself using a waveform-morphing audio oscillator. Depending on the volume and pitch of the audio, it will gate, stutter and morph the output in sync with your host tempo. |
| PWNED! By: skinless, zip |
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 Berrtill is a distortion unit modelled from circuit bent hardware. |
| PWNED! By: synthgeek |
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 Best served cold is an amp sim for bass guitar with a preamp section to accentuate the dynamics. |
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 J1000 BETA is very similar in functionality to Alpha, but adapted to mixing. It's frequency faders work in exactly the same way. Gain range is increased to 6dB (12dB with x2), which is also modest compared to usual mixing equalizers. There is no fader to contiunally adjust Q factor, but you can choose from four bandwidth curves that cover most needs. Also, high-pass and low-pass faders work different than in Alpha. They control frequency at which cutting occurs, which is traditional way of controlling HP i LP filters. Their steepness is non-adjustable and it was selected to preserve natural sound as much as possible. If you need drastic EQ-ing this is not an adequate plugin for the task. On other hand, if you wan't subtle tool for enhancing timbral properties of an instrument or voice, rather than altering them beyond recognition, Beta will suit just fine. |
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 Better run is a distortion effect for the guitar. It has 3 modes, and an optional midrange booster. |
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 Buffer/freezer effect with many randomize options.
Note: Requires Pluggo Runtime. |
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 Bufferer/looper/freezer/pitchshifter with randomize options.
+ pluggo runtime is required |
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 BiFilter is a high-end quality stereo filter module for VST. It uses a high precision "direct form 2" filter model with a ripple less than 1dB. It supports linear behaviour over the whole frequency range from less than 20 Hz up to 20000 Hz and brilliant, controllable resonance.
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| PWNED! By: blatanville, Jhopf124, nathel, mef, shamanix |
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 AcmeBarGig, building on the success of DIG, Is pleased to smack you in the face with another Allstar release!
BIG 1.01 is a bass guitar amp designed from the bone crushing tones of DIG 2.0 and the ear crackling tension of Whisper clean Guitar.
BIG comes with a built in Noise Gate, AcmeBarGig's Granite Compressor, and Web Interact Presets. BIG also comes with Acmebargig's multi-cab technology capable of emulating virtually any Cabinet. |
| PWNED! By: blatanville, pattonfreak1, synthgeek |
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 Big Blue Delay is a multi-delay VST effect. It has 4 stereo delay modules, which can optionally be synced to the host application tempo.
Features:
* 4 Stereo delay modules with independant delay, tone, feedback, pan, and mix controls
* Sync to host option
* Fully automatable parameters
* Free!
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| PWNED! By: blatanville, nathel |
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 Bars/beats/ticks, hours/minutes/seconds/frames, or samples counter for VST hosts. Use it if your host's counter isn't big enough. Bigger is better. This is resizable, and you can select the background color. Left-click to change type, right-click for options. There are also some hidden parameters that haven't been added to the right-click menu yet. |
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 The Binaural Simulator VST is an effect which allows you to position a sound source in any location in a 3D audio environment. Using the eight auditory cues your ears use to recognize direction and distance, this VST realistically simulates binaural audio. It also includes modes for specifically tuned for headphones and speakers, since speakers require cross-talk canceling to reproduce the same isolation headphones have. |
| PWNED! By: blatanville, aymat, Hempstapimp |
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 A binaural spatializer effect. Needs Pluggo Runtime (free from Cycling 74). |
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 Binauralizer allows the positioning of an audio source somewhere around the head of the listener, by use of HRTF.
Listening experience needs a headphone to work. |
| PWNED! By: blatanville, Hempstapimp |
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 This enhanced version of the Analogic Delay gives you separate control over the delay times on left and right channel. suitable for ping pong delays and drifting delays |
| PWNED! By: blatanville, MarsHottentot, aymat |
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 This FX VST is the same Bipolar Distortion found in the War Drumz VST. We’ve had several requests from people who would like to use this amazing filter/bitcrasher/distortion effect on other drums and sound. It comes with 20 presets and best of all it’s FREE. However we will accept a donation if you like it and use the effect. |
| PWNED! By: blatanville, shamanix |
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 bit/sr redux+mod
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 Bitsmacker is a digital distortion swiss army knife for adding that certain digital crustiness to your pristine audio signal. It can simulate vintage samplers, classic video game systems, and other lo-fi paraphernalia. At extreme settings, it warps your audio with power you can't get from a stomp box or full stack. |
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 A 64-bit bitscope and intersample clip indicator for your cost-free
enjoyment. |
| PWNED! By: blatanville |
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 This dynamic processor manages audio transients.
Turning the central button on the sweet side, decreases the transients amplitude. On the bitter side, the transients amplitude is magnified. Bitter-Sweet also features a control for the signal to be processed. When the main position is engaged, the process affects the stereo signal. If Center is engaged, only the M signal of the internal MS matrix is processed. If stereo is selected, only the S signal from the MS matrix is processed. As all Flux:: plug-ins it features 64 bit floating point processing, up to 8 channels and up to 8 FS (384 KHz). Center and Stereo Mode are only available in stereo (2 channels) processing.
We hope you will enjoy this new toy and make your Mix Sweeter or Bitterer. |
| PWNED! By: blatanville, nojanoise, jeremiegr, blackshadow, West, T1M0N, el_oso, ayiE_gaLs, BroderYon, Samogit, shamanix, aldamajc, exi, snez |
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 BitTest is a sweet little bitcrusher VST, it converts your data to 8 bits, then you can turn the bit’s off (the top row) or invert them (the bottom row) individually. That is you can individually flip and invert the bits.
And that is all this little baby does, but she does it well. |
| PWNED! By: synthgeek |
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 Bitviewer is a little plugin that allows you to
check the bit depth of the incoming audio
stream, so you can see how much headroom
you still have for processing and if you really
need dithering. |
| PWNED! By: tgersic, Moseph, shamanix |
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 pick a number, any number, who knows what will happen? |
| PWNED! By: synthgeek |
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 Black Water Reverb is based on the open source Freeverb3 originally developed by Jezar at Dreampoint. |
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 Nachfolger des BTS LFO Filter V1 und V1.1
Filtertypen:
Low Pass
High Pass
Band Pass
Band Reject
Peak
Betriebsarten:
12 dB
24 dB
LFO:
freie Speed/BPM Eingabe bzw. zum Host synchronisierbar
Sin, Saw, Ramp, Triangle und Square
Cutoff via Mod Wheel steuerbar |
| PWNED! By: blatanville, nathel |
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 Blister is designed to be used only when all other attempts at making something sound horrible have failed. By combining tube-style gain, bit crushing and a synthesizer that detects your signal frequency, Blister barfs out a stew of noisy, atonal junk along with a variable amount of your original signal. |
| PWNED! By: brand0 |
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 My homage to the immortal buffer*verride.. buffer-sampling stuttery gl*tch box with a nice x-y pad & useless-but-cool wave scope. |
| PWNED! By: PTV, blatanville, robojam |
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 BLOCKFISH is a versatile compressor with countless ways to shape the incoming audio.
Unlike many other digital compressors, BLOCKFISH has 'soul'. It likes to bite, but it can be tamed easily once you've learned how to use its potential. |
| PWNED! By: tgersic, arke, obstgegenrechz, swonderme, blatanville, gambazi, robojam, MarsHottentot, MIDIManNI, blackshadow, ethnix73, West, T1M0N, itilbury, martygras, Moseph, OscarMeat, besanane, BroderYon, synthgeek, exi, flynsk, snez, unlike |
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 The Chorus effect was originally designed to simulate several voices: just as if several persons were playing together the same notes but with a variable delay between them. This is the effect you get with Blue Cat's Chorus when setting the rate parameter to a small value. But this plug-in also enables you to drastically change your sound and produce strange pitch modulation or crazy 'bubbles' effects. Just check the factory presets to get convinced by the quality and versatility of Blue Cat's Chorus.
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| PWNED! By: blatanville, MarsHottentot, MIDIManNI, nathel |
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 Blue Cat's Digital Peak Meter is a simple but powerful signal analysis tool: it measures the peak value of the signal and lets you record it as an automation curve, as well as the fact that your signal clips ('clipping' occurs when the signal is higher than the maximum value accepted by your audio system).
Thanks to this unique feature you can use your audio signal to control other effects: just copy and paste the generated automation envelope and assign it to any parameter of any effect on any track of your project. Many customers have successfuly used it for automated video processing: your audio track is now able to control your video effects! And your guitar is now able to influence your drums track... |
| PWNED! By: blatanville, MIDIManNI |
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 Blue Cat's Flanger effect is very versatile: it may sound very harsh and metallic or on the contrary very soft. You can obtain a wide range of sounds with this plug-in. The included factory presets will make you explore the capabilities of this effect.
Very famous during the 70's and 80's, this plug-in can be used on almost any audio track: from drums to voices or guitars, from a subtle effect to a deep alien-like voice effect, enjoy it!
This effect is a mono effect: it will alter the sound the same way on the left and right channels of your audio signal. |
| PWNED! By: blatanville, MIDIManNI |
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 This plug-in suite is a simple series of gain utilities which let you control the volume of an audio track. The interest of these plug-ins resides in their automation and advanced MIDI control capabilities (the response curve of the MIDI controllers can be fully customized). Used together with one of our analysis tools or a MIDI controller, these plug-ins let you remotely control and automate the gain of each channel of the audio signal.
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| PWNED! By: MIDIManNI |
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 Modeled after vintage analog phaser circuits, Blue Cat's Phaser reproduces this old vintage phasing effect that you can find on so many recordings, but with the precision of modern digital processing techniques. You can choose to apply up to 32 phasing stages, pushing the modelisation to its limits, or create a subtle phasing effect with wet and feedback parameters set to a few percents. |
| PWNED! By: blatanville, MIDIManNI |
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 Based on Blue Cat's Chorus technology, Blue Cat's Stereo Chorus has the same versatility and crystal-clear sounding capabilities as its little brother, plus a subtle to very deep stereo effect feature: just play with the 'stereo' control and get this famous widening stereo chorus effect. You will feel like the sound is turning around your head. |
| PWNED! By: blatanville, MIDIManNI, West, nathel |
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 Using the same algorithm as our Flanger, this plug-in adds a unique feature to the original effect: you can smoothly transform it into a stereo flanging effect with a single slider. Push the 'stereo' slider of the user interface and hear the difference: the effect is turning around you head and the sound takes another dimension.
Simple yet powerful, this feature benefits from the Smooth Update mechanism, and thus does not introduce any 'plop' when you modify the parameters, on both DirectX and VST platforms. |
| PWNED! By: blatanville, MarsHottentot, MIDIManNI, nathel |
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 Boogex is a guitar amplifier plug-in with a variety of sound shaping features. With Boogex it is possible to get heavy distorted sound as well as slight distortion sound. Boogex is also able to apply any speaker cabinet impulse response (selection of built-in impulses is available). Processing latency is very modest - 96 samples (2.1 ms at 44.1kHz). Boogex comes with several example factory presets. |
| PWNED! By: blatanville, MarsHottentot, MIDIManNI, West, skinless, nathel, martygras, Moseph, snez |
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 BoomComb is a MIDI tuneable comb filter perfect for creating similar effects to a flanger or for just generally doing things like spicing up synthetic drums. The delay time to the comb is set in Hz and allows it to be set by the notes that are pressed on a midi keyboard as well as the pitchbend wheel. It can also be used to create sounds similar to stringed instruments if noise is input. Also it can be used to create resonating type sounds that can be shaped via it's damping filter or it can dirty up the sound of the resonation via its saturation.
Features:-
- Tuneable Comb Filter controlled via MIDI or knob.
- Damping Filter in Feedback loop helps control resonation.
- Saturation in feedback loop for dirtying sound or to be used subtly to add character
- Custom GUI aswell as a version that uses host default GUI.
- Uses custom GUI Framework using the latest Windows Drawing API |
| PWNED! By: blatanville |
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 boost is a dual-band, parallel compression effect that enhances your audio by boosting the lows and highs whilst still letting some of the original signal through to get a nice blend. Increase the gain to get more compression, then tweak the low and high band to suit the sound you want. The boost knob increases the mix of compressed audio with the dry signal.
boost is a very simplified version of bathtub, which is a fully featured and flexible compressor / limiter / maximizer plugin. |
| PWNED! By: blatanville, Hangman85, brand0 |
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 'BootEQ' - a musical sounding mixing EQ.
at a glance:
- four independent bands plus additional highpass filter
- special selected and musical sounding EQ curves and phase responses
- capable of reproducing several 'classic' curves
- well adjusted auto Q and versatile overlapping frequency ranges
- minimized curve warping at Nyquist frequency
- stepless selectable frequencies in low mid and high mid band
- adjustable HF shape
- level metering and output volume trim
requirements:
Windows XP, SSE support |
| PWNED! By: obstgegenrechz, blatanville, pattonfreak1, robojam, BroderYon, snez |
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 What it does
The BootEQ mkII is an equalizer and pre-amp simulator combination which provides some nice and musical signal coloration effects.
Tips & tricks
utilize the pre-amp’s LF boost in combination with the EQ’s low-cut to obtain consistent low-end
tune MF and LF on (nearly) same frequency to boost and cut the same time (push/pull style effects) |
| PWNED! By: blatanville, pattonfreak1, BroderYon |
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 Bouncer is a small plugin designed to create bouncing style delay effects, as made famous by Aphex Twin. The interesting feature about this version of the bouncing delay is that patch changes can be automated without disrupting the delay buffer. In practice, this means the patch can be changed on each beat without getting any horrible artifacts or disrupting the current bouncing effect.
Bouncer was created for the 2007 Kvr Developer Challenge. |
| PWNED! By: tgersic, blatanville, nathel, blazemc, shamanix |
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 A bouncing ball delay unit, modeled after the style of drum programming popularized by tracks like Bucephalus Bouncing Ball by Aphex Twin (a.k.a. Richard D. James, AFX). |
| PWNED! By: PTV, MIDIManNI |
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 The djDecks BPM To Midi program can be used to get the BPM of any ASIO or general wave audio device, and send it as a midi clock signal to the selected midi output port. |
| PWNED! By: jorjee |
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 br0xx3n is an effect plugin that messes with the audio pitch and sound quality to add a certain brokeness to it. You can adjust how broken it is to give anything from subtle wanderings to unpredictable wobbles and bumps. |
| PWNED! By: MarsHottentot |
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 Well, this is his bigger, better brother. The sequel to the first BRAIN is more Terminator 2 than Matrix 2, mainly because it doesn't suck balls.
Inspired by some of the greatest amps ever, Brain 2 is capable of some amazing vintage sounds, smooth blues, classic British crunch and things WILL get a little hairy with the gain cranked! |
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 Brain Bashers is a clean amplifier simulator plugin to be used with external distortion pedals and an electric guitar. It features 4 tuned comb filters, regular filters, and 2 eq's connected together. |
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 BRB-AudioFM modulates the frequency of incoming audio. It simply uses a pair of delay modules linked to a series of LFO's to effectivey speed up and slow down any incoming signal. |
| PWNED! By: blatanville, MarsHottentot |
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 Convoluted is a convolver. It mixes the L and R channels in an interesting way.
This is more of a Proof Of Concept thing than anything else. |
| PWNED! By: blatanville, nathel |
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 brb - Hummer is intended to add recordings of analogue hum and noise to incoming audio, giving warmth and analogue imperfection to any signal in real-time. However, you can load your own samples or custom waveforms, allowing you to trigger and modulate any looped WAV. |
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 P.I. is a dual channel Phase Inverter. It reverses stereo waveform polarity.
Unlike many other phase inverters, BRB-P.I. inverts the negative/positive polarity of both the left and right channels simultaneously - and does so with a crossfading action to eliminate sudden clicks.
This is not intended to be anything fancy. |
| PWNED! By: MarsHottentot, uzargali |
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 Randypan is a tempo based random pan effect. It randomly pans audio in sync with your host tempo.
You can also set a crossover so only the frequencies above the xover are panned, plus you can attenuate the stereo width of the frequencies below. |
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 Voweleriser is a vowel filter with X/Y control. |
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 X-OVER outputs in stereo ABOVE the cutoff frequency and outputs in mono BELOW the cutoff frequency. Why the hell would you want to do that? Because your ears are so close together. |
| PWNED! By: blatanville |
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 breakdown is a filter effect with an internal variable length step sequencer. it allows you to select the type of filter, cutoff and resonance for each step, as well as start, end, and sequencer modes for a wide variety of effects. breakdown can be hand set to create wah wah, gate, and wobble effects, or use the patch randomizer for some intense audio mangling. version 2.0 is not reverse compatible with 1.5 patches, so be careful when installing. |
| PWNED! By: blatanville, MIDIManNI, synthgeek |
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 Breather is a cyclically sweeping filter effect, useful for adding unpredictably swooshy noises to your compositions.
Features:
• From 1 to 4 active variable-cutoff resonant filters offering 12dB/octave lowpass, highpass, bandpass, and notch modes as well as a 24dB/octave lowpass mode.
• Tempo selectable from 1 to 250 BPM. Filter frequency sweep range adjustable from 20Hz to 10KHz.
• Filter sweep pattern repeats from 1 to 64 times, randomizing after the specified number of repeats.
• Compact and straightforward custom GUI. |
| PWNED! By: blatanville, MarsHottentot |
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 JB BroadcastProcessor is a free multi-band dynamics processor (comprising automatic gain control, gate, compressor and limiter), combined with sub-band 'stereo width' processing. |
| PWNED! By: blatanville, blackshadow, West, martygras, BroderYon |
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 bs-spectrum is a spectrum analyzer for Steinberg VST 2.4 , and Apple Audio Units plug-in format. It supports Mac OS X and Windows.
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| PWNED! By: Zolton123, ayiE_gaLs |
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 Inspired by early bucket brigade machines, bucketEER is a simple stereo reverb effect consisting of 16 delay lines, each with an all-pass filter. Mono or stereo input, with 3 output modes, bucketEER can be used for delay effects and basic reverbs. Sounds suprisingly good considering how simple it is :)
Features :
Pre and Post effect shelving filters
Predelay with control over level and time
Size and Time controls
Width and Mix controls
Central readout of knob values
17 Randomize buttons - 'global' and 'local'
Freeze Function
Bypass switch for each bucket and slot
Output level meter
8 presets
uses :
its a reverb and delay effect - use it where you like
faults :
bucketEER is a beta, and is by no means perfect and I've got some module writing to do before its how I eventually want it. At the moment, when changing from one preset to another, the buffers may get stuck for a few seconds resulting in a glitchy effect. this may or may not be a bad thing, and may or may not happen depending on your host. So far, its not stuttered using cubase sx 2.2, but has in fruityloops and cantabile ... let me know ... ha, and it may take a little while to load ... as for cpu, it takes about the same as a single roomworks instance for example (Athlon XP2200+ 1gig ram). |
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 Random bufferer/Step sequencer.
*pluggo runtime is required |
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| A utility plug-in that delays audio by an exact number of sample frames, which can be useful when attempting to sync up audio accounting for delays through certain digital devices. |
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 A buffer freezer effect.
NOTE: requires Pluggo Runtime. |
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 Writes the input audio to a buffer and them lets you 'play' it (i.e. control the size of the buffer, and the speed at which it's played through) - works best if you've got a MIDI keyboard connected. |
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 A VST plugin designed to allow manipulation of two buffers in a number of ways. Could be considered as a cross between a simplistic wavetable synthesizer and GRM Tools' Freeze plugin. |
| PWNED! By: PTV, blatanville, BroderYon |
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 buffer effect |
| PWNED! By: PTV |
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 A multiband distortion plug-in |
| PWNED! By: blatanville, skinless, nathel |
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 A dual-function plug-in. Its primary job is to serve as a bandpass filter, with sliders which enable a quick visual reference to the size of the frequency band being passed through. However, by reversing the sliderpositions, BugPass will also serve as a notch filter, eliminating frequencies between the sliders while leaving the remaining frequencies intact. |
| PWNED! By: PTV, Moseph |
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 A light and open source version of my plugin Bugpass. The filter kernel is significantly shorter. This result in less step filters, but also in a very low CPU usage of only around 0.5% at least on my machine. |
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 Simple Butterworth Lowpass. A Butterworth Highpass is also available. |
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 BuzComp GranComp3 is a Multiband Classic Hard Compressor/Limiter. |
| PWNED! By: robojam, blackshadow, snez |
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 BuzMaxi3 is a Brickwall Limiter / Transparent Level Maximizer for mastering, mixing, and recording. |
| PWNED! By: tgersic, PTV, nojanoise, robojam, tweed, Clipz, blackshadow, ethnix73, Moseph, three, pangrus, duckett, prepboyswizz, exi, Norse |
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 BuzzRizer is a 25-Band Mastering Multiband Processor that works on the Mid/Side channels rather than L/R. Its parameters are controlled
by a small neural network in order to provide an abstract and half-automated parameterset to the user. It also features a limiter with
basic functionality of the Trifex PhatBuzz plugin.
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| PWNED! By: blatanville, nojanoise, West, martygras, Moseph |
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 bx_cleansweep is a new Hi-Pass filter and Lo-Pass filter plug-in from Brainworx, introducing the new "Anti Crush Technology":
Analog style filter curves without the typical Nyquist problems, in a new great sounding filter design (taken from our pro mastering EQ bx_digital V2!)...
Ffirst order filters (6dB) guarantee an extremely musically sounding filter set, and unique joystick control (taken from bx_hybrid) gives you fast and intuitive control.
bx_cleansweep is the plugin that should go into EVERY mix channel as the first plugin. This way you can filter out any unwanted hi-end and lo-end, and the result is a clean and tight mix.
Ever thought about why there are Hi-Pass and Lo-Pass filter in EVERY channel of the most expensive analog consoles (SSL, NEVE, etc.), but why most EQs are missing this feature?? |
| PWNED! By: blatanville, pattonfreak1, snez |
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 bx_solo is a nice little tool that we have designed to get you STARTED with and used to the way we approach the M/S technique - be it for recording-, mixing- or mastering purposes. The "heart" of our M/S tools are our unique SOLO BUTTONS that allow you to actually LISTEN to all components of a stereo mix / stereo signal individually:
L(left channel), R(ight channel), M(ono sum) & S(tereo difference signal) - and all this PHASE CORRECTED (when needed) and mono-ed out on BOTH SPEAKERS of your system. This is very helpful when working in M/S modes (because especially listening to only the S-signal of a stereo mix is not so easy to do with modern DAW stations) and to check your signals / mixes for errors, noises, clicks, whatever...
bx_solo also contains a STEPPED M/S STEREO WIDTH CONTROL, so you can get an impression about what you can actually do with ist. Do try it out on subgroups (makes ROCK GUITAR subgroups jump out of your speakers at about 150% !!!), FX returns, keyboards / samplers, etc. |
| PWNED! By: blatanville |
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 bx_solo is a tool that Brainworx designed to get you started with, and used to, the way they approach the M/S technique - be it for recording-, mixing- or mastering purposes. The "heart" of their M/S tools are the Solo Buttons that allow you to actually listen to all components of a stereo mix / stereo signal individually:
L(left channel), R(ight channel), M(ono sum) & S(tereo difference signal) - all phase corrected (when needed) and mono-ed out on both speakers of your system. This is helpful when working in M/S modes and to check your signals / mixes for errors, noises, clicks, whatever...
bx_solo also contains a stepped M/S stereo width control, so you can get an impression about what you can actually do with it. |
| PWNED! By: blatanville |
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 AcmeBarGig describes C-15 as "insanity controlled". "One turn of a knob lets you know this amp is one step away from being out of control, but the knob itself possesses all the harness required to make sure that C-15 does not lose its head. Forcing a C-15 to hold back is not the best way to treat it, in the real world that can manifest itself in many ways, in the ABG C-15 head it manifests itself in limited tone qualities, Crank it up and let it cut loose, you will be rewarded with a high gain that delivers crisp over tones and rich soundscape. This is a METAL Head, nothing else." |
| PWNED! By: synthgeek |
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 Multi Band Compressor |
| PWNED! By: tgersic, blackshadow, West |
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 Some of you will recognize Cab Enhancer from two of our other products. It has a new version of the CabShaper from DIG and GUTS and three distinct functions:
It will either emulate a cabinet without the use of IR, It will enhance an existing IR cabinet, or it will enhance a mic'd cabinet.
IR cabs can lose some of the "live" feel no matter what equipment or how you place a mic, it will always be like that it is a simple matter of physics. So, what Cab Enhancer does is place back some of that live 'feel', so to speak. |
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 LFO controlled filter and pan. |
| PWNED! By: blatanville, aymat, BroderYon |
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 cairo is a tempo synchronized gate effect. choose a gate speed, and modify the envelope to cut up your audio into different sized slices, with soft or smooth edges. a biquad filter, soft distortion, and overall mix round out the effect. version 1.1 adds the randomizer and improved UI control over the speed setting. |
| PWNED! By: blatanville, MarsHottentot, BroderYon |
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 The California Sun is a classic guitar combo amplifier simulator with two channels (Clean and Dirty). Part of Auraplug's Freetortion series. |
| PWNED! By: arkmabat |
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 CamelCrusher is a free versatile 'colouring' multi-effect plugin.
Feature highlights
# Two different distortion types.
# Warm, analogue-modelled resonant low-pass filter.
# High quality, easy-to-use compressor, with 'Phat' mode.
# Powerful 'MIDI Learn' function.
# A collection of useful Preset patches to get you started.
# Randomize for instant inspiration |
| PWNED! By: tgersic, arke, obstgegenrechz, blatanville, pattonfreak1, robojam, MarsHottentot, MIDIManNI, tweed, nathel, martygras, pangrus, besanane, Rabelino, exi, flynsk, Norse, snez |
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 The much anticipated "Canadian Metal Mega Release" is now available for free download and we just know you're going to love it!
AcmeBarGig has teamed up with the legendary LePou and Catharsis Studios to bring you this amazing collaboration.
Here you will find AcmeBarGig's latest amp Preampus Distortus - designed for metal players and able to kick out some amazing high gain tones for bone-crushing riffs or searing leads, Preampus Distortus is just plain HEAVY!
We're also throwing in RedShift Overdrive, a new concept applied to the much-loved RedShift pickup replacement software. You still have the ability to model a large number of widely-used pickups and materials, but we've added in a whole new overdrive element to the plugin. This is more complex than just a simple overdrive though, and the best way we can describe it is that it's like replacing your pickup electronics with some sort of tube amp! OK, so it's hard to explain, try it out and let your ears decide!
AcmeBarGig's final contribution to this mega pack is our Tube Distortion designer Scar. Scar allows you to design a distortion effect by adjusting the settings and bias of it's four tubes, from a slight gain boost to all-out sonic warfare, Scar gives you the tools to craft an amazing, unique tone.
LePou's contribution to this release is nothing short of AMAZING - THREE different versions of his now legendary Solo_C amplifier! A preamp-only version for those who prefer to use their own choice of power-amp and cabinet, a head-only version, allowing the user to deal with the cabinet side of things and an awesome full-stack version with two separate cabinets capable of loading any Impulse Response files. |
| PWNED! By: synthgeek |
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 Auto 16/24/32-bit Wav File Recorder
Features:
16 / 24 / 32 / 32-bit Float Recording and Playback
Stereo / Mono L / Mono R / Mono L+R Recording
0.001 sec - 10 Minute Recording Time
Selectable Notation Values / Seconds Time Settings
Host / Manual Tempo Settings Audio Input Triggered / Host Triggered / Manual Record Start
Normalised Audio Output Option
Looped Playback
User Adjustable Wave Display
Audio Input Level Clipper
8 Sample Slots
External MIDI Control of Recording and Playback Controls
16 User Patches |
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 ...Allows you to control 6 CC's at a time with your mouse. |
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 Un-smooths incoming CC data, synchronized with the host. |
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 This is a very basic yet functional LFO that generates MIDI CC data. |
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 This is a syncable LFO that generates MIDI CC data. |
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 ...Use this plug to send a little chaos to a CC. |
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 ...This is a MIDI CC morpher. |
| PWNED! By: jorjee |
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 A freeware versatile channel tool.
Features:
* Pan: individual panning controls, bypass and inverse
* Eq: High, HiMid, LowMid, Low
* Filter: Cutoff & Resonance
* Pitch doubler
* M/S: LR2MS/MS2LR
* Vu-meters with zoom buttons
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| PWNED! By: blatanville, flavio |
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 Channel Matrix 2x2 is a plugin which lets you matrix-multiply the signals of two input channels in order to obtain another two signals which will appear at the two output channels. Example uses are mid/side encoding/decoding, mixing stereo to mono, switching channels left for right, boosting or attenuating signals, inverting signal polarity, etc. |
| PWNED! By: blatanville |
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| Channel-Tool is a quite simple plugIn with which you can adjust the gain, the stereo-mix and the phase of the input signal. |
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 ChannelGrabber is a nifty little VST plugin that
allows you to grab the incoming audio stream
and save it as a WAV file. It does also include a
gain control (with optional automatic adjustments)
and a peak meter and full MIDI control. |
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 Charsiesis, a chorus / delay / wackiness effect - the concept is that several delayed copies of the signal are summed together, with each delay length changing at a random rate that is regenerated periodically. |
| PWNED! By: blatanville, skinless, martygras, shamanix, synthgeek |
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 Simple Chebyshev Lowpass.A Chebyshev Highpass is also available |
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 A waveshaper based on the chebyshev polynom. |
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 A stereo-mono switcher |
| PWNED! By: uzargali |
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 The Chime Machine effect started life as a spatial enhancer, and then mutated into the comb filtering delay machine it is today. There are four comb filters/delay units inside Chime Machine, and a novel automatic dynamic routing system. As the name suggests, Chime Machine specialises in producing chiming, spatial effects. |
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 spectral delay |
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 Chimp is a distortion, fuzzy, amp-sim kind of plugin, very responsive to the input gain. Designed mainly for the guitar, although can be used on about any sound you want crapped-up. A noise gate has been added to tame the noise that high gain levels can bring. No EQ was added if you need more eq add one after Chimp.
Chimp dual is identical to chimp in its controls. The only difference its two chimps, GUI switched by a paged panel and the addition of panning for each. ( What does this mean )? Well there are a whole lot more unlabeled controls thats for sure. |
| PWNED! By: MarsHottentot, nathel |
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 Chopper is a pattern controlled gate. When used on a stereo track you can widen the sound by delaying the right channel or by using the flipflop pan which switched the pan for each gate trigger.
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| PWNED! By: blatanville, MIDIManNI, nathel |
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 Harmonizer, Autotuner, Voice doubler built for monophonic instruments, especially for voice |
| PWNED! By: blatanville, marksy2008, aymat, gtlee4, hitmanpros, Stiven |
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 Chorrosive is a simple device: it accepts audio in, runs it through various types of battery acid, and drops it out the other side. Nice.
The aforementioned 'Battery Acid' is comprised of a chorus unit, band pass filter and transistor emulation, applied to the incoming audio in varying degrees. Common usage is via the Large Friendly Dial on the front. Turn it up to stir the acid; turn it down to retrieve your original signal. |
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 This original chorus effect offers a high quality modulation engine, and many other original features: one of these is the practical user interface, which allows the user to obtain thousands of different sound configurations. |
| PWNED! By: blatanville, skinless, Moseph, BroderYon |
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 This is a standalone version of the chorus implemented in U-NO-60.
* Characteristics of the Juno-60 chorus
* 2 modes
* Dry/wet adjustable
* Volume knob
* Low CPU |
| PWNED! By: blatanville, BroderYon, shamanix |
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 A simple chorus effect. |
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 The plug-in simply excites the harmonics of the input signal. It is also possible to invert the phase of each harmonic. This concept guarantees a very surgical control over the distortion produced. |
| PWNED! By: , PTV, blatanville, nathel |
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 ... It's only a simple muter
I know, I must finish wood :) |
| PWNED! By: jorjee |
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 A reverb suitable for realistic ambient soundscapes. |
| PWNED! By: , blatanville, aymat, skinless |
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 generates high crisp audio
audio effect |
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 a compressor.
simple but effective |
| PWNED! By: itilbury |
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 to adjust the filtercurve, click the “X” button and drag the curve with your mouse |
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 can read a file or recoed in real time and reorder it. |
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 a granular audio effect. |
| PWNED! By: eremitalf |
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 a nice phase modulation
plug-in. |
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 figure it out! |
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 experimental noises galore. |
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 a simple time counter,
For Live´s Session view. |
| PWNED! By: jorjee |
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 Clarity Haven is a guitar amp sim, to be used with distortion pedals. If you like pedals, you know how badly cheap amp sims color it, with this you keep the original tone. |
| PWNED! By: arkmabat |
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 CLAS (Compressive Loudness Audio Shaping) is a tool that provides both progressive phase compensation for bass frequencies, and psychoacoustic bass and/or treble enhancement. We use CLAS most often when listening to track edits on the master channel, purely for our pleasure.
For a free version of the plug you need to send a note/request to -> info@refined-audiometrics.com |
| PWNED! By: PTV, BroderYon, synthgeek |
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 The Classic Auto-Filter is an analog modeled four-pole filter with resonance control. It can be used for creative effects like auto-wah-wah and filter sweeps, as well as a fixed filter for equalizing purposes. The filter is selectable between low-pass, high-pass, band-pass and band-reject (notch). The filter cut-off frequency can be modulated from the envelope follower and the LFO. |
| PWNED! By: , blatanville, pattonfreak1, robojam, MIDIManNI, West, Auan, BroderYon, duckett, exi |
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 Classic Chorus is a great sounding and easy to use classical Chorus VST plugin. Nice Plugin for adding Depth, Fatness and Stereo perspective to almost any Electrical Instruments or Vocal. |
| PWNED! By: , blatanville, pattonfreak1, robojam, MIDIManNI, West, nathel, martygras, Moseph, BroderYon, duckett, synthgeek, exi |
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 Classic Compressor is a classic analog style VST Compressor Plugin with a lot of warmth and punch. Special designed to use on individual Instruments and Vocal, but also useable on your final mixes. |
| PWNED! By: , swonderme, blatanville, pattonfreak1, robojam, brotha chinese, MIDIManNI, blackshadow, West, martygras, Auan, Moseph, exi, snez |
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 The Classic Delay emulates three of the most commonly used delays / echo sounds types: Tape, Analog, and Digital, but without the introduction of noise. A quality control is included where the sound of the echo machine can be adjusted to give the preferred amount of “imperfection”. The delay can be synchronised to the host, and the feedback can be reversed to give a ping-pong effect. |
| PWNED! By: , blatanville, pattonfreak1, robojam, MIDIManNI, West, nathel, martygras, Moseph, BroderYon, duckett, shamanix, exi, arkmabat |
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 Classic EQ is a 7 Band Stereo Equaliser with a warm analog sound, well suited to make non-surgical tonal corrections on all instruments, vocals and final mixes. The passive and additive structure, together with unique "Warm" and "Saturation" algorithms, produces warm and pleasant sound, just like some of the most expensive vintage gear. The left and right channels can be adjusted individually or linked together. |
| PWNED! By: , arke, blatanville, robojam, MIDIManNI, blackshadow, West, martygras, exi, snez |
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 Take a trip back to the mid 80's with our Classic Flanger. It will give you that subtle or massive swirling effect that is used mainly for guitar, but can be used for many other instruments as well. Due to a tightly controlled feedback path, it is possible to boost the flanging effect to maximum without getting unwanted side effects. |
| PWNED! By: , blatanville, pattonfreak1, robojam, MIDIManNI, West, martygras, Moseph, BroderYon, duckett, shamanix, synthgeek, exi |
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 The Classic Master Limiter VST plugin is specially designed to boost the overall level of your final mixes, but is also highly useable on very dynamic instruments. With just one control on the front panel operation is as simple as it gets; just turn the Threshold down and hear how your mixes gets louder and louder. Very high compression ratios can be obtained without changing the balance of the mix. |
| PWNED! By: , tgersic, arke, blatanville, robojam, MarsHottentot, brotha chinese, MIDIManNI, blackshadow, West, blazemc, martygras, Auan, Moseph, pangrus, OscarMeat, duckett, exi, elvisqueen, snez |
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 The Classic Phaser emulates analog phasers from the 70’s and 80’s. These vintage phasers got their characteristic sound from the analog phase shifting filters used, unlike the delay lines used in most modern digital phasers. To get a deeper and fatter phasing effect, more filter stages were cascaded. The Classic Phaser works just like an analog phaser, and with selectable filter stages from 4 to 12, it can resemble anything from phaser pedals to expensive studio phasers from that time period. |
| PWNED! By: , blatanville, pattonfreak1, robojam, MIDIManNI, West, martygras, Moseph, BroderYon, duckett, shamanix, synthgeek, exi |
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 Classic Reverb is a nice and smooth reverb that does a good job on almost any instrument. It can be adjusted to sound like most any acoustic space, ranging from a small shower to a large concert hall. With the "Hi-Damping" control, it is possible to change the sound from bright and sibilant to a more natural / warmer sound. |
| PWNED! By: , arke, blatanville, pattonfreak1, robojam, MIDIManNI, West, martygras, Moseph, BroderYon, UtEl, exi, snez |
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 Clip-R is a stereo effect which allows you to trim/clip the ceiling (top) and floor (bottom) of any audio you put through it, it also features a boost control which happens before the clipping and can be used to distort the signal in combination with clipping. The left channel is shown in green and the right in red, the clipping level is show in black and this lets you see exactly what is happening to the signal. The effect works well on basses and basic waveforms like a saw etc and can change the shape. |
| PWNED! By: , blatanville |
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 Clocker is a utility plug-in that sends MIDI clock.
Why would you want a plug-in to do that, when your host app sends MIDI clock perfectly fine? Well, with Clocker you have a separate, adjustable source of MIDI clock. So you can send all kinds of crazy tempo to some of your outboard gear, while the rest of your stuff plays back in time as usual.
It's a niche requirement, granted. |
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 CMT Bitcrusher is an easy to use, opensource distortion / bit crusher / downsampler plug.
Drive
The preamplifier drive (or gain) for the distortion module. Preamp adds no extra gain by default. The range is 0-24 decibels.
First the linear gain factor (1-16 equals 0-24dBs) is calculated, then it's applied into the input signal. In the digital signal processing, this means multiplication. So basically the input signal is multiplied with a floating point number between 1.0-16.0, depending on the drive fader position.
Bit-depth
The effective bit-depth of the output signal. 24-bit is default but you can reduce the bit-depth all the way to 1-bit if you like.
The bit-reduction is done by scaling and rounding the input signal to the target bit-depth in integers and then back to floats. For example in four bits, you have to multiply the input signal by eight (2^bits-1) to floats between [-8.0, 8.0]. The actual bit-reduction (or bitcrushing) is done when the floats are rounded to integers and scaled back to [-1.0, 1.0]. This process reduces the resolution of the floats and produces audible bitcrushing-effect.
Downsampling
Controls the sampling rate of the output signal. Full sample rate is default but you can drop the sampling rate all the way to 1/40 of the original if you like. Sample and hold algorithm is used for downsampling. This means that only every nth sample is kept from the input and others are thrown away. That sampled value is then held until the next nth sample is inputted. Technically this is not a very good way to downsample however, as the process introduces lots of new frequency components into the input signal. However, some people do find that lo-fi sound very exciting and nice. That's why CMT Bitcrusher has this algorithm. |
| PWNED! By: synthgeek |
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 The Cobalt Chorus is based on the chorus effect in the Cobalt VSTi synthesizer. It is capable of creating traditional chorus effects as well as flanging and vibrato. Its quadrature LFO enhances the stereo output by modulating the left and right channels 90 degrees out of phase with each other. Also, you can control the modulation depth in realtime with the modulation wheel.
Key Features
Delay time from 1 to 25 milliseconds
"Quad" LFO modulation for enhanced stereo sound
Modulation wheel can be routed to control the LFO's modulation depth
Feedback for creating flange effects
Kore 2 user page/patch files included |
| PWNED! By: , blatanville |
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 Cold Digital Delay is a stereo experimental/psychedelic delay effect featuring four types of unique delays.
1. Glitch is based on a random delay system controlled by an internal BPM pulse. Great for adding a light glitch element to drums and other sounds.
2. Wave is designed around a delay feeding into a HPF controlled by the synced LFO.
3. Hollow is essentially two delays. The first repeats the dry signal once while the other creates an echo that is then fed through a HPF.
4. Freqk is a delay using the effect's LFO to control (in conjunction with it's knob control) the delay time of the effect. This causes a very unique delay effect that changes the pitch and speed of the wet signal. Freqk also has it's own control to determine whether the effect with have smooth or chopped transitions. Highly recommended on plucked instruments.
Note: Feedback control does not work on the Glitch effect. Delay control does not work on the Wave effect.
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 An ever growing collection of plugins designed to be used together with alternative controllers such as midi drum pads, joysticks, microphones and virtual reality gloves to shape the the plugin's audio output. To be able to use them, you have to have the Max/MSP und Pluggo runtime environments installed. You can get these for free at: http://www.cycling74.com/ |
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 ColorTone is a “"Tone Box"” which simulates the signal path of analog devices through the use of convolution and various proprietary non-linear processes. ColorTone is designed to provide analog-like character and flavor to the modern digital audio workstation. |
| PWNED! By: , blatanville, itilbury |
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 CombOver VST is a pitch-detection-modulated set of 5 comb filters with a sound reminiscent of my old Narcissus + Echo and Dirty Sanchez fx, but actually controllable!
CombOver VST is an FSU effect based on Comb Filters. Unlike a normal comb filter effect CombOver is trying too hard to cover up the naked pate of boring audio. Unlike those old FSU fx this one is understandable, programmable and doesn't explode with feedback. But similarly otherworldly, wet or electric, exploding or glitchy and twitching sounds are possible with CombOver. |
| PWNED! By: blatanville, 133crazydirector |
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 combover is a comb delay, and four more comb delays, and a step sequencer that does odd things, and a pool of prime numbers that make stuff happen, and some mix n match pitch detection. It also has an xy pad and wet / dry controls that let some stuff through and other stuff not. |
| PWNED! By: blatanville |
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 Distortion |
| PWNED! By: shamanix |
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 A freeware smooth compressor and equalizer VST effect plugin.
Features:
* Compressor
o InputGain, Attack, Release, Ratio, Threshold and OutputGain controls
o Input/output/reduction meters
o Bypass, Meters on/off, Auto Makeup
* Equalizer
o Low, LowMid, HiMid, High and Air controls with reset buttons
o Eq on/off, Preboost full/low, Finetune controls
* Many presets included
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| PWNED! By: , djshane, snez |
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 A standard single band compressor.
Features include :
- hard-knee type compression with threshold over -60 - 0 dBFS range and ratios between 1:1 and 10:1
- envelope follower parameters : attack and release of 0- 250 ms
- postgain of -6 to 12 dBFS
- easy GUI with input peak level, gain reduction and output peak level meters
- zero-latency processing |
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 Compressor by Reborn Labs |
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 Compressive is made up of two professional quality audio compressors written in a combination of C++ and assembly for maximum CPU efficiency.
Compressive Pro is an external side chain vintage analogue modeled RMS compressor. The external side contains a 3-band EQ and mid/side controls to allow complete control of audio dynamics.
Compressive Lite uses the same algorithms as Compressive Pro but has a reduced feature for minimum CPU usage. |
| PWNED! By: , West, rebortbst |
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 Compressor is a plugIn for the reduction of the dynamics of an input signal. Compressors achieve this goal by analyzing the amplitude envelope of the incoming signal and reducing the gain when the signal exceeds a certain threshold. This reduces the amplitude of the peaks in the audio signal. Now the signal can be amplified further without clipping/distortion. So at the end of the day we have a signal in which the loud parts stay as they are and the quiet parts are amplified. This increases the overall loudness of the signal. |
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 ...Controller curve remapper/editor...double click to add a node, Ctrl+click to delete a node. |
| PWNED! By: jorjee |
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 ..this MIDI VST provides 6 independent MIDI CC controllers, which can be triggered from your MIDI keyboard and modulated by up to 4 LFOs |
| PWNED! By: blatanville, jorjee |
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 Eight assignable sliders for freeing up screen space. |
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| This is a rudimentary implementation of spectral convolution that mixes the amplitude data of your own live audio input with the frequency spectrum of an input sample. The plugin should work with most digital audio software (i.e. cubase, protools, sonar etc.) but requires that you install the pluggo runtime environment first. |
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 Convolver is an open source high performance Windows application for applying long finite impulse response filters to multi-channel digital audio. |
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 Convolver is a plugin for doing realtime convolution using impulse responses from the user's hard drive.
This plugin has a built-in file browser, gain adjustment, and can do high/low-pass filtering, which are applied to the impulse response directly before convolution. |
| PWNED! By: blatanville, MarsHottentot, tuberkylez, jorjee |
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 A-in-B convolving in stereo, using a sidechain input. |
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 This my friend is a what you would call a FSU VST, all it does is chopping up buffers and plays them back. of-course you can choose the length of the piece of audio played back and when to apply it.
Blargh its hard to explain what it does, throw it into your DAW feed it some audio and press the
little button. Then tweak the big knob. then press the button again, that's how it works and what it
does pretty simple.
Yes it is freeware, but if you want to donate a little summething something for my hard work, its much apprecieated. |
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 This my friend is a what you would call a FSU VST, all it does is chopping up buffers and plays them back. of-course you can choose the length of the piece of audio played back and when to apply it. New for version 2 is a pitch control, and boy can that make fun noises
Blargh its hard to explain what it does, throw it into your DAW feed it some audio and press the
little button. Then tweak the big knob. then press the button again, that's how it works and what it
does pretty simple. |
| PWNED! By: shamanix |
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 Fantastic Guitar Amp Plugin, w/Cabinet.
the weird thing is the mic leakage. The gui has two mics (one for X, one for Y) but try to think of them as one: the sound is focused on the spot where imaginary vectors from mics intersect. (from the screenshot example, there is almost nothing of "Fender 3", very little of "Marshall 1", and VOX wins HnK something like 60:40, that kinda blend, difficult to describe, but once you turn mics, you get the idea )
And sure, there are no such terms as cone, grill, cap...
Sure, you can toggle amp on/off, and toggle cabinet on/off
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 Courvoisier is a single-band universal dynamics processor with adaptive attack and release algorithms optimized for complex program material (mixes and submixes). Courvoisier uses free-form curves drawn over the histogram of incoming audio material (as opposed to traditional ratio and threshold parameters) to determine the transfer function of the processing.
Courvoisier is available for free.
Features:
- Histogram representation (sliding-window statistics)
of incoming program material and the resulting gain change
on which the transfer function can be drawn
- Free-form upward and downward compression and/or expansion
- Spline interpolated control curves
- All performance-critical code optimized in assembly
(utilizing SSE2 flow instructions)
- Two different adaptive attack algorithms (program dependent)
- Adaptive release algorithm (program dependent, scalable)
- Additional user defined adaptive release behavior
- Side chain filtering (low and high pass)
- MS operation
(with support for different transfer curves for Mid and Side channels)
- Stereo operation (adjustable stereo link)
- Dry mix option for parallel processing
- Peak, RMS and Hybrid level detection
- Very low harmonic distortion
(THD during normal operation is below -105 dB FS)
- Lookahead processing for minimizing distortion
with extremely fast attack settings
- Complex mode (oversampling with a twist) |
| PWNED! By: blatanville |
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 CowDelay is a simple delay plugin with
internal multimode filter and other gimmicks
like ducking (delay only audible when input
is below certain threshold). |
| PWNED! By: blatanville |
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 Coyote Wah is a VST plugin that implements high-quality sweeping resonant-filter (wah-wah) effects. Advanced audio processing algorithms produce a very clean output, free of artifacts.
Some of the unique features of the Coyote Wah are:
* Emulation of 4 popular wah-wah pedals
* Supports presets and automation
* VU meter
* Controllable by an external Midi controller (eg. pedal)
Coyote Wah should be compatible with any audio application that accepts VST plugins. It has been tested with several of the more popular applications. |
| PWNED! By: blatanville |
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 Crayon Filter is a multi-band filter plug-in. The band controls allow you to add a type of filter to the output of the signal. You can engage up to five filter types at once (one of each type). Low Pass attenuates high frequencies, giving your sound a “dull” feel. Band Pass attenuates both above and below the cutoff frequency, for a “thin” or “nasal” sound... |
| PWNED! By: blatanville |
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 I'm not entirely sure what to call this. It's sort of a delay-based distorted noise generator. You feed in some sounds, and it goes all Crazy Ivan with it. An interesting effect, though. |
| PWNED! By: Evelon, MIDIManNI, BroderYon |
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 CrAzYx is "made to help you make your sounds go CrAzYx". |
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 CrossOver is a plugin to split an incoming signal into several (at most 4) frequency ranges. It can be used to build your own multiband effects within a modular (sub)host environment. By using only 2 bands, you can also create bass-effects. These are effects which (counterintuitively) keep the low frequency range dry and affect only the high frequency range. The band-splitting is done by complementary pairs ofLinkwitz-Riley lowpass/highpass filters, the slope of which is adjustable between 12 and 96 dB/oct. For configurations with more than 2 output bands, the signal is first split into 2 bands (low and high) and then the low or high or both bands is/are split further, thus the splitting is done in a hierarchical manner. |
| PWNED! By: blatanville, synthgeek, jorjee |
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 Crossover 3-Way is a plugin to split an incoming (stereo or mono) signal into 2 or 3 frequency ranges (lows and highs or lows, mids and highs). It can be used to build your own multiband effects within a modular (sub)host environment. The band-splitting is done by complementary pairs of Linkwitz-Riley lowpass/highpass filters, the slope of which is adjustable between 12 and 96 dB/oct. |
| PWNED! By: blatanville, synthgeek |
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 Crossover Distortion |
| PWNED! By: blatanville |
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 CrossWarp is a lowpassfilter which copies the signal which it filters to the other stereo channel instead of removing it. |
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 Crow Preamp emulates the way tube preamps behave and sound. It will add the typical saturation and warmth of real tubes to your digital tracks!
Crow preamp emulator is very easy to use, and there are only a few parameters for you to handle: input level, tube drive amount, tube type selection, output level and a power switch. |
| PWNED! By: blatanville, brotha chinese, skinless, rebortbst, snez |
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 Cyanide is a unique waveshaping distortion effect that gives you a great deal of control over the wave shape. |
| PWNED! By: tgersic, PTV, arke, obstgegenrechz, blatanville, skinless, Moseph, pangrus, synthgeek |
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 Reads in a cycle's-worth of the input signal, then (once the whole cycle's been read in) outputs it again, on top of the current output. Works best with long/sustained sounds (e.g. strings, pads etc.), sounds like a weird kind of gentle distortion. |
| PWNED! By: blatanville |
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 Welcome back Cyclotron, oh mightiest of pitchshifting realtime granular sample&fuckuperers. Reborn with extra added glitchery, modulation and a cool game-inspired shell, CYX2 will indeed eat your beats for breakfast. Mind the children, now. |
| PWNED! By: , blatanville, robojam, BroderYon |
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C_Plugs includes:
C_FFT
C_SuperStereo
C_Tuner |
| PWNED! By: blatanville |
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 Parallel processing of 16 inputs by 3 effects in serie :
- sixteen multimode filters with separate settings plus global shift of the cutoff frequency
- sixteen delais, with separate settings plus global time and feedback for phase effects or echos
- sixteen reverberations units
- each of the fourty-eight process can be set and turned on / off individually |
| PWNED! By: nathel |
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 Fast Limiter in VST Plug-in format.
This very first version made in 1998 lets you use the first brickwall limitation algorithm of the C-Limiter for free. |
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 D2 is an all-rounder compressor with an easy to use interface. It demonstrates the compressor algorithms of its big brothers, bathtub and sidearm while keeping the interface simple for quickly dialling in some common settings. D2 can be heavy or subtle, razor quick or gentle, clean or dirty and is happy as an insert or buss compressor.
features
· Stereo compressor with gain reduction meter
· True stereo, each channel is compressed independently
· Threshold down to –40dB
· Ratio 1.5:1 to infinity
· Attack from 0-30 ms
· Release from 5ms to 2.4s
· Make-up gain to 20dB
· VU meter shows actual and peak levels of gain reduction
· Dirt option gives added distortion and enhancement
· All control parameters named and mapped to midi CC |
| PWNED! By: blatanville, snez |
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 daeChorus is a pretty typical stereo chorus.
Features Hi-Pass + Low-Pass filters, your typical LFO shapes to choose from, and a neat unique bonus that lets you phase-modulate the chorus LFO with a second oscillator.
It's very easy on the CPU usage. |
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 Glitch accelerator. |
| PWNED! By: , tgersic, blatanville |
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 Very simple, mastering program. The parametrical equalizer, which is included in the software, is a delaying function, a space perception improver and a limiter as well. Furthermore the new function is the maximazation, which helps to refine the possible over-controlled signs. With this latter function the included limiter can be quite competitive with the other, payable versions. |
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 Simple multi-tap delay effect, designed for when you just need a couple of taps with the least amount of fuss. High/low filter and panning options for each tap too for indepth meddling. |
| PWNED! By: blatanville, nathel |
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 A vst recorder and player to rack
on the masters of your favorite sequencer (rendering)
or on a track to capture the superb
piece of piano you're playing. |
| PWNED! By: Anella |
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 Tempo synched delay effect.
Requires Pluggo Runtime. |
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| Bitcrusher effect. |
| PWNED! By: PTV, shamanix, pfunk |
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| Stereo to mono effect. |
| PWNED! By: pfunk |
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| Timestretching effect. |
| PWNED! By: , blatanville, BroderYon, shamanix, pfunk |
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| Tape stop like effect. |
| PWNED! By: blatanville, BroderYon, shamanix, pfunk |
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 Free version of Debaser, uses only 2 fx units with 8 effects |
| PWNED! By: , blatanville |
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 Decimator is a little effect plugin that consists
of a bit quantizer and sample rate reducer
followed by a LP/HP filter. |
| PWNED! By: |
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 Deconstructor takes your input signal, splits it into 8 equal pieces and lets you then
determine how these pieces should be arranged and processed. While the algorithm
itself is pretty simple, a broad variety of "classic" effects can be reproduced in a very
simple way, for example Pitchshifting, Autopanner, Tremolo, Delay, Simple Reverb,
Simple Vocoder, and so on... But don't forget that its true power lies in the combination
of different processing methods to produce new, strange and sometimes very exciting
effects: mangle your drumloops into something completely different, transform voices
into a cacophony, let your rhythms shake!
Deconstructor comes as a VST effect and VSTi instrument plugin. The effect plugin
allows you to process your audio in realtime while the VSTi loads WAV loops for
processing. |
| PWNED! By: , MIDIManNI |
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 stupidly long delay |
| PWNED! By: blatanville, nathel |
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 An acoustic guitar simulation for electric guitars.
It works nicely with plucked synths also. |
| PWNED! By: , blatanville, MarsHottentot, skinless, nathel, Moseph, jorjee |
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 Degradeology is an over the top amp sim for electric guitar. Best when used after a distortion pedal/plugin, it's for guitarists who hate the sound of guitar amps. |
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 SoundHack Delay Trio is a group of three plugins derived from the same basic delay algorithm: a hermite interpolated delay line with variable modulation, and a feedback loop with dc blocking and saturation. Pitch shifting is achieved with a dual head crossfading delay (ala Eltro Tempophon/Dennis Gabor/Pierre Schaeffer phonogene) and is decidedly low-fi. The saturating feedback also allows them to be great drone and noise generators.
The three plugins are +delay (classic delay effects), +pitchdelay, (essentially the same plugin with controls oriented toward pitch shifting), and finally +bubbler (a granular delay in which grains are pulled from the delay line with randomized start time, delay time and pitch shift value).
Windows is in VST and RTAS formats, Mac is in VST, RTAS and AU formats, all are freeware. |
| PWNED! By: blatanville |
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 A simple delay effect. |
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 >Routing matrix!
>Mid and Side conversion on the inputs
>Delay time is scaled by the note value.
>Delay control displays number of quarter notes for the given host tempo.
>Lock button will lock the value of a quarter note to 500mS (host tempo is out of the calculation)
>Filters are a combination of passive filters in the feedback path, and resonant filters in the output path.
>Gate mode added for inputs (including L,R,M and S). Pulse symbol to enable, other button to gate.
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 A stereo, step-sequenced gate effect. It can be used as an insert or as a send and is useful for all those 'trancey' type gate effects and more. |
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 J1000 DELTA is a mixing EQ with a twist. It shares the same HP/LP and output section as Beta. The obvious differnce is the way Delta handles audio via it's tilt and concurve modules. Actually, they are just pairs of filters that are set to work parallely. In case of tilt when one filter goes up, other goes down. Since their central frequencies are far apart (at default they are 50Hz and 10.5kHz), it results in spectrum tilting. Horizontal fader [F] controls central frequency of tilting, where gain remains zero. In case of concurve, which name derives from convex/concave curve, both filters react the same way, so when you move [C] fader up the spectrum "smiles" :), and when you move it down it "frowns" :(. Loudness difference is automatically compensated. Horizontal fader [Q] adjusts bandwidth of opposite filters. Delta is suitable when you want to preserve the natural color of instrument, optimize it's presence in the mix and, figuratively speaking, adjust it's brightness and contrast. |
| PWNED! By: blatanville |
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 True stereo multi mode filter with LPF, BPF, HPF, Notch and Peak filters, all available in both two and four pole flavours
There is a multi shape tempo syncable LFO, routable to both the cutoff and resonance simultaneously. Full midi gives you instant acess to all the controls. Add in the Exponent XY Pad and you've got more fun then should be legal! |
| PWNED! By: , blatanville |
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 A distortion designed for drum and bass.
After being seperated in to three seperate bands, your audio is crunched and mangled through our customer distortion units. With 12 distortion types, ranging from soft shaping to nasty destruction, you can be sure of finding the right distortion. |
| PWNED! By: , blatanville |
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 Delta phase is a true stereo phase unit.
Each channel of audio is independently processed by its own dedicated phaser.
Channel locking, stereo width control plus full midi recognition gives a world of possibility. |
| PWNED! By: , blatanville |
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 Delta Ping is ping pong delay.
The feedback paths on each channels are crossed, giving wide stereo effects.
Designed for those times when you need a soft delay, which is quick and easy to use, Delta ping will add movement to your tracks |
| PWNED! By: , blatanville, nathel |
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 Band seperated auto panner. Your input signal is split three ways (through a customer filter bank, which you have complete control over). Each channel is then fed through its own independant autopanner. Each autopanner has its own tempo syncable lfo. Full midi recognition gives extra scope for wierdness or subtlty. |
| PWNED! By: , blatanville |
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 Density - smooth and versatile dynamics processing.
at a glance:
• smooth and versatile stereo dynamics processing
• flexible audio encoding and routing
• designed for glueing all things together
• few controls, flexible work
features:
• zero latency processing
• natural, smooth and unobtrusive coherent compression
• modelled transformer circuit
• modern and program dependend release curve
• seemless MS compression and blending
• phase consistent internal mixing
• special 'phat' mode for reduced compression artifacts
• sidechain filtering
• completely SSE optimized |
| PWNED! By: tgersic, obstgegenrechz, blatanville, pattonfreak1, gambazi, robojam, blackshadow, West, Moseph, BroderYon, flynsk, snez |
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 Perform ultra smooth 2-bus compression.
Master difficult to handle audio dynamics.
Manage mid/side dynamic processing in a true two channel layout.
Apply dynamic range adjustments easily.
Plug-in specification:
Zero latency processing, no phase alterations.
Performance crucial parts are written in assembler.
Completely SSE optimized. |
| PWNED! By: blatanville, pattonfreak1, West, Moseph, besanane, BroderYon, snez |
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 DepthCharge is a compressor plug-in with analogue VU meters and a dimpled metal background. Designed specifically for tracking though it can be used in the master bus chain.
7AIR primarily uses it for drums, guitar and vocals, though it can be used for pretty much anything you throw at it, curbing some high frequencies on synths and pads for example. |
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 Detuner effect. |
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 Buffer Override can overcome your host app's audio processing buffer size and then (unsuccessfully) override that new buffer size to be a smaller buffer size. It makes a lot more sense if you just try it out and hear what it does. It can sound like a stuttery vocoder or a stuck beat shuffler or many other delightful things. In certain hosts, you can also "play" Buffer Override via MIDI notes and even sync it to song tempo. |
| PWNED! By: PTV, blatanville, MarsHottentot, coreyyy, BroderYon, shamanix, synthgeek |
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"DH Wrapper" is a VST plug-in that processes 5.1 surround sound content and outputs 2 channel binaural signals. The result is, surround sound through headphones. "DH" stands for "Dolby Headphones" as this VST plug-in wraps the functionality of the "DOLBYHPH.DLL" file installed with software DVD players. In fact, even the demo version of WinDVD installs a fully working version of the needed DLL file.
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 VST Mixer
8 tracks mono + 8 tracks stereo /
numbers on each knob / fully automation completed
On each track : mute, solo with blue light, labels, led, bargraphs, volume, pan, parametric equalization
with on-off button, 4 sends, gain.
Masters left and right, bargraphs and vu-meters (with adjust), masters gain, 4 masters sends, Panic /silence button, post-its.
Real size 1024x768 |
| PWNED! By: Lil Brosh |
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| PWNED! By: snez |
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 DIG 2.0 is a full featured VST Guitar Amp simulator based on 2 12ax7 Tubes. Features include Stereo Delay, Noisegate, Cabinet Shaper, Manual, and a separate amp designed specifically for Clean Guitar, called Whisper. Presets with the ability to download and upload presets from acmebargig.com. No Hooks, No Junk, just enjoy and make sOme great music. |
| PWNED! By: blatanville, vilmoerschbacher, synthgeek |
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 Guitar tuner app with 27 different tuning types (standard, lowered, dropped, open tunings, Hawaiian etc.) Tunes with microphone (16 bit / 44100 Hz) input or reference midi notes.
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All-round digital audio compressor with:
Treshold from -90 to -0.1 dB
Ratio from 0.000099:1 to INF:1
Attack from 0 to 1000 ms
Hold from 0 to 250 ms
Release from 0 to 2500 ms
RMS Size from 0 (PEAK) to 1000 ms
Ouput from -INF to 18.06180 dB
Support for all samplerates and both feedforward and feedback procession as well as sidechain input capabilities.
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| |x|, very simple distortion like effect |
| PWNED! By: PTV |
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 Dirthead is my latest attempt at modelling a tube guitar amp. It features three channels, clean, crunch and ultra that can be activated by clicking on the yellow, orange or red leds. It comes with the usual controls found on guitar amplifiers and additionally a voicing knob that alters some internal poweramp parameters. |
| PWNED! By: , swonderme, blatanville, robojam, MarsHottentot, skinless, nathel, snez |
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 dirtsky is a frickin' mess... on one side it's a grain-based mangler similar to gleck, but with more control. On the other side it's a 3 way harmonizer with independent pitch controls. You can set the wet/dry value of the effect in general and the amount of dirt and/or sky to your liking.
(requires Pluggo Runtime) |
| PWNED! By: marksy2008 |
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Not for the faint of heart. This is a dirty, dirty delay. Like so many others, I used the Roland RE-201 (the Space Echo) as my conceptual starting point, but added in a few more modern features. The Space Echo is celebrated for its dirtiness and unpredictability. Here I tried to take that a step further by introducing a bitcrusher and resampler into the feedback loop.
(requires pluggo runtime) |
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 randomly selects between multiple delay taps in sync with host for randomised audio segment effect. |
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 Inspired in the effect with the same name of the EMU e6400 Ultra hardware sampler, this is not an emulation but an original and unique effect. In fact, it´s the only distorted chorus plugin available today! I was using it exclusively until now! Use it to warm, wide or even sick guitars, synths, voices and bass. This effect really works best on lo-fi, grungy or distorted and/or saturated sounds (listen to the provided demo). It sounds terrible on pads and other clean sounds. On distorted basses, it provides a simple (old school) way of getting phase distortion. Full automation! This plugin is released to show the sound of my upcoming exclusive FX plugin pack. |
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"Distortion M Plus" it's a multiband distortion plug-in system, that allows you to control the distortion effect for your sound.
It goes from the standard distortion to the multiband distortion, giving you the advantage to apply different amount of distortion by frequency zones, allowing you to expand your creativity.
The Distortion M Plus plug-in works also as an EQ section alone, and it can be used as a dual-stage effect, by combining the standard and multiband distortion altogether. Offering you the possibility to create complex harmonics.
Key Features
* Standard Distortion
* EQ Section
* Multiband Distortion
* Dual-Stage Distortion |
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 A simplistic distortion plugin, with two modes. The first mode is a modified threshold-type distortion (although the modification isn't particularly noticeable, sound-wise). The second mode is called Sine Wave distortion, although it's actually closer to frequency-modulation, as the audio input is used as the index to a sin() function. (Delphi) |
| PWNED! By: MarsHottentot |
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 Flanging, bit crunching, distortion effect inspired by the Alesis Bitrman f/x unit. |
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 Distroyr is a free stereo distortion VST effect which features a range of different algorithms which effect and generally distort the incoming audio, depending on the settings you can have analog sounding warmth to your sound to very heavy clipped and crushed sounds. There is a total of 7 different distortion processes including feedback, signal clipping, bit crush and valve distortion to effect your sounds. |
| PWNED! By: , blatanville, BroderYon, synthgeek |
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Divider is a four-band distortion/downsampler. It allows you to target specific frequency bands and effect them without altering the rest of the spectrum. It's great for vocals (you can distort the mids without messing with the sibilance) or drums (crank the snare without making the kick sound thin).
(requires pluggo runtime) |
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 A simple DJ style crossfader, with 2 stereo inputs and a stereo output |
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 Virtual DJ Frog VST Effect (Fun Plugin)
-Just place the Plugin on a master Track,
start your sequencer and watch the Show! -Synchronized Light-Effects, BPM locked
-Screaming Crowd included. |
| PWNED! By: MarsHottentot, skinless |
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 # 3 band DJ Style EQ
# Low, Mid, High Gain control
# Low, Mid, High kill switches |
| PWNED! By: Dj_Skribbla |
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 What is dominion?
If you were searching for a tool to shape the envelope of a signal, giving you total control of the signal's attack & sustain phase, dominion is certainly something for you!
But it's got more to offer... |
| PWNED! By: , arke, swonderme, blatanville, robojam, MIDIManNI, blackshadow, ethnix73, West, Ermac, BroderYon, synthgeek, exi, flynsk, bitsmart, Norse, snez, jorjee |
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 Audio mixed with an oscilator and an lfo as well as ring modulation and quantiser all ready to be automated to death in Audiomulch, ideal for anyone into droning, throbbing electronic noise :) |
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 Down the hatch is an amplifier simulator plugin for the guitar. It features simple distortion into a comb filter-based cabinet simulator into your choice of additional grit. |
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 The good doctor splices and dices in real time, providing instant variety to any loop you feed him |
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 Amplifier simulator without speaker emulation.
Drive5 is meant to use convolution for the speaker emulation. |
| PWNED! By: MarsHottentot |
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 An overdrive taken from Free Amp SE
Recommended used before an amp simulator plugin
DriveStomp is a Mono-input to Stereo-output Plugin
Provides 7 different overdrive types with variable input gain amount.
A Chub control to tame the heavy bottom end high gain amounts can bring.
A tone control to shape the drive output.
And a level control to make it fit in the mix. |
| PWNED! By: MarsHottentot |
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 Noise-box, it turns your signal into a soundscape of weird textures. |
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 This is an overdrive designed specifically for drums. It's also nice on electric piano-type synths.
It uses a VCF that let's you control the range of frequencies going into the drove & has an optional low-pass filter at the end for smoothness. |
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 A special Audio Gate for piezo drum pads with very fast tracking
Drum Direction is designed to be used with piezo type drum pads, plugged directly to your soundcard. Drum Direction turns the audio input into a MIDI signal usable by any drum VSTi.
Very low CPU usage, Zero latency with a fade in of about 2.5ms
4 versions are included in the download:
* Single channel version with hihat controller
* 2 channel version
* 4 channel version
* 8 channel version with hihat controller. |
| PWNED! By: espjl66, dani063 |
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 VST Distortion
Specifications:
- separate Low and Highfrequency distortion
- pre-gain, threshold and post-gain distortion controls
- 4-Band equalizer for additional sound control
- output amplifier |
| PWNED! By: , blatanville, nathel |
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 DtBlkFx by Darrell Barrell is a Fast-Fourier-Transform (FFT) based Virtual Sound Technology (VST) plug-in for use in a variety of audio software running under Microsoft Windows 2000 or newer.
Use it for…
- Precision parametric equalizing with sharp-roll off
- Set the frequencies so accurately that you can adjust individual harmonics of a sound
- Frequency resolutions of up to 0.7 Hz
- Harmonic based (or comb) filtering
- Set a fundamental frequency and adjust the level of it and its harmonics - you can even remove the pitched component of a voice
- Active harmonic tracking - let DtBlkFx automatically track a sound and adjust the level of it’s harmonics
- Various types of noise control
- Change the “contrast” between loud and soft frequencies
- Adjust only those frequencies below or above a particular threshold
- Clip frequencies above a particular threshold
- Sound smearing (phase randomizing)
- Frequency shifting
- Harmonic shifting by a fixed number of notes
- Non-harmonic shifting by a fixed frequency
- Active harmonic repitch - the content of your sound is monitored and repitched to a destination note (which is quite fun to try on voice)
- Vocoding
- Standard (frequency enveloping) - make your trumpet rap, string section sing or synthesizer talk
- Harmonic based - harmonics in one channel are power-matched to those in the other (or some predefined waveforms) for a new vocoding sound
- Frequency masking
- A harmonic or threshold mask may be set for any effect (apart from vocoding) - for example only shift frequencies that are below the threshold
- Realtime spectrogram (waterfall) display of input and output sounds
- See what frequencies are in your sound and exactly what you’ve done
- Use your mouse to see the note & frequency under the pointer
You can select up to 4 of the above effects to be run in series! Combining the effects in this way allows you to make completely new and surprising sounds.
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| PWNED! By: , PTV, Evelon, tweed, besanane, duckett, shamanix, synthgeek, Norse |
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 Stereo dual delay with lowpass resonant filter |
| PWNED! By: blatanville, nathel, recolt |
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 A protogranular, time de-linearizing plugin. Each delay cloud opens windows onto a buffer, playing fragments of the input sound. The length, on/off ratio and the randomization of these can be controlled, as well as their offset from the current time position. The output of each cloud can be fed back into the other, to recursively cut up the input signal.
Needs the Pluggo Runtime. |
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 Stereophonic waveshaping distortion. |
| PWNED! By: MarsHottentot |
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 DualComp is a compressor utility plugin with a unique and warm sound, which is logarithmically calculated. In addition, DualComp has sidechaining capabilities, allowing an input signal (such as a kick drum) to "punch" through. |
| PWNED! By: itilbury |
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| lp/hp filter with different beatsync delays |
| PWNED! By: PTV |
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 A very simple but effective echo delay vsti. Fab sounding & versatile, great for vocals and drum percussion. The JM7 is a Free but highly respected delay unit. |
| PWNED! By: , blatanville, Daddyflex, nathel |
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 Hues DubBox
i've improved the dub box with a stereo pan, dry/wet volume control, and some other stuff for some great vintage effects.
BTW should be under 'delay' and not 'other' IMO. |
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 Duck Delay is a delay whose output is compressed when there is a certain amount of signal present on its input. It allows to use a lot of delay on a voice without loosing too much intelligibility. |
| PWNED! By: , blatanville, MarsHottentot, martygras |
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 This unit takes one audio input and attenuates its volume based on the current level of the second input, then the attenuated signal from the first input is passed to the output. The louder the second input is, the more the volume of the first input is reduced. When loud signals are fed to the second input (sidechain or SC) this creates the 'ducking' effect, a noticeable dip in volume. |
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 A ducking compressor delay unit with reverb. The reverb output is compressed when there is a certain amount of signal present on its input. It allows to use a lot of wet signal on a voice without loosing too much intelligibility. |
| PWNED! By: , blatanville |
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 The Dudelizer is an amp sim designed to run after a distortion, as the distortion tone will come thru instead of being masked. 5 modes. |
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 Based on a reduced version of the DX Reverb, the DX Reverb Light is the ULTIMATE FREE reverb plug-in for PC And Mac. Even if the DX Reverb Light offers less than 1/11th(*) of the power of the DX Reverb, it provides astonishing quality and extreme flexibility, allowing you to simulate from small rooms with sudden attacks and coloration characteristic of small spaces to large natural-sounding spaces with spread attack and build of a concert hall. |
| PWNED! By: blatanville, West, nathel |
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 *Wave Oscillator + Delay + SV Filter
-Dx-44 is basically a feedback pedal for use on electric guitars. Result effects are: Flanger, Chorus, Detune, Delay and much more...
-The filters are nicely adjusted, so you only have to pick a filter type. (Low pass ,HI-pass, band- pass, all Pass and band reject) |
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 Dynamic Multimode Filter & Autowah |
| PWNED! By: , blatanville |
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 Do things with the FFT algorithm which it isn't designed for..... and have some fun. :D |
| PWNED! By: blatanville |
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 Designed for both Digidesign® Pro Tools® systems and Avid® picture systems, Dynamics III is a professional plug-in suite that includes a Compressor/Limiter, Expander/Gate, and De-Esser, each in an easy-to-use interface.
Dynamics III offers simple ways to apply dynamics processing in mono, stereo, or in a full range of surround formats.* It also integrates easily with control surfaces and consoles, including the VENUE live sound environment and the ICON integrated console environment, giving you direct, hand-on control of functions. Best of all, Dynamics III is offered for free to all Pro Tools and Avid system users as part of the Digidesign DigiRack™ plug-in collection. |
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 Korg EA1 editor. |
| PWNED! By: m71 |
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 - fuzz
- ring mod with three phase distortion oscillators
- time-synced LFO
- very low CPU |
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 Simplicity for vocals.
Dynamic mono vocal compressor/limiter.
Three bands equalizer.
Autogain and Pre-Limiter.
Three EQ models.
Independed Low-Mid-Hicut filters.
Vocal Doubler effect.
Pre in/Post out gain.
In/out/reduction meters. |
| PWNED! By: blatanville, MarsHottentot, snez |
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 easy#filtha o1
Filter-FX-Plugin
- double moog-lp-filter with
- 1 lfo > cutoff - 1 lfo > reso
- 8 step-gater cut 1/2 - 1+2 - reso 1/2 - 1+2
- direction - 1-8 steps - synchron
- a-d-s-r > cut 1/2 - 1+2 - res 1/2
- seriell / paralell - joystick
- 32 patches-user |
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 An Vintage 3 Band EQ-FX
3 EQ-Bands (Low-Mid-High) with
Gain – Warm Shaper – and warm diffusor-module
For a warm bold and loud sound.... or fine sound design....
Very Low CPU Load – 16 Patches (10 Presets) |
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 A "vintage-style"-Delay fx-plugin with the following Specs:
- 2 Delaylines ( -> 1000 ms) Feedback - Level - Lowpass-Filter
with Feedback-loop to Delay-input - 2 LFO´s ( 5 waves + S/H)
modulated > Cutoff - Resonance - Feedback - Pan
- Mix - Volume - Bypass - 16 Presets - Stereo Donation: Freeware |
| PWNED! By: blatanville |
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 The famous Parallel Compression (NewYork) effect in one plugin.
# Effect mix dial.
# Volume dial.
# Special Motown EQ effect for vocals + boost.
# Soft/hard selector.
# Global bypass.
# Stereo and mono versions.
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| PWNED! By: blatanville, rebortbst, snez |
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 An 12 Slot-wave-player-machine
Description:
- 12 Pads with some nice Drum/Perc Sounds
- 12 X 16 Stepsequencer !!
- Each Slot offering the follow Functions:
- Tuning -2 bis +1 Oktave (Pitch-poti)
- LoFi - Overdrive - Delay
- Filter (LP1-LP2-HP-BP) Cutoff-Resonance
- Attack-Decay-Hüllkurve > VCA > Cutoff
- 16 Step Gater -> Pitch - Cut - Reso - Lofi - Drive
- LFO (7 waves) -> Pitch - Cut - Reso - Lofi - Drive - Pan- DelayFB - DelayMOD
- Panorama und Volume – Midi-Chanel
- 16 Voices – 16 User-patches |
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 EasyQ is an easy-to-use equalizer with an arbitrary number of filter stages in series connection. Each of the filter stages can operate in one of the following modes: peak/cut (aka bell or parametric EQ), high- or low-shelving, notch and low- or highpass (both with either 6 or 12 dB/oct slope). EasyQ is also easy on the CPU and just does what an EQ is supposed to do without performing any additional voodoo. As such, it is well suited to serve as a go-to EQ for the routinely equalizing tasks. |
| PWNED! By: blatanville, BroderYon, synthgeek |
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 Stereo Bit Crusher FX |
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 A Tape Echo effect
Recommended used after an amp simulator plugin
Echo2005 is a stereo input/output effect plugin
Uses 3 "tape heads" to create warm sounding echoes.
Rate and Depth controls are provieded to emulate tape flutter.
A Low Pass filter is placed in the Echo channel. |
| PWNED! By: nathel |
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 echographz is a simple dual stereo delay line with tempo synchronisation. |
| PWNED! By: martygras |
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 I built this plug-in for a live performance at the Bazillus Club in Zurich. It features a tap tempo function which makes it easy to create echoes that fit the timing of a live band. |
| PWNED! By: robojam, MarsHottentot, aymat |
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 pseudo vintage stereo delay |
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 Besides being a CPU hog this plug-in goes further than most (all?) real tape delay machines. It's capable of stereo delays, ping pong delays, multitap delays and complex delay textures. |
| PWNED! By: blatanville, MarsHottentot, nathel |
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 Eckel is a midi generating VST based on the eucledian algorithm. Inspired by http://ruinwesen.com/blog?id=216 and the linked PDF.
How To operate
There are 8 instances of the generating part. Pulse is the actual sounding beats, space is the space between the pulses. Speed is how fast they come, 0 is 4th 1 is 8th's etc. Note is the MIDI note that the algorithm spews out.
How you actually make it work in your host is up to you to find out. Remember that Eckel sends MIDI note on and off's. |
| PWNED! By: blatanville, synthgeek |
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 Edge is a subharmonic synth, which in lay man's speak means that if you feed it audio the resulting output will be your audio plus extra low bass.
Unlike most bass enhancers, it doesn't just boost the bass or shape the lower frequencies. What it does is takes the input signal and creates a bass signal one (or even two) octaves lower than the original.
Because not every signal is a simple sine wave, there is input filtering which effectively gives the plugin a more simple waveform to process. It's free, so why not give it a go? |
| PWNED! By: blatanville, robojam, MarsHottentot |
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 EEQ-2 - Classic EQ.
Inspired by the 1073 this EQ is a blend of classic functionality with modern features.
Key Features.
- 3 Band with HP/LP filters.
- Shelf or Peak modes
- +/- 18db Gain
- 12/24db Filter slopes
- Extended musical width (Q)
- Band/Filter Bypass
- Usable |
| PWNED! By: blatanville, snez |
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 EezySqueeze 2 has made compression even easier. V2 is an effective compressor unit that can be added to independent tracks or your master track.
Features:
•Extremely easy to use compressor plugin.
•Controls for Attack, Release, Threshold, Ratio, Gain.
•Regular updates. |
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 Acon Digital Media EffectChainer is a free DirectX and VST capable universal wrapper and multi-effect rack. With EffectChainer you can load, edit and chain as many DirectX and VST plug-ins you want. EffectChainer itself can be used as a plug-in in any host application supporting DirectX or VST. |
| PWNED! By: nathel, jorjee |
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 Effectizer is a simple multi-effect plug-in that features six popular effects: WahWah, Overdrive, Tremolo, Modulation (Chorus/Flanger or Phaser), Stereo Delay (with ping-pong option) and Reverb.
Supports host tempo synchronization and automation.
Room for 32 presets. Low CPU usage. |
| PWNED! By: blatanville, robojam, MarsHottentot, nathel |
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 Born from the filter section of the EffEm synth. Effex will deliver host synced rythmic mayhem to your loops and samples.. |
| PWNED! By: MarsHottentot |
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 This VST plugin produces granular delay synthesis effects. Inspired by the granular delay of Ableton Live, this plugin includes the ability to synchronize parameter changes with the tempo, which enables many different musical effects to be produced. The interface features an interactive genetic algorithm, permitting the user to explore the space of granular synthesis parameters. The interface is designed to allow the fast and effective auditioning and rating of the population of parameter sets. |
| PWNED! By: blatanville |
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 This plugin reproduces the module Eight-Octave Filter Bank carried out in 1971 by EMS. Needs PluggoRuntime (free from Cycling 74) in order to run. |
| PWNED! By: povov |
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 Ekose is a simple delay effect that allows you to tune delay, volume and feedback of left and right channels independently. |
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 'Electri-Q' - posihfopit edition' is a simple, intuitive, but powerful minimum phase EQ, which makes it very easy to adjust the magnitude of any audio material. Due to its flexibility, it can be used on every track or even as a mastering equalizer.
The plugin offers two different algorithms. The algorithm 'Analog' was modelled on a transistor based circuit of a real analog EQ. On the other hand 'Digital' is a pure and neutral digital EQ without any coloration. 'Electri-Q - posihfopit edition' has up to 64 bands and offers several filter types. |
| PWNED! By: tgersic, PTV, obstgegenrechz, Evelon, swonderme, blatanville, gambazi, MIDIManNI, tweed, blackshadow, West, jshonuff, Moseph, randjemp, BroderYon, duckett, shamanix, synthgeek, flynsk, Cacciucco, Norse, snez |
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 simulates static interferences and nasty electric charges applied random to your sound source. The sound will be damaged for a while.
WARNING: the plug-in may produce some sudden and unexpected noise bursts which could damage your monitors/earing/scare your pets. It would be wise to use a limiter on the master bus or right after elekt. |
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 Bit/Rate-Reducer vst audio effect with pre- and after cutoff filters. Runs on most vst hosts. Gives you the ability to create Daft Punk like chord sounds, cool lofi beats and more. Version 2 now comes with 3 interpolation algorithms, lp/hp filters, 2 bit reducers and improvements! Read dox for detailed infos and listen to example mp3 snippet. Report any bugs here, this is a rc. Windows only. V2 and V1 work side by side |
| PWNED! By: shamanix |
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 VST plugin which emulates the famous Robert Fripp's effect called "Frippertronics": two Revox B-77
making a continuous loop. This enhanced version adds many new features: 80 seconds maximum
delay, Delay and LFO Pan now syncable to host, Biquad X filters, Tape noise generator... |
| PWNED! By: blatanville, MarsHottentot |
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 A reverb plugin based upon the original free Empire VST, now including a proper GUI. |
| PWNED! By: blatanville, nathel, bbbbwwwwllll |
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 endorphin dual-band stereo compressor
Dynamics processors are essential when recording, mixing and editing music. But when it comes to compressing an entire sum signal, a lot of digital compressors turn out to be unusable, many of them were made to process single-track signals only.
On complex sources they tend to produce a 'pumping' sound, distort or just make your music lifeless. There are manufacturers telling you 'this is the only compressor you'll ever need'. Don't believe them. Sound signals are far too complex to be handled by a single device.
Your music deserves care and attention to details. This applies especially to the post-mixdown stage, often referred to as 'mastering'. |
| PWNED! By: arke, obstgegenrechz, blatanville, blackshadow, BroderYon, synthgeek, UtEl |
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 These mixers attempt to improve on the standard energyXT mixers, and are mainly meant for use in combination with the energyXT Sequencer.
Common Features:
* Full automation, no continuous controllers were assigned because I found it much better to map these using the CC-map included in enmergyXT's VST window (less chance for crossed CC #'s).
* Only two sends are provided, but when setup in energyXTE.dll, many pre-fader sends can be created, or the energyXT built-in sends also can be used.
* Eight presets are provided so that you can have alternate mixes saved with the song.
* I find it better to place track insert effects in the eXT mixer, as then the freeze function can still be used.
* Each channel of the mixer can accept a mono or stereo input set by the mono switch on each channel. When set to mono only the #1 or left input for that channel will be active. The mono switch on the master channel allows you to check your mix in mon |
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 Envelope-Designer is a plugIn with which you can adjust the realtive amount of the attack transients and the sutained/release components in a signal. |
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 ..Follows Audio-In to make a CC envelope.
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| PWNED! By: jorjee |
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 envy is a volume envelope plug with added features
- 2 envelopes, for L & R channel
- 2 'hit me' buttons to start each envelope independantly
- control both envelopes from one 'hit me' if required
- run both L & R channels through one envelope if required
- 'hit me' can be assigned to any midi key and can be latched if required
- either or both channels can be inverted so volume decreases instead of increases |
| PWNED! By: blatanville, jorjee |
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 The “epicVerb” reverberation device aims at both: Tight small room and ambience effect simulation well suited to modern drum and vocal productions up to large “epic” halls as known from high quality outboard gear. This reverbs sound ranges from rather concrete or even edgy up to smooth, transparent and artifact free reverb tails. It is designed for maximum flexibility and usability and to take place as a true high quality stereo main reverb.
“epicVerb” features two different reverberation modes and 6 different stereo early reflection models. There are some standard reverb controls like ‘TIME’, ‘DAMP’ or ’PRE-DELAY’ as well as reverb tail modulation and detailed control over very first reflection patterns as an option.
It offers different reverb time handling for high and low frequencies as well as a musical sounding EQ section containing two “BootEQ” equalizers and additional high- and lowpass filtering.
Spec and requirements
* PC / VST compatible
* SSE and Assembler optimized sound engine
* State-of-the-art digital signal processing
* Smooth reverb tail processing without any ringing or metallic sounding artifacts
* Different reverb and early reflection modes for maximum flexibility
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| PWNED! By: blatanville, pattonfreak1, West, BroderYon, snez |
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 EQ Killer is a switchable EQ module in the style of DJ "Kill Switches". There are 3 adjustable bands of EQ (Hi, Mid & Lo). |
| PWNED! By: shamanix |
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 10 Band Equalizer |
| PWNED! By: trackinted |
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 15 Band EQ |
| PWNED! By: Daddyflex |
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 # 18 bands of equalization
# 12dB Boost/Cut on each band
# 12dB Boost/Cut on input and output |
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 The EQ 2008S is an 8-band equalizer with separate controls for each stereo channel, a range of +/-20dB and fixed frequencies. |
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 32-Band Equalizer
Specifications:
- 32-Band Equalizer from 16Hz to 20kHz
- +/-20dB range each band
- Dry/Wet mix and output gain controls |
| PWNED! By: Ahmed Nasib, dezodorantov |
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 EQ22 is a 5Band equaliser, with each band covering 2 octaves, with a tuning control to globally scale the centre freqencies of the bands.
It serves 3 functions:
1: To be a 5 Band passive EQ - EQ22 is equipped to perform standard attenuation in each band.
2: To restore dynamics in an audio stream. When a fader is raised above the halfway mark, the proprietary 'Transient Dispersion' algorithm takes over the processing of the band, and will enhance the dynamic range various latency-free adaptive techniques.
3: To provide a basic 'Tube' section for those who don't own a 'Tube amp'.
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 Eq31 is a VST 31 band equalizer plugin for Windows OS. The effect works in mono & stereo mode, without any latency. It requires Pentium II or newer processor. |
| PWNED! By: brotha chinese |
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 31 Band EQ |
| PWNED! By: brotha chinese, dendendenden, arkmabat |
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 Designed with electric pianos, strings and pads in mind, Equivibe is a hybrid of an EQ and a vibrato effect. After splitting your input into 9 bands, those relative frequencies are then individually modulated by their own dedicated oscillator - which is, in turn, modulated by an additional oscillator. |
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 Korg ER1 editor. |
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 "So this works as a doubler, or demented phaser, it is designed to widen and phatten. Of course you can misuse that as well. you have an LFO that controls how long back an echo is. You can set the length and speed of this LFO. Then there is a filter that can be LowPass, HighPass or Allpass, and a cut Hz so that you can control where the cut is. oh-yeah!. The distortion is to gritt up the sound a little, or a lot, it's not the worlds bestest distortion. Then you can amplify the signal, if you want to. The filter can cut away a lot of the volume, that's why we have it. Then finally there is a on/off. There are two to the left side and two on the right side. and finally one dry through parameter. So if you'd like to test one of your settings, turn the other three off (via on/off parameter) and then tweak away, baby. There are a few presets (yeah, we didn't feel like making a lot of them, so we forced that shuriken.se guy to make a random-function and make a lot of presets there)." |
| PWNED! By: stone |
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 "Fast and easy" 7-band digital graphic equalizer. It uses FIR filtering delivering a very nicely-sounding linear-phase equalization. EssEQ uses 128 point filter kernel. This plug-in is very good at quick frequency balance adjustments. |
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 The current, optimised arcDev bucket-brigade echobox. Retains the same sound as the 100, adds (optional) tempo-syncing and stereo operation. |
| PWNED! By: PTV, Evelon, blatanville, robojam, aymat, tweed, ethnix73, T1M0N, mcheshire, Moseph, BroderYon, duckett, shamanix, synthgeek, xybre, bitsmart |
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 The current, optimised arcDev bucket-brigade echobox. New version should fix all memory-leak probs, and also work fine with multithreading hosts (does here, anyway). Not preset-compatible with earlier versions. PC-only.
Some extra goodies, too, but same basic sound as the original. |
| PWNED! By: blatanville, BroderYon |
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 A free Vintage Tape/Disc Echo Emulator. |
| PWNED! By: blatanville, Django07 |
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| A spectral compositing algorithm developed by Chritsopher Penrose, this implementation goes a little further in allowing simple magnitude and phase swapping between sounds. There is a user guide and the plugin dll which goes in the vst plugins folder of whichever application you want to use it with. |
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 An open source exciter. It features linkwitz-riley crossover filters of up to 8th order. Also it features a chebyshev waveshaper that produces a cosy, antialiased distortion, which is used to 'refresh' the high frequencies. The shaper has been created to adapt to other shapes easily in the future. |
| PWNED! By: blatanville |
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 A simple exciter effect. |
| PWNED! By: itilbury |
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 EXT Delay is designed for use with modular hosts such as EXT or Tracktion, The controls are very simple, It doesn't even have wet and dry controls as these are not needed for it's intended use, It does however have seperate stereo outs for delayed and undelayed signals. |
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 EXT Filter is designed for use with modular hosts such as EXT or Tracktion, The controls are very simple, It has no modulators but can be modulated via the host, There are ten types of filter to choose from including four low-pass two hi-pass two band-pass and two band-reject, It also contains another filter which acts like a very basic distortion. |
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 The first word in vocal isolation or removal. Critically acclaimed in Future Music Magazine, Extra Boy uses unique audio processing technology to enable accurate vocal removal, or isolation, with minimal disturbance to the audio stereo image. |
| PWNED! By: jorjee |
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 "Extremist" is a VST plugin (on Windows system) for guitars. It's main purpose is distorting guitar signal to receive extremally heavy sound. This effect is not a tube amplifier simulator, however some methods of altering signal are similar to tube amplification characteristics.
The effect works in stereo mode, without any latency. It uses 15-band stereo equalizer. It's prepared to use SSE instruction set for Pentium II or newer processors. |
| PWNED! By: MarsHottentot, skinless, martygras |
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 Virtual Motorised Audio Cross Fader
Features:
Animated Cross Slider
15 Second Maximum Adjustable Fade Time
A/B/Mix Snap Controls
Auto/Manual Slide Control
5 Selectable Fade Contours
Output Gain Adjustment
External MIDI Control
User Entry Label
16 User Patches |
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 faderratic brings you cross-fading of 2 stereo inputs, but with a mind of its own and a ton of options to change the fade shape, length, limits, frequency and probability. faderratic works by generating a pulse on a tempo-sync frequency, and depending on the probability it may trigger a cross-fade event. You can optionally make the fader auto-return to either side and if you feel like it, trigger a fade manually or control the fader movement totally manually.
NOTE: faderratic is a multi-input effect plugin, with 2 stereo inputs. You need a host that allows multi-input effects, such as energyXT, for the cross fading to work. If your host does not allow multi-input effects, you can still use faderratic as a gate, as it will cross-fade 1 stereo input with silence
features:
- probability based auto-cross-fader
- cross-fade is triggered based on user defined frequency and probability
- cross-fade duration in ms
- 13 different envelope shapes for the cross-fade
- trigger alternate fades or auto-return to either input pair
- partial fades by scaling the throw and fader limits
- 4 fade laws
- manual trigger
- option to manually control cross-fader
- all controls assigned to midi CCs
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| PWNED! By: blatanville |
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 Basically a delay set to work with very short delay times, and high feedback. It's most useful (imo) on guitars, as a kind of fake (amp) feedback effect. |
| PWNED! By: blatanville, MarsHottentot, nathel, shamanix |
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 JB Ferox is a free tape saturation modeller VST plugin. It has separate controls for saturation and hysteresis effects. Feedback with variable tape speed is provided to simulate vintage tape echos. |
| PWNED! By: blatanville, martygras, Auan, Moseph, besanane, BroderYon, shamanix, synthgeek |
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These plugins are intended to constitute a spectral sound-design toolbox. Most of them are inspired by image processing techniques as you can find in photoshop for example. I've used the FFTReal class by Laurent De Soras that can be downloaded at musicdsp
::WARP::
This plugin swap a frequency band defined between the fmin and fmax parameters while leaving the side bands unchanged. Low frequencies are mapped to high ones and high to low. The resulting sounds are highly inharmonic. You can try to set the min frequency very low (i.e.100Hz) and the max frequency to its maximum thus letting the very low frequencies pass through while swapping the remaining frequencies...
::LEVELS::
This plugin affects the spectral dynamic. It classifies the magnitudes in 3 regions: small, medium and big whose gains can be adjusted independently between [-20dB;+20dB]. Therefore by boosting or cutting the small magnitudes, you can either add liveliness or remove background noise. Just try it to hear how far you can change your sound's character.
::KONTRAST::
This plugin also affects the spectral dynamic. It scales the spectral magnitude histogram according to a transfer function defined by the min, max and center parameters with saturation of the levels below the min and above the max.
::ROBOTIZER::
This one just forces the phase to 0.0 thus removing life from your sound. No parameter except a gain.
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| PWNED! By: shamanix |
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 Load up to 4 DX effects inside your VST host. This is the lighter version of FFX-16 version. |
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 Filt-Eq-R is a 3-band filter/eq/crossover plugin made to enhance guitars, for a smooth, scooped-out sound. |
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- 16 different analogue sounding filter types
- Asymmetric filtering (303 like)
- Filters parallel or serial
- Multitap surround delay
- Infinite recursive feedback delays!
- Routable Envelope followers
- Syncable, routable LFOs with 17 shapes
- BPM sync to host
- Presets incuded
the new version is available at http://www.tone2.com |
| PWNED! By: blatanville |
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 Basically, it is a normal state-variable filter. The twist is that the filter frequency can be controlled by MIDI note number in addition to the normal knob-twisting action. You instansiate it as an insert effect (or send, if you feel daring), then assign a MIDI track to it the same way you would to, say, a VSTi or other MIDI-capable effect. You can then "play" the filter with your MIDI keyboard. |
| PWNED! By: blatanville, povov |
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 A stereo filter controlled by a 16 step sequencer.
Try it out on a sustaining synth pad sound. |
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 LiquidSonics' Filtrate LE provides a linear phase 5-band paragraphic equaliser. It is available in a standard CPU edition and a version taking advantage of NVIDIA CUDA for the main convolution processing tasks reducing CPU usage where a G80** and above compatible card is found in the system.
Features and Specifications:
* Linear Phase EQ
* 5-band
* Paragraphic controls
* Adjustable FIR length
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| PWNED! By: besanane |
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 Stereo Filter Sequencer
Features:
4 Host Synced/Manual 1-16 Step Sequencers with Level Scaling and Invert Controls
Step/Interpolation Control
2 SV Filters with Selectable Decay Rates
Independent Mono/Stereo Processing of Frequency and Resonance
4 ADSR Envelope Generators with Host Sync or MIDI Triggering
Switchable High/Low Frequency Display (not visable above)
Host Synced/Manual BPM Selection
Input Level Controls with Overload Indicators
Free Run/Host Locked Operation
Default Position Reset on all Sliders and Rotary Controls
Partial Automation
User Assignable Automation Capability |
| PWNED! By: blatanville |
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 It's a sort of multitap delay with panning and controllable morphing between settings.
Instead of controlling each echo separately, there's a bunch of parametrized functions that you can use to generate various kinds of effects. |
| PWNED! By: PTV, blatanville |
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Firegain is a 3-band (soft-)clipper / shaper.
1. Divide the signal into three frequency bands using box-filters.
2. Applies soft clipping to each of the bands.
3. Recombine the signals to create a final signal.
It introduces a small (a few samples) delay depending on the lower frequency. |
| PWNED! By: blatanville |
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 Note triggered Pitchshifter, with Dry/Wet mixing via ADSR's and a LFO w/ delay.
Note does not control pitch value, only triggers the pitchshifter and the ADSR/LFO/etc.
You won't hear any output from this plugin until you trigger it w/ any note. |
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 Flang-3R is a free 6 band stereo flanger effect, You have control over the modulation with the standard osc shapes and Sample and Hold also. Theres feedback which brings out the sound more and dampening and mix if you want just a slight effect and shift to adjust the tone. Theres 3 different modes for the speed controls and you can sync the modulation, use linked control amounts or adjust the left and right separately. |
| PWNED! By: blatanville |
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 Flanger effect. |
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 It’s a random stereo flanging VST effect. The randomization is tempo-synced: delay and feedback parameters are selected independently for the left and right channels at intervals ranging from 1/64 of a beat to four bars. |
| PWNED! By: blatanville, synthgeek |
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 Stereo Flanger
Classic, Free, Efficient.
- Two mode.
- Two LFO modulator.
- Built in multi-shape tremolo.
- Post or Pre resonant fllter (LP, HP, BP)
NAME CC DESCRIPTION
LFO1SPEED 065 LFO1 speed
LFO1DEPTH 066 LFO1 depth
LFO1SHAPE 067 LFO1 shape
LFO1HZBPM na Hz or BPM
LFO2SPEED 068 LFO2 speed
LFO2DEPTH 069 LFO2 depth
LFO2SHAPE 070 LFO2 shape
LFO2HZBPM na Hz or BPM
VCFMODE 072 LP, HP, BP, 12 or 24 dB MODE
VCFCUT 073 cut-off frequency
VCFRES 074 Resonance / Q
VCFPREPOST 075 PRE/POST flanger
MODE 076 flanger mode (color)
FEEDBACK 077 flanger FEEBACK rate
WIDE 078 flanger stereo field width
TREMSHAPE 080 TREMOLO shape
TREMSPEED 081 TREMOLO speed
TREMDEPTH 082 TREMOLO depth
DRYWET 010 dry / wet output
GAIN 007 gain
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| PWNED! By: blatanville, jorjee |
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 The FlangerHand plug-in is based on the idea of early flanging effect realised on a setup of up to 4 tape machines (1 source, 3 recorders) in the 60's.
The playback-head output from two recorders was mixed together onto a third recorder.
The "flange" effect originated when an engineer would literally put a finger on the flange, or rim of one of the tape reels so that the machine was slowed down, slipping out of sync by tiny degrees
A listener would hear a "drainpipe" sweeping effect as shifting sum-and-difference harmonics were created. When the operator removed his finger the tape sped up again, making the effect sweep back in the other direction. This is where the FlangerHand takes the flanging back in the days of tape recorders and enhances it with new fresh features. |
| PWNED! By: blatanville |
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 phaser/chorus type effect |
| PWNED! By: blatanville |
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| Float Crush is a new type of bitcrusher exploiting the nature of the floating point unit. It offers something the regular bitcrusher can’t: a dual flavor distortion. |
| PWNED! By: arke, shamanix |
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FloatCrusher is similar to a bit crusher in the sense that they both reduce the resolution of the samples.
The samples in all vst hosts are represented by 32-bit floats, this enables huge dynamic overhead compared to integers.
Other bitcrusher converts the float to an integer and the bit reduction is a product of that conversion. The quality depends on how many bits the integer can hold. This is mostly done to mimic early (or cheap) digital equipment (samplers, home-computers and videogames)
FloatCrusher does not try to mimic the limitations of old hardware, it is designed to lower the resolution of floats in the most natural way, by just setting the lowest bits to zero. You can control how many bits you wish to clear with a slider. |
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 Pitchdestroying- frequencyshapeshiftinggraintool.
FloFi combines a filter with an octave pitch shift algorithm. |
| PWNED! By: blatanville |
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 FLOORFISH is a simple expander / gate device, easy to set up and offers a broad variety of processing, ranging from slight expansion, backgound noise attenuation to extreme gating effects.
What's different from similar units is the ability to scan the source and adjust the transistion curve accordingly. |
| PWNED! By: tgersic, arke, blatanville, robojam, MarsHottentot, blackshadow, West, Moseph, besanane, BroderYon |
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 - Start and End selection in the wave file + 3 types of 'Looping' + LFO
- 6 types of waveform in the LFO
- ADSR Amp |
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 My first VST! It's a simple glitchy modulated delay with a built in LP filter. I built it to obtain a certain sound for my own use, but maybe you'll find some use for this plug. Throw some beats (or whatever your fancy) through it and have some fun. Sixteen presets are included to get you started.
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 The Flybaby is a digital model of the legendary Crybaby from Jim Dunlop.
A guitar effect made famous by Jimi Hendrix.
This VST effect is created with impulse responses from this fine product. |
| PWNED! By: aymat |
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 Let's assume that you have a stereo track in which an acoustic guitar is the only instrument in the left channel, and a voice is the only signal in the right. If you pan all left, you might intuitively think that the singer will gradually be heard in the left channel. But with typical hardware and software panning solutions, this is not so!
Instead, the singer's voice is merely lowered until it cannot be heard at all. You may find yourself with a stereo track in which you want to hear all of the instruments or sounds, but simply want to change the entire track's relative stereo position.
Returning to the above example, if you use Fondleo to pan all left, the singer's voice will gradually blend into the left as it is faded out from the right. The end result: your entire stereo track ends in the left channel-- guitar and voice. |
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 Transposes notes by octave increments into the specified range, if possible. |
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 Forma-8 is a free formant filter which can morpth between Vowels using 4 corners of a XY pad, this allows for you to make a range of human sounding effects on whatever you are applying too, there is also a modulation knob which allows you to mix in the amount used and this can make shaking gated effect as it modulates the internal filters. There are also resonance and mix controls which can allow you to apply the effect less powerfully and have just a bit of the effect if you wish. As well as the vowel selection you have a choice of spoken and sung types and male and female genders so you can have more choice than simpler range sweeping formant filters. |
| PWNED! By: tgersic, blatanville, kmayer5120, jorjee |
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 Formant filter is a mono VST effect that uses a bank of five band pass filters to put the formant peaks from one sound onto another. It includes vowel presets but you can input your own values using the custom formant mode. There is an LFO to control the formant shift and also a slider which has a range of two octaves. This slider responds to CC#1 (mod wheel). |
| PWNED! By: blatanville, shamanix |
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 The logical evolution of Throbber, Four-Way Zone provides four times the audio mangling power for the same low, low, in fact nonexistent price.
Features:
• 4 independent LFO-driven effects in series: Autopanner, VCF, VCA, and flanger/echo, each with several operating modes.
• LFOs can free-run over a wide speed range or sync to VST host tempo.
• 13 unique LFO waveforms.
• Compact and straightforward custom GUI makes it easy to sound like your favorite '80s industrial noise band! |
| PWNED! By: blatanville, MarsHottentot, synthgeek |
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 This is a 100% transparent Four/Two Band Frequency Divider vst plugin set for use in (semi)modular mixing environments. This plugin splits your audio into bands & keeps your audio integrity intact. This can be used for frequency dependent FX & mastering purposes. It uses subtractive phase techniques as opposed to minimal phase EQ. In other words the basic signal flow design framework wont change or color your audio. You can test this by double bussing & inverting the phase. |
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 A complex multi-fx plugin incorporating a delay, granulator, three phase vocoder effects, a reversinator, and three types of modulation source. Incorporates a very flexible routing scheme capable of serial and parallel effects routings, and a new kind of modulation routing based on a kind of pie chart representation. This plugin was developed in conjunction with shamann from KVR. (C++) |
| PWNED! By: PTV, blatanville, ashaverus, MIDIManNI, T1M0N, shamanix, bitsmart |
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 Fre(a)koscope is an FFT-based real-time spectrum analyzer featuring: lin/log/semitones/third-octave/Bark scales
- window size selection
- frequency zooming
- freeze
- peak hold
- cursor information (amplitude+frequency)
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| PWNED! By: arke, blatanville, Andorbal, Moseph, BroderYon |
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 Freak-O-Arp is a midi effect, it's 3 arpeggiators that when used together create weird non-repeating rhythms. Comes with 70 presets. |
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 Free Amp 2, Virtual guitar setup.
Advanced Graphical User Interface, designed by Rick Christy (KvR grymmjack)
With Guitsyn, a built-in guitar synth Choose from seven different amps types.
Seven different eq's, all have there own controls for comparison.
Six speakers, plus bypass, adjustable by the mic placement.
Separate MIDI volume control, can be placed pre or post amp.
Host Sync and Tap Tempo for Tremolo and Delay
Noise gate.
Tremolo, Triangle and square modulators.
Two compressors, pre and post amp.
Wah can operate by MIDI CC, plus has auto features.
Drive pedal, with a choice of seven overdrive types.
Chorus with added filter.
Flanger
Phase Shifter
Delay and Reverb
128 factory presets. |
| PWNED! By: swonderme, blatanville, Jhopf124, MarsHottentot, MIDIManNI, blackshadow, nathel, Moseph, vilmoerschbacher |
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 Free Amp SE, Virtual guitar setup.
Choose from seven different amps types.
Seven different eq's, all have there own controls for comparison.
Six speakers, plus bypass, adjustable by the mic placement.
Separate MIDI volume control, can be placed pre or post amp.
Host Sync and Tap Tempo for Tremolo and Delay
Noise gate.
Tremolo, Triangle and square modulators.
Two compressors, pre and post amp.
Wah can operate by MIDI CC, plus has auto features.
Drive pedal, with a choice of seven overdrive types.
Chorus with added filter.
Phase Shifter
Delay and Reverb. |
| PWNED! By: MarsHottentot, MIDIManNI, blackshadow, vilmoerschbacher |
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 This free VST delay plugin offers uncluttered access to essential stereo effect parameters. Turn to freeHaas when you need a more natural sounding pan effect, more clarity in the center of your mix, or just an interesting stereo VST effect.
Features:
64-bit internal processing resolution.
Lots of built in presets to get your mix jumpstarted.
Full automation support of all controls for VST compliant hosts (additional extensions for REAPER).
Sample accurate, zero-latency algorithm.
Creates a more natural pan effect.
Creates space in the center of your mix.
Turns mono tracks into stereo.
Mono and stereo input versions.
Works with Windows VST hosts.
Eliminates complex routing to set up a Haas effect.
Handles mono-to-mono and stereo-to-stereo I/O from your DAW. |
| PWNED! By: blatanville, BroderYon, arkmabat, snez |
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 This free VST plugin will take any track and turn it inside out, making it sound as if the audio surrounds you. Turn to freeOutisder when you want to create a sound that fills the room and seems as though it comes from the air all around rather than from the speakers.
Features:
64-bit internal processing resolution.
Built in presets to get your mix jumpstarted.
Full automation support of all controls for VST compliant hosts (additional extensions for REAPER).
Sample accurate, zero-latency algorithm.
Reverses phase on one side of the stereo spectrum.
Pan between the normal and reverse phase channels.
Creates an unusual hyper-stereo effect.
Handles mono-to-mono and stereo-to-stereo I/O from your DAW. |
| PWNED! By: blatanville, rebortbst |
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 This free VST plugin is an equalizer. The sound of this EQ will very much remind you of many classic analog designs. You get access to four bands of equalization with two shelving filters and two peaking filters, a design which matches that of many sought after high-end console equalizers. Many mix recipes are included as saved settings which can be loaded through your VST host.
Features:
64-bit internal processing resolution.
Lots of built in presets to get your mix jumpstarted.
Full automation support of all controls for VST compliant hosts (additional extensions for REAPER).
Sample accurate, zero-latency algorithm.
Non-clipping EQ filter. You can make the most radical boosts of any frequency and the equalizer will never clip. This free VST plugin will output accurate signals even above 0dB (if supported by your DAW). You can use the output level control of the EQ to bring it down for subsequent plugins or use your track fader. Either way, freeQueue will never add clipping distortion to your signal.
Handles mono-to-mono and stereo-to-stereo I/O from your DAW. |
| PWNED! By: blatanville, snez |
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 Free graphic EQ with 4 bands and 4 preset slots. |
| PWNED! By: snez |
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VST™ Plug-In Bundle
Contains:
3-Band EQ (Win32/ Linux)
3-Band Splitter (Win32/ Linux)
3-Band Joiner (Win32)
Delay (Win32/ Linux)
Digtial Versatile Compressor LITE (Win32/ Linux)
Digtial Versatile Compressor STANDARD (Win32/ Linux)
Dither (Win32/ Linux)
Exciter (Win32/ Linux)
M/S Decoder* (Win32/ Linux)
M/S Encoder* (Win32/ Linux)
Parametric EQ LITE¹(?) (Win32)
Parametric EQ STANDARD¹ (Win32/ Linux)
Saturation (Win32/ Linux)
Simple Peak-4 Limiter¹ (Win32/ Linux)
Stereo Processor*¹ (Win32/ Linux)
Simple Verb (Win32)
Transient Shaper (Win32)
General Info:
VST 2.3 (32-bit)
GUI-less
Support for any Samplerate (as far as known) |
| PWNED! By: blatanville, shamanix |
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 5 - Clean amps
19 - Drive amps, Provides clean\drive amp switching
5 - Amp equalizers
2 - Power amps
17 - Speakers, including 4 bass cabs
3 - Effect slots both pre(mono) and post(stereo) amp positions
Noise gate and output Limiter
Comes in both an amp only version and w\FX full version. All time and modulation FX can be host synced, tap tempo timed or setup manually. |
| PWNED! By: swonderme, blatanville, robojam, MarsHottentot, MIDIManNI, blackshadow, Tijmerd, nathel, Moseph, vilmoerschbacher, synthgeek, arkmabat, snez |
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 You can never have too many different types of EQ in your toolbox, especially if they use advanced 64-bit analogue modeling, sound great and costs nothing! The FreeeQ is a high-quality 3 band ‘instant results’ EQ which is also highly optimized (especially considering what it’s doing ‘under the hood’) for CPU usage, so you can use this on loads of tracks in your mix. You may find that this is all you need. It's not the features of an EQ that make the sound, and flashy guis or being able to tweak a plug all day long does not replace tone!
You will find that the FreeeQ has a very smooth, mastering type quality to its sound. It has a definite, high quality analogue tone and interactive curve which makes it very musical. I think that this more than makes up for the lack of extra controls that your DAW's built-in equaliser uses. It is also completely free so get it now! |
| PWNED! By: brotha chinese, itilbury |
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 This is not, technically, a plugin.
FreeMce - Use you PC keyboard as a Mackie Control Universal (mixer section).
No external controller required.
PC keyboard (us qwerty keyboard layout) required.
Intended for Live, Reaper and Tracktion... however may work with other hosts?
Tested on Win XP and vista 32.
Fader feedback - so no fader jumps.
From the makers of GenMce and Rock Kennedy
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 five small plugins for the audiounit format:
+chebyshev
a distortion unit which uses various low-order chebyshev polynomials to add even or odd harmonic distortion.
+compand is a combined compressor/expander audio unit plugin. It has a softknee control as well as a switchable rms/peak level detector.
+decimate
bit depth and sample rate reduction for added aliasing and decimation noise. a very noisy plugin.
+matrix
a mid-side to left-right encoder and decoder. for mid-side microphone arrays, but also useful when needing to apply effects to only the center or the sides of a stereo mix.
+phasescope
the standard studio tool for seeing the phase relation between your left and right channels. |
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 Yet another freeverb clone. Based on code from Jezar at Dreampoint and a GUI mock-up by thcilnnahoj. |
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 studio-qualitiy reverb
- freeze mode
- adjustable gate for gated reverb
- direct visualization of reverb parameters
- VU-meter
- 32 bit internal precision |
| PWNED! By: blatanville, martygras, Moseph, mikim |
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 freq show screws around with your audio and ouputs an unholy version of whatever you fed it.
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 A freeware real time spectrum analyzer with extremely smooth response and complete control over the audio spectrum analysis. Its customizable user interface and unique transparency feature let you make it totally integrated in your favorite audio application: check the audio spectrum and see behind it!
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| PWNED! By: robojam, cstyle, snez |
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 multi band delay machine. |
| PWNED! By: blatanville |
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 Drum replacer with randomize options. |
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 Drum replacer with randomize options. |
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 Ohmforce's most affordable plugin offers, as you would a expect, a unique palette of sounds, combining lowpass filtering and analogue crunch with a bundle of special features. |
| PWNED! By: tgersic, obstgegenrechz, swonderme, blatanville, robojam, MIDIManNI, pangrus, povov, BroderYon, synthgeek, exi, snez |
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 Func Shaper is a waveshaping distortion plugin based on a mathematical expression evaluator. You can enter an expression to create the function which will be used as waveshaping transfer function. |
| PWNED! By: blatanville, shamanix |
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 fuxx0rd fuxx0rd is an effect plugin that fuxx0rs with the audio pitch and sound quality to fuxx0r it right up. Both left and right channels are independantly fuxx0rd. You can adjust how fuxx0rd it is to give anything from slighty fuxx0rd to extremely fuxx0rd up. It's the more broken version of br0xx3n. |
| PWNED! By: MarsHottentot |
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 FuzzPlus2.2 is the current version of our popular free Fuzz+ plug-in. The basis of the plug-in is a transform model of a famous vintage fuzz pedal. There are four controls:
Fuzz knob: This controls, as you might imagine, exactly how much fuzz is applied to the signal.
Tone knob: This controls the brightness of the distorted signal.
Output knob: This is the output volume of the device, when it is active.
Bypass button: This works just like the switch on a stomp box. When the orange light is lit, you're money. When it's not, the input is passed directly to the output. This can be automated for a slightly different vibe than automating the effect bypass of your host.
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| PWNED! By: obstgegenrechz, blatanville, robojam, MarsHottentot, tweed, steeeve, shamanix, synthgeek |
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 Vector based multi FX. |
| PWNED! By: blatanville, nathel |
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 BJ Flanger, BJ LoFi, BJ Overdrive,
BJ Ringmodulator2, BJ Tremolo, BJ Wavechanger2. |
| PWNED! By: blatanville |
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 "pulse sync series":The princip of this plugs series is to detect sound peak and at this moment change randomly the value of fx parameters (filter, pan, ring or bitcrusch).
"multi series":Some kind of delays and fliters, can make abstract things, just test it. |
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 "pulsors series":Varitions on multi fast tremolos.
"BPM series":Easy fxs (tremolo, pan, HP or LP filter) syncronised to tempo with bpm division.
"live looper series":Easy using loopers, dedicate to live sampling. |
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 Stereo MultiFilter
for live performance |
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 Free filter. |
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 J1000 GAMMA is an equalizer intended primarily for mastering, probably first of it's kind. It is based on Fletcher-Munson curve, allowing you only to accent the parts of audio spectrum where ear is less sensitive and lower the ones where ear is more sensitive. Gamma can produce quite satisfactory results with non-synthesized music, but I developed it for my own personal mastering needs that revolve around soft-synths which often sound flat and harsh. Six faders control gain amounts of six corresponding peak filters. Each filter has fixed Q factor and few selectable central frequencies, except for the last one (labeled F) which is permanently set at 12.8kHz. On the right part of interface there is master multiply fader which controls total amount of EQ-ing applied and also a simple button for reducing input signal by 3dB. Beware - this plugin is tempting to be overused. |
| PWNED! By: blatanville |
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 Gate fish doesn't produce any sound.
It detects attacks and volume (if in envelope mode) and retriggers it to midi cc.
It's a good alternative for Reason style routing.
1 - Put it as an insert effect on any audio out.
2 - Put it as a midi input of a midi track and put the target synth or effect as output of this track .
3 - On GateFish, choose the midi cc that that correspond to the parameter you want to be controled.
It works great on a rythmic output. |
| PWNED! By: MarsHottentot, jorjee |
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 An Audio Gate with very fast tracking
Tracking starts at about -60db and seems to be quite smooth on the gate close.
Very low CPU usage, Zero latency with a fade in of about 1.5ms
4 versions are included in the download:
* Mono gate
* Stereo gate
* Mono gate side chained
* Stereo gate side chained. |
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 host-synced lfos can create crossrythm effects, randomised amplitude, modulate gating period, etc. |
| PWNED! By: blatanville |
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 Gatecomb is a stereo comb filter. The frequency of the comb filter is controlled by an AHDSR envelope which is either triggered in sync with the sequencer or by the the incoming audio reaching a certain threshold. There is also a filter to control the sounds (which can sometimes be very brutal). When processing a stereo track, the right fiter can be offset by octaves or semitones. |
| PWNED! By: blatanville, nathel |
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 gator is a tempo-sync'd probability-based gate, triggering between 2 adjustable volume values
Choose from 8 to 16 steps per bar (measure) and the probability of triggering the gate (from 0% to 100%) for each step. As the track plays, the gate will loop through the steps and randomly trigger depending on the probability assigned to each step.
You choose a lower and an upper volume value, the lower value is the default (unless the invert button is pressed) and the upper value is triggered according to the step sequencer |
| PWNED! By: blatanville, rebortbst |
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 this plugin provides a beat-syncronised gate (whole to 1/64th notes) with volume sliders for each step, also a multimode filter and delay/reverb
(requires Pluggo Runtime) |
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 GBand is a band-pass filter. It removes frequencies from the input that are above or below the specified cut-off points.
GBand uses a high- and a low-pass filter in series to remove the unwanted frequencies. It is equivalent to using GHi and GLow, one after the other. |
| PWNED! By: blatanville, robojam, MIDIManNI, nathel |
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 GChorus is a chorus effect. The incoming signal is mixed with a delayed copy of itself. The effect is created by modulating the playback speed of the delayed copy.
GChorus uses a sinusoidal LFO to vary the playback speed of the delayed signal. The magnitude and rate of this LFO are set using the Depth and Freq parameters.
When GChorus is used on a stereo signal, a separate LFO is used for each channel. The R Phase parameter controls the phase of the right-channel LFO relative to the left. When R Phase is 0°, the two LFOs are synchronised. Changing the R Phase parameter causes the two LFOs to oscillate independently, which adds width to the sound. |
| PWNED! By: blatanville, MIDIManNI, Moseph |
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 GClip is a wave-shaping signal clipper. It prevents the input signal level from exceeding a specified maximum. The clipping function used can be altered to have a hard- or soft-knee.
Wave-shaping can introduce audible aliasing, especially with more drastic settings. The oversampling mode can help to minimize aliasing in such cases.
A graph showing the shape of the clipping function is displayed on the GUI. There is also a wave display that shows what effect the clipping curve is having on the signal. |
| PWNED! By: blatanville, pattonfreak1, MIDIManNI, nathel, besanane, BroderYon |
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 GComp is a combined compressor and limiter for controlling the dynamics of an audio signal.
GComp tracks both the peak and the RMS level of the incoming signal. The level considered for compression can be either of these, or a mix of both. The mix is controlled by the RMS/Peak parameter.
The compression curve is defined by the Threshold, Ratio, Limit and Softness parameters, and is displayed on the GUI.
The GUI also features a wave-display that shows the compression and limiting thresholds relative to the incoming audio. |
| PWNED! By: tgersic, blatanville, MIDIManNI, West, Moseph, synthgeek |
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 GComp2 is a compressor featuring a band-pass filter and a gate.
The compression is controlled with the Attack, Release and Compress parameters. The Compress parameter controls the compression curve, replacing the usual threshold and ratio parameters.
The level of the signal going into the compressor also affects the result. The Gain parameter controls the input gain. The Output parameter can be used to control the output level.
The gate is actually an expander, which turns the signal down when it drops below a given threshold. The Gate parameter sets that threshold. |
| PWNED! By: blatanville, MIDIManNI, West, Moseph |
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 GDelay is a digital delay effect. The delayed signal can also be fed-back into the delay line.
The output is a mix of the original and delayed signals. The level of each is controlled by the Dry and Effect parameters. |
| PWNED! By: blatanville, MIDIManNI, martygras, Moseph |
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 GDuckDly is a digital delay that allows the wet signal to be compressed by the dry signal.
Using high levels of feedback in a digital delay can create a busy sound. This can obscure the original, dry signal. In particular, it can make vocal tracks incomprehensible.
The compression in GDuckDly is configured so that the effect is turned down when the dry signal sounds. When the dry signal is quiet the effect is turned back up. This allows the dry signal to be heard over even extreme delay effects. |
| PWNED! By: blatanville, MIDIManNI, martygras, BroderYon |
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 Super beta version of a great eq VST
Requires Pluggo Runtime |
| PWNED! By: yagitan |
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 GenMce - is a free (pc only), midi translator, designed to allow you to use your midi controller to it's maximum potential in your audio, and possibly video creative projects without having to reprogram your controller.
GenMce - translates your midi control surface (output only), into an approximate, Mackie Control Universal. The midi output is then routed to control your digital audio workstation (daw) software, such as Ableton Live, Cubase SX, Nuendo, Tracktion, Sonar, MOTU, Reaper, Reason, etc... |
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 Geometer is a visually oriented waveform geometry plugin. It works by generating some "points" or "landmarks" on the waveform, moving them around and messing them up, and then reassembling the wave from the points. Each of these three stages can be done in a variety of ways, combining to make millions of different effects. However, Geometer has a real-time display of what your settings are doing to the sound, and a prominent built-in help system to explain what each setting does. |
| PWNED! By: PTV, blatanville, itilbury |
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 W1 Limiter is a clone of Waves L1, with identical output.
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| PWNED! By: PTV, obstgegenrechz, blatanville, pattonfreak1, martygras, BroderYon |
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 GetaBlitch Jr. is a sequenced gate effect that is different from traditional "trance gates" in two significant ways: first, it uses MIDI to sequence the gate, rather than a built-in step sequencer; second, it gates the left and right channels of a stereo signal independently and potentially simultaneously. |
| PWNED! By: blatanville |
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 GFader is a simple volume knob. It has a range of -100 to 0 dB. The signal is silenced at the minimum setting. |
| PWNED! By: blatanville, MIDIManNI |
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 GGain is a simple volume knob. It boosts or cuts the level of the input signal by up to 12dB. |
| PWNED! By: blatanville, robojam, MIDIManNI |
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 GGate is a noise-gate effect. It silences the signal when its level drops below the threshold, given by the Thresh parameter.
You can specify the Fade, which is the amount of time taken to mute the signal, and the Attack, which is the time taken to unmute the signal.
When you are mixing several recorded tracks together, the little noise present in each adds up. During quieter passages, the background noise from "silent" tracks can become a problem. A noise-gate is a simple and convenient way to silence the parts of a track that are supposed to be silent. |
| PWNED! By: blatanville, MIDIManNI, nathel, Moseph |
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 GGrain breaks down the incoming signal into grains and then reassembles it. A grain is just a very short section of the sound, shaped to avoid clicks.
You can specify the number and size of the grains taken from the incoming signal. The level and pitch of each grain can then be altered before the sound is reconstructed, giving a variety of interesting effects. |
| PWNED! By: blatanville, MIDIManNI, BroderYon |
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 GHi is a resonant high-pass filter. It is used to remove all frequencies from a signal below a given cut-off point.
Increasing the resonance of the filter causes the frequencies around the cut-off to be boosted.
Resonance can create large peaks in the output. Because of this, the GUI features a peak display showing the maximum peak output level. The peak display is reset by clicking on it. |
| PWNED! By: blatanville, robojam, MIDIManNI, nathel |
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| PWNED! By: synthgeek |
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 GlaceVerb is Dasample's first attempt to implement its works on Residual Vector Modulation (RVM) in a VST plugin. RVM is a proprietary algorithm developed to calculate the deformations, the vibrations and the acoustic response of surfaces and materials.
Imagine a big orchestra playing in a giant box builded with thin metal sheets. As the panels are not very rigid, the box will vibrate according to the energy of music and produce an audible spectral deformation. RVM algorithm is able to simulate such deformations and vibrations and apply them to the original signal.
GlaceVerb is the only VST reverberation plugin able to modelize liquid acoustic spaces like water. Unlike other reverbs with presets named Room, Cathedral, Stadium etc., GlaceVerb is very easy to use and comes with 64 hi-quality presets designed for real musical situations (including presets for final mix, strings, piano, vocal tracks, drums, percussions and ultra transparent presets for high-end masterings).
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| PWNED! By: blatanville, gambazi, robojam, MarsHottentot, West, Auan, newlife, BroderYon, synthgeek, exi, arkmabat, djtek |
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| Linear Phase EQ plug-in |
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 gleck is a granular delay/repeater with pre and post effect waveform displays (for people who like to see the effect) (requires Pluggo Runtime) |
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 Glitch chops up your audio in real-time and applies a variety of effects which can either be chosen at random, manually sequenced, or a mixture of both. The sounds it generates range from quite subtle to extremely bizarre, depending on how much you tweak the controls. |
| PWNED! By: tgersic, PTV, obstgegenrechz, swonderme, xyz023, blatanville, pattonfreak1, gambazi, robojam, alt_loc, iverevi, MarsHottentot, MIDIManNI, aymat, jodeum, thegame, jshonuff, djdémode, pangrus, nromo88, kb228, Aginor, dustz, BroderYon, shamanix, rebortbst, xybre, Hayesfield, luckyseven, exi, Turtle342, flynsk, bitsmart, tonythemeatball, bjpumpindogg, Ezmyrelda, Norse, icoste, fakefruit, snez |
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 Glitch maker DX. |
| PWNED! By: blatanville, MarsHottentot |
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 Vector based glitch FX. |
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 selfmodulated pitchshiftdelay effect made with MaxMSP (requires Pluggo Runtime) |
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 A triggered sample recorder/looper. |
| PWNED! By: blatanville, MIDIManNI |
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 GLow is a resonant low-pass filter. It is used to remove all frequencies from a signal above a given cut-off point.
Increasing the resonance of the filter causes the frequencies around the cut-off to be boosted.
Resonance can create large peaks in the output. Because of this, the GUI features a peak display showing the maximum peak output level. The peak display is reset by clicking on it. |
| PWNED! By: blatanville, robojam, MIDIManNI, nathel |
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 GLS! — is an virtual effect plug-in which allows you to remove vocals from songs. It works on the principle of “central channel subtraction”, where singer’s voice is usually located.
In addition, the plug-in is able to preserve bass and drums, which are also often located in the center of the stereo space and may suffer along with the voice.
GLS! is well suited for music with good stereo separation and a dry vocal, slightly worse for a wet vocal, and not suitable for mono tracks. However wet vocals can also be slightly muted by narrowing the stereo before processing.
Do not expect magic. GLS! will remove not only the voice: some other musical instruments or sounds may also disappear or become corrupt, and the song loses stereo. But in some cases the result is quite acceptable. |
| PWNED! By: snez |
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 GMax is a maximizing limiter. It is designed to boost the level of the signal without letting the peaks exceed a given maximum.
The Gain parameter sets the desired boost in volume. The signal will be boosted by this amount before going into the limiter.
The limiter reduces the signal level as necessary to keep it below that specified by the Ceiling parameter. The Release parameter sets the time taken for the limiter to recover after turning the volume down.
A meter is displayed on the GUI showing the gain reduction applied by the limiter. The resolution of this meter is 1dB per bar. |
| PWNED! By: blatanville, MIDIManNI, blazemc |
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 GMulti is a three-band compressor with stereo enhancement and advanced visual feedback.
The input signal is split at user-defined frequencies into three bands. Each of these bands can be compressed independently and have its stereo width altered before being mixed back together. |
| PWNED! By: tgersic, obstgegenrechz, blatanville, robojam, MIDIManNI, West |
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 GNormal tries to remedy denormal problems by introducing extremely low-level noise to the signal path. (If you don't know what that means, then you probably don't need it).
Some CPUs employ techniques to extend the accuracy of floating-point calculations for very small numbers. These small numbers are called denormals.
Unfortunately, calculations involving denormals can be very slow. This can drastically affect audio DSP performance. In most cases, these numbers are too small to be of any interest anyway.
Adding noise to the signal path can sometimes prevent denormals from getting into subsequent calculations. Obviously, the noise-level used is so low that you cannot hear it. |
| PWNED! By: blatanville, MIDIManNI, Moseph |
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 Midi processor/composer tool
*FREE for students/educators ONLY
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| PWNED! By: arke |
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 granular-delay VST
Requires Pluggo Runtime |
| PWNED! By: muhkuh |
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 Grainfreeze is a basic granular synthesis effect plugin. There are four different grains. When you press freeze, the audio goes into the four grains/buffers. There is an envelope to control the shape of the grain and to smooth the sound.You can set a different length for each grain and also delay the time at which the buffer is stored. You can also create a fade so that the frozen audio gradually appears. An lfo can control the pan for each grain. Midi notes will also trigger the freeze. |
| PWNED! By: blatanville, MIDIManNI |
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 Morfiki's grANALiser is a hybrid of granulator and delay. The plug-in is capable of complex FSU sounds and effects as well as chorus, pitch-shifter or ring modulation. It is build around the same morphing engine as our redu(p)cer plugin.
Features include :
- stereo processing (granulator pitch shift, size and rate, delay time with spread parameters)
- full featured granulator with pitch shift ( ±5 octaves, dropdown list with fixed values available), that can be tuned with grain size or synced to tempo.
- delay unit with feedback
- adjustable sample&hold lfo (randomizer) for pitch and grain rate/size values.
- all parameters are controlled by MORFIKI preset system (the system itself is described below)
- moderate cpu usage
- dropdown menus with fixed values for pitch-shifter scale tuning, spread transposition and tempo synchronization when available.
NSFW CAUTION! grANALiser contains explicit pixel animation, that should be viewed only by adults. People who find such content inappropriate should not use our software. Viewer discretion is advised during usage ;) |
| PWNED! By: synthgeek |
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 Granulator is based on granular synthesis, the plug is based on the object made by David Haupt.
He explains: “A single-stream quasi-synchronous granulator. It buffers input audio and releases it in discrete grains of a specified duration, at a specified rate. Random variation can be applied to the grain length and grain rate, and they can be modulated by an external source." |
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 Simple Graphic EQ. |
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 By mdsp of Smart Electronix
Greed is a mix between a 16-step sequencer and a multi-band filter arranged into a 16×10 time-frequency grid. One can change the level of each step or each band independently as well as setting 4 predefined levels to each time-frequency cell. |
| PWNED! By: atomic_afro |
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 Green gate is a high quality "smooth" noise gate. |
| PWNED! By: MarsHottentot |
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 The GreenMachine II isn’t about a “faithful re-creation of prized vintage amps”, which
is mostly marketing blurb anyway. It is about providing you with a wide range of guitar
sounds that are highly useable when recording. And it is about giving you a greater
amount of control about the various tone-shaping components of guitar amplification. |
| PWNED! By: exi, arkmabat |
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 Audio-destruction-unit / fuzz-machine.
(I've been watching a lot of 50's B-movies lately, that's probably where the cheapness of the interface comes from) |
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 GRevDly is a delay effect that plays the delayed signal in reverse.
Reversed chunks are cross-faded to eliminate clicks. The Overlap parameter controls the amount each chunk overlaps with the next. |
| PWNED! By: blatanville, MIDIManNI, BroderYon, duckett |
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 Groove Analogizer is an "audio controlled drum synthesizer", it means that like a vintage electronic drum tone generator (e.g. Simmons) the percussion sound is triggered by an audio input, not by a MIDI message. This also means that you must not load, in the host, Groove Analogizer as a VST instrument, it loads as a VST effect, usually in an insert slot.
But it's really a synth: the sound of three oscillators is triggered and shaped by the audio input in many ways. |
| PWNED! By: blatanville, MarsHottentot |
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 grumblebum is a stereo vst effect that uses the incoming audio to drive its internal synth. the results range from a subtle analog accompaniment, to wet analog sounds, to screeching distortion. try it on drums, vocals, leads, whatever. version 2.5 adds the randomizer, fixes the random droning bug, and updates the user interface! |
| PWNED! By: blatanville, MarsHottentot, MIDIManNI, Ezmyrelda, jorjee |
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 GSnap is an auto-tune effect. It can be used subtly to correct the pitch of a vocal, or, with more extreme settings, to create a robot-voice effect.
For GSnap to work effectively, the input signal should be monophonic, at a good level and reasonably noise-free. For example, a clean, mono vocal recording, without excessive noise or reverb. Effect plug-ins should be placed after GSnap in the signal chain. |
| PWNED! By: arke, blatanville, MIDIManNI, tweed, West, Moseph, pangrus, BroderYon, duckett, bitsmart, snez |
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 Real time beat slicer for dodgy lo-fi electronic goodness. |
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 CC Sequencer transmits midi control change (CC) data, useful in automating parameters on other plugins or effects. Think of CC Sequencer as an external LFO, but instead of using regular waveforms such as sine, square or saw waves, CC Sequencer implements a 16 step analogue style sequencer to control transmitted midi CC values. |
| PWNED! By: architexture |
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 Everytime the Randomiser recieves a midi note event, it will transmit two midi CC events, their values varied by a random amount. |
| PWNED! By: architexture |
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 GlitchTek Ring Modulator |
| PWNED! By: khim |
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 Roku is a basic multi tap delay effect.
- Two modes of operation multi-tap or multi-delay.
Multi-tap; 6 taps using a single delay line.
Multi-delay; 6 indepenent delay lines.
- Five seconds max delay
- Tempo syncable
- State variable filter with low, band and high pass outputs.
- Delay buffers can be reversed. |
| PWNED! By: blatanville |
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 Simple sidechain gate effect. It has two stereo inputs (the second is for the key input) so will need a host with flexible routing possibilities. |
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 GTune is a chromatic instrument tuner which operates much like its hardware counterparts. It will automatically detect the pitch of a note being played, and display the Western scale note that it is closest to. |
| PWNED! By: blatanville, robojam, MIDIManNI, West, Moseph, Norse |
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 Those are very simple stomp box FX (Octaver, Bitcrusher, Chorus and Tremolo) |
| PWNED! By: jorjee |
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 'she's a beauty..' inspired by destroyfx's 'buffer override' effect and the music from jsrf. three 'sample and hold'/buffer looping rates with a <=16 step sequencer venetian blind your audio to the beat. uses david haupt's 'sampler' module.. |
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 Haasardous delays your signal on one side, you can switch the sides, or route em both onto both audio outs. |
| PWNED! By: gwar |
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 HandMade Echo is a boutique Delay/Echo unit that simulates classic machines of yesteryear.
Features:
•Extremely easy to use delay/Echo plugin.
•Controls for feedback, delay, dry/wet mix, tempo sync, unit on/off
•Preset system.
•Regular updates. |
| PWNED! By: blatanville |
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 Hard Line Industrial Distortion will take your sound from a clean 'natural' gain to an extreme level of distortion that simulates a white noise waveform at its highest setting.
Single knob design:
GAIN: Lowest setting is pure bypass, highest setting is extreme distortion, almost to the point of white noise. |
| PWNED! By: atomic_afro |
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 A Simple plugin that I built for myself and thought I'd tidy it up and make it available to anyone else who may find it useful. It allows adding harmonic distortion at about 10k and 100hz, which is useful for creating presence in dull audio, especially useful for brightening up the top end.
Bass: This adds the distorted Bass to the mix.
Treble: Adds the top end sparkle
Bass Delay: Allows delaying the bass which can help with phase correction
Master: The master volume output.
FX Enable: Switches the Enhancements ON/OFF for comparison purposes.
Dry Enable: Enables switching off the dry signal to herar what the plugin is adding.
There are only a couple of presets, as presets are a bit pointless in a plugin like this. |
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We use our HDPHX plugin routinely when mixing with headphones. It takes advantage of the Haas Effect to provide a delayed and attenuated cross-channel mix in each ear to present the sound that would be heard with a stereo speaker system with speakers placed at +/-30 degrees azimuth from front-center.
The plug-in has no user interface. It simply plugs into your stereo audio output channel, and provides the same high-quality 64-bit computing that our other plug-ins feature. |
| PWNED! By: arke, blatanville, West, Moseph |
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 Bass and Guitar players all hear an amp in a different perspective.
1st Bass is designed for a round sound, also provides a drive channel for more edge.
May also be used for some interesting clean and half baked guitar tones.
2nd Bass is designed to give more harmonic content, also provides a drive channel for more edge.
May may also be used for some interesting clean and half baked guitar tones. |
| PWNED! By: MarsHottentot, blackshadow, vilmoerschbacher |
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 Ambient chorus / enhancer / stereo expander |
| PWNED! By: blatanville |
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 HGS WAV Recorder is a simple plugin that performs a single role, recording the incoming signal directly to a WAV. It can be used either in an Insert or as a Send Effect. The Sound output can either be direct through, Muted or the Recorded Signal to ensure maximum flexibility. It is a useful plugin for recording spontaneous improvisations, or providing realtime record functionality in Hosts which do not support this directly.
Each WAV is named by the date/time the recording was started so there is no danger of recording over any existing wavs and all are sorted by date. The Recording Folder is configurable via a text file which can be directly opened via the plugin at any time in notepad. After changing the path, clicking on update will create the new directory (if needed) and the next wav will be recorded in that location.
WAV Recorder is free, but donations are always appreciated if you find the plugin useful.
Features:
16/24/32 Bit Support
Records at Host Projects Sample Rate
Mono, Stereo and Sum Output Modes
Monitor Switch
Bypass - Disables Sound output for silent recording
Record Level
Record Level Indicators
Open Last Recording Button
Configurable Storage Directory - Open cfg file to change path, then click update to update the path
Open Recording Directory in Windows Explorer
Default - Sets to the plugins default parameters |
| PWNED! By: three |
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 Simple smooth humanized stutter/ audio retrigger. |
| PWNED! By: BroderYon |
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 A parametric equalizer. Fully automation. |
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 HollyQ is a simple Bass/Treble shelving equalizer in the spirit of the old 1970s component home stereos. If you’re old enough to remember sitting at home listening to records, then you most likely remember at times finding the sound from your stereo to be a bit thin or dull, like you weren’t hearing everything. You would then walk over to your stereo amp and give the bass or treble control a little nudge until the sound became full and clear. Yeah, a little home mastering in your own bedroom.
With HollyQ, you can now do the same thing with your final mixes, individual tracks, and even old records you’re transferring to CD. David has used his considerable talent to develop a very smooth +/- 12db equalization curve to breathe some life into any audio source where simple shelving EQ is required. |
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 The mother of adNi glitch-noise-monsters, HBeast is a 5-part parallel processing speaker-endangering multicrapfx shredder. Features assorted colours, (almost) too-hard-to-read gui and bad attitude. |
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With this VST plugin it is easy to create a house-typical extreme compression. Just load it as an insert-effect and connect it to the baseline via aux-send of the percussion track. The beat of the basedrum will trigger a strong gain.
This effect is the contrary to a midi gate. |
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 With this you can let the music fly around you... |
| PWNED! By: Moseph |
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 Hues Luxe
Vibrato effect |
| PWNED! By: blatanville |
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 Hula is a dual phaser. It can produce very interesting stereo-effects.
Unlike most stereo-phasers it doesn't pan back & forth, but each channel has it's own phaser.
There's also an optional lowpass-filter at the end, to smooth out the highs. |
| PWNED! By: blatanville, zlobak |
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 Hulo is an LFO-controlled filter effect.
There's two stereo-modes: one where both channels are sweeped by the same filter & one where each has it's own.
The LFO rate can be dialed in manually or synchronized with the tempo of your track. |
| PWNED! By: blatanville |
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 This freeware plug-in is a VST-implementation of the spatial distribution meter (SDM) published at the AES in Vienna 2007. |
| PWNED! By: tgersic, gambazi |
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 This freeware plug-in is an accurate spectrogram with a few useful features. |
| PWNED! By: tgersic |
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 The IIEQ is a 10-band fully parametric VST EQ for Windows PCs. The goal in designing this equalizer was to create a plugin that is very light on the CPU while offering an amount of sonic control which is not available in the built-in EQs that come with digital audio workstations. Hence the IIEQ is the ideal track EQ, as the user can load many instances without having to suffer from a high CPU load. And, last but not least, the IIEQ is free! |
| PWNED! By: PTV, swonderme, tweed, blackshadow, besanane |
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 Imperfection is an effect plugin to put some lofi back into your pristine 64bit audio. Who wants hi fidelity reproduction when you can reduce the quality, take out some of that bottom end, add a smear of saturation and bring your noise floor back up. Hmmm, perfectly imperfect.
features
· 4 simple controls to take any lingering perfection away
· Reduce audio quality to add some gritty texture
· Filter out the low frequencies for some tinny speaker action
· Pile on the dirt to give some lovely imperfect distortion
· Raise your noise floor for some hum and fizz |
| PWNED! By: blatanville |
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 Impulsive produces short bursts of noise suited for use with an FIR impulse
response processor, such as the SIR reverb unit. Effects including thickening, mild
chorus, frequency-dependent, panning, echos and reverb can be created this way. |
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 Degrador effect.
*pluggo runtime is required |
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 Inspector is a compact, but powerful, analysis tool. From spectral analysis to extensive metering, Inspector gives you a full picture of your audio. Use the spectrum analyzer to get a clear and accurate representation of your mix. The peak and RMS meters, with customizable caution and warning zones, allow you to visualize and quantify the levels of your audio. The balance meter provides a visual indication of the balance relationship between channels. |
| PWNED! By: Evelon, West, kayjee, Moseph, matraca, ionchavez, barbosww, divinewrath, cyberchris_be |
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 InstaJungle will let you slice beats on the fly, and let you play back different slices in the buffer with just the movement of a slider or the twist of a knob. |
| PWNED! By: Ezmyrelda |
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Muxer released a rather cool effect recently that lets you sample your incoming audio and play back fragments of it using MIDI-notes. You can also do lots of funky stuff, such as reversing the loops, shifting the pitch, scrubbing through the sample or modulating loop length etc.
However, it was Mac only so I have ported it to Windows VST (minus the GUI at the moment) so all us PC owners can have a play. |
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 Buffer/random/degrader glitch effect.
*pluggo runtime is required |
| PWNED! By: Aris |
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 Imagine a standard compressor with a filter inserted in the side-chain, so that it only responds to certain frequencies. Now imagine that instead of controlling the overall gain of the signal, it only controls the volume of specific frequencies.. you just discovered dynamic EQ! |
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 A direct replacement for Turnstile but brought up to date. Isol8Tor can be used to remove vocals from tracks, bring out the vocals from tracks and some downright weird and wonderful filter and timebase effects. As per its predecessor the effect is based on a combination of timebase and phase cancellation effects so results will be determined by the source material. |
| PWNED! By: MarsHottentot |
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 The iSPINNER is a VST Rotary Speaker Simulation. It simulates the famous Leslie Speaker but with some differences.
General Features:
* One-Band Rotary Chorus
* Adjustable Overdrive
* Adjustable Rotator Off/On, Slow/Fast, Speed, Depth and Spread
* Vintage Look GUI
* Low CPU consumption
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| PWNED! By: blatanville |
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| Istvan Kaldor old gems |
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 Up to 8 chorus voices |
| PWNED! By: blatanville |
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 A Quadruple easily panable echo delay |
| PWNED! By: blatanville, martygras |
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 - CC Value Limiter: Choose a CC to limit within a certain range. Multi Channel Key Range / Transpose.
- CC Controlled (or not) MIDI Transposer: It acts on any channel, and when on, any CC assigned to increase/decrease transpose will be filtered.
- CC Time Blocker: Some buggy MIDI controllers will send more than just a 127 and a 0 value when you don't want, this is to prevent any clandestine CC to get thru, which otherwise would ruin, for example, tempo tapping. When enabled, only one message of the CC you specify (and only the values 127 or 0 get thru) will be allowed within the defined time period.
-CC64 Emulator: Just a test tool, instead of sending the CC64 (sustain) out, it will filter it and mimic its effect with note on/offs.
- CC Inverter: Inverts a CC's value (i.e. if it's 127, it will become 0), this is aimed at inverted sustain pedals, some older controllers don't have the option to reverse the polarity.
- Aftertouch To CC: Remaps aftertouch/channel pressure to the desired CC.
- MIDI Random Note Delay: introduces a configurable random delay on every note on message, up to 200ms (which is clearly too much). For example, to provoke slight timing drifts in layered instruments of a brass section.
- CC-Controlled Channel Switcher: Define an origin channel, a destination channel, and a CC to change the routing from original->dest. For that CC's value <= 64: originalChannel. For that CC's value > 64: originalChannel->destCh. Note: any MIDI message except note on's from the original channel will always be doubled into the destination channel as well, this is to prevent any surprises.
- Velocity-Controlled Channel Switcher: Instead of a CC, any velocity value above the specified trigger will change the note's channel. Except this difference, all the rest from above applies.
- VST Metronome: A very simple metronome for practicing purposes, outputs audio or MIDI "ticks" (configurable channel/notes), can be run synchronously or asynchronously with the host's tempo.
- Chord Note-Channel-Switcher: J made this for making brass section chords. If you only play one note, the original channel will go thru unchanged. When 2 or 3 notes are played at the same time, the original channel will be routed to the ones defined for low/mid/high notes. Since in real life you'll never hit the two/three notes in the same exact instant, the algorithm calculates the lower / mid / higher notes each time a note on message is received, so if you have already pressed two keys and press the third one later, the ones that are not according to the new low/mid/high calculation will be "noted-off", the channel change will be made, and new note-ons will be sent again. |
| PWNED! By: Alexander, jorjee |
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 Circuit bent delay effect. |
| PWNED! By: blatanville, MarsHottentot, aymat |
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 jsComp is a simple, free, peak-based compressor with an additional integrated brickwall limiter (zero-latency, therefore suitable for live use).
Both attack and release are adjustable down to 0ms (attack 0-300ms, release 0-1500ms), so even the compressor itself can act as a brickwall limiter (or clipper!). But the envelope filter also offers a "hold"-knob, adjustable from 0 to 30ms which can be used to reduce low-frequency distortion to an absolute minimum. Ratio is adjustable from 1:1 to infinity:1 (limiting).
To increase flexibility, the compressor offers three stereo link modes (min,max,off/dual mono) and sidechaining capability, as well as a mix knob for NY-Compression. |
| PWNED! By: BroderYon, snez |
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 The Juicer produces an effect that the ear hears as a complex of phasing, stereo pans, echo and chorus, occassionally
coming together into a massive phase effect, yet without clouding the harmonic information the way echoes do.
There are six independent band-pass filters, three per stereo channel, each with independent low
frequency modulation, and a sample and hold unit for scintillation. |
|
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 Juicy77
High Gain Electric Guitar Amplifier
Inspired from its legendary role model which has set the industry standard for high gain amplifiers, Juicy 77 aims to become the definitive benchmark for crystal clear articulation, solid punch and singing sustain in the digital domain.
With separate preamplifier and power amplifier sections and a loudspeaker cabinet simulator section that includes seven classical cabinet types, Juicy77 modestly delivers instant gratification to musicians who are looking for the ultimate high gain experience.
Powerful
* Achieve blazing high gain without loosing sharp focus and dynamic punch at extreme gain levels.
* Fine-tune the overall sound with the authentic tone stack which asymmetrically alters the harmonic content.
Responsive
* Accurately control the character from note to note according to how hard or soft you play.
* Individually adjust preamplifier and power amplifier drive levels to achieve smooth transition from wild preamp bite to warm power amp saturation.
Flexible and Easy to Use
* No complex drop down menus, no nested parameter screens, instantly dial in any sound from sparkling clean to gritty crunch to full on juicy saturation.
* Precisely adjust the low-end punch with the unique “Thump” parameter. |
| PWNED! By: MarsHottentot, BroderYon, synthgeek |
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 Translated from French:
Based on the work of a team of research in analogical simulation Simulanalog Researsh Project, this VST is in fact a version with GUI of the superb emulator of JCM900 VST of Simulanalog. Low modeling level is given the responsability to reproduce the faithful behavior of the apparatus, to the slappings of the réverb to the change of channel. An imposing plug, of which I allowed myself with great humility the addition of a GUI. All the work of treatment of the sound, I repeat it, is to the team of simulanalog!! |
| PWNED! By: swonderme, vilmoerschbacher, Martinnn |
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 KAiTOP Plugins Pack 2 |
| PWNED! By: blatanville, FULCRUM |
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 The Kammerl-Kaske-VSTs are a comprehensive set of five soundmanipulating VST audio plug-ins, ready to be used with your favourite music production software like Steinberg’s Cubase or Ableton’s Live. Kammerl-Kaske-VSTs is a cooperation between Julius Kammerl (audio programming) and Klaus Kaske (artwork) and contains following plug-ins:
The Slicer:
The Slicer-Plug-in cuts all incoming audio signals into slices and then re-arrange them in a very musical way. Plenty of different rearrangement sequences can be selected to generate beat patterns and breaks just on the fly.
The Sratcher:
The Scratcher-Plug-in enables you to do digitally scratching even cooler than hand-made scratching with vinyl: you are always in sync and the speed and type of your virtual scratch movements are freely adjustable and easy reproducable.
The Pitcher:
By cutting-up and changing the pitches of all incoming audio signals you can create surprising effects, sounding like switched-off turntables, broken tape machines or shuffled grooves.
The Looper:
The Looper records incoming audio material and instantly makes a loop out of it according to the timing information given by your sequencer. By changing the start- and endpositions, the duration of your loop or even by modulating the loop size you can create amazing new rhythms and 'bouncing-ball-breaks' as easy as 1-2-3.
The Warm Distortion: Like the name says: this plug-in makes warm distortion, comparable to the distortion effect of analogue tube amplifiers.
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| PWNED! By: PTV, blatanville, shamanix |
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Kaotica is a 12db/octave band pass filter modulated by a *Fractal* LFO.
The key of the effect is the Mu parameter, it's the seed for the fractal shape, for each value of Mu you got a different LFO waveform: sometimes close to a random behaviour, other times performing cyclic patterns. Each value leads to a unique shape.
You can set the LFO rate in Hz and the Hardness of the LFO waveform: smooth or hard jumps. |
| PWNED! By: blatanville |
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 Karakao is used to remove centered signals from an audio file (usually, voices).
(works as a stereo insert only). |
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 tape style echo
- 4 tape heads with syncable delaytime
- volume/pan/feedback/damp for each delay |
| PWNED! By: tgersic, blatanville, MarsHottentot, whitex |
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 A tempo controlled stereo delay featuring:
# Two independent delay lines.
# Coarse delay (0-16 beats/4) and fine delay (1 beat/4) adjustment.
# Up to 4 second delay time (per channel) at 96kHz (8s at 48kHz).
# Dry out, wet out, tempo sync control (auto/or 60-200 BPM)
# Adjustable cross delay feedback mixer (pingpong).
# Feedback gain and tap level adjustment.
# Lowpass and Highpass filter with adjustable frequency (-6dB/oct).
# Resonance with adjustable freq and Q.
# DC block in feedback (-3dB at 30Hz).
# 5 ready made presets. |
| PWNED! By: blatanville, West, Casey0070, Ezmyrelda |
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 A digital 31 band graphic stereo equalizer:
# 31 unique adjustable bands.
# Fixed center frequencies ranging from 20Hz to 20kHz.
# Accurate analog simulation of Boost and Cut EQ filters.
# Fully symmetrical (reciprocal) filter response.
# 6, 12 and 24 dB boost/cut for gentle, medium and harsh equalization.
# Choose between Low (20Hz-1kHz), Mid (1-5kHz), High (5-20kHz) or Full equalization.
# Adjustable overall mix and gain control.
# Reset button for easy editing.
# 11 ready made presets. |
| PWNED! By: blatanville, brotha chinese, West, Moseph, hsfm, BroderYon, Ezmyrelda |
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 A simple filter plugin featuring:
# One Two Pole Multimode Filter (-12dB/oct).
# Adjustable frequency, resonance (Q) and saturation drive.
# Selection of Lowpass, Highpass, Bandpass or Bandstop output.
# Two One Pole filters (LP, HP, -6dB/oct) with adjustable frequency.
# Filter series: In -> Two pole -> One pole -> One pole -> Out.
# Filters can be turned on or off (bypassed). |
| PWNED! By: blatanville, MIDIManNI, Ezmyrelda |
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 A digital stereo reverb featuring:
# 10 different reverb algorithms.
# Up to 10 seconds of reverberation time (decay time).
# Dry out, wet out, pan and signal mixer.
# Full 4 channel stereo mix.
# Mono, Stereo or Dual (cascade) mode.
# Up to 500 ms Predelay with adjustable synced feedback.
# Lowpass and Highpass filter with adjustable frequency (-12dB/oct).
# Damping adjustment controls internal (comb) filtering.
# Diffusion adjustment for increasing/decreasing spaceiousness.
# Early reflections adjustment (modeled from real impulse responses).
# 6 ready made presets. |
| PWNED! By: blatanville, MIDIManNI, West, nathel, waruwaru |
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 virtual kazoo, somehow like a waveshaper. Now with GUI by multree and Liqih. |
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 "keFIR" is a VST, zero latency, mono FIR filter based on impulse responses loaded from wave files. Filter length can be adjusted to maximum of 8K taps.
It has a "mix" knob for mixing input with output, "gain" knob for setting output volume level, "length" knob for setting filter length (you can also set the length by clicking right mouse button on impulse response). Adjusting filter length will linearly affect CPU usage, more taps used require more CPU power. User can optimize it by choosing proper filter length, for example some amp cabinet impulse responses have long tail of 'almost zero' coefficients which can be shortened without audible difference, to save some extra CPU cycles.
The plug requires at least Pentium 3 (it's highly optimized with SSE code) and Windows OS. |
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 KeroVee is a Pitch Correction plugin that works as a VST effect. You need to use KeroVee.dll with your VST compatible host application. ex) Cubase, Sonar,...
KeroVee is focused to so-called 'Autotune effect', that is robotic but different from the vocoder.
KeroVee can mix two independent transposed outputs of pitch-corrector and bypassed output. |
| PWNED! By: blatanville, snez |
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 Chorus Effect. |
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 kILL-O-RAMA is designed to be used as an insert effect. It's large X-Y pad allows you to concurrently set pan and volume for a channel. It also features a tempo-synced LFO to facilitate auto-panning. Using just the volume slider, it can also be used to increase or reduce the gain of a channel on those occasions when you would otherwise need to turn all your other channels up or down. |
| PWNED! By: blatanville |
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 old pack of killa pluggies including;
blackcat
Cruella
Emily The Strange
Evilizer
Goth Thang
Mikrosynth
Ned Flangers
Pandemonium
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| PWNED! By: snez, jorjee |
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 This VST effects plugin is a very simple, yet effective distortion. Killer is especially good at maiming rhythm tracks. The distortion is produced through amplitude (minimum and maximum) limiting also known as clipping. |
| PWNED! By: Martinnn |
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 killerGATE+ is NOVAkILL's first VST effect. It combines many elements found on the synths into a handy multi-effects unit. It features an expanded GATE, a State-Variable Filter with resonance, an LFO and Distortion with Wet/Dry mix controls. It should be used as an insert effect. |
| PWNED! By: rebortbst |
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| Killerringer is a free VST plugin, a ring modulator with variable LFO oscillators. |
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 KingDubby dub delay is a tape delay simulator aiming at recreating the unique sound of dub-like echoes. It provides the user several controls to reach the desired level of echo degradation and feedback. Its graphical user interface has been created by the renowned German designers bitplant, which makes KingDubby a really cool looking plugin for your virtual rack!
Features:
* Universal Binary
* Cocoa Graphical User Interface
* Efficient -12 dB/-24 dB echo filtering
* Delay degradation control
System requirements:
- An Intel or PowerPC based Macintosh running Mac OS X version 10.4 or above (leopard is fully supported)
- An Audio Unit host application which is compatible with Cocoa Views (otherwise the plugin will display a generic user interface). |
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 kitchen sync is a tempo synced LFO that modulates 4 functions
- filter
- flanger
- volume
- panning
The LFO is highly configurable, you can change the waveform, the cycle length in beats, the amplitude and the y offset
You can link any/all of the filter cutoff, flanger amount, volume and panning to the LFO to give a variety of tempo synced effects to your audio |
| PWNED! By: blatanville |
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 Kn0ck0ut is a free VST plugin that takes two mono inputs and
spectrally subtracts one from the other. It can also retrieve
centre-panned material from stereo input. |
| PWNED! By: blatanville |
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 OK, so here's amp number 3 from the Classic Hybrid line!
Knuckle Head (you see where we're going with these names?) is a bad boy bruiser with a sweet and soft side that it's not afraid to show! While this amp wouldn't think twice about assaulting your ears with decimating tone (DSP JOKE! :P)it can also churn out some sweet, soothing chimes for the softer-side of things - and don't think it's scared to get raunchy either! |
| PWNED! By: http23, synthgeek |
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 KR-Chorus features:
* Uses High Quality interpolated delays.
* Dual LFO's, Rate adjustment from 0.1 to 6Hz and 0.17 to 10.2Hz
* Adjustable LFO depth from 0 to 100%
* Dry/Wet Mix adjustment
* Output adjustment from -20 to +6db.
* Host Sampling Frequency up to 96Khz.
* For Microsoft Windows OS (VST) suitable for all Pentium CPUs.
* Support for User definable presets (Save & Load) via Host interface.
|
| PWNED! By: blatanville, nathel |
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 KR Delay Features
* Adjustable Delay time from 0 to 1 second
* Adjustable feedback from 0 to 100%
* Dry/Wet Mix adjustment
* Output adjustment from -20dB to +6dB
* Host Sampling Frequency up to 96KHz
* For Microsoft Windows OS (VST) suitable for all Pentium CPUs
* Support for User definable presets (Save & Load) via Host interface
|
| PWNED! By: blatanville |
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 KR-Flanger features:
* Uses High Quality interpolated delays.
* Adjustable rate frequency from 0.5 to 7Hz
* Adjustable LFO depth from 0 to 100%
* Dry/Wet Mix adjustment
* Output adjustment from -20 to +6db.
* Host Sampling Frequency up to 96Khz.
* For Microsoft Windows OS (VST) suitable for all Pentium CPUs.
* Support for User definable presets (Save & Load) via Host interface.
|
| PWNED! By: blatanville, nathel |
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 KR-Phaser features:
* Adjustable Rate from 0.1 to 5Hz
* Adjustable Depth from 0 to 100%
* Feedback control from 0 to 100%
* Center frequency adjustment.
* Dry/Wet Mix adjustment.
* Output adjustment from -20dB to +6dB
* Host Sampling Frequency up to 96KHz
* For Microsoft Windows OS (VST) suitable for all Pentium CPUs
* Support for User definable presets (Save & Load) via Host interface
|
| PWNED! By: blatanville |
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 KR-Micro Reverb is an easy to use Reverb processor based on features found on the Reverberation module of our commercial product KR-Space. KR-Micro Reverb is designed for ease of use by adjusting internally the equalization and damping controls to optimal levels for producing a warm reverb sound suitable for a wide range of applications.
* Adjustable Early Reflections Size
* Adjustable Late reflections size
* Adjustable Diffusion control
* Adjustable Decay control.
* Adjustable Early/Late Reflections mix control
* Dry/Wet Mix adjustment.
* Host Sampling Frequency up to 96KHz
* For Microsoft Windows OS (VST) suitable for all Pentium CPUs
* Support for User definable presets (Save & Load) via Host interface
|
| PWNED! By: blatanville, nathel |
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 KR-Reverb FS is an easy to use Reverb processor based on features found on the Reverberation module of our commercial product KR-Space. KR-Reverb FS is designed for ease of use by adjusting internally the equalization and damping controls to optimal levels for producing a warm reverb sound suitable for a wide range of applications.
Features:
* Adjustable Early Reflections Size
* Adjustable Late reflections size
* Adjustable Diffusion control
* Adjustable Decay control
* Adjustable Listener position control
* Dry/Wet Mix adjustment.
* Host Sampling Frequency up to 96KHz
* For Microsoft Windows OS (VST)
suitable for all Pentium CPUs
* Mac OS X (AU UB,VST MAC)
* Support for User definable presets
(Save & Load) via Host interface |
| PWNED! By: blatanville, nathel |
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 KTGranulator is a free delay line granulator available as a VST effect plugin with custom editor and as a MacOSX Audio Unit. It was made as an exploration in building VST effect plugins and using the VSTGUI library and was inspired by the great DLGranulator effect in Ross Bencina's AudioMulch.
It works like this: incoming (mono) sound is fed into a delay line from which small pieces of various durations and at different moments in the past are selected. Each of these pieces is then amplified, transposed and enveloped to form a "grain". Each grain is also randomly panned and the whole mix is sent out to a stereo output stream. Feedback of the grain output back into the delay line is also provided, and the delay line can also be frozen so that the grains are only taken from what is currently stored in the delay line. |
| PWNED! By: PTV, arke, blatanville, MIDIManNI, tweed, ethnix73, ZarahNeander, exi, bitsmart |
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 Kuassa Amplifikation Lite is a "lite" version of the forthcoming Kuassa Amplifikation Custom Tube Amplification Software for real-time guitar processing. |
| PWNED! By: amiga909 |
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 From the guy who made "Aradaz Amp 2 Green" comes this new guitar amp!
Features:
1. Based on Kuassa Amplifikation Custom (soon!)
2. 3 channels (clean, rhythm, lead)
3. 9 Parameters: Input, Channel selector, Gain, Bass, Middle, Treble, Presence, Volume and Cabinet On/Off |
| PWNED! By: Ua_Small, snez |
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 Latency Delay is an auxiliary latency compensation plug-in which allows you to compensate latency introduced by modular real-time VST plug-ins and instruments which introduce latency but do not try to report it to the host. Latency Delay introduces 10000 samples latency itself and delays the audio signal by [10000 minus specified sample value] samples. Please note that host audio application should support latency compensation. This plug-in is only a helper and should be used together with other plug-ins. |
| PWNED! By: MIDIManNI |
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 The plug-in reports to the host application that it has a latency (controlled by the plug-in parameters) but does not actually apply any processing to the audio signal. This causes the host to use its own latency compensation to advance the audio fed into the plug-in by the requested amount. |
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 A very flexible drive-unit.
From subtle breakup to more extreme fuzz-type sounds.
It's great at distorting drums, synths & even audio-recordings. |
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 The LCRS Encoder VST Plug-in is especially designed for Cubase and Nuendo. It is an LCRS 4:2 Matrix Encoder. It is NOT a Dolby Digital AC-3 Encoder. It encodes, or matrix's together, 4 channels (Left, Center, Right, Surround) into two channels (stereo) for playback on Dolby Pro Logic Style receivers and decoders. If you playback audio encoded using this encoder on a normal stereo you won't hear the surround channel but instead you will hear the out of phase information that may appear to be coming from inside your head. This plug can be used with the 5.1, 6.0, 6.1 and most other surround formats found in Nuendo and Cubase by down mixing to LCRS format then encoding. P |
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 LE456 is a preamp sim roughly based on a piece of famous German gear.
LE456 has 2 channels and 2 modes per channel. Each channel/mode share the same features. Apart from the usual tone controls (drive, low, mid, high and contour), each channel/mode offers two different tone stacks that can be accessed via the focus switches. Bottom and bright switches can be used to boost the low and high frequencies respectively. On the low gain channel only (Clean/Crunch), the effectiveness of the bright switch decreases with the gain settings. |
| PWNED! By: pattonfreak1, snez |
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 Inspired by popular analogue limiters of the past, this Leveling Amplifier is ideal for mastering or controlling the dynamic range of a track, it's response to peaks is very fast with a slow realease for minimum distortion even when driven hard. |
| PWNED! By: blatanville, brotha chinese, snez |
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 LFX-1310 is a Free plug-in multi-effector including 24 types of algorithm and 3 serial slots. This freeware is the stand-alone version of Effecting Module of Ravity(S) & Ravity(R). Every algorithm realizes the very effect you have on your mind, and is fully optimized for low CPU load. |
| PWNED! By: blatanville, MarsHottentot, tweed, nathel, itilbury, Moseph, synthgeek, xybre |
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 It's a "mouse over" vst modular tool. You are mixing.
Pink space : you listen all the tracks and if you "mouse over"
on a black pad of a track, the sound of this track is OFF.
Blue space : you don't listen anything, but if you "mouse over"
on a black pad of a track, the sound of this track is ON.
|
| PWNED! By: jorjee |
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 A multiband compressor based on the above lightweight compressor and a set of linkwitz-riley filters. |
| PWNED! By: blatanville |
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 A soft knee compressor optimized for low CPU usage.
While it is not that difficult to build a hard knee compressor with a low CPU usage, it is quite difficult to do so for a soft knee, especially if you want to control the margin around the treshold precisely while maintaining a consistent curve. The compressor also features a simple limit circuit to avoid clipping.
On a 2 GHz core2 duo I was able to run > 75 instances without a problem. |
| PWNED! By: blatanville, besanane, snez |
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 A soft knee gate optimized for low CPU usage. |
| PWNED! By: blatanville |
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 A soft knee limiter optimized for low CPU usage. |
| PWNED! By: blatanville |
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 Limiter 1 is a peak limiter with variable attack and release.
When saturation occurs with high attack and/or release settings,
it gives a sound reminiscent of analog style saturation. |
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 Limo is a limiter plug with auto makeup gain. |
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 Limofive is a 5 band limiter-distortion . |
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 8 band waveshaper. It has a limiter on output. The sound is processed in this way: sound -> band split -> waveshapers -> volumes -> limiter -> out. |
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 Linear Phasor is the perfect marriage of vintage analogue equipment to the perfections of modern Digital Signal Processing.
Specially developed algorithms calculate the changing features a cascaded allpass network, as the LFO sweeps the selected frequency range, guaranteeing a perfectly flat response with none of the unfortunate sound-colouring associated with analogue technology.
It features:
> a 2-36 stage allpass filter cascade
> a user-definable frequency range for sweeping
[Note: For reasons of purity in emulation, the LFO is free running - like the Titanic, it is unsyncable.]
> a bypass control for A/B comparason
> a unique 'PhasoMeter' to ensure that the input and output signals in perfect phase with each other. Any inconsistencies are highlighted in red.
Never again need you worry about degrading the quality of your audio when using classic retro-emulations! |
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 LinearPhaseGraphicEQ |
| PWNED! By: blackshadow |
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 Linear Phase Graphical Equalizer |
| PWNED! By: blackshadow, Moseph |
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 side chain filter |
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 This is an emulation of the classic analog stereo filterbank.
It has five different filtermodes, triangle LFO synced to it's
internal pulse clock and an envelope follower with sidechain
operation mode. |
| PWNED! By: blatanville |
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 (Little) Tube Booster R2.33..."The fastest stereo tube preamp I've ever made!" |
| PWNED! By: nathel, Moseph |
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| A collection of simple VST plugins that we find useful for live work (loop players & mixers). |
| PWNED! By: blatanville |
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 Livecut is based on BBCut the BreakBeat Cutting library written by Nick Collins for SuperCollider
The BBCut Library began out of work on an algorithm to simulate the automatic cutting of breakbeats in the style of early jungle or drum and bass Nick Collins.
Livecut is only a small subset of what is possible with BBCut, but as it is available as a VST plugin, it is much easier to start experimenting with it. |
| PWNED! By: tgersic, PTV, iraklishonia, aymat, pangrus, duckett, synthgeek, xybre, bitsmart, Ezmyrelda |
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 LiveSync Recorder is a VST FX plugin which lets you capture, preview, and export audio as 1 or 2-bar loops, all in sync with your host's BPM!
You can essentially keep only the good parts of one's performance while they jam!
It is also a great plug-in for grabbing those "happy accidents" right after they happen.... Never lose that "magic moment" that occurs while tweaking again....
Audition captured loops in sync with your hosts BPM (click-free previewing!). Exported Wav's have tiny fades for click-free looping.
Note : the free version of LSR has only 2 bars instead of 8 bars , and no autonumber of exported wave file
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| PWNED! By: blatanville |
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 Audio destruction unit |
| PWNED! By: PTV, blatanville |
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 This plugin is in early development, but its pretty fun to use. There's two modulators that act as the scratching and two variable delays that you can crossfade between to create further oddness. Will be updating this soon, so keep checking in to see. |
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 It's a looper... Made to emulate the Jam Man or DL-4 - but also generate a click track so it could be used with a drummer live. It is designed to work with Ableton Live or any other VST host such as Plogue Bidule for live performance. |
| PWNED! By: blatanville, MarsHottentot |
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 Lost Technology is a VST effect plug-in that transforms sound by taking it apart and then putting it together in a different way. The plug-in accepts two inputs and can produce two outputs. The Analyzer components split the input signals into amplitude, frequency and waveform (harmonic content) sub-signals. The Modulator components combine sub-signals (and audio signals) in various ways. The Synthesizer components merge one sub-signal of each type into a new audio signal. |
| PWNED! By: MarsHottentot |
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 lo-fi type effect |
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 LPC-Vocoder is a plugIn for the creation of vocoder-sounds. These are created by superimposing the frequency-envelope of one signal (the so called analysis- or modulatorsignal) on a second signal (the so called synthesis- or carriersignal). In the classic vocoder this is achieved by means of an analysis- and a synthesis-filterbank - the LPC-Vocoder in contrast uses a single adaptive filter which is capable of realizing complex frequency-responses with many peaks. LPC is an abbriviation of Linear Predictive Coding - a technique in signal processing which can extract the formants (frequency bands with high amplitude) out of an audio signal. LPC is widely used in the speech signal processing community, for example to compress the speech for transmission in digital communication systems. |
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 LSHS Corrective EQ is a tool that is designed to correct frequency balance issues in the most important frequencies, the low and high end. The LSHSEQ is designed to restore the musicality that may have been lost during recording, or post effects processing. With the LSHSEQ, your mixes will sound bright, punchy and clear, according to AcmeBarGig. |
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 The LSS DJeq is an equalizer plugin designed specifically to emulate the controls found
on the best DJ mixers.
It features three rotary controls for Low, Mid and High frequencies and dedicated Kill
switches. The interface is optimized for live performance, with large buttons and knobs
easy to read and grab even with a laptop track-pad.
The EQ range has been specifically designed to allow for traditional DJ use, with a range
that goes from complete cut to + 6dB.
While the plugin might work in other VST-compatible hosts, the LSS DJeq is the result of
user feedback from the Ableton Live courses at the London School of Sound, and as
such it was meant only as a plugin for Ableton Live.
Requires Pluggo's runtime library 3.6.1 or higher (free download). |
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 Minimalistic 5.1 Surround Module:
- stereo input with separate position for the two voices
- global gain setting according to distance
- separate level setting for the center channel
- separate level setting for the LFE channel (not modified by the source position)
Applications : replacement of the 5.1 module in Cubase SX and Nuendo (true stereo), provides surround mixing to EnergyXT, Podium, Reaper and Tracktion... |
| PWNED! By: blatanville |
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 - 16 superimposed bidimensionnal controllers (joysticks) = 32 MIDI messages
- can control simultaneously 16 SpatSurround (see Tutoriels)
- can be used in multi-surround setups, in Nuendo or Cubase SX
- duration transition between patch changes
- global position control to move eight points together |
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 Is your mastering just not quite UNDERGROUND enough?
Do children laugh at your mixes for being TOO SOFT, or TOO CLEAN?
Are you lacking that authentic URBAN sound?
Now your worries are over... |
| PWNED! By: aaa111, MarsHottentot |
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 machin is a random, probability-based, step-sequenced multi-fx device created in partnership with sink
- the step sequencer defines the probability that any single random effect will be triggered on that step
- the weighting defines the probability for each effect that it will be the one that is triggered
features
- 6 effects (gate, crusher, filter, flanger, delay, reverb)
- 2-32 step probability sequencer over a cycle of 2-32 beats
- seeded randomisation with loop repeat over cycle of 2-100 beats
- swing control for step sequencer
- any effects can be turned off to save CPU
- each effect has an attack/decay on triggering and pulse length to determine duration effect is on
- master wet/dry mix control
- all controls have MIDI learn |
| PWNED! By: blatanville |
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 Array of 88 comb filters tuned using a .TUN microtuning file with feedback path. Is sensitive to MIDI input, with channels 1 and 3-16 activating their corresponding filters and channel 2 controlling the tuning of the feedback path. |
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 MadShifta does lo-fi pitch-shifting and mental feedback effects, with MIDI control over the pitch shifting. |
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 maelcum is a tape-like delay module. designed specifically to emulate the classic tape delays, maelcum has internal tape noise generation, with variable mix, and either tempo based or manually entered delay time. rub a dub dub. |
| PWNED! By: blatanville |
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 magnetwall is a very simple chorus effect like "JC".
Besides for the guitar track, magnetwall is usable plugin for the various sources.
caution : version nT2 is announce only |
| PWNED! By: rebortbst |
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 In general, an aural exciter amplifies odd or even (in this case even) harmonics in a given source. This nonlinear process can create a wide array of effects which can vary from that of recording in a hot room, to severely overloaded tape and anywhere in between. |
| PWNED! By: itilbury |
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 The major sketch pad is basically a step sequencer combined with a chorder. Each time it gets triggered by a midi note the step sequencer steps forward and each step can contain a new, different chord. The chords aren't locked to a predefined pitch. This means that you can try out chord combinations and see how your melodies will sound with different chords applied to them, or just jam away.
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| PWNED! By: blatanville, exi |
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 This plugin ring-modulates incoming audio with sine waves of continuously varying frequency, and runs the result through a state-variable filter. It can often produce unexpected effects, from stuttering rhythms to ambient tones. |
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 The Malty VST effect is designed for hosts such as Orion, sadly lacking in granular facilities. Malty is an analogue style delay line granulator with built in filtering and auto-panning. Hmmm. Nice. It can turn skip textures into smooth things; rearrange rhythms; turn sustained textures into stuttering snippets, and is happy to render your original audio quite unrecognisable. Although primarily aimed at VST hosts lacking in granular abilities, it compliments Audio Mulch well, offering an attractive alternative to Mulch's sophisticated granular contraptions. |
| PWNED! By: blatanville |
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 Compressor with individual algorithm.
requires pluggo runtime. |
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 Granular effect.
Requires pluggo runtime. |
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 A limiter/maximizer.
requires Pluggo runtime. |
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 mashup is a delay effect with an internal variable length step sequencer. it allows you to select from six delay types: 0.1, 1, or 10 second delays with or without interpolation. each step allows for specific time and feedback adjustements. you can also adjust the start, end, and sequencer modes. mashup can be hand set to create convoluted delay effects, or used to create very tight decimations. as always the patch randomizer is ready to toss some chaos into your tracks. version 2.0 is not reverse compatible with 1.5, so be careful! |
| PWNED! By: blatanville, MarsHottentot |
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 PULTEC a.k.a PASSIVE a.k.a PARALLEL Technology inside.
TQ,RP! |
| PWNED! By: blatanville |
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 A VST-PlugIn that connects the VST-interface with Matlab. With this tool you can implement DSP algorithms in Matlab and try them in your favourite DAW. This software is free for private and non-commercial use. However, if you want to use it for longer than 15min in one session you need to send an email (see contact below) to get your own free registration file. You have to provide information on who your are and on the intended usage for the plug-in. (We are just curious. Your data will not be used for any other purposes.) |
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 Spice up your downmixes with this little tool.
4 Band Parametric Equalizer with Brickwall Limiter.
Please note that this tool is not for already loud signals.
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 The Maxim 16-2EQ is a 16+2 channel stereo mixer, meant to be used in modular VST host environments like EnergyXT, SynthEdit and others, and was specifically designed for those who want a classic mixer solution for the Tracktion line of sequencers. |
| PWNED! By: brotha chinese |
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 A plugin to modify the lower frequencies in a mix.
It uses a 12 dB/Oct lowpass filter to add a soft bass.
Frequency and amount of the filter can be adjusted as well as wet/dry level
and overall level. |
| PWNED! By: obstgegenrechz, MarsHottentot, Moseph |
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 MBD-1 Multi-Band Distortion
Key Features.
- Up to 3 Stages of distortion with 20 modes each + bypass.
- Pre/Post Gain
- Distortion amount, including negative values.
- Full Mix & Individual Outputs for modular hosts. Great for post processing of individual bands.
- Visual scope to see the destruction.
- Nice N Smooth or with all 3 stages as Evil as you want.
Potential Excessive Gain Warning! A post chain compressor is recommend. |
| PWNED! By: blatanville |
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 Vintage tube driven 3-band EQ emulation
with adjustable filter contour and soft saturation circuit.
It has a setup mode where you can determine the range of the knobs
(+/- 6db, +/- 12db, +/- 20db).
You can also turn off the tube light animation to safe CPU power. |
| PWNED! By: snez |
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 ...16 LFO plugin, manually driven.
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| PWNED! By: blatanville |
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 MCompressor provides standard compression with volume maximization and has adjustable compression shape, which gives you power to set custom smoothing or even interesting sound effects.
Standard and custom compression shape - using user shapes you can easily create various dynamic effects such as expansion, gate or even some extraordinary shapes for rhytmization...
Actual source level indication inside the shape graph - you always know, what dynamic value you can actually expect on the input and output.
Signal maximization - compressors actually lower the signal above treshold. MCompressor can compensate the reduction to ensure, that if the source has reached 0dB, result will too. This is especially useful for mastering, since you want to maximize loudness and use the entire bit resolution.
Hard, linear and smooth knee with adjustable size
Standard general parameters - input gain, attack and release...
Fully automatable (except for the custom shape graph).
Global preset management - using a title button you can save your settings, which are shared on the computer, so you can easily access them in another songs. |
| PWNED! By: blatanville, snez |
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The plug-ins:
Bandisto - Multi-band distortion
BeatBox - Drum replacer
Combo - Amp & speaker simulator
De-ess - High frequency dynamics processor
Degrade - Sample quality reduction
Delay - Simple stereo delay with feedback tone control
Detune - Simple up/down pitch shifting thickener
Dither - Range of dither types including noise shaping
DubDelay - Delay with feedback saturation and time/pitch modulation
Dynamics - Compressor / Limiter / Gate
Envelope - Envelope follower / VCA
Image - Stereo image adjustment and M-S matrix
Leslie - Rotary speaker simulator
Limiter - Opto-electronic style limiter
Loudness - Equal loudness contours for bass EQ and mix correction
Multiband - Multi-band compressor with M-S processing modes
Overdrive - Soft distortion
Re-Psycho! - Drum loop pitch changer
RezFilter - Resonant filter with LFO and envelope follower
Round Panner - 3D panner
Shepard - Continuously rising/falling tone generator
Splitter - Frequency / level crossover for setting up dynamic processing
Stereo Simulator - Haas delay and comb filtering
Sub-Bass Synthesizer - Several low frequency enhancement methods
Talkbox - High resolution vocoder
TestTone - Signal generator with pink and white noise, impulses and sweeps
Thru-Zero Flanger - Classic tape-flanging simulation
Tracker - Pitch tracking oscillator, or pitch tracking EQ
Vocoder - Switchable 8 or 16 band vocoder
VocInput - Pitch tracking oscillator for generating vocoder carrier input |
| PWNED! By: PTV, arke, MarsHottentot, shamanix, synthgeek |
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 MDSP Compessor is a simple and effective compressor with classic controls auto gain compensation and preamp to overdrive it. |
| PWNED! By: blatanville, itilbury |
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 This is "another flanger" with the particularity that the LFO is synchronizable to the tempo with different waveforms (triangle, sin, square, triangle exponential, random...) and a smoothing factor for the waveform, so that you can achieve some new effects not available on classical flangers. |
| PWNED! By: PTV, blatanville, Moseph, duckett, shamanix |
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 Midi controlled bufferer/synth effect.
Requires Pluggo Runtime. |
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 Buffer/synth/pitchshift/freeze effect.
Requires Pluggo Runtime. |
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 Okay, so today it’s Meat Head's turn to blow your mind!
Our second release of Preampus Week introduces a brand new character for you guys to acquaint yourselves with. Meat Head is in-keeping with the philosophy of all our Classic Hybrid amps, inspired by the amplifier power-houses that defined the tones of Classic Rock and Heavy Metal from the '60's to now, a Modern Classic that's just FULL of, you guessed it, character! |
| PWNED! By: synthgeek, snez |
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 Mechaverb is a reverb effect where you can set the ranges of the internal delays which make up the reverb sound, you can also pan the bands and set there mixing amount which gives you a range of possible sounds from large halls to ringy metallic reverbs. |
| PWNED! By: blatanville, nathel |
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 This is an extended stereo-version of the drom.
It turns your signal into a layer of noise, blips & splatter. Lots of fun for real-time tweaking. With subtle mix-settings it can also be used to add some modulating texture to a track.
The most drastic effects are achieved by using this as an insert effect (enables to totally take out the dry signal) |
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 Memory is an effect which allows you to sample and remix your beats or other material on the fly. It works by allowing you to loop the input it recieves and also change the length of the loop. To use the Memory, it's best to set it up as an inline effect (or as a 100% wet send). Just start playing some input into it and click on the pad. The pad allows you to control the length of the loop and also the cutoff of a filter on the loop. Pad motions are sent as automated parameters, so you can record those parameters in your track as you would record knob tweaks on any synth. Memory can also be triggered via MIDI notes if your host supports sending notes to effects. The usable MIDI range starts around C2 or C3. Each semitone above that represents a different loop value. |
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 Memphis is simple a fixed dealy locked in at 115 milliseconds, designed to be a quick way to get a rockilbilly sound. |
| PWNED! By: ldstoons, robojam, MarsHottentot, shamanix |
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 Merger is a utility plug-in that combines two audio channels into one. This is typically useful for e.g. vocoder plug-ins that expect their two inputs on either side of a stereo pair |
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 Metal Mickey is a sequenced, synced delay unit.
An 8 step sequencer drives the delay time. This is the matrix of red LEDs at the top. The delays are synced to host tempo. Changing the matrix values changes delay time for the given sequencer step.
A second sequencer, running at the same speed, controls the delay feedback. This is the row of 8 sliders underneath the Delay time matrix.
The sequencer has a number of features… random stepping, mulitplication and division of speed, adjustable slide (from one value to the next) and a an adjustable loop point.
The higher delay times can be tuned using the Tuning slider.
The wet signal then passes through a multimode filter, a low pass filter and a high pass filter (this allows you to really ’shape’ the delay line).
Finally the dry and wet signal can be mixed as required.
There are also 2 dedicated LFOs. |
| PWNED! By: blatanville, MarsHottentot, BroderYon |
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 METAVERB is a creative tool built arround two reverb tank (A & B) and based on three modules:
FILTER LP, HP, BP 24dB :
MODULATION is a sine LFO, you can set the SPEED (BPM) and the DEPTH.
DEPTH set to 0 = MODULATION OFF
TRCK (tracking) grab the input signal to drive the CUT-OFF
REVERBERATION :
SIZE, WIDTH and DAMP are standard parameters. SIZE set to 0 = REVERBERATION OFF
COLOR : on left, digital 80's style, on right, smooth verb', 12 o'clock, neutral.
A/B MOD : swap smoothly between the two TANK. SPEED (BPM) set the speed of cross mix.
SLOPE : on left, smooth transition, on right, hard transition
SINGLE : only TANK A is online
FREEZE : freeze the input buffer
TRACKING :
this module allow some real-time handling from the audio input stream.
You can set the individual amount inside each module.
INPUT set to 0 = TRACKING OFF
Essentialy dedicated to drums and vocals, the presets should help you to
start, but this effect is dependant from the audio source.
RED labels allow direct input.
CC and more details ASAP. |
| PWNED! By: blatanville |
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 mgPhaseShifter simply shifts the left or right audio channel. It can be used on mono channels to give a 'pseudo stereo' effect. |
| PWNED! By: blatanville |
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 mgTempoDelay is a tempo-synced stereo-delay with internal ducker and gate for better "in-the-mix" capabilities. It also has resonant filters in the feedback chain, plus additional hi- and low-pass for the whole delayed signal. For real ping-pong effects, left and right delaytime-offset can be adjusted independently. Feedback- and mixer-sections have an internal saturation algorithm. |
| PWNED! By: blatanville, BroderYon |
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 mgTriggerGate is a sequenced gate, similar to the trancegate effect found in reFX' Vanguard. It has a little 16-step-sequencer for trigger impulses, is syncable to host tempo and all important parameters are automatable. |
| PWNED! By: tgersic, BroderYon, rebortbst |
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 This plug converts a microphone input to midi.
Good as percussions trigger. |
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 A loose reproduction of the Electro-Harmonix Micro Synthesizer, a guitar synth. It's designed for guitar and bass, but can work with other instruments or even vocals. |
| PWNED! By: blatanville, Handonam, qtopia, jorjee |
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 Simple MIDI gate with invert button and ASR envelope.
In normal mode it works as a regular gate, in inverted mode when you play a note it will lower the volume, this is useful to create a controlled pumping effect like when using a sidechain compressor. |
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 This is a little vst tool to interpolate between different midi parameter settings.
You can set up scenes of parameter settings, each may represent presets of your synth or fx,
and then morph between the scenes on a 2d pane. |
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 ...8 tap MIDI delay for energyXT |
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 Its pretty self explanatory. You have MIDI files with a bunch of CC, Tempo, NRPN and other junk data. These files may cause issues if you drag them into hosts or export them to hardware. So, you use MFS to filter out the files. Now you have pure MIDI note files that will play pefectly in any host and hardware.
Midi File Stripper (MFS) features
* MFSc installs onto your computer and uses a ‘right click file’ context menu command. It only can process 1 file at a time.
* MFSp is a portable version that runs from removable media such as USB thumb drives, shared network folders optical media. It also supports multiple files dragged to the GUI or to the executable.
MFS is available to download as freeware for Windows PC. |
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 This simple plugin lets you reroute MIDI channels. They can be merged or split, or filtered out entirely. Simple, but kinda useful at times. I wrote it because i needed it!
To use, just drag the connectors from left to right. So if your MIDI data is on track 1 and you want it on track 3, then drag the top connector on the left, to the 3rd connector on the right. Each connector can have any number of links. Right click on the connector to get apop up menu which will allow you to break links. |
| PWNED! By: jorjee |
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 There are four MIDI plugins: XYPad, 8LFOs, DrumSeq and StepSeq.
XYPad allows you to control two MIDI ccs at the same time.
8LFOs provides, obviously, 8 LFOs that send on any MIDI cc with various waveforms, syncing and control options.
DrumSeq was made to provide a simple grid edit drum pattern sequencer to make my life a bit easier in Cubasis (kinda fallen by the wayside now that Fruityloops works as a VSTi!). Still handy for controlling drum sampler VSTis like Computer Music's SR202.
StepSeq started off just for creating simple MIDI cc patterns - e.g. for filter hocketing. However, it kinda bloated and got out of hand cos I kept adding options and functions. So now it can also send midi notes (either a set note or you can use a little piano roll :-) ), you can select which patterns are active at any one time and there's a pattern playlist.
There are two versions of each plugin: one works as a VST instrument and the other as an effect. Using either version means you sacrifice one of your VSTi or VST effect slots, but you can always record the midi output once your happy with it and unload the plugin. Exporting the bank will also save the plugin state - so you can reload it all later if needs be.
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| PWNED! By: blatanville |
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 ..a simple MIDI switcher. |
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MIDI tools
I intended to provide a set of midi tools to help composition and music generation. I've used the "MIDI gain" example that can be downloaded at musicdsp as a base for the controler mapper. These plugins register themselves as midi sources. With Cubase SX, the Midi tracks have to be set to monitor so that you can receive MIDI.
::STOKASTIK::
A MIDI plugin intended to generate random spaced notes according to a specified random distribution (now exponential only). You can set the maximum duration between 2 notes until 1 second but avoid values around 0 because it will overload your CPU. For now it is monophonic only and never stops outputting MIDI. In the future it should be polyphonic and act as a pseudo arpeggiator. Please give me feedback if you find it useful or if you want me to add new features.
::ENV2MIDI::
This plugin analyses the incoming audio signal to extract its envelope which is converted into MIDI continuous controler. I should add parameters to change the size of the analysis window and the type of enveloppe detection.
::MIDICCMAP::
This could help people using plugins who doesn't support MIDI learn and/or hardware controlers that haven't presets. Only one controler can be mapped for now.
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| PWNED! By: blatanville |
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 FEATURES:
- BPM Sync
- Retrigger via piano roll
to downlad you have to register or login
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 Transforms MIDI events into keystrokes to the focused window. In other words, it's like the opposite of Trollo. Also included is a special version that only works on energyXT2's transport, but without regard to what has focus. Some example files for energyXT2 are included as well. |
| PWNED! By: kinyakin |
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 MidiBag consists of many useful plugins for hosts that can use VST MIDI plugins or can
at least send MIDI events to effect plugins and receive and route VST event data!
(CC-Control,Chordator, Harmonisator, Humanisator, MetroGnome, MicroTuner, MIDI-Mirror, N2CC, PeakFreak, Stepper, QuicKeys,VSTNETMID) |
| PWNED! By: jorjee |
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 Delays NoteOff events on one midi channel by up to 500ms to turn generated sequences into legato sequences. |
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 * 16 channel midi controller.
* Sends and receives MidiCC commands.
* Hold, Bender, Modulation, Chorus, Volume and Pan controls.
* One user definable command.
* Reset buttons for pan and volume.
* Panic button.
* Automation. |
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 Displays incoming midi messages. |
| PWNED! By: jorjee |
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 Wah plugin with variable tone (peak). The frequency can be controlled by any midi controller (1-127). Can operate in true stereo. Hello wah drums, or anything else that's inconvenient to run through a wah pedal! |
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 Old vinyl sound generator. |
| PWNED! By: blatanville, muzzmaniac |
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 The Minim mixers combine great overview and control with a very small screen footprint. For use with modular hosts and sequencers that lack a "classic hardware style" mixer.
*All stereo through-and-through - 4-16 standard channels, 2 FX send/returns, and master fader.
*Editable text labels for each channel.
*Input indicator lights makes it easy to spot any channels muted by mistake.
*Sophisticated mute and solo handling: Two solo exclusive groups (main & FX), "solo overrides mute", and separate mute indicator lights.
*Click-spots for quick reset of each individual fader and pan control.
*64 patch memories - store and compare mixer settings with ease.
*Optional versions with added EQ section.
*6 mixers in one package - 16-2, 8-2, 4-2, 16-2EQ, 8-2EQ, and 4-2EQ. |
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 When you just have to have four filters being modulated by a total of twelve LFOs, you need Minion!
It's got balls, you see. Four of them, pinging and swinging their way around an innovative XYZ pad that's used to control the plug-in and to give visual feedback. And for each ball, there's an effect module, and each of those can produce one of a variety of filter effects, including several filter/distortion combinations. Minion also comes with numerous presets that demonstrate the range of audio warping possible.
OSX Version |
| PWNED! By: PTV, obstgegenrechz, swonderme, blatanville, iraklishonia, robojam, MIDIManNI, jodeum, BroderYon, shamanix, exi, bitsmart |
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 "Mirror1" is a small VST effect which includes several sets of impulse responses (banks).
Impulse responses have been extracted through analogic gears. |
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 MixBox is a powerful plugin that allows you to
share and mix audio streams between different
plugin instances or even applications!
With 4 internal busses that are shared across
each instance of the plugin, you can easily
realize a submixer (with up to 5-channels) or
stream the audio from one application/VST host
to another. |
| PWNED! By: jorjee |
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 MixedGrains is a Dual Channel Gapper/Snipper/Mixer to one channel. Perfect to create ever changing mixes of the same two beats. |
| PWNED! By: blatanville |
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 This is a plugin that was created to control midi mutes on analogue boards
Inserted across an audio track on your DAW the plugin will will out put a note on message when ever the audio on that track drops below the threshold and a note off message above the threshold
For mixers that have built in midi mute that have a note on value to close them any normal audio to midi trigger would close the gate on audio and open it when there is no audio, this works in reverse
It is intended to be used to automaticaly turn on mutes when there is no audio so as to keep the inputs to the mixer as quite as possible
It is a work in progress so please let me know how you get on with it |
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| Single band compressor with a very transparent sound, due to responding with varying speed as appropriate for the input frequency content. Use it when you want to avoid excessive pumping. |
| PWNED! By: itilbury |
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 Mo'Verb is a reverberator, based on original algorithms, combining simulation of spring and digital reverbs. In our plug-in we did our best to provide basis for creating of wide spectrum of timbres, make smooth and warm sound, handy and intuitive interface for making the required sound easy and fast. While making our reverb algorithm we used specially created program for the search of inner parameters to make the sound of the reverb smooth and clear.
Main features of the Mo'Verb are:
- Optimized design for maximum smoothness of reverb sound
- Independent Early and Late reflections EQs
- Wall reflection iterative filter
- Built-in stereo imager
- Built-in gate
- Built-in goniometer
- Variable stereo spread
- Programmed with Delphi and Assembler
- 30+ presets
Mo' Verb is donation ware.
You can freely download and use it. We accept donation as payment for it. You can evaluate plug-in and pay as much, as you think it costs. |
| PWNED! By: gambazi, West, Moseph, besanane, BroderYon |
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 Mobius is a program for the real-time creation and manipulation of audio loops. It has functionality based on the venerable Echoplex Digital Pro with Loop IV software. It is not a complete emulation, but it does implement many of the Loop IV features, as well as a number of useful new features. Mobius is essentially 8 synchronized stereo EDP's with the ability to copy loops and timing between them. Extensive MIDI and computer keyboard control is available. Audio content may be saved to and loaded from files. |
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 VST Mixer
8 tracks stereo / numbers on each knob. On each track :
mute with "number boxes", solo with blue light, labels,
led, bargraphs, volume, pan, parametric equalization
with on-off button, 4 sends, gain.
Masters left and right, bargraphs and vu-meters
(with adjust), masters gain, 4 masters sends,
"Panic /silence" button, post-its, player-recorder
with many features, automation completed. |
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 Modern Amplifier can make 2007's Super Loudness and Super Punch. |
| PWNED! By: Rahsim, snez |
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 A plugin to add warmth/fat/analogish feel to your sound. |
| PWNED! By: nathel, snez |
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 * Classic Pultec EQ coloring.
* Power On/Off button.
* KCS/CPS freq selectors.
* KCS/CPS boost controls.
* CPS atten controls.
* High freq atten selector.
* High freq atten control.
* KCS bandwidth control. |
| PWNED! By: martygras, snez |
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 Master EQ
* New signal processing algorithms.
* Up to 192 kHz sample rates supported.
* Standard & Hi-Res Selector.
* Advanced VU meters.
* Hardware-like GUI.
* 3 Band EQ Control.
* 2 Band Filter Control.
* Output Control. |
| PWNED! By: pattonfreak1, martygras, snez |
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 Limiting Amplifier, Vintage Edition. |
| PWNED! By: martygras, snez |
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 A channel plugin: Compressor/limiter/EQ
# Up to 192 kHz sample rates supported.
# Set of 15 Hi-End presets.
# Hardware-like GUI.
# Advanced VU meter.
# Analog mode switch.
# Phase reverse switch.
# High pass filter.
# EQ Number of Bands: 3.
# EQ can be Reset by switch.
# MF & HF ÷3 button divides the selected frequency by two.
# Q button set to Bell mode.
# Limiter by Modern Limiter same Module.
# Input & Output Control
# Gain Control in Compressor start. |
| PWNED! By: swonderme |
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 A compressor |
| PWNED! By: Jhopf124, martygras, snez |
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 DBME 160 is a warmth compressor/Limiter, with same of Modern Analoger's technique. |
| PWNED! By: Jhopf124, martygras, snez |
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 Equalizer. |
| PWNED! By: martygras, snez |
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 3D position controller effect. |
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 A limiter plugin. |
| PWNED! By: martygras, snez |
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 A VU meter plugin. |
| PWNED! By: snez |
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 A valve compressor, Vintage Edition. |
| PWNED! By: mcheshire, martygras, snez |
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 Reverb effect. |
| PWNED! By: snez |
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 Modern variable limiter compressor - Vintage Edition. |
| PWNED! By: martygras, snez |
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 14 Typical FX's for Mixdown and mastering !
Greets
Dance Culture |
| PWNED! By: blatanville, snez |
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 a stereo plug-in which treats each channel as a separate monaural source. Each channel may then have its volume attenuated, its position in the stereo field panned, and its sonic character altered with a resonant lowor high-pass filter if you so choose. Moneo is equally comfortable with basic functionality (forcing mono) or inventive destruction of a source's original spatial and spectral identity! |
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 MonstaChorus - is a true analog style stereo chorus effect with a simple set of controls and fantastic sound quality. It features the usual depth and speed controls, plus a mixture knob to control the ratio of original to effected signal. Astute musicians will also notice that 2 of the knobs go to
13, a clear difference of “3” more points of quality compared to other plugins! |
| PWNED! By: PTV, blatanville, pattonfreak1, martygras |
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 MoogoFilter is a stereo filter in the style of the famous Moog™-filter. In addition to the commcon manual controls it has a MIDI-controllable envelope. Give every synth plugin a Moog-filter by inserting this filter behind it!
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| PWNED! By: blatanville, snez |
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 moot is a flexible audio mute plugin with a number of additional features. The aim is to have a mute switch (Hit Me) that can be assigned to a single midi controller key and act in 3 ways
- as a latch (one press mute, release stays muted, next press unmute, release stays unmuted)
- in unmute mode (hold down to mute, release to play audio)
- in mute mode (hold down to play audio, release to mute)
In addition there is an audio gate to chop the audio and an independant ping-pong to alternate the audio between left and right channels.
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 "First of all I wanted to have a delay effect that gave me more control over it's behaviour than those I had available or could afford. Hence I had to create it myself.
Here are some reasons among many others:
* Usual delay plugins sport 2 delay lines (stereo), MFM has 4 delay lines.
* Each delay line's output can be fed back to itself and into each other. Hence there is a 4x4 feedback matrix.
* Since my good old Ensoniq DP4 is broken I miss the feature of feedback from subsequent effects. MFM therefor has filters that can either process the input of a delayline or it's feedback.
* Usually you have to care about feedback amounts. Otherwise you end up with horribly high volume levels and distortion. So I put a limiter/compressor/saturator in each delay line. Endless feedback? - No problem.
* So we have filters and several parameters. Why not modulate them? That's why MFM has got 2 LFOs and a step sequencer on board. All syncable to your song."
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| PWNED! By: blatanville |
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| spectral morphing (mixing) effect l/r in, mono out |
| PWNED! By: PTV |
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 Mountain Echo is based around an old tape echo. It can go from vintage sounding echo to more up to date delay.
Input= Set the inputgain. The red light only shows input signal.
Tempo = Sets the tempo of the echo.
Feedback = Sets the feedback length.
Lowpass = Adds lowpass filtering to the signal.
Highpass = Adds highpass filtering to the signal.
Volume = Sets the output level. |
| PWNED! By: blatanville, MarsHottentot, Moseph |
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 splits the sound in 4/8 bands and you can pitch them up/down.
* Morthimer Mouse = Mortimer Mouse + dry/wet on bands
* Ludwig Mouse = 8 band Mortimer Mouse
* Agatha Mouse = 8 band Minnie Mouse
* Digi Mouse = 4 band bit reducer
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 VST Multipass Filter with LFO
Specifications:
- Multipass Filter for LP, HP, BP, Notch and Peaking
- LFO for Cutoff with a max. speed of 2Hz
- LFO for Resonance with a max. speed of 2Hz
- Master-Section with Clipping
- The LFO Depth set is calculated by the settings for Cutoff/Resonance and will have a maximum range of the value between the Cutoff/Resonance settings and the highest (if higher than 50%) or the lowest (if lower than 50%) value, so that the LFO spins around the set value for Cutoff/Resonance.
An Example: If is set a Cutoff value of 75% and the Cutoff LFO-depth is set to 100%, the LFO will spin the cutoff between 50% and 100% with the set value for LFO-speed. That means, that a set value for Cutoff/Resonance of 0% or 100% will not affect a LFO modulation.
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| PWNED! By: blatanville |
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 Mr. Green is a LowPass, HighPass, BandPass, Band Reject VST plugin. But instead of sliders it features a pair of sexy LCD looking X-Y pads. |
| PWNED! By: blatanville, bitsmart |
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 So simple it's stupid, this VST just takes a stereo signal, mixes it together, and spits the mono-ized mix back out. It seems like there has to be something like this already out there, but I couldn't find it, and making my own was quicker than looking. |
| PWNED! By: tgersic, MarsHottentot |
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 Mr. Tater Head is the last amp in AcmeBarGig's "Preampus Classic Hybrid" line.
Mr. Tater Head has three different gain controls - Bass Gain, Mid Gain and Treble Gain - as well as the standard Bass, Mid and Treble controls on its tone stack. These extra gain controls mean you can really get in to shaping the sound of the saturation. It takes some tweaking but AcmeBarGig says that you can get some really unique tones through altering the overall gain control and the three extra gain knobs.
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| PWNED! By: synthgeek, snez |
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 MrDonald is a virtual rotary speaker. It simulates the famous Leslie Speaker.
Adjustable tone, acceleration, minimum and maximum speed for both the bass and the treble speakers, adjustable stereo width and balance between bass and treble. Midi control. |
| PWNED! By: blatanville, robojam, MarsHottentot, Hempstapimp |
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This is a bunch of "tools" (seems like I have a predilection for bundles...) intended to process stereo streams but focusing on middle and side instead of left and right.
The idea is *really* simple but the effects can be subtle and powerful.
::msEncode and msDecode::
These to ones are just converters mapping M -> L and S -> R so that you can put your own effects between the coder and the decoder. The effects below are just some hard-coded ones.
::msComp::
This one uses the same compression algorithm as my "classic" compressor, but focus on the Middle signal without touching at the Side. A typical use of this effect is to boost a mix without touching at the stereo image.
::msBalance::
2 separate gains for the Middle and side signals.
::msSwap::
it just swap the Middle and Side. You can use it before msComp if you want to compress the side instead of the Middle.
::msDelay::
This is a simplified version of analog delay that you can use to delay either the middle or the side.
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| PWNED! By: blatanville, shamanix |
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 MSED is a mid/side encoder/decoder plug-in which encodes (splits) the incoming stereo signal into two components: mid/side or, alternatively, mono/stereo pair, and vice versa: decodes mid/side signal pair into stereo signal. MSED is also able to work in the in-line mode with the ability to adjust mid and side channels' gain without the need of inserting two MSED plug-ins in sequence. |
| PWNED! By: Moseph, shamanix |
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 a quick wrapper for david haupt's granulator, with probability stuff for each parameter per step. |
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 A comb filter effect |
| PWNED! By: blatanville, MarsHottentot |
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 Multi-Band Compressor with independent external sidechain capability.
Key Features:
- Phase/Time aligned 3 Band divider.
- Feed-Forward compression
- Detection Filters & Drive
- Key listen
- Side-Chain
- Musical |
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 Multi Delay is a Multi Channel Filter Delay VST & AudioUnit Plugin.
Features :
* Up to 10 individual Channels with a Delay and a Filter
* Notch, Lowpass, Highpass and Bandpass Filter
* Every parameter can be modulated by one of the 10 LFOs or by steps (in sync with the host app)
* works on mono, stereo or multichannel tracks
* altivec optimized
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| PWNED! By: Lockdown |
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 Warm and clean sounding Resonance Filter Modul:
* 24 dB lowpass filter
* 12 dB bandpass/highpass filter
* MIDI learn (resonance, cutoff)
* parameter smoothing
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| PWNED! By: blatanville, nathel |
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 Mixing and spatial reduction :
- twenty four inputs to two outputs
- distance simulation (high frequencies damping, reverberation)
- panorama with adjustable widness
Applications : it corresponds to the spatializer section of the former plugins, and allows to use most of the multichannel Acousmodules in a stereo environement. |
| PWNED! By: blatanville, kickdrummer58 |
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 The Multiband Bitcrusher I is a multiple bitcrush & downsample vst plugin. It selects from the signal 4 frequency bands - Low; Middle Low; Middle High; High - and then processes it through the bitcrusher and/or the downsampler and/or the grinder. Frequency cut point for each band is selectable in a variable range depending on the band; not selected frequencies are cutted.
Features:
* 4 selectable frequency ranges: Low band (250/500 Hz) - Middle-Low Band (500/2000 Hz) Middle-High Band. (2000/8000 Hz) High band (7000/16000 Hz).
* Selective Bitcrush & Downsample for each band.
* Additional "grind" for each band to squash more your signal.
* Additional gain for each band.
* Mute-solo-bypass for each band for better control of the bitcrushing process.
* Enabling/disabling postfilter for each band.
* Main Wet/Dry & gain controls.
* Midi Learn (Please note that in SE edition you can automate and also customize parameters of only Low and Mid-low bands).
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| PWNED! By: 3rd-i |
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 A Multiband expander that is dependent on the program material.
The audio signal is split in to four diffrent bands.
Each band has an expander across it.
The expanders increase the input signals of each band depending on the audio level and frequency content of each band . The variable ratio of expansion is set by the expansion controls.
Each of the bands has high and low pass filters. These are not so much for effect but to allow small tweaks in the program material.
The limits on each band are there to just keep the outputs in check as expansion of the signals can be very large.
In effect what you have is a four band , program dependent dynamic EQ . |
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 The "multibandringmod I" is a multiple ring modulator based on frequency selection.
It selects from the signal 4 frequency bands - Low; Middle Low; Middle High; High. Each band is modulated by the signal generated by the sum of the other three bands. Due to its structure it works better with complex sounds, e.g. drones.
Features:
* 4 selectable frequency ranges: Low band (250/500 Hz) - Middle-Low Band (500/2000 Hz) Middle-High Band. (2000/8000 Hz) High band (7000/16000 Hz).
* Selective ringmodulation source for each band.
* Additional gain for each band.
* Mute-solo-bypass for each band for better control of the ringmodulation process.
* Main Wet/Dry & gain controls.
* Midi Learn (Please note that in SE edition you can automate and also customize parameters of only Low and Mid-low bands).
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 This is a fairly simple Pluggo plugin, which provides 10 delay lines, each with a beat-synced time, filter cutoff, volume, pan and feedback. The presets currently aren't up to much, but the plugin is definitely useable.
Needs the pluggo runtime. |
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 MultiInspectorFree is a 31 band spectral analyzer designed to be used in a multitrack environment. Based on the technology of FaderWorks to handle multiple dependent instances of the same plug-in, MultiInspectorFree provides an easy way for simultaneous spectral analysis of several audio signals.
The first instance of MultiInspectorFree behaves like a standard 31 band spectral analyzer. Additional instances automatically send their spectral analysis result to all other instances of MultiInspectorFree. Every editor window of MultiInspectorFree shows the same content. Therefore, after opening all necessary plug-in instances it is sufficient to leave just one editor window open. The width and the color of the level bars are adjusted according to the current number of instances.
MultiInspectorFree incorporates a standard third octave frequency analyzer. The centre frequencies of the bands are based on the ISO 266:1997 standard (20 Hz to 20 kHz). Pink noise will appear flat in the frequency spectrum.
MultiInspectorFree supports up to 4 instances at a sample rate of 44.1 kHz.
MultiInspectorFree is available as a plug-in for Windows (VST only) and Mac OS X (VST and AU, both Universal Binary).
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| PWNED! By: exi |
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 A 4 tap delay with filter and saturation. |
| PWNED! By: blatanville |
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 Murmur is a filter sequencer.
Features:
• 2 variable-cutoff resonant filters offering 12dB/octave lowpass, highpass, bandpass, and notch modes as well as a 24dB/octave lowpass mode.
• Syncs to host tempo, sequencing up to 8 steps of durations from 64th note to double whole note.
• Full control of filter frequency and resonance for each filter and sequence step.
• Compact and straightforward custom GUI. |
| PWNED! By: PTV, blatanville, MarsHottentot |
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 Musolomo lets you capture sound in an instant and play it back how you want it, looping, changing it's melody, rhythm and organisation. An unparalleled performance instrument or remix tool! |
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 Simple bit crush / Distortion mess with tha sound. |
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 Besides being a warm-sounding 8-comb reverb effect, this VST effect includes parameters to entirely warp, mutate, and scratch the reverb. |
| PWNED! By: blatanville, nathel, synthgeek |
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 Simulates warped linear prediction coding of a signal, with some parameters added to further degrade and mangle the sound. Based on Aki Harma's research of warped linear prediction and warped filter designs. |
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 2-Channel Crossfading Mixer
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 2-Channel Crossfading 3-Band EQ Mixer. |
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 this is a plugin i use for the drums
its a stereo fx plugin with am and fm
with a filer and channel crosser
maybe a little strange but it like it ;)
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| PWNED! By: martygras |
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 it`s not realy a bitcruser but more like a strange distortion effect |
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 its a very simple plug. it uses 2 oscs at a high freq that modulate 2 4pole filters; 2 simple lfos for the filters and a channel crosser. |
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 Naive LPF is a resonant low/high-pass filter plug-in VST effect for Windows with a very convincing, classic sound. Naive LPF features a separate envelope follower for each of 6 channels and full automation, MIDI CC and even joystick control of all parameters.
This filter has been developed to closely model the way some real world analog circuits work, as opposed to some other techniques which, while well adapted to the math processing power of a computer, just don't seem to render the same organic feel. Not to say that those techniques aren't just as valid in some applications, but this particular effect was designed to provide "analog feel" at the expense of a bit more processing power. This was not intended to be a "clean" or "transparent" filter by any means. Really, at this point in its development it should be called the "Not-So-Naive LPF" because it's actually quite a sophisticated and useful implementation. |
| PWNED! By: blatanville, BroderYon, rebortbst, exi |
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Narcissus + Echo is an FSU-style delay plug-in.
Unless you load the preset bank (manually, through your host, it won't load on itself by default) it'll probably just feed back and scream at you.
Narcissus + Echo is complexly modulated by the audio that is input into it, as well as modulating various parts of itself. There are many unseen bits of kit under the hood that you can't control, they're just hard-wired. I figured that way there'd be some chance of making it make good sounds without carefully testing a billion possibilities amongst the interelated parameters.
Possible sounds include sea-sickness chorus, long, modulated dub delays, hissing sounds, short, bouncing ball-type echoes, vurt is a hippie, and swirling walls of psychedellic madness.
Narcissus + Echo is constructed upon 3 main signal pathways, each output of which has it's own mix level controller.
Narcissus + Echo is constructed upon 3 main signal pathways, each output of which has it's own mix level controller.
Path A is the main delay line. It has up to 1500 ms of delay. That delay time, as well as it's feedback, can be modulated by either the LFO, the ADSR, the Envelope Follower or the Zero-Crossing Detector. The settings for these features do not have controls. The LFO's pulse width, frequency and offset parameters are themselves modulated by the other three modulators. The Envelope Follower converts the incoming audio's amplitude into a control voltage. The Zero-Crossing Detector outputs a control voltage every time the incoming audio crosses the zero point of the wave, therefore more complex sounds (such as woodwind multiphonics, raspier singing or cybals) created a higher modulation level.
The way these four Modulators are routed within Narcissus + Echo is complex and everything is interrelated. Change the settings on one thing and it may have an effect on other parameters elsewhere for which there are no GUI controls.
Narcissus + Echo is also highly dependent upon what audio is coming into it. Try different (or everchanging) volume levels. Test what a patch will do to sparse, stacatto audio or low, complex, droning audio. What will occur is just as dependent upon the audio as it is upon how the viewable control parameters are set. It's an FSU so experiment.
Load the presets that come with the plug manually as it won't load a bank by default.
The .dll and other little data file need to be in the same folder.
I named presets after some fsu-lovin' folks just for fun. Don't blame them for the hideous noises that it makes. Finally, thanks to Opia for hosting the archive so that people can download it.
Have fun,
- runagate |
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 'NastyLF' - adding mojo to the lowend.
Getting the lowend right is one important key in successfully mixing modern music these days.
As a creative mixing device 'NastyLF' offers subtle low frequency enhancements including creamy lowend distortion up to more agressive filtering and nasty saturation.
'NastyLF' is a specific and tuned combination of lowend EQ and output stage.
The low frequency EQ in classic boost/cut design offers both: broad 'oldschool' as well as rather narrow 'modern' curves (switchable) altogether with a variation of that special sounding curve designs when using boost and cut in combination. A new developed output stage offers tasty lowend saturation which can virtually be driven up to 24dB with internal automatic gain compensation.
Requirements:
Windows XP, SSE support
Tested and known to work in many VST compatible hosts |
| PWNED! By: tgersic, obstgegenrechz, blatanville, pattonfreak1, robojam, MarsHottentot, BroderYon, snez |
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 This free plugin will distort your audio subtly or to the extreme ! Nastyshaper features:
* Pre and Post gain knobs
* 3 different waveshaping functions. Shape 1 has 4 stages, Shapes 2/3 have 2 stages
* An 8x oversampling mode for high-quality offline rendering
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| PWNED! By: blatanville |
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 Inspired by the smooth dynamic and tone shaping capabilities of some high-end mixing consoles and channel strips, this plug-in implements the most distinctive and much appreciated sonic effects generated by these devices.
Built around an entirely new opto-electric style compression unit, NastyVCS offers everything you need to shape your channels dynamics and tone. It offers a dedicated input stage featuring crunchy pre-amp saturation and a brickwall safety limiter in the output stage. Everything is set up to work in zero latency and so be available for hassle free tracking and mixing.
Two dedicated filters can be used in either the audio path or in the compressor’s sidechain which can be external as well. Whether pre or post compression, the equalizer section offers four interacting coloring tools with well-selected musical sounding curves. The concept gets rounded off by a phase alignment tool which can be used for coloring purposes as well.
The free download for PC (SSE2 or higher type CPU) and VST compatible systems is available via the download page or just click here instead and please acceppt the end-user license agreement. |
| PWNED! By: blatanville, pattonfreak1, BroderYon |
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 ..was created in an attempt to use mono synths polyphonically.
...each successive note is sent to a different MIDI channel using NDC_MIDI_Channeliser.
...never worked to my satisfaction, but is OK as long as you "roll" into your chords.
...an example project is included (RGC Triangle II required). |
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 Simple tremolo/auto-panner plugin, allows for tempo-sync, and syncing the oscillator's phase to bar starts. |
| PWNED! By: PTV, blatanville, Moseph, rebortbst |
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 Very sophisticated amp modeler, with all the works:
"emulates different types of vintage gear: equalizers, filters, microphones, preamps, compressors, reverb and generic time-variant processors (chorus, flangers, phasers)"
-and more!
More libraries can be obtained here:
http://www.guitarampmodeling.com/viewtopic.php?f=90&t=5779 |
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 "Nebula is a wonderful "FX gear emulator" VST plugin for Windows from Acustica Audio, based on Volterra Kernels Series. It emulates different types of vintage gear: equalisers, filters, microphones, preamps, compressors, reverb and generic time-variant processors (chorus, flangers, phasers).
Nebula HS Reverb (Hispasonic Edition) is a free version of Nebula with 18 exclusive reverb presets made by Jorge Ruiz, commemorating the new look of Hispasonic.com, the biggest website and community around musical creation & production in spanish. Here you can download it for free!
We have also published a quick tutorial in spanish for Nebula HS Reverb. Here you have the Google-translated version:
http://translate.google.com/translat...language_tools
Note: the file paths of the following links change from time to time. Please do not publish direct links to these files as they will fail sooner or later. Use always this link to promote Nebula HS Reverb." |
| PWNED! By: premiumcrap, besanane |
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 VST Plugin based on Volterra Kernels Series.
It emulates different types of vintage gear: equalisers, filters, microphones, preamps, compressors, reverb and generic time-variant processors (chorus, flangers, phasers). |
| PWNED! By: nathel |
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 Necroloop is an effect that records incoming material in 8/16/32 slices and plays it back in horribly twisted ways with it’s live, sequenced editing tools. Necroloop only demands for incoming audio and a running host. Just load it as a common stereo insert fx and let anything run through, a drum loop, melodic instruments, vocals..or an entire mix. |
| PWNED! By: blatanville |
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 Auto Tremolo |
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 MIDI control/LFO plugin |
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 Random pitch bender with feedback delay.. |
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 4 band resonator.
It consists of 4 parallels band-pass filters with resonance and spread.
4 LFO routable to Frequency and Spread via the digital matrix. |
| PWNED! By: blatanville |
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 Ninjaplugs is a suite of 6 plug-ins inspired by a set of commercially available plug-ins called GRM-Tools. They were written and compiled in Max/MSP 4.6.2, a highly powerful graphic programming environment and run under the Pluggo Runtime environment, both created by Cycling ’74. |
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 NoAmp! is based on a famous stomp box that made life easier for many guitar players and gained much popularity for its sound quality, versatility and ease of use.
With its simple layout, this effect will provide you with three classic amp tones, three modification and three cab simulations.
This let you play with 27 different configurations.
•3 amp sims
•3 "mods"
•3 cab sims
•mono / stereo modes
•Midi learn on every paramter |
| PWNED! By: synthgeek |
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 Noise Reduction is a plug-in containing a spectral noise gate optimized to remove unwanted noise.
Features:
Highly customisable spectral noise gate.
Continuous and consistent characteristic.
Fully adjustable soft knee in dB (as margin below the threshold).
Several exotic window functions available.
Low CPU usage.
Different FFT sizes.
Manual included.
Open Source (as part of the Delphi ASIO & VST Project). |
| PWNED! By: blatanville, synthgeek |
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 A 7-band tracking EQ, designed for low CPU usage with the best possible sound quality. |
| PWNED! By: obstgegenrechz, blackshadow, T1M0N, synthgeek, snez |
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 center-channel remover |
| PWNED! By: baraguna |
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 Denormalisation is an issue with some audio hosts that don't switch off the plugin's audio task when the song is stopped or a track contains silence (or with instruments: no key is pressed while a sound decays).
The problem happens when the CPU (precisely: the floating point unit (FPU) inside of it) detects extremely small numbers and wishes to process them with the same precision as usual. Then it switches into 'denormal' mode which is another way of representing small floating point numbers with the available bit range.
Converting between the two states takes a lot of time for the FPU and thus might cause heavy load jumps. |
| PWNED! By: blatanville |
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 This free plug in equips your sequencing environment with a fully programmable resonant filter. In short, you can send any of your audio tracks through this 'virtual analog' device to either create special effects or to simulate the behaviour of an analog 4-pole filter. It has the following specifications
The NorthPole PlugIn features
24dB/Octave (4 pole) Low Pass and Band Pass Filter
variable Cutoff + Resonance
Lowpass/Bandpass switchable
Envelope Follower with adjustable sensitivity
Envelope attack/release times
Adjustable distortion
Adjustable digital delay after filter with time, mix and feedback parameters |
| PWNED! By: PTV, blatanville, povov |
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 # High performance Notch Filter
# Centre Frequency and Width control |
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 ..MIDI note recorder, it only records the pitches, and after you turn record off it will play back those notes you recorded, no matter what key you hit, except it uses the gate time/timing and velocity of the notes you are playing real time instead of the recorded notes. It is only for monophonic phrases, but it's useful for nailing a solo and still keeping that human feel. |
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 Transposes, humanizes and scales velocity, offers spring loaded Pitch bend, CC X/Y pad and custom CC wheel.
* Transpose w/ bypass
* Velocity Scale w/ humanize and bypass
* X/Y joystick with pitch bend and custom CC
* snapback value for the custom CC is user defined
* 1 extra wheel for user defined CC
* 8 preset buttons for quick switching
* Clicking on a parameter value will reset the parameter to the default position.
Note: NoteFX_lite doesn't do scale quantizing, and only does velocity humanizing. |
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 A simple filter with LFO. |
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 What would happen if...
You took a Comb Filter, used it to split the frequency of incoming source material into four channels. Then took those channels and mutilated them using a variety of individual FX... then recombined said molested channels into one single sound again?
A hell of a fun mess, that's what.
NUCLEAR CRANIUM splits the incoming audio channel into; HI, LOW, MID, and ELSE frequencies. Next, PITCHSHIFTING, BITCRUSHING, WAVESHAPING, "CRUNCH", BITCRUSH, "PSYCHODELAY", and AUTOPAN FX, can all be used individually on each of the four frequencies. Lastly, nearly every single NUCLEAR CRANIUM parameter has its own internal completely configurable LFO.
You can literally, seriously, not kiddingly, make something completely new and insane, even out of your oldest most boringest loops. No hyperbole there, promise. Why would I bother to lie about this anyway?
This audio abomination is 100% free, afterall. |
| PWNED! By: Lockdown |
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 WWAYM NWEQ is a free plugin, perfect for mastering and sound designing.
Features:
- 5 parametric bands (low shelf, band 1-2-3, high shelf)
- high quality filters (10 Hz - 22 KHz)
- 2 cross fadeable filter models for band 1-2-3
- works as a filter a bank, too
- templates for most common EQ applications
- aesthetic and easy to use interface based on a clear concept
- band reset buttons
- A/B switch |
| PWNED! By: itilbury |
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 NWEQDJ is a 3 band equalizer VST effect plug-in, especially designed for live and DJ use.
However NWEQDJ has no compromise in sound quality it can also be used in a studio session when a 3 band easy to use EQ is needed.
Main Features:
- High quality filters with two different characteristics
- Assymetric band gain control knobs (-96dB - +6dB)
- 0 dB is at the knob’s center position (which is very convenient for live usage)
- Additional center buttons
- MIDI learn for gain and band knobs
- 16 Presets
- Parameter finetune with right mouse button
- Interpolated gain knobs
The software can be used in two modes, unregistered (free) and registered (35 EUR):
- 3 fixed bands if unregistered (band settings are only available through presets)
- 3 parametric bands if registered (with frequency, quality and characteristics sliders)
The plug-in is usable in unregistered state (no timed noises or silence or other disturbing effects). |
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 A cool phaser with a kickass GUI.
free version of the "NXTPhase Enterprise Edition - a phaser with an attitude and then some".
* Classic GUI by kvr member amoebe
* 4 to 24 stages (by fours)
* LFO range from 0.01Hz to 10Hz
* PC-based VST hosts only
* Free Download |
| PWNED! By: blatanville, martygras, duckett |
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 Parametric graphic equalizer with excellent response all the way up to Nyquist. It never clicks, and it handles deep bass well too. The Nyquist frequency is the highest representable frequency for a given sample rate. The trebliest of the treble. Most other digital eqs have great problems producing a natural sound here. |
| PWNED! By: PTV, swonderme, blatanville, tweed, blackshadow, itilbury, rebortbst |
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 Octave Shifter 2 is a free, real-time pitch shifting Audio Unit effect. Featuring four full octaves of pitch adjustment, low latency processing and automation support, Octave Shifter 2 will satisfy both your live and studio pitch shifting needs.
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 8 simple echoes in line |
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 Vector based multi delay / reverb unit. |
| PWNED! By: MarsHottentot |
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 This is a free stereo delay plugin
BPM delays 1 1/2 1/3 1/4 /1/5 1/6 1/7 1/8 1/9 1/10 1/11 1/12 1/13 1/14 1/15 1/6.
BPM dotteds 1 1/2 1/3 1/3 1/4 1/5 1/6 1/7 1/8 1/9 1/10 1/11 1/12 1/13 1/14 /15 1/16.
A BPM crosser with rates 16 8 4 2 1 3/4 2/3 1/2 1/3 1/4 1/6 1/8 1/12 1/16 1/24 1/32
2 filters for bought the delays with lowpass 12db lowpass 24db lowpass 36db hipass and bandpass. |
| PWNED! By: blatanville |
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 Delay with auto filter, capable of metallic fx |
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 This is a reverb unit plug-in suitable mainly for instruments and sounds which do not have sharp percussive elements to them, otherwise this reverb sounds too edgy. This reverb is great at creating additional ambience. |
| PWNED! By: blatanville, nathel, Moseph |
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 Features : 16 tracks stereo : move your tracks as you want.
With the skin window, you can change the numbers by your own pictures (instruments, etc...) in BMP or PNG format, with transparency.
Grid and other features.
Masters left and right.
Real size 950x610
Connect and move, you're in a concert hall ! Smile |
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 JB OmniSone is a free VST effect plugin to increase the panning range. A sound source can be panned both within and outside the loudspeaker base. |
| PWNED! By: blatanville |
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 Omniverb is a reverberation plugin with separate control of the reverberation time, echo density, room size, and early reflections. It can also be used as a gated reverb. |
| PWNED! By: blatanville, MIDIManNI, tweed, West, jodeum, nathel, pangrus, BroderYon, duckett, synthgeek |
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 Orbit are very strange autopanners:
-gravity is the oddo autopanner.
-satellite is an autopanner like a satellite. L input goes into orbit of the R input. Besides. If nothing sounds in L input, satellite changes to center moving autopanner.
-opposite is a simple one in orbits.
when the L input on R100%, the R input will moves to L 100%
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| PWNED! By: blatanville |
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 An experiment for my PhD. Consists of a delay line divided into 3 sections - the 3d velocity of a blob in the editor is mapped to 3 read pointers (i.e. x-, y-, and z-axes), 1 in each section. Since there are 4 blobs, there are essentially 4 copies of this process, and the whole thing acts like a granulator with a continually-modulated pitch parameter. The blobs move in a simple attractor orbit � i.e. they orbit around a central point. If you click the editor, the delay line buffer will stop accepting input, and the data currently in the buffer will be stored.
I'm not entirely sure what's going on, but if you leave the plugin running a while, the sound does evolve somehow, moving away from the initial up-down pitch movement towards something a bit more interesting (to me, anyway). |
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 Designed to be a very simple but effective Overdrive effect. Based on the Overdrive section of Lusus (my vst synthesizer), OuraDrive was created for drum´n´bass but, of course, you can use it with any sound. This is a free VST plugin for Windows only. |
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 Sound Phatener for Windows with 6 phat modules inside. This LE version has notched knobs (11 positions) and has the Stereo Ensemble module with only 2 possible modes (reduced control). |
| PWNED! By: blatanville |
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 Outdoorverb uses three tiers of stereo 5-tap multitap delays in series to produce a mass of 'near reflections' with less diffusion than standard reverbs, to emulate ~"the first group of reflections from a partially open landscape, then the reflections between those sparse objects, which would be of less density than those in an enclosed space.."
..so each delay has a single control to tune and to detune its taps.. which has some nice synth effects. the exact detune values are determined by the seed param.
16 outdoor presets
16 synth/percussion presets |
| PWNED! By: MarsHottentot |
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 This is a 7-band harmonic (overtone) graphic equalizer with multi-channel support (up to 8 channels, host setup dependent, if you are using audio host application supporting VST version below 2.3 only 2 plug-in channels will be available).
Overtone GEQ implements graphic equalizing by using a serie of bell-shaped EQ curves. So, when you boost adjacent bands the actual boost or cut may go over the visual setting. Beside equalizing, Overtone GEQ applies harmonic enhancement processing. That is why Overtone GEQ is comparably CPU-heavy: it uses 7 harmonic enhancement modules, one for each EQ band. This generates quite complex harmonic distortion. |
| PWNED! By: obstgegenrechz, West, mikiskinnerr, snez |
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 A distortion plugin based upon the original free Ozone VST, now including a proper GUI to make it easier to use. New algorithms and other enhancements are also included. |
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 Multichannel recorder :
- records a 5.1 surround file in the form of six mono wav files, ready to encode in AC3 or DTS !
- 16 bits and 24 bits
- the channel names are automatically added
Applications : to record your work in the hosts that cannot bounce a multichannel output (Tracktion, EnergyXT...).
Note : the 24 bits files may not open in some softwares. |
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 Customisable surface control
- twenty-four controllers that can be configured each as vertical or horizontal slider, two positions button, rotating wheel or XY joystick
- each appearance can keep its own value and can be used as "memories" while playing
- inertia parameter for each pair of controllers
- simple selection of the MIDI controller numbers from 0 to 127
- labels for naming the controllers
- 128 patches |
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 Features:
* Screaming analog overdrive on high feedback.
* Smooth parameter control.
* High/low cut filter & tape speed modulation.
* Also shows time in beats (normally 1/4 note).
* Variable phase feedback for phaser sounds.
(This excellent plugin is no longer avaiable at it's homepage, only on the download link above) |
| PWNED! By: blatanville, shamanix |
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 The idea behind this plugin is to have a panner you can use in any DAW you wish that is very configurable by the user without any special magic inside that leaves you wondering what happened to your audio. In other words, you have complete control of what the plugin is doing.
PAEIN is based on the Max/MSP programming environment. To use PAEIN, you need to install the Cycling74 Pluggo runtime library. |
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 Pan-Oh!-Rama is a 6-stage modulation effect using multiple waveform LFO's with FM routing and smoothing. It also uses two filterbanks offering 2p/4p LP, 2p/4p HP, 2p BP and 2p BR filters. Pan-Oh!-Rama can either be run tempo synced to the host application or with a manual tempo setting. The LFO's can be gate trigged allowing the LFO's to be restarted by a note-on MIDI message. |
| PWNED! By: blatanville, aymat, exi |
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 For narrowing a stereo signal with one slider.
Locked pan sliders.
Seperate volumes.
Master pan and volume.
Five presets.
Bypass and invert. |
| PWNED! By: blatanville |
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 MM FX 05 PANFILTER is a VST effect. Each Channel of the incoming signal is filtered with 3 bandpass filters with adjustable offset and then goes to an autopanner. The filter has joystick control for frequency and resonance and is modulated by a syncable LFO. The LFO goes to audiorate when controlled manually, so it is possible to do filter FM as well.
The sonic results of this FX vary from subtle widening of pads and adding some "air" to extremely weird FM and modulated sound, depending on the input source and the parameters. |
| PWNED! By: blatanville |
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 Paradigm Shifter is a beat shifting delay mangler with lots of modulation options. |
| PWNED! By: blatanville |
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 The ultimate and the most character Equalizer ever in vst plugin.
After turn on the plugin, you will have already hear the result even you don't adjust anything, watch your back!
TQ,RP! |
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 Parametri-Q (Lite) is a straight forward parametric EQ with 10 bands. It features a unique blend of harmonics to make it sound warm and creamy. |
| PWNED! By: PTV, blatanville |
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 Kaitop Paranoia 2
"BPM Sync input signal to be divided into 16 step in their transformation to switch filter to send Effect.
The Filter Deapth itself as LFO modulation to control the filtering transformation is very versatile.
Filter established by the Executive using moog type, Rez oscillation to be.
BPM Sync and the LFO"
...I'm sure it does something [shrug]... |
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 The Paris VST EQ is a 4-band parametric stereo VST equaliser plugin utilising the same algorithm as the E-mu/Ensoniq Paris system. It offers the same musicality and quirkiness as the original including soft-limiting, grungy distortion ability, and resonant behaviour under certain conditions.
Previously only accessible to those who owned the Paris custom DSP hardware, this unique EQ is now available to all PC DAW users. |
| PWNED! By: blatanville, mikiskinnerr, synthgeek |
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| granular effect |
| PWNED! By: PTV |
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 The ‘Party Delay’ is a nice little delay effect combined with a filter and a frequency shifter. |
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 This is a program for stretching the audio. It is suitable only for extreme sound stretching of the audio (like 50x) and for applying special effects by "spectral smoothing" the sounds. It can transform any sound/music to a texture. The program is Open-Source and it's released under the version 2 of the General Public License. You can download the source code for Linux or the Windows binaries.
Please note that this is suitable only for extreme time stretching (e.g. if have a melody of 3 minutes and you want to listen it in 3 hours). If you want "less extreme" time stretching, you can use a program which contains the SoundTouch library.
Features
*It produces high quality extreme sound stretching. While most sound stretching software sounds bad when trying to stretch the sounds a lot, this one is optimized for extreme sound stretching. So, the stretch amount is unlimited.
*You can play the stretched sound in real-time (including the possibility to "freeze" the sound) or you can render the whole sound or a part of it to audio files
*It has many post-processing effects, like: filters, pitch/frequency shifters
*Support for WAV, OGG VORBIS files and MP3 files
*It is a Free Software
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| PWNED! By: BroderYon |
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 VST psychoacoustic compressor
Conventional compressors are based on peak or rms-level estimation to compute their time-variant gain or attenuation. This property of most compressors often causes undesirable intermodulation distortion and pumping/breathing artefacts.
JB PC-2 features a 'psycho-acoustic relevance' mode. Instead of using a peak or rms-level estimation, this mode employes a perceptual loudness model to compute the loudness of the input signal. This perceptual loudness model is combined with advanced attack and release stages that model peripheral adaptation of the human auditory nerve. The result is a very transparent compression characteristic, even with very short attack and release times.
On the other hand, the simple, classic compression behavior can be engaged too by simply switching off the complex loudness model. |
| PWNED! By: blatanville, blackshadow, West, Moseph, besanane, BroderYon, shamanix |
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| pattern (stepsequencer) controlled lp/bp-filter |
| PWNED! By: PTV |
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 Plug-in I built with J.Sarlo's Pd-VST to use inside Audiomulch. Samples audio, plays forward/alternate between loopstart & loopend, control pitch/speed, also has Delay effect controls. plus Scratch feature - (scrubbed buffer sequencer). Needs Pd-VST in order to run (read attached txt file). |
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 # 3 banks of Peaking Filters - Resonators
# Master tune, fine tune
# Control Peaking Filter gain and width
# Pre \ Post Lowpass and Highpass filters |
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 Peakme is a large RTAS peak meter with phase probe and scope. |
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 Pecker Head is a vintage crunch machine inspired by the likes of Ritchie Blackmore - perfect for thick, saturated riffs and crunching power chords, this amp can DEFINITELY pack a punch!
Engage the Treble Master and you're deep into Classic Rock territory, crank the gain and you're pushing out huge tone, roll the gain and your guitar's volume back a little and you can get a great warm lead tone. |
| PWNED! By: synthgeek, snez |
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 Pegger and Reggep have features of crossfading mixers, arpeggiating sequencers, and granulating synthesizers. Pegger acts like an arpeggiator which cycles through separate input channels instead of tones; Reggep cycles through separate output channels. |
| PWNED! By: PTV, blatanville, MarsHottentot |
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A collection of twelve plug-ins written in Max/MSP for use in the Pluggo plug-in enviorment.
Cheby: Chebyshev waveshaper.
DCBlock: DC-Bias remover.
Flipper: lfo based signal inverter.
Gravy/Gravy_NoSync: wave terrain sampler.
harm-Z: stereo granular pitch shifter.
MetaFlute: physical modeled flute.
QuadraComb: 4-voice stereo comb filter bank.
Rounder: Resolution distortion.
Snow/Snow2: Stereo granular sampling processor.
Weaver: Sub-harmonic tracker.
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 Petit à Petit is a little, little mixer. No sends, no equalization,
no vu-meters, no air conditioning :)
8 tracks stereo / numbers on each knob.
On each track : mute, solo, labels, bargraphs,
volume, pan, mono-stereo.
Masters left and right, bargraphs, automation completed.
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 pfilter is a variable state filter, triggered between 2 adjustable cut-off values by a tempo-sync'd probability-based step sequencer.
Choose from 8 to 16 steps per bar (measure) and the probability of triggering the cut-off (from 0% to 100%) for each step. As the track plays, the filter will loop through the steps and randomly trigger the cut-off depending on the probability assigned to each step.
You choose a lower and an upper cut-off value, the lower value is the default (unless the invert button is pressed) and the upper value is triggered according to the step sequencer
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| PWNED! By: obstgegenrechz, blatanville, rebortbst |
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 a filter effect with 4 bandpass filters, blurring, and delays |
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 An advanced bargraph
possibility to adjust left and right level, etc. |
| PWNED! By: nathel |
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 Phaser. |
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 Simple Phaser plugin.
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| PWNED! By: blatanville |
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 a filter effect similar to the classic phase correction tool. |
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 PhaseBug's primary function is to shift the phase of an incoming audio signal. This is a critical function in fixing source signals that have phase errors in relation to one another, which can cause inappropriate cancellation or reinforcement of frequencies in a mix.
As part of the testing and correcting procedure, a user will occasionally need to sum the stereo signal to mono, which is the surest way to help isolate phase issues. A useful side effect is that PhaseBug may also be used strictly for this purpose - quickly summing a stereo signal to mono. |
| PWNED! By: blatanville, Moseph |
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 A fairly straightforward phaser effect. |
| PWNED! By: blatanville |
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 A simple phase shifter. |
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 PhaseTone is a FREE frequency-dependent phase rotation and correction plugin.
PhaseTone allows you to manipulate the phase of your signal across a user-definable frequency range, with options for creating different phase and time-based offsets (if desired) for the left and right channels of a stereo signal.
Similar to hardware boxes popular for correcting phase relationships between signal-pairs such as bass DI and bass mics and top/bottom snare mics, PhaseTone goes a little further.
By allowing the user to select the center frequency and Q of the phase process, PhaseTone allows for more creative manipulation of phase when mixing, producing effects with more EQ like results, increasing clarity and removing mud.
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| PWNED! By: blatanville, itilbury |
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 A mastering-plugin for enhancing bass frequencies after limiting-stage without clipping. |
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 16 stages stereo phase shifter (knows as PHASER.)
Classic, Free, Efficient.
2 x LFOs :
BPM/Hz : set the speed (0.01 to 480), click on label to select Hz or BPM mode,
DEPTH : set the FRQ amplitude modulation.
PHASE SHIFTER :
MODE :5 modes (click on label to change mode)
STAGES : allow 4, 8, 12 or 16 cells.
LPF/HPF : pre-filtering the signal sent to the phase-shifter.
HZ/REF (frequency) : select the frequency where the scan start.
WIDE : enlarge the stereo field by dephasing L & R
SAND : add noise.
FDBCK (feedback) : re-inject the processed signal to the filter network.
TRACK : Allow to drive frequency by the audio input.
LEVEL : amount :)
FRQ : pre-filter Hz (you can listen processed signal by selecting TRACK : MON) |
| PWNED! By: blatanville |
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 just 4 band filter . |
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 philterkeyz is a resonant filter plugin with a difference.
Filter cutoff is controlled by midi notes and the cutoff frequency is calculated to match the frequency of each note. |
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 Phutboyslim is a quick 'n' dirty inline sampler. It is designed to be inserted in the master output fx rack and functions by constantly sampling the last "x" beats of the input signal (your whole mix, usually). When it receives a midi note, it constantly plays back that buffer until the midi note is released, at which point the source material is allowed through again. Think of the stuttering samples in yer typical fatboy slim tune and you'll have a good idea of what phutboyslim can do for you. |
| PWNED! By: shamanix |
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 PSP PianoVerb is a completely free plug-in for any VST, MAS and DirectX compatible host (such as Cubase, Logic, Nuendo, Sonar, DigitalPerformer). It reproduces special kind of reverberation originally provided by piano strings. It generates reverberation using twelve string operators with adjustable damping and decay time. Each of them is tuned to a particular note starting from A(55Hz) to a G#(103.8Hz). The PSP PianoVerb string system can be transposed in the range of +-24 semitones, tuned within a range of +-100 cents and be detuned as well. Transposing to lower octaves produces a bigger and less resonant sound similar to traditional reverbs, while in turn transposing to higher octaves produces a very bright harp-like effect. |
| PWNED! By: blatanville, MarsHottentot, West, Moseph |
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 Piczer is a crazy pitch change-distortion plug |
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 A simple stereo ping pong delay plugin. |
| PWNED! By: blatanville, nathel |
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 Pitch Shifter is a plugIn to shift the pitch of an incoming audio signal. By mixing the pitch shifted signal with the original signal via the dry/wet control, basic detuning, octaving and harmonizing effects are also possible. This shifter is based on a delayline with two crossfaded read pointers. Such an architecture allows for feedback - and feedback gives the potential to rather drastic, weird special effects like monster-voices, flanger-like effects and more. |
| PWNED! By: blatanville, BroderYon |
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 Pitch-Shifter is a plugIn for shifting the pitch of the input signal without affecting the overall length. Normally pitch and length of audio material are coupled - if you simply icrease the playback-tempo, the pitch raises and the length shortens. Pitch-Shifter uses a delayline-based granular algorithm to decouple the pitch from the length, so that the overall length of the signal will not be affected (which would not make much sense in a realtime-plugIn anyway) |
| PWNED! By: themoneyshot |
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 pitchfork is a pitchshifter with random shifting in sync with your project tempo. You can get anything from mild and occasional variation to extreme and glitchy shifting |
| PWNED! By: MarsHottentot, synthgeek |
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 Global pitch mutilator. |
| PWNED! By: MarsHottentot |
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 The plug-in allow you adjust sample Pitch (while preserving sample length), Tempo (change sample length but preserve pitch) or change both Pitch and Tempo using post process high quality resampler (Speed) without preserving pitch and sample length.
Input parameters are: Pitch in semitones (cents) in range ± 4 octaves, Tempo in percents (in range 15..999 %), BPM or sample time in seconds, Speed in percents or semitones. For precise Tempo change and avoid artifacts an accuracy parameter is available. All parameters have two tweak modes: draft, where you able tweak parameters fast using GUI wheels and precise (calculator) mode, where you input precise values into edit boxes.
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| PWNED! By: Impalaboy |
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 simple linear and rectangular waveguides add near reflections to etric van mayer's reverb module. |
| PWNED! By: MarsHottentot |
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 This Plate Reverb effect is directly based on the Plate Reverb described in Jon Datorro’s “Effect Design” paper (part 1). |
| PWNED! By: atomic_afro, blatanville |
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| PlayDelay is a feedback delay where the delaytime is controlled via MIDI note on's. |
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 A free set of 12 Pluggo plug-ins from Cycling74. |
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Z-Florus: stereo flanger/chorus
Z-FilterDub: 24db lowpass dub style
Z-Stepper: variable size delay buffer with skipping read
Z-BandSpin: stereo 2 bandpass with delay
+ 4 new vsts....
Z-Cutter: double tremelo stereo cutter effect (from slow trems to bubble sounds)
Z-Ringer: bitcrusher-lowpassfilter-ringmod-comb filter
Z-SpShift: phase-vocoder pitchshifter, with controls for shift size/direction, range to shift, and band modulation.
Z-SpVoc: spectral Vocoder, with scaling, smearing and carrier wave modulation. |
| PWNED! By: blatanville |
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 Virtual MIDI Keyboard Controller |
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| Plate reverbs have been among the first devices for artificial reverberation. The first digital reverb units by EMT and Lexicon tried to model plate reverbs instead of real spaces. The Poor Plate is a Plug-In for all those people who can neither afford a real plate nor one of the classic digital units. |
| PWNED! By: blatanville |
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 A vst television like a post-it.
Only 225 characters by page,
but... 10 pages !
Insert on tracks as you want. |
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 Soft Clip EQ (Army-Skin)
Modeled after a transistor EQ to provide soft distortion. |
| PWNED! By: bagigetto |
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 This little ditty is a switchable state variable/Moog filter. A MIDI input allows the cutoff to be altered by MIDI note information, including pitch and velocity. Also, there`s a clocked randomness function just for good measure. Useful for timbral decadence. |
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 The Poulin HyBrit Series is a collection of three plug-ins that feature a hybrid amp model based on two famous British amps. The plug-ins include a "PLS channel" that is a hybrid of the two (tweaked) channels (Normal and Treble) of the real thing. Both channels are actually processed and the mix of the two signals can be adjusted through the PLS MIX knob. Another channel, MCJ, is also a tweaked version of the real thing.
This amp simulator doesn't represent anything specifically but it does have the character of the British amp.
The three versions:
1.Preamp
2.Head
3.FullStack |
| PWNED! By: synthgeek |
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 Not wanting to leave you waiting for too long, AcmeBarGig are proud to follow up the Canadian Metal Mega Pack by releasing Preampus BRAIN, drawing influence from classic amps, this is a first from AcmeBarGig as we're usually focused on creating entire new sounding plugs. This isn't a bog-standard clone though! While the sound is rooted in the classic amps it draws it's influence from, BRAIN is capable of a number of very different tones, making it another exceptionally versatile amp that we're sure you'll enjoy tweaking and hearing! |
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 Have you ever wanted a mastering compresssor that was dead-easy to use? A compressor that just made things louder without having to worry about the best Ratio, Attack, and Release settings for a specific task? A compressor that didn't over-compress attack transients, robbing your track of all the excitement of explosive hits? A compressor that was downright freaky looking?
Well, Pressure is the compressor for you. Using a technique called upward compression, Pressure increases the level of quiet portions in a mix without reducing the level of attack transients like a traditional compressor. There are just 3 parameters: Amount of compression, look-ahead, and gain control. it couldn't be easier. |
| PWNED! By: tgersic, Jhopf124, blazemc |
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 Prodyspace is a new kind of 4d-Panner which has been designed to put Instruments within a mix to the front or to the back. To achieve this effect, the Prodyspace uses delay-modulation (kind of spatial processing), intelligent filtering and very short reverberation (FDN).
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 The same compressor as found on the ShapeShifter multi-effect plug-in. Features quick and easy to use controls for fast setup, but still capable of a range of sounds. |
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 Useful utility to allow you to monitor what's going on in your signals. Handy for developers and musicians alike! |
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 ...to send Program Change messages
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 pitch shifter type thing |
| PWNED! By: mana |
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 Psycho-Phaser is a VST-plugIn for phasing effects. This effect arises, when sending the input signal through a chain of allpass-filters and mixing that filtered signal with the original signal. An allpass-filters lets all frqeuencies pass without any attenuation or amplification, but introduces a frequency-dependent phase-shift. When the filtered signal is mixed with the original signal, there will be notches in the frequency-content of the resulting signal at all frequencies at which the phase-shift in the filtered signal is some odd integer multiple of 180 degrees. In contrast to a flanger, these notches are not distributed at integer multiples of some fundamental frequency along the frequency axis - so they have no harmonic relationship. This is the most distinguishing feature between phasers and flangers (which are often regarded as somehow similar). If the characteristic frequencies of the allpass-filters are modulated over time (via an LFO), these notches slide back and forth on the frequency axis - this is phasing. Psycho-Phaser provides two independent allpass-chains for left and right channel, each of which with its own, tempo-synchronized LFO. |
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 pudding is a granular delay effect with detailed synchronization features and lots of randomization thrown in the mix. this can produce anything from a simple digital delay sound, to full on new synthesis from extremely small grains and sync rates. |
| PWNED! By: blatanville, MarsHottentot |
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 PulseModulator is a model of an extremely rare (and exceedingly strange) tremolo pedal from the 70s. Three LFOs effect the VCA at the same time, and the whole mess goes through a distortion circuit, resulting in strange... uh... modulating pulses of sound.
We've added tempo sync to the individual LFOs to make it more useful in a modern DAW environment, but otherwise left it pretty much as-is.
Controls:
Pulse Speed: These three knobs control the rate of the individual LFOs. If the sync switch for an LFO is engaged (the "1", "2", and "3" switches on the bottom) that LFO will be synchronized to host tempo and the knob will select different tempo divisions.
Pulse Depth: Perhaps unsurprisingly, these three knobs control the depth of the individual LFOs. That is to say, they control how much each LFO affects the dry signal.
Boost Amount: This is labelled as it is on the real pedal. However, the label implies a boost circuit, but in fact it was more of a fuzz. We've modeled it as a fuzz but called it "Boost" as well.
Pulse Shape: This controls the waveshape of all three LFOs. |
| PWNED! By: PTV, blatanville, shamanix |
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 A 6-band mid-range and program EQ. A Winamp plugin version is also included. |
| PWNED! By: blatanville, pattonfreak1, blackshadow, synthgeek, snez |
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The plugins are based on programs from the CDP system , developed by Trevor Wishart.
They are all strictly mono only, so in Cubase VST, for example, they will have to be used as channel Inserts.
They have only been tested so far at the 44100 sample rate, and I fully expect them only to work at that rate. On a Pentium II 333MHz machine each plugin runs cleanly in real time, running around 40% to 50% CPU load. Your mileage may vary. There is no GUI - they use the default GUI provided by the host application.
PVACCU: spectral accumulation. The most extreme effect of the three! Applies feedback echo to each analysis channel, with the possibility also to apply a pitch glissando up or down. Echo is amplitude dependent, so this effect is most apparent when applied to percussive sounds, or any sound with distinct changes.
PVEXAG: exaggerates the spectrum. Positive exaggeration will emphasize spectral peaks, eventually becoming distinct pitches. Negative exaggeration flattens peaks, and larger values will effectively generate a granular noise. This can sometimes be effective for some percussive sounds, such as drum loops.
PVTRANSP: an unsophisticated pitch shifter, offering a range of one octave up and down. Really little more than a demo of the fact it can be done at all! |
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PWMDrive is a saturator/softclipper/waveshaper with offset.
When maxed out, it can produce sounds similar to a pulse-width-modulated square wave. |
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 amp distortion with speaker simulation, feedback and eq. |
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 * VST effect for Windows
* LowPass and HiPass Filter
* Dual Filter mode "a la Pioneer DJM"
* LFO syncable to host tempo
* LFO shape selector and LFO phase
* Pre and Post saturation
* No GUI, uses host interface
* Coded in C++
* Available with or without SSE2 Optimization
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| PWNED! By: blatanville |
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 * VST effect for Windows
* Simple mute plugin
* Variable fade speed and invert option
* No GUI, uses host interface
* Coded in C++
* Available with or without SSE2 Optimization |
| PWNED! By: blatanville |
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 The QR filter implements a lowpass if the frequency slider is on the left and a highpass if the slider is on the right. In between the audio is passed through. Additionally the Q can be changed. |
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 Quatropolis is a stereo chorus with four delay lines. Sound is adjustable from soft modulations to heavy detuning. This was made for the hot steampunk GUI elements of Jonathan Style. |
| PWNED! By: blatanville |
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 This plugin allows the user to perform a warped LP analysis of the input signal for each of four independent filter banks, whereafter the user can warp between all four filters using the XY touchpad control or use the 'filter warp' slider to change the warping in the filtering stage. The results tend towards bellish sounds or weird sleeping sounds reminiscent of the EMU Morpheus' filters. |
| PWNED! By: blatanville |
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delay with max. 5/15 or 30 seconds delay time.
tempo value via bpm, division and multipl. parameters.
buffer-read-offset in 1/32.
reverse mode: 0 = normal, 1 = reverse delay, 2 = alternate between normal and reverse |
| PWNED! By: blatanville |
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audio-trigger amplitude AR envelope. specially made for use in audiomulch. applies envelope to the amplitude of the left channel. the right channel input is used to (re)trigger the envelope with an audio signal. when threshold = 0, the slightest bit of audio signal coming in at the right channel will (re)trigger the envelope. the zip includes a sample (triggerEnv.wav) that can be used to (re)trigger the env from an audiomulch drummer contraption. but any kind of short sample should work.
when threshold is set to 1, the plugin is in LFO mode (tremolo). you can however still restart the lfo with an audio signal at the right input.
THIS PLUGIN MAKES NO SENSE IN HOSTS LIKE CUBASE! |
| PWNED! By: blatanville |
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 R2 is an hybrid from a synth and an effect processor, just assign a MIDI track to it to play notes and use an external source (preferably voice) to make the pitch to change.You can achieve interesting sounds with this plug, besides the famous starwars R2-D2 blips you can use it as a synth and use your voice to make weird vibratos. |
| PWNED! By: blatanville |
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 RackTube is a simple tube simulator to give some saturation (or distortion) to your track. |
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 simulates old romanian distorted radio sound. Use left controls for static properties and right controls for volume and output. |
| PWNED! By: blatanville, MarsHottentot |
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 random delay VST
Requires Pluggo Runtime |
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 This is a stereo delay. Each channel's delay time can be modulated separately. You can randomize all controls, modulate only one channel, control the modulation range, control the random range, or keep the levels in sync. |
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 "RandomBeatLooper"
Loop the source randomly, more or less often, but syncronised to tempo. And add some fxs (reverb, bitcrush & filter) by the same way. The loop reading can also be in rewind mode (ever or randomly).
"RandomBeatEffector"
Same thing, but without the looper effect, with 2 fxs more, flanger and realtime pitchshifter. |
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This plug accepts a monophonic MIDI input and 'randomises' the note number (0-127) before passing the data to its output (velocity information is passed through unchanged).
You can specify which MIDI channel the device will 'listen' to, and a second choice to determine which channel it will output on. |
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 a straightforward filter plugin with an x/y pad for cutoff/res. 12 buttons let you choose the type. automation is a breeze, the interface boils down to 3 settings. |
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 Razor Head is the first amp from AcmeBarGig's "Preampus Metal Line" of heads. As the name suggests, these amps are for the Metal Heads amongst us. |
| PWNED! By: synthgeek, snez |
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 Random degrade effect.
Requires Pluggo Runtime. |
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 reanimator contains a granular pitch shifter, a stutter/repeater with semi random behaviour and a sonograph to see it's inner beauty (requires Pluggo Runtime) |
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 A preview version of some of the plug-ins that are a part of REAPER, but in standalone form.
ReaGate: a very configurable gate with wet/dry controls, lookahead (on hosts that support PDC), hysteresis, hold, noise generator, MIDI event sending (on hosts that support it), built-in filtering sidechain as well as supporting sidechain inputs, and more.
ReaComp: a compressor that has a lot of controls (wet/dry/pre-comp/sidechain/knee) Also has a program dependent auto-release mode..
ReaFir: a FFT-based EQ/dynamics processor/noise removal/analysis plug-in. ReaFir can do a lot of types of processing, from standard linear FIR-based EQ, to noise signature detection and removal to per-band compression and gating.
Details:
ReaComp
* Ultra-configurable compressor
* Soft knee support
* Sidechain filters, sidechain inputs
* Feedback compression mode
* Program dependent auto-release mode
* Variable RMS size
* Oversampling antialias modes (with optional limiting)
* Optional make-up gain
* Optional lookahead
* Wet/dry mix
* Low CPU use
* Useful metering
ReaXcomp
* Unlimited band compressor
* Great metering per band
* Fantastic sounding filters
* Solo current band mode
* Tons of controls per band (ratio, threshold, knee, attack, release, makeup, program dependent release, feedback detector, RMS size)
* Adjusting bands in graph is easy (modifiers to change ratio, gain, etc).
ReaDelay
* Multi-tap delay, no practical limit on tap count
* Up to 10 second delay per tap
* Tap lengths can be in time (s/ms) or quarter notes
* Feedback, LPF/HPF, resolution reduction per tap
* Stereo width per tap
* Volume/pan per tap
ReaEQ
* Unlimited band IIR based equalizer
* Support for any number of many types of filters (shelfs, bands, LPF, HPF, notch, bandpass, allpass)
* Frequency response and phase response display
* Display of approximate note+octave for frequencies
* Per-band bypass control
* Full-view of graph optional for precise editing
* Mouse modifiers/mousewheel usable for editing bandwidth of points in graph
ReaFIR
* FFT based dynamics processor (requires host plug-in delay compensation)
* Supports FFT sizes of 128-32768.
* Useful in/out frequency response display
* Supports defining response curves both using any number of points, or freehand mouse
* EQ - can be used as a linear phase mastering EQ, or as a super-effective surgical EQ
* Compressor - can compress at a fixed ratio with a per-band threshold
* Gate - can gate with per-band threshold
* Subtract - can build noise profiles and subtract noise from the signal
ReaGate
* Ultra-configurable gate
* Sidechain filters, sidechain input
* Lookahead for pre-open
* Hold control
* Hysteresis control
* Variable RMS size
* Can send MIDI events on gate open/close
* Wet/dry mix, noise mix (can add noise when gate is open)
ReaStream
* Supports streaming from host to host of audio and/or MIDI over a LAN segment
* Supports streaming from different host software on each end
* Supports UDP broadcast for streaming one to many (if local network can keep up) |
| PWNED! By: tgersic, PTV, obstgegenrechz, blatanville, pattonfreak1, fmlss, MIDIManNI, blackshadow, West, T1M0N, martygras, Moseph, aasprorok, BroderYon, shamanix, j_knight6818, synthgeek, flynsk, snez, kickdrum13, jorjee |
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 jumps forwards and backwards in the timeline. |
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 Rebuilder is a VST plugin that regenerates its input audio using a large matrix of oscillators. All standard types wave shapes are available to recreate the sound.
It's grungy, and very CPU intensive :). |
| PWNED! By: shamanix |
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 Reception is a strange little toy for screwing with your audio,
it does a good job at destroying what its fed...works great on beats!
-COLOR & TINT: these control the sound as well as the color on the sceen,
when both controls are at zero, they produce a phaser/flanger effect.
The higer up they go, the wierder the effect, almost like a buffer/delay.
Use these subtley for strange beat displacements. The slider to the left
controls the amt of this effect as well as mixing the two delays.
-CONTRAST & BIT: these are the lo-fi controls.
-BRIGHT:controls the filter cutoff.
-POWER: the power button at the top left turns the screen and the effect off.
-NOISE: when this button is turned on, it produces a modulated white noise
(All of the bottm controls can manipulate the noise, as well as the ring mod)
-RING MOD: this button turns on a ring modulator,
the slider to the right controls the pitch of the effect.
There is also a button with a warning label,
this can cause severe damage to your television set.
Whatever you do, do not push it!!!
|
| PWNED! By: blatanville, MarsHottentot |
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 Recorder is an utility audio plug-in which allows you to record the output of the channel or bus into the stereo WAV file of specified bit depth. Routing to MME (multimedia extensions) soundcard is also supported. |
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 Extreme Octave Distortion designed for guitars (or whatever else you decide)
Rectiplyer simultaneously 'transposes' the optionally distorted input signal both up and down 1 and 2 octaves.
The distorted/transposed signals can be blended together as well as individually panned.
Huge nasty synth-like tones are had with ease. |
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 Red Shift allows you to replace the tone of your guitars pickup with a huge list of different alternatives and really provides you the versatility you need without having to spend money on several guitars!
What's more, Red Shift allows you to actually change the MATERIAL your guitar is made out of, got an alder body guitar with single coils that just can't get you that metal tone? No problem, run Red Shift, choose a nice dense maple and some active pickups and your blues axe is instantly transformed into a screaming machine. The same applies the other way round, calm those high input squealing metal axes down and turn them into country twangers or sweet lucid blues machines. It doesn't finish there though, we just had to go one step further and allow for some CRAZY options that would be impossible in the real world, our materials section doesn't just cover woods, oh no, ever wondered how your guitar would sound if it was made of CONCRETE or even SPLEEN and HUMAN TISSUE?! Well for the curious amongst us Red Shift allows just that kind of experiment to take place without the rather disastrous effects a real world experiment would likely result in. |
| PWNED! By: blatanville, Moseph, jorjee |
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 This VST plugin is a tool more than anything else. It allows you to delay the audio, report audio delay to host, and have slave plugins that can be remoted by a Master.
So if you have some kind of trouble with audiodelay (hardware synth, no PDC support in host, recording issues, plugin dont report delay... etc), then this plugin is made for you.
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 Live audio pitch shifter
- 2 LFO host BPM syncable
- 1 16 steps sequencer
- Modulation matrix |
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 Are you into audio destruction?
Then it's your perfect weapon.
Modulate noise, quants and screams.
Features:
- true stereo processing;
- high pass filter with stereo spread;
- quantizer;
- low pass filter with stereo spread;
- samplerater - samplerate reducer with stereo spread;
- all parameters controlled by MOFRIKI Preset System;
- reset spread knobs and volume knob by double-clicking on knob's name. |
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Refuzznik is a distortion effect that applies a sinusoidal waveshaping function to its input signal(s). Sinusoidal distortion can be mixed with traditional shelving distortion. The relationship between input signal level and sinusoid frequency can be adjusted.
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 Relofter is a Wave Looper/Mangler that can Record from Audio Input or Load Audio Files from Disk via Drag and Drop.
|
| PWNED! By: PTV |
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 Real-time sample assembler that accumulates loops from live or prerecorded audio sources. which means you can do all sort of nice things with it. I'm going to update a few things on it and then start hosting everything here at shuriken.se but for now I'm being a bit stressed and lazy and just want to put everything up here as fast as I can type. |
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 "Replacer" is a VST plug-in designed to replace drum and percussive sounds with other samples. Basically, it is comprised of a band-pass filter which selects the relevant frequency of the sound required to be replaced, and then the peak amplitudes at this frequency then trigger chosen sample/s. The samples can be 16 or 24-bit PCM Wave files recorded at any sample rate. |
| PWNED! By: Moseph |
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 repper is a sequencer driven repeating effect. |
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 Analog style modelled signal designer.
at a glance:
• introduces spatial imaging as well as sonic resolution improvements to program material
• simple yet powerful solo signal alteration: transient shaping, imaging and depth balancing
• subtle analog style signal colouration
• easy emphasizing of signal attack phases
• creates "in the face" sounds as well as subtle stereo enhancements
• stereo field operation maintains mono
compatibility
• signal saturation at high peak levels
• excellent for drum group improvements
• tightens lowend
WARNING:
Lower your listening volume while operating the plugin to avoid hearing damage or damage of speakers or any other equipment. |
| PWNED! By: blatanville, pattonfreak1, robojam, blackshadow, West, BroderYon, snez |
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 a resonant tuned-delay bank playable via in-gui keyboard and incoming midi notes. Works as a resonant auto-chordifier, atonal dronebox, and much else.. |
| PWNED! By: blatanville |
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 Play grains of a stereo input signal, Re-Synthesize your Loops, create chords with your vocals and munge them through mad psychedelic effects. GUI Amp, Pitch, Grain Rate and Filter Envelopes up to 8-stage loopable with multiple curve types. Digitize the sound - decimate it and modulate it with either the Grain or Filter Env. VitaLimiter based on the classic Vitalizer Psycho-Acoustic Enhancer which also limits the signal to stop distortion. Filter has many different curves with key-tracking and up to 8-poles selectable. Chorus has all the usual elements plus BPM-Repeat which starts the chorus modulation from the start, allowing rhythmic changes mapped to the sequencers BPM. You can turn off the Grain-Player and use the chorus and vitalimiter on its own. Most parameters have a mix so you can have a percentage of the filter or effect. |
| PWNED! By: blatanville |
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 Retordion, a distortion plugin for vst-compatible audio software such as Steinberg Cubase. It was conceived accidentally when I was experimenting with nonlinearities inside feedback loops in a Griesinger style allpass reverb algorithm. The result is quite out of control weird distortion. |
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 Flexible Delay Unit |
| PWNED! By: PTV, blatanville, robojam, MarsHottentot, tweed, 2clips, BroderYon, exi |
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 RetroBandLite is a free cutdown version of the commercial RetroBand. There are no time or preset usage limitations, but quite many of the advanced features of the full version are missing and RetroBandLite processes everything as mono. |
| PWNED! By: arke, blatanville, MarsHottentot |
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 Features:
* Synchronizable Pre-Delay Time.
* Room, Width, Damping.
* High/Low pass filter knobs.
* Customization of max. and min. reverb time.
* Customization of time curve and amp curve.
* Reverb Inversion (for awesome new effects).
* Multiplication/Division of the stages.
* Nice Graphic view.
* Stereo VU meter. |
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 Reverb-O-Matic is a reverb plug-in based on Moorer's reverb model (from 'About this reverberation business').
It uses 6 comb filters in parallel followed by a single all-pass filter. The initial parameter settings are those recommended by Moorer for a sampling rate of approx. 44.1Khz. Each comb filter has a single-pole low-pass filter in its feedback loop to approximate the absorption of materials (i.e. walls) and these are labeled LP coefficients on the custom GUI. |
| PWNED! By: blatanville |
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 LiquidSonics' Reverberate LE is a highly efficient convolution audio processor. It is available in a standard CPU edition and a version taking advantage of NVIDIA CUDA for the main convolution processing tasks reducing CPU usage where a G80** and above compatible card is found in the system.
Features and Specifications:
* Stereo convolution reverb
* Zero latency CPU edition (or up to 8192 samples for lower CPU usage)
* Low latency GPU edition (512 - 8192 samples delay)
* Wav, Aiff and Flac support
* ADSHR envelopes
* 50%-150% stretch
* Double oversampled IR-EQ
* Pre-delay up to 500ms
* GPU Edition utilises the power of NVIDIA CUDA
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| PWNED! By: pattonfreak1, West, besanane, snez |
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 Reverbering is a free VST effect for Windows, a simple but useful reverb effect,
sporting low CPU usage and two features which you will not easily find in other similar effects:
* Noise: this adds a filtered noise sound to the decay
* Grain: this saturated the audio signal for a vintage feel
Of course you may keep those parameters at zero for a clean reverb effect.
Other features:
* MIDI learn on every parameter, menu by right click.
* Reverbering use the same optimized algorithm
featured in Modelonia synth : modelonia.com
* 100% skinnable |
| PWNED! By: blatanville, MarsHottentot, synthgeek |
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 A simplistic realtime audio-reversing plugin (GUI made in Blender). (C++) |
| PWNED! By: PTV, blatanville, robojam, MarsHottentot, exi |
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 An American Drive/Amp Lovers
TQ,RP! |
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 Rezon8 is a 16 filter advanced Resonator bank VSTplugin.
The plugin was made for the KVR Developers Challenge 2006.
Features :
- 16 Stereo Bandpass filters.
- Volume, Panning and Resonance control per filter.
- Frequency range setting per filter.
- Global Frequency control, can be turned on / off per filter.
- Master Section : Dry / Wet control, to adjust howmuch effect you want.
- Master Section : Highpass, To filter out unwanted low frequenies.
- Master Section : Volume, adjust the main volume of the outgoing signal.
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| PWNED! By: blatanville |
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 A fairly simple delay plugin which also has a 'Rhythmic Mode'. Basically this alters the delay time in a sequence using very short delay times, which gives a characteristic 'metallic' sound, and effectively allows you to turn previously un-pitched sounds (such as a drum loop), into pitched sequences. Also syncs to the host's tempo, although it should be noted that some older hosts do not support this feature of the VST specification. |
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 "Rhythmic Tangent" (Multi FX) released at the "KVR Developers Challenge 2007"
Features:
1) a compressor
2) a bit crusher (with special freq enhance mode to really zoom in the effect)
3) multiple effect routings, 4 to be exact, to run the effects in a couple of different ways to expand the presets functionality,
4) In/Out volume controls for easy on-board level control
5) a dual tremolo effect (please see the .pdf manual for a full explanation of this effect)
6) the macro filter, along with an envelope follower and full featured LFO to go with it
7) the filter gates effect (see manual for more info)
8) a phaser effect
9) a simple but useful 3 band equalizer
10) the delay gate effect
11) a very feature packed ring modulator |
| PWNED! By: blatanville, mindprint, synthgeek |
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This Plug-In provides normal and inverse RIAA equalization. It thus can be used for record playback or vinyl cutting purposes. Another nice trick is to use it to simulate certain 'vinyl sound effects' by applying the inverse RIAA curve to your signal and after running it through a compressor converting it back to flat.
Works at the standard sample rates from 44.1kHz up to 96kHz. |
| PWNED! By: blatanville, shamanix |
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 ring thing is a multi-flavour ring modulator, with frequency and mix level controlled by an XY pad and each axis modulated by it's own tempo-sync LFO. The modulation in both axes is shown graphically on the XY pad.
features
- 9 flavours of ring modulation, each with a different tonal quality
- 11 ring modulation waveforms
- XY pad controls modulation frequency and wet/dry mix level
- each axis can be modulated by it's own tempo-sync LFO with depth control
- 7 LFO waveforms including random
- each LFO can be damped and inverted
- graphical display of modulation on the XY pad
- LFO's can be asyncronised to add further complexity to the modulation
- all controls have midi CC and midi learn support
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| PWNED! By: blatanville |
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 Ringer is a ringmodulator plugin. It features two signal inputs, where the second input can also be an internal oscillator. This can be tuned by a slider or MIDI-input.
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| PWNED! By: jorjee |
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 Is a Ring modulator made for work with an external microphone; oscilloscope is for compare the wave played with the sine produced internally. |
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 art: Vst FX PlugIn
special: Vintage like Double Delay with 2 Feedback loops & mixable Lowpass/Bandpass Filter |
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 - Low pass and High pass Cut off + Resonance Filter in master of each delay
- Crossfader between Delay A and B with curve type set up
- 5 type waveforms LFO for both delay Cutoff filters
- Numeric Dysplay for each parameter |
| PWNED! By: celtislam |
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 rndelay is a 8-step random delay.
(Requires Pluggo Runtime) |
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 Rochor is inspired by a 1977 Roland chorus design. frequency divided LFO's modulate 4 delay lines. Feedback can be added for strange, robotic fx. |
| PWNED! By: blatanville, West, shamanix |
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 Roktion 808 is an all purpose stereo distortion unit capable of "subtle mellow overdrive to full face peeling distortion". It utilizes 3 gain stages of which 2 of the primary stages allow you to shape your sound. Just like its hardware friends, it includes an input buffer to clean the incoming signal and prepare it for the gain staging. |
| PWNED! By: synthgeek |
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 A new dynamic saturation VST effect particularly suitable for drums, guitar
and overall mixes |
| PWNED! By: blatanville, snez |
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 Rough Rider is a modern compressor with a bit of "vintage" style bite and a uniquely warm sound. Perfect for adding compression effects to your drum buss, it also sounds great with synth bass, clean guitar, and backing vocals. Definitely not an all-purpose compressor, Rough Rider is at its best when used to add pump to rhythmic tracks. Of course, you can use it however you'd like. The Compressor Police aren't gonna come to your house and give you a citation. Slap it on a track and crank some knobs.
The front panel layout is done the same as many hardware compressors, so it will be immediately obvious how to use it. A brief overview of the controls:
Ratio: The ratio knob is logarithmic in operation. Completely anti-clockwise is 1:1, and completely clockwise is 1:1000. The 12 o'clock position is 1:10, so everything to the left of center is single digits, and everything to the right is "atom bomb squish," essentially.
Attack and Release: We left off the actual time values, so you're gonna have to use your ears, like the he-men did it in times of myth.
Meter: That honking big dial in the middle of the UI is the gain reduction meter. It basically shows how much compression is occurring.
Sensitivity: usually called "threshold" now, but we think "sensitivity" always made more sense. Turn to the right, you get more compression, essentially. Turn it all the way to the right, and you've got a distortion box, the sound of which is tuned by Ratio, Attack, and Release.
Makeup: 30 dB of gain to compensate for the attenuation caused by the compressor.
Active: From the front panel, this is simply an off/on switch, but if you automate it, strange things happen...
MIDI Learn: Like all of our products, the VST version has MIDI Learn. Download any manual from the current product line for an explanation of how this works, as it is common among all our VST products.
Rough Rider is available as a VST effect for Windows, and an AU or VST for OSX. The OSX versions are Universal Binaries, and require OSX
10.4.0 or later.
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| PWNED! By: PTV, blatanville, aymat, West, jazzzzz, synthgeek, arkmabat, snez |
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 A Simple Compressor!
RPE mode is RP custom envelope setting in dealing with compressor.
It adapt with TEMPO in project (the 1st compressor did this, never before).
It is for mono and stereo track.
Free for digital recording world.
TQ,RP! |
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 Simple control of stereo panorama. |
| PWNED! By: blatanville |
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 Digitizing tube emulator.
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| PWNED! By: blatanville |
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 Simple control of panning a mono sound to stereo. |
| PWNED! By: blatanville |
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 Inverts the phase of either left or right channel. |
| PWNED! By: blatanville |
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 An autopan made for really slow sweeps with an inbuilt stereo contractor to control how width of the sweep. |
| PWNED! By: blatanville |
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 Instead of expanding a stereo panorama it contracts it, Eg. to make things sound further away (if combined with a lowering of the volume). |
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 A collection of guitar effects. |
| PWNED! By: blatanville, nathel |
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 Creates cool melodic patterns if a stereo track with melodies has one channel reversed.
If used on regular mono or stereo tracks with none or little stereo separation there will be a pretty small effect. |
| PWNED! By: blatanville |
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 Tube emulator with a different sound giving a little bit crazy bite. |
| PWNED! By: blatanville |
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 Multi FX |
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 RUBBERFILTER is a VST plug-in offering four classic filter modes to cut frequencies with up to 384 dB/Oct.
RUBBERFILTER removes frequencies in any audio signal, while providing an additional creative purpose.
RUBBERFILTER has a controllable filter order of 6 dB/Oct up to 384 dB/Oct. At high filter order levels, a psychoacoustic effect appears which is usually an unwanted sound of zips and sweeps, almost as if there is a tone present at the filter’s cut-off frequency. RUBBERFILTER allows you to use this psychoacoustic effect for creative purposes. |
| PWNED! By: PTV, Evelon, blatanville, MarsHottentot, tweed, T1M0N, pangrus, shamanix, snez |
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 This plugin is a front end to the Rubber Band timestretch utility by Chris Cannam.
The user can browse for samples with live preview in the dialog box (through your VST host) , set the time, pitch and crispness settings for the timestretch algorithm using the plugin's GUI controls and then render the new wav file.
Rendering the wav file invokes Chris's command line utility with the user's parameters and a smart-renaming scheme is used for the new sample.
Finally the new , stretched sample can be dragged into the host from the Ruberizer gui. |
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 The Starplugs RuntimePanner can adjust the panorama position of the incomming signal using runtime differences between the first wavefronts. The result of this panning tool is very close to the panning effect when using an A-B stereo microphone configuration and is very usefull for panning accoustic signals like guitars and voices. Pan your tracks without level differences between left and right channel. |
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6 Plugins-Pack from Sweetboy
Features:
* SampleSlider - utility for delay fix.
* StereoStretcher - stereo expander++ included phase inverter. It can convert MONO signal into STEREO signal.
* SFilter - 8-type stereo IIR filter inherited from “SH-1 Filter”.
* SDynamics - stereo compressor/expander/limiter based on “T-SLEDGE”.
* SonicChorus - 2-band multi phase chorus(4-type & 2-type lfo). Because of delay of the plugin(25-sample delay), if you want to use it as “normal” chorus, I recommend to use as “insert effect”.
* SLFO - variable wave form LFO panning tremolo.
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 Multichannel Chorus :
- one input / eighteen outputs
- eighteen modulation channels
- chorus / phasing / flanger effects type
- two bidimensionnal modulators with 15 wave shapes
- shifting of the modulation values by groups of six
- activation / mute of the 18 channels |
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 Positions of eight inputs inside a "cube" :
- eight inputs to eight outputsdans un dispositif cubique
- the position of the speakers is fixed
- distance settings for each input / speaker (64 values)
- the positions and the movements of the eight inputs (one by one) are exclusively made with a standard joystick
- the vertical dimension can be set to the rotating handle or the lever
Compatible with all 2D and 3D joystick which has eight buttons.
Applications :
- static positions of monophoniques inputs (instruments...)
- recording of the movements automation for each channel |
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 - modulation of the delay times with glide pitch effect
- inertia parameter for smooth transformations
- global feedback setting |
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 - sixteen multimode filters (LP-HP-BP-RB)
- filter type setting independant for each channel
- global control of the resonance parameter |
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 Controls the spatial position of the two inputs according to the intensity and the base frequency of the sound.
Possibility to use an external sound file with the integrated wave player, or the audio input itself. |
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 - eight inputs to eight outputs
It processes the positions of the eight audio inputs as a group which can be globally controlled :
- the horizontal and vertical distance (on the graphic) between each point (length of the line)
- the global direction of the line
- the radius and the angle of rotation
- the global position of the groupe
It is of course possible to control and automate each eight positions separately
Applications : change of the spatial arrangement of the channels inside an octophonic audio file,
easy internal animation etc. |
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 Granular processing :
- choice of the parameter to be interpolated with the ring : scaling, emmiter speed of the grain, pitch
- each grain is set to an output
- order shift of the grains |
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 Spatial masses control of two inputs to thirty-two outputs :
- mono or stereo input
- four levels of 8 speakers, free position
- separate and global settings of the spatial area for each channel and each level
- ten amplitude curves, independant for each level
- display of the percentage level values for each channel for precise area control |
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 Grouped control of one, two, four or six inputs to sixteen outputs (2D) :
- center : X/Y position of the six inputs together
- alignement : distance and orientation of the six inputs
- angle / radius : size of the circle and rotation
- manual individual positions |
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 Multiple inputs 6.0 Surround Module :
- six inputs to six outputs
- free arrangement of the speakers
- separate or grouped spatial position of the six inputs
- three XY controllers for easy setting and moving of the grouped channels : position, alignement, scale and rotation
- spatial area setting for each channel plus a global setting
- ten intensity curves
- fonctionning in 5.0 ou 6.0 mode (ITU-SMPTE standard)
Applications : dynamic modification of the spatial arrangement of a surround sound, complexe movements with six mono sounds, surround panning of the separate outputs of an instrument... |
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 Harmonizer :
- sixteen independant pitch shifters
- inertia setting for slow evolutions
Attention to the CPU power ! |
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 5.1 Surround Module :
- stereo input with separate position for the two voices
- global gain setting and view of the intensity values for all outputs
- ten intensity curves
- right and left linking option with X, Y shift and mirror
- separate level and curve settings for the center channel
- separate level setting for the LFE channel (not modified by the source position)
- test signal generator
Applications : replacement of the 5.1 module in Cubase SX and Nuendo (true stereo), provides surround mixing to EnergyXT, Podium, Reaper and Tracktion... |
| PWNED! By: blatanville |
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 Resonnant Filters Set :
- one input to sixteen outputs
- sixteen eight poles band-pass filters
- individual control of the frequency and the resonance
- grouped controls curves : ascending and descending, bell and random
- animation of the curves by four cyclic modulators |
| PWNED! By: dabex |
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 Ring Modulator :
- sinusoidal wave generatore
- frequency from 0.01 Hz to 10000 Hz
- positive or negative shift |
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 Module "surround" twelve discrete channels :
- control of the positions and motions of two inputs to four to twelve outputs
- free positionning of up to twelve speakers
- spatial area setting available for each speaker, plus a global setting
- ten amplitude curves
- the left and right inputs can be controlled and automated separately
- realtime control of the X/Y shift and mirrors between the two inputs
- support of standard Joysticks and GamePads for controlling the sound position
- the distance between the left and right inputs can be controlled by the rotating handle of a 3D Joystick
- MIDI Learn function for all parameters
- automatable Mute fonction for each output
- display of the percentage level value for each channel for precise control |
| PWNED! By: MIDIManNI |
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 Extension and simplification of the previous one with sixteen outputs (2D) :
- 0 to 100 grid coordinates for use within Podium editor
- support of an analog GamePad for direct control of the position of the two inputs
- level setting common for the two inputs
- the 512 version has five inputs...
- the two versions are in the archive |
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 Extension and simplification of the previous one with sixteen outputs (2D) :
- 0 to 100 grid coordinates for use within Podium editor
- support of an analog GamePad for direct control of the position of the two inputs
- level setting common for the two inputs
- the 512 version has five inputs...
- the two versions are in the archive |
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 Surround module for cinetic movements :
- two inputs to eighteen outputs
- fix arrangement of speakers in the 17.1 standard format
- 3D perspective view
- individual mute for each channel
- spatial areas settings available for each channel plus a global factor setting
- control of the position of two inputs with a combination of an analog GamePad and MIDI controllers
- X, Y, Z shift of the right input settings to allow movements with constant "stereo separation" |
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 7.1 Surround Module :
- free positionning of the seven channels / speakers
- stereo input with separate position control of the two voices
- linking of the right channel to the left, with X, Y shift and mirror
- separate area settings for each speaker plus a global setting
- ten intensity curves
- separate level and filter frequency cutoff setting for the LFE channel
- MIDI Learn fonction
Applications : replacement of the 7.1 module of Nuendo, provides 7.1 mixing to EnergyXT, Podium, Reaper and Tracktion... |
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 3D paths generator
- 16 points 3D paths / three controllers
- top view (X/Y) and front view (Z)
- several modes to play the path : manual, cyclic and enveloppe triggered by a MIDI keyboardcycle à forme et à vitesse variable
- 128 paths / patches can be chained together |
| PWNED! By: MIDIManNI |
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 s(M)exoscope is a great visualization plugin that generates visual waveforms in realtime based on whatever input you feed into it. Excellent for seeing the effects of various other plugins, like, for instance, a compressor, to make sure you're not squishing your audio too much. |
| PWNED! By: tgersic, PTV, arke, blatanville, Moseph, BroderYon |
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 Route CC messages from any to any other CC message ("m-n-routing" is possible, i.e. multiple sources to multiple destinations) |
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 Display CC messages in either a continuous or synced mode on up to four stacked panels. The monitored CC message data can be restricted to certain ranges. |
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 Simulate the function of a Sustain-Pedal, controlled by a CC message. Optionally limit midi polyphony or enable to "kill" older notes automatically if the polyphony limit is reached. |
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 Route MIDI messages from any to any other MIDI channel ("m-n-routing" is possible, i.e. multiple sources to multiple destinations) , with additional choice of allowed MIDI format(s) per node |
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 Route Note messages from any to any other Note message ("m-n-routing" is possible, i.e. multiple sources to multiple destinations) , with additional choice of output channel(s) or conversion to CC message per node. Ctrl-Drag will allow selecting nodes to be able to be moved around either by arrow keys or mouse wheel (if plugin panel is in focus) or by the navigation buttons. Shift-Drag will add new nodes to an existing selection. If the dragging is done via right-click, the effect will be reversed (remove nodes from selection etc.). Midi learn available (alternate between "Learn-In" and "Learn-Out" automatically) |
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 Sample Delay is an auxiliary plug-in which allows you to delay audio for a specified amount of samples. It is possible to set the sample delay for the left and right channels independently of each other. |
| PWNED! By: MIDIManNI |
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 SampleFlange is an audio effect somewhere between chorus and flanger. |
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 captures a single wavecycle at a periodic rate and 'freezes' it to create steady tone.. audio 'sample & hold.' |
| PWNED! By: jorjee |
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 The Sanford Auto Filter represents a classic auto filter. An auto filter uses an envelope follower to track the dynamics of your playing. It uses these dynamics to modulate the filter's cutoff frequency. The effect is much like a "wah-wah" pedal only instead of you controlling the filter manually, the auto filter takes care of modulating the filter for you. The harder/louder you play a note, the more the filter opens up. As the note fades, the filter slowly closes. This effects adds an element of expression to your playing.
The Sanford Auto Filter gives all of the features you'd expect in an auto filter and much more. An LFO is provided as a modulation source in addition to the envelope follower. Also, the modulation wheel, expression pedal, and channel pressure can be used as modulation sources allowing you to directly control filter modulation. Two modulation sources can be used at the same time creating rich and deep sounds.
Key Features:
Three filter types: Lowpass, Highpass, and Bandpass.
Two modulation sources can be used at the same time.
Envelope follower can have negative polarity to create an "ow" effect.
The LFO can be synchronized to the tempo.
The LFO has a spread mode that enhances a stereo effect.
Several MIDI controllers can be used as modulation sources. |
| PWNED! By: blatanville |
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 The Sanford Bass Tightener is a spatial effect for tightening up the stereo spread. It allows you to set the frequencies below a certain specified frequency to mono, for example 120Hz, while allowing the higher frequencies to remain in stereo. This can help during mixing/mastering by keeping the the bass tight and centered and the higher range nice and wide.
Key Features
Low CPU usage
Four filter slopes
Four output modes
Adjustable bass amplitude
Adjustable stereo spread |
| PWNED! By: blatanville, pattonfreak1, shamanix |
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 The Sanford Delay is a VST stereo delay effect. It's an easy to use delay that gets the job done quickly and efficiently. It features a filter in the feedback path that lets you dampen the feedback over time, giving the delay a natural sound. It also allows you to pan the feedback across the stereo spectrum creating the classic "ping-pong" effect. Overall, its main quality is simplicity. If you need a straightforward delay that doesn't overwhelm you with bells and whistles, this is the one for you.
Key Features
Low CPU usage.
Up to 1 second of delay.
Independent left/right delay times.
Pan delay for creating a "ping-pong" effect.
Delay times can be synchronized to tempo.
Feedback can be fed through a lowpass or highpass filter. |
| PWNED! By: blatanville |
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 The Sanford Phaser is a VST plugin emulating a classic phase shifter. It is capable of a wide range of phase shifting sounds from subtle swirling effects to deep vibratoes. Its quadrature LFO enhances the stereo output by modulating the left and right channels 90 degrees out of phase with each other. Also, you can control the modulation depth in realtime with the modulation wheel or aftertouch.
Key Features
Up to 16 stages
"Quad" LFO modulation for enhanced stereo sound
Modulation wheel and Aftertouch can be routed to control the LFO's modulation depth
Feedback for creating deeper resonant effects
LFO speed can be synchronized to tempo |
| PWNED! By: blatanville |
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 multiband saturation . |
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 satter is a sequencer driven saturation/gater effect.
the sequencer controlls the saturation amount.
if no step is set the signal get muted.
(Reqires Pluggo Runtime) |
| PWNED! By: rebortbst |
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 Some plug-ins to get that vintage glitchy sound people tend to be after. Drop them on your tracks and expect instant generic gratification. But don’t be fooled that anyone cares about your dsp efforts.
Requires Pluggo Runtime. |
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 Midi keyboards to insert on your track |
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 Simulates the effect given by a record stopped by hands. |
| PWNED! By: lionikas |
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 Scrubby goes zipping around through time. Speeding up or slowing down playback, moving backwards or forwards, Scrubby does whatever it takes to reach its destinations on time. If necessary, you can discipline Scrubby by using pitch constraint control, and of course you have a choice between robot mode and DJ mode. |
| PWNED! By: blatanville, synthgeek |
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 Scuzzphut6 is a free VST plugin for windows, featuring a flexible trancegate and two delay lines, each with it’s own filter and LFO.
The trancegate section features :
* click-n-drag activation of the gate steps
* step ties to link steps
* attack/decay and shuffle controls
Each of the two delay lines features :
* tempo synchronization
* hp/lp filter
* LFO routable to both pan and filter cutoff.
A mixer section rounds things off and remember – you can switch off the gate and just use scuzzphut6 as a spacey delayifier ! |
| PWNED! By: blatanville, BroderYon |
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 full featured but cpu light pattern based gate plugin. |
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 JB SEND combines resonating low and high-pass filters with non-linear elements that generate even or odd harmonics. |
| PWNED! By: blatanville, blackshadow |
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 Senderella can transmit stereo/mono signals from one instance to another. Use it as a send in hosts that do not provide proper sends, or for feedback loops in modular hosts that do not support them. |
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 Series 60 is the second amp from AcmeBarGig's "Preampus Metal Line" of heads. As the name suggests, these amps are for the Metal Heads amongst us. |
| PWNED! By: synthgeek, snez |
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 Series – EQ v.1 as your ultimate tool in music production. Design to be different (to be its self) without prototyping a specific famous Equalizer but act just like the real one with 9 band adjustable. |
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 sfilter creates a stepped filtered sequence, to create gating, sweeps or rhythmic modulation of filter cut-off. It uses a variable state filter, varying between 2 adjustable cut-off values according to a tempo-sync'd step sequencer. An LFO can also modulate the filter for extra movement
features
- tempo-sync step sequencer, with 2 to 32 steps over a sequence length of 2 to 32 beats
- resonant variable filter, LP, HP, BP and notch
- filter cut-off varies between upper and lower cut-off values, in either direction
- tempo sync LFO, with 6 waveforms and settings from 1/16 beat to 96 beats
- random swing for step sequencer
- wet/dry mix control
- midi CC and midi learn |
| PWNED! By: obstgegenrechz, blatanville |
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 A two-stage distortion unit. |
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 Based on the "data corruption" effect found in the noisebot synths. The results will always be somewhat unpredictable, and will probably only slightly resemble the input material, but that's the idea. |
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 This is a not-quite-technically-correct stereo frequency shifter (with seperate controls for the left & right channels) based on techniques seen on this web page: http://www.cim.mcgill.ca/~clark/nordmodularbook/nm_spectrum_shift.html
The reason for this not being technically correct is that doing this the right way would require a lot more CPU. This implementation only achieves true frequency shifting in a certain range of frequencies, while frequencies outside of this range get an effect closer to ring modulation, which is still interesting. |
| PWNED! By: blatanville |
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 This is an experimental gating plugin- basically a rhythmic gate, but not set up in the standard way. There are two periodic gates which can be used for anything from regular rhythmic chopping to random rhythmic manipulations and strange dropouts. The gates are followed by a delay unit designed to enhance the glitchiness- it does not sync to tempo, and the delay time and gain can be randomized. There are 5 LFOs to add to the fun. A few presets are included to give you an idea of how things work. |
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 Sine-based waveshaping distortion. A rather nasty effect, especially with lower "divisor" values. Values of 2 or higher are closer to a standard soft-clipping transfer function. Use the input level to control drive. |
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 This is a dual filter bank with a ring modulator and distortion. This was created because my favorite filter plugin could only do ring modulation with one of the two filters, and I wanted to be able to have ring mod AND two filters. More distortion seemed like a good idea too. For modulation, there are 2 LFOs and 2 step sequencers, plus the combiner module as seen in the noisebots. "TADF" stands for Total Audio Destruction Filter. |
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 There are times when I want a reverb for its smearing, tail-producing qualities, but a regular reverb isn't ugly enough. This was created to solve that problem. It sounds just like the name implies, and sometimes that's just what the situation calls for. |
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6 plugins pack from Sweetboy:
Features
* SH-1 Graphic EQ
* SH-1 Delay
* SH-1 LFO Multi
* SH-1 Reverb
* SH-1 PhaseSifter
* SH-1 Chorus (Chorus/Flanger)
* SH-1 Filter (Lo-Hi Pass Filter)
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| PWNED! By: blatanville |
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 Shaker Maker is a special VST effect that will turn any rhythmic content into a convincing natural shaker rhythm.
Shaker Maker can produce a wide variety of shaker sounds, and you can shape your shaker to sound exactly the way you want it to.
For using Shaker Maker you should put it in the insert slot of your audio track. Then load a drum loop or any other rhythmic audio file to this track. You can also connect a microphone and use your own voice as the source for your shaker rhythm. Finally choose one of the 16 prepared shaker sounds, or shape your own shaker! |
| PWNED! By: blatanville, MarsHottentot |
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| This is a fantastic cross-synthesis algorithm devised by Christopher Penrose which uses a technique he refers to as 'frequency shaping'. Using this plugin you take a choral recording and combine it with an orchestral recording to produce this combined version. As for Ether there is a user guide and a dll file which needs to go in your vst plugins folder. It currently only works in mono (2 in, 1 out) but inspired by the multichannel capabilities of programs such as Reaper I will be doing a stereo (4 in, 2 out) version soon. There is a stereo implementation available as a Matlab function, below. |
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 Audio shattering and mistimings. |
| PWNED! By: blatanville, MarsHottentot |
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 Shattersync is a modified version of DarkWare's Shattershot Lite VST.
It's a stuttering/repeating FX based on modulated delays triggered by a step-sequencer.
Repeats of all sorts, glitches and noises, random events and singular/casual phrases re-arrangements can be achieved quickly, on both melodic and rhythmic material. |
| PWNED! By: blatanville |
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 SHEPPi (Stereo Haas Effect Ping Pong Inverter) is a stereo image enhancement tool modeled after the K-Stereo Ambience Processor by Algorithmix. SHEPPi imparts a subtle, natural sense of space thanks to a combination of EQ'able synthetic early reflections, M-S widening and inverted stereo delay feedback.
This plug-in has been enhanced for both track insert as well as aux send applications, making it an excellent tool for both mastering and stereoizing purposes.
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| PWNED! By: blatanville, West, besanane, BroderYon |
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 Shifter-Bank is a plugIn for the creation of several pitch-shifted versions of the input signal. With low shift-factors (in the range between a few cents and a semitone) you will get effects which are called "unison" in some synthsizers. The plugIn can therefore be used to create a "fatter" sound. With higher amounts of pitch-shifting, the effects remind me on effects used on TV to garble voices of persons who want to stay anonymous. |
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 ShoutVST is a VST plug-in that enables streaming sound into Icecast directly from VST hosts - ideal for streaming live performances directly from applications like Ableton Live without the use of loopback methods. |
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 AcmeBarGig has released Shred, a free VST amp suite for Windows PC.
With a huge amount of customization options we’re sure all you tweakers will be satisfied for hours and with a whole plethora of presets, from searing leads to tranquil cleans, we think it’ll please all you guys who just like to plug in and play just as much!
Shred features:
The freeware version of Shred comes with 6 amp heads ranging from warm, sweet, clean tones to hair-raising metal thunder:
Shred, Enthalpos Median, Supersound 1972, Marvel, Quarter, and Honken.
‘Frankenamp’ technology allows you to select the parts from any of the other heads and mix and match them for a sound all your own…
Interchange nearly every aspect of every head!
6 built in Stereo out Rack effects: Shiver Tremolo, DIG Stereo Delay, Noise Gate, Mountain Reverb, OD Treble Master, and The Naus Filter.
Shred is available as freeware for Windows PC (VST).
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| PWNED! By: MarsHottentot, synthgeek, snez |
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 Shredder is a sampler designed to be easy to use and fun to play with. it has 12 slots for samples that are controllable via midinotes or automatable parameters aswell as a gui. |
| PWNED! By: MIDIManNI |
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 Side Chain Compressor |
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 look ahead flexi-gate |
| PWNED! By: blatanville |
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 The SideKick is a sidechain emulator for the VST platform. |
| PWNED! By: shamanix |
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 hard knee compressor with virtual sidechain input |
| PWNED! By: aldamajc, arkmabat |
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 M/S Processor - Free version of the "Central Station" plugin |
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 sideslip is a granular pitch shifter effect with an internal variable length step sequencer. it allows you to modify pitch and grain size for each step, as well as edit start, end, and sequencer modes, and granular envelope type for a wide variety of effects. breakdown can be hand set to create gentle rythimc pitch corrections, or completely destroy a loop or sample by granular deconstruction. feel free to use the patch randomizer for some creative inspiration. version 2.0 is not reverse compatible with 1.5 patches, so be careful when updating. |
| PWNED! By: blatanville, MIDIManNI |
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 Signal Analyzer is a combined oscilloscope / spectrum-analyzer plugin for inspecting signals in realtime in the time- and frequency domain. |
| PWNED! By: blatanville |
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 The flexible allrounder...
Highpass filter.
Three flexible paremetric bands (Lowmid, Highmid, High).
All bands has selectable frequencies, range from 35 kHz ~ 9.4 K.
Resonant filter per band.
Preview and Boost per band.
Bypass per band and global bypass.
Main volume out.
Stereo and mono versions. |
| PWNED! By: snez |
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 A simple chorus implementation. |
| PWNED! By: blatanville |
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 Simple linear phase filters, available as high and lowpass. |
| PWNED! By: blatanville |
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 A brutally simple filter insert FX, with a morph function and flange section inspired by the z-scape line of filters. Future plans for this VST filter engine include a larger scale device similar to a full VSTi of z-scape [of reaktor fame].
there are mousover hints for each control. there is midi learn for hardware control of all onscreen elements. |
| PWNED! By: blatanville, aymat, gomademascar |
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 This plug-in is the embodi-ment of the Betabugs design ethos. One knob! Auto gain make-up is present, and there is an always-on smooth brick-wall limiter at the end, just to make sure you never get any nasty digital clipping. The knob simultaneously controls threshold and gain, so that the more you crank it, the more squashed your signal gets. |
| PWNED! By: blatanville |
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 Simplette is a simple mixer with the look "Tracktion"
/ 8 tracks stereo /
On each track : mute, labels, bargraphs,
volume, pan, mono-stereo.
Masters left and right, automation.
You can add many Simplette to create 16, 24 tracks, etc.
Created for rack in Tracktion, but may
functiunn with Energy XT, etc. |
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 SimpliChorus is a simple stereo chorus effect, it is also a auto pan and volume gate effect, you can adjust the rate in sync and also an independent control with fine, there is feedback and smoothing of the lfo controlling the chorus. |
| PWNED! By: rcoulombe, blatanville |
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It is a suite of vst plugin with amplifiers and analog processors for guitarists, actually containing the simulation* of:
- Boss DS-1 (Distortion stompbox)
- Boss SD-1 (Super Overdrive stompbox)
- Tube Screamer (Overdrive stompbox)
- Oberheim PS-1 (Phaser stompbox)
- Univox Univibe (Modulations stompbox)
- Fender Twin 1969 (Guitar amplifier)
- Marshall JCM900 Dual Reverb (Guitar amplifier)
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| PWNED! By: blatanville, robojam, Moseph, shamanix, synthgeek |
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 Are you laptop a DJ? Do you love the filters on the Pioneer DJM-800 mixer? Then this plugin is for you! Single Knob Filter, as the name implies, is a low/high-pass filter controlled by a single knob. Besides the obvious economy in knob assignment real-estate (come on, not everyone has a Drehbank!), it’s perfect for filtersweeps that make everybody on the floor put their hands in the air… you know, like they just don’t care. |
| PWNED! By: blatanville |
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 This is a reverb device that works with "impulse-responses". Impulse-responses are generated by recording short broadband signals and their corresponding room-reflections. What you get contains the information needed to reproduce the same room with other signals.
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| PWNED! By: tgersic, blatanville, MarsHottentot, MIDIManNI, aymat, Moseph, ayiE_gaLs, 2tan, besanane, BroderYon, duckett, exi, snez |
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 Skidder turns your sound on and off. While that may not sound very rewarding, you have a great deal of control over the rate, pulsewidth, on/off slope, panning width, etc. You can also relinquish some control to randomization. Skidder can also sync with your song tempo and can be triggered by MIDI notes. |
| PWNED! By: blatanville |
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 a spectral filter |
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 Slapmaster is an amp sim for the bass. It can produce heavy lows as well as accentuate midrangey slaps by using some extra band reject filters and multiplication. |
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Slego allows guitar players to "rock out" with the top notch guitar amp effect simulator engine of Overloud's flagship product TH1, for free.
- Very easy to play: just connect your guitar to the computer, select a preset and play
- Seven knobs on top of the interface allow to adjust the tone of your slego
- Input and Output level knobs have peak indicators
- Accurate Tuner to simplify guitar tuning even while playing
- 32 presets coming from TH1 with rich effect setups
- Presets have crossfading transitions, which do not cause unpleasant clicks or drop outs
- Slego is a standalone application for Mac OS X 10.4 or higher and Windows XP or higher. |
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 fun with granular pitchshifting.
SlipperyKeys offers different glide ratios for left and right channel, and the automatable keyboard is the only way to set the pitch. |
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 Buffer-Innerloop-Scanner-Delay.
Good for Stutter and pseudo Timestretch FX.
Innerloop-Size and Move Parameters are depending on Host BPM Settings. |
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 An Audio Gate with very fast tracking.
Tracking starts at about -60db and seems to be quite smooth on the gate close.
Very low CPU usage, Zero latency with a fade in of about 1.5ms
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| PWNED! By: nathel |
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 A simple phaser with a sound similar to a classic one. Output can be adjusted between stereo and mono. |
| PWNED! By: blatanville |
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 Sick and tired of huge GUIs taking up all your screen space? Want an EQ that easily fits in your pocket but sounds just like the big guys? Then it's time to meet SmallEQ!
Eight fully parametric bands together with one low- and one highshelf filter give you the full engine of the IIEQ on exactly 9135 square pixels. |
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 This plug contains 64 narrow notch filters controlled by midi. By default no filters are active. When a note-on is received a group of notch filters corresponding to the harmonic content of the note is started.
In special circumstances this plug allows you to remove or attenuate specific instruments from a mix while leaving the other virtually untouched. |
| PWNED! By: blatanville |
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| crazy stuff! all the sort of granular pitch shifting you may expect...but a further twist is added when you feed the Snippet2 with MIDI note input ;) While it is monophonic, you can make your beats play melodies or basslines. verrry groovy. |
| PWNED! By: PTV, blatanville, shamanix |
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 Son of a pitch is an audio pitch bend effect. The pitch of the incoming signal can be controlled by the pitch knob or by a sync to host LFO. The pitch knob ranges from +3 octaves to -3 octaves of the original pitch. The effect also features an LFO controlled filter section. There are 3 filters to choose from, 2 SV filters and a butterworth filter. The filter section can be bypassed sending the dry signal straight to the pitch bender. |
| PWNED! By: blatanville, aymat, Impalaboy |
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 Complex multi-effect processor with pure alien style! With its original 5 "alien eyes" knobs, you can control several parameters simultaneously (or a percentage of an effect parameter)! The "hybrid" knob controls the dry/wet mix. The use of this plugin is completely enigmatic and chaotic but allows you to get effects from reverb to powerful filters, from chorus to delays,... This is a really different plugin! |
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 Sonic Visualiser is an application for viewing and analysing the contents of music audio files.
The aim of Sonic Visualiser is to be the first program you reach for when want to study a musical recording rather than simply listen to it.
As well as a number of features designed to make exploring audio data as revealing and fun as possible, Sonic Visualiser also has powerful annotation capabilities to help you to describe what you find, and the ability to run automated annotation and analysis plugins in the Vamp analysis plugin format - as well as applying standard audio effects.
We hope Sonic Visualiser will be of particular interest to musicologists, archivists, signal-processing researchers and anyone else looking for a friendly way to take a look at what lies inside the audio file.
Sonic Visualiser contains features for the following:
Load audio files in WAV, Ogg and MP3 formats, and view their waveforms.
Look at audio visualisations such as spectrogram views, with interactive adjustment of display parameters.
Annotate audio data by adding labelled time points and defining segments, point values and curves.
Overlay annotations on top of one another with aligned scales, and overlay annotations on top of waveform or spectrogram views.
View the same data at multiple time resolutions simultaneously (for close-up and overview).
Run feature-extraction plugins to calculate annotations automatically, using algorithms such as beat trackers, pitch detectors and so on.
Import annotation layers from various text file formats.
Import note data from MIDI files, view it alongside other frequency scales, and play it with the original audio.
Play back the audio plus synthesised annotations, taking care to synchronise playback with display.
Select areas of interest, optionally snapping to nearby feature locations, and audition individual and comparative selections in seamless loops.
Time-stretch playback, slowing right down or speeding up to a tiny fraction or huge multiple of the original speed while retaining a synchronised display.
Export audio regions and annotation layers to external files.
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 A single-stream quasi-synchronous granulator
which also features an analog filter to further
manipulate inupt audio with a smooth lowpass
phatpass (with some big bottom end)and
highpass formant hybrid settings.
Sonix buffers input audio and releases it in discrete
grains of a specified duration, at a specified
rate. Random variation can also be applied to the audio
grain length and grain rate,and the grains amplitude
can be shaped with six different envelopes.Sonix
also has an rms sensing analog meter which
responds to audio input level only |
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 Sonnix is a soft knee compressor plugin that can really add that special something to your tracks.
Features:
•Soft knee compressor module.
•Controls for ratio, attack, release, threshold, hold, RMS, knee, gain.
•Glossy GUI.
•Very low CPU usage. |
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 SG-1 gathers some features which are usually isolated in other sonogram tools.
The unusual thing: it comes with six scientific color palettes (twelve considering they can be inverted, by clicking the palette twice), which can be switched on the fly with a single click. Each of them can highlight different dynamic ranges, from high power kickdrum beats, to little spikes coming out from the noise floor.
Every palette can be shifted by simply dragging the dB ruler, to better contrast the right amplitude ranges. |
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 This is a MIDI effect to implement a sostenuto function for instruments that do not support it directly. Sostenuto is a selective sustain pedal: any notes that are sounding at the moment the pedal is depressed will be sustained for as long as the pedal is down. Playing a sustained note again will retrigger the note, and it will remain sustained.
The usual usage is to hold a chord while still having both hands free to play other notes. Without a sostenuto pedal, you would have to hold the keys down with your face or other appendage. |
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 A fairly standard waveshaping distortion plugin, made more interesting through the use of feedback to control the shaping. Can get pretty loud and obnoxious. The GUI was done in Blender, and you can find the .blend file in the source code zip. (C++) |
| PWNED! By: PTV, blatanville |
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SoundMagic Spectral is a FREE suite of experimental real-time spectral and time domain plug-ins, using the Audio Unit format.
Included effects are:
Spectral Averaging • Spectral Bin Shift • Spectral Blurring • Spectral DroneMaker
Spectral Emergence • Spectral Filterbank • Spectral Freezing • Spectral Gate and Hold
Spectral Gliding Filters • Spectral Granulation • Spectral Harmonizer • Spectral Partial Glide
Spectral Pitch Shift • Spectral Pulsing • Spectral Shimmer • Spectral Shuffle
Spectral Stretch • Spectral Tracing
Chorus • Comb Filter Bank • Grain Streamer • Idee Fixer • Mr Filterbank |
| PWNED! By: Lockdown |
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 SoundScaper is a VST Effect Plugin for Windows capabable of Reverb, Echo and Comb effects. It was designed primarily as way of creating atmospheric landscapes in the tradition of the HGSounds ethos. It has almost infinite feedback time for many modes, and so is capable of producing rich and complex drones when used with a continuous sound source. It can also be used as a traditional reverb or echo suitable for any application.
SoundScaper has a diverse range of sonic possibilities using 300 datasets of comb/allpass timings, each providing a different effect model. Each of these modes can then be set to 1 of 33 different Multipliers which take it through tight comb based effects, to reverbs and finally echo banks.
As with all HGS VSTi's instant gratification is built in with a randomization system that will always result in a unique and usable patch, plus randomizers for each individual section. The plugin was initially based on Freeverb, though has been expanded and highly optimized using SSE making it a lightweight plugin with a small footprint.
SoundScaper is a free VST plugin, but as ever donations are much appreciated if you find the plugin useful. There will be a second version available soon with the ability to set timings manually.
Features:
300 different Timing Models
Number of Combs switchable between 1 and 8
Number of Allpasses switchable between 0 and 4
33 Styles which multiply the selected Mode Timings by increasing amounts
Size - Sets the feedback level of the Effect
Width - Sets the Stereo Spread of the Effect
Damp - Sets how much the signal is damped
MIx - Sets level between Dry and Wet
Master Volume - Sets the Master Output Level
Randomizers - A master Randomize for complete Randomization as well as local randomizers
Default - Instantly sets the patch to its default parameters
Freeze - Will Freeze the output when clicked, Dry signals pass through
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| PWNED! By: blatanville, aymat |
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 Based on the famous SoundTouch library, this plugin allows you to pitch shift any audio material without wasting too much CPU cycles. |
| PWNED! By: blatanville |
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 An FFT-based audio-mangling plug-in. |
| PWNED! By: MarsHottentot |
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 SPAN is a real-time FFT spectrum analyzer plug-in. For the most part it was derived from GlissEQ and CurveEQ professional equalizers and it reproduces their spectrum analysis functionality. |
| PWNED! By: tgersic, Evelon, blatanville, aymat, Moseph, BroderYon, shamanix, bupo4ka, snez |
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 SpatialVerb VST is a room modeling reverb effect unit. It models the early impulse response by simulating the response of a room using raytracing. The late impulse response is provided by a feedback delay network (FDN) which prevents ringing. The user has control over the location of two source and two destination points, room width, room height, wall absorb, cutoff, and gain. |
| PWNED! By: blatanville |
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 A simple spacer-plugin.
Sounds very nice on 60's organ-sounds. |
| PWNED! By: MarsHottentot |
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 A tool to manipulate stereo base
Mid and side signal can be mixed individually
to widen or narrow the
stereo base of your audio
Works with MS routines instead of
modulated delays, so there are
no artefacts |
| PWNED! By: rebortbst |
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 The Speaker Blower plugin is a simple amplifier effect with a built-in limiter. You just have to adjust the desired input gain and the output level (ceiling). V. 1.2 has now 2 components (mono and stereo). This is a free vst plugin for Windows only - NO MAC VERSION. You can use and abuse of this tool but be sure to watch your speakers though!
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| PWNED! By: blatanville |
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 Pack with 23 free mono vst plugins. Custom made by Dr. Speaker Blower. Stereo versions cost 15€ each or 50 € (full pack) |
| PWNED! By: blatanville |
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 A simple spectrum analyzer. |
| PWNED! By: brotha chinese |
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 Spectrum Analyzer is a real-time spectrum analysis plugin. The idea was to create an old-fashioned tool reminiscent of classic hardware analyzers of the antecedent century. Another unique (and quite experimental) feature of the plugin is its detached spectrum display window, freely resizable independently of host application capabilities.
Features:
* 1/3, 1/4 or 1/6 octave mode (30, 40 or 60 bands respectively)
* Simultaneous peak, peak-hold and average (RMS) display
* Entirely adjustable ballistics
* Unrestrictedly resizable display window
* Customizable colors
* Freeze function
* Supports any sample rate |
| PWNED! By: Hempstapimp, snez |
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 My goal for this project was to create a real-time audio processing tool that would combine the use of filters and delay lines. The idea was to split the audio signal into ten different "channels" in the frequency domain, which could then be further manipulated by other audio processing. Each channel would be processed and controlled individually through the setting of the different process parameters. I also intended on making the code for the different processes as modular as possible, so that the order of processing could be changed. |
| PWNED! By: blatanville |
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Spex is a collection of several plugins. All these plugins have something in common: They are
spectral effects. Each plugin splitts the signal into 32 bands. These bands are processed individualy.
This collection contains:
SpexEnhancer:
This is a a very simple stereo-enhancer.
SpexTransient:
This is a transient emphasizer.
SpexDistortion: (slow, has to be improved)
This is a distortion. You have to use very high gain settings to get haeavy distortion-effects. Settings
that would totaly distor the sound using a common singlebanddistortion have only subtable effects
using a spectral distortion.
SpexDyneo:
Like a AGC tries to make the volume constant, this plugin tries to hold the stereowidth constant.
SpexSpatial:
An intelligent stereo-enhancer that only enhances attack-transients. |
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 combines a traditional "rotary speaker" effect with a set of new possibilities and parameters, all packaged into a simple and beautiful interface. SpinBug uses phase relationships and a low freq. oscillator in order to reproduce an effect produced by Leslie speakers. |
| PWNED! By: blatanville, pattonfreak1 |
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 Two-band rotary chorus (aka "leslie simulation")
Beautiful GUI by amoebe
* Adjustable Distortion with Drive and Output level controls
* Built in Crossover at 800Hz
* Horn Filter with variable Frequency and Q Controls |
| PWNED! By: blatanville, MarsHottentot, West, Moseph, duckett |
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 Rotates audio in virtual chamber, ie. panning, depth reverb. lots of modulations for complex movement. |
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 SPITFISH is a dead-easy to use de-esser, aimed mainly at mono or stereo vocal tracks. Just like classic analog de-essers, this unit dynamically filters out harsh, annoying s-like sounds that would otherwise 'spit' in your face. |
| PWNED! By: tgersic, arke, blatanville, robojam, MarsHottentot, West, blazemc, Moseph, besanane, BroderYon |
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 shape your sound in 4 different step-sequenced dimensions :
time - speed - pitch - frequency
based upon a granular engine
splinetime features :
- 16 timesynced steps per effect dimension
- variable step length
- 16 audiobuffers or live-input
- morphing between audiobuffers
- time and frequency domain output visualisation
- resonant filter
- full parameter automation
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| PWNED! By: PTV |
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 Based on the famous SoundTouch library, this plugin allows you to detune, delay and mix two channels independently. Either Left/Right and Mid/Side processing is possible. |
| PWNED! By: blatanville |
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 Splonki is a Hostsynced Slice and Reorder FX/Instrument.
It records up to 32 steps (variable size) of incoming audio, and lets you rearrange these slices on the fly.
Every slice has its own attack, length, filtercutoff, pitch, reverse and bufferPosition settings. |
| PWNED! By: PTV |
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 A simple MIDI controllable filter with 4 filter types - low pass, hi pass, band pass and band reject. Also features an lfo that can be used to modulate the cutoff and a wet/dry mix setting. |
| PWNED! By: blatanville, nathel, arkmabat |
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 SqakAttack is a midicontrolled buffersynth with a duck for GUI.
Hook SqakAttack up with audio and midi then when you press a midi note whats currently coming in on audio will be used to synthetisize audio. |
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 reverb/degrader/freqshifter fx with step sequencer
requires pluggo runtime |
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 Square-o-matic is made up from some pieces.
* Envelope-Follower
* Square-maker
* Lowpass filter with resonance (cutoff is controlled by the env-follower)
There are four parameters:
* Falloff this controls the env-follower.
* Cutoff follow this multiplies the range of the env-follower, you should adjust this depending on the amplitude of the signal.
* Lowest cutoff this offsets the range of the env-follower.
* Resonance
Square-o-matic will try to create square waves from other waves. It works best on sond that are symmetrical. |
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 A pair of simple, utilitarian delay.
The only difference between the two is that Squid-Delay goes up to 1000 ms (1 sec) of delay, while Squid-Delay Mini, as the name implies, only goes to 100 ms, affording better control in the sub-20 ms range that is useful for creating delay-based stereo positioning effects.
NOTE: Reqires Pluggo Runtime. |
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 The LMC-1 plug-in is a faithful recreation of the Listen Mic Compressor from SSL's legendary "E" Series console. For the first time this unique compression algorithm is now available to users of Digital Audio Workstations.
Featuring the same stunning sound and dynamic response as the original unit, the plug-in is an essential addition to your effects arsenal. |
| PWNED! By: tgersic, blatanville, glissendorf, itilbury, Moseph, shamanix |
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 Stardust is a powerful plug-in for channel processing, or mastering. Stardust is composed with 4 processing stages: Bass Enhancer, Stereo Enhancer,
Multi-band Compressor, Wideband Compressor. Each stage has a VU meter or oscilloscope for monitoring purpose. |
| PWNED! By: blatanville, BroderYon |
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 simulates static interferences and bursts. Use left controls for noise shape properties and right controls for random trigger properties. |
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 A freeware auto leveler VST effect plugin (think expander/limiter with some special EQ enhancing).
Features
* Three selectable level-models
* Bypass function
* Gain slider
* Mono and stereo versions included
This plugin works on some mixes but does magic on vocals and instruments. |
| PWNED! By: blatanville |
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 Steady Pro Bundle is a collection of freeware auto leveler VST effect plugin (think expander/limiter with some special EQ enhancing).
* Four selectable Steady-models (Heavy, High, Normal, Soft)
* 4-bands Eq with on/off
* Output gain control
* Global Bypass
* LowCut function
* Att & Rel controls (except Heavy)
* Parabolic Saturation control with on/off
* Model dividers
* All major controls has a reset button
* I/O meters
* Mono, stereo and lite versions
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| PWNED! By: blatanville, snez |
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 Stempel is a vocoder effect for Windows (min. XP) VST hosts. Stempel operates in the frequency domain to print the magnitude of an input into the other, giving the vocoder effect, but with a smoother sound and a higher analysis definition than with classic time domain vocoders effects. Additonally, the effect features a two states morph-able spectral equalizer, a linear frequency shifter on each input channel , and two additional time domain effects ( a saturator and a chorus ). |
| PWNED! By: blatanville |
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 Stepcomb is a stereo comb filter vst effect. The frequency of the comb filter is controlled by a step sequencer with pitch and octave.There is also a standard SV filter before the comb to control the sounds (which can sometimes be very brutal). There is a cv sequencer which can effect the comb pitch and/or the filter cutoff. A noise oscilator can be used to excite the signal and an HPF (postfilter) can remove unwanted bass frequencies.When processing a stereo track, the right comb can be offset by octaves or semitones. This plugin uses some parts from the forthcoming synth "groove modulator" such as the step sequencer, shuffle clock and the randomiser. The step sequencer section is designed to be transferable between projects so if youre synth needs a sequencer, grab the source files to stepcomb and copy and paste. |
| PWNED! By: blatanville |
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 Updated Audio/Midi Gate
This is a gate with two functions
A standard audio gate and an audio to midi trigger
Where it differs is that in midi mode when the audio is below the threshold a midi note on message is sent and a note off message below the threshold
It is intended to be use to trigger midi mutes on analogue mixers that require a note on message to mute
It could also be used to trigger synths in an opposite way than a standard audio to midi trig
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 A great little echo effect with some excellent controls making for a very slick user interface.
Features:
Stereo pingpong and flip modes
Visula echo pattern display
EQ and saturation built into the feedback path
Stereo width and pan settings
Dry and wet bypass buttons
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| PWNED! By: rebortbst |
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 Stereo Enhancher is a vst effect that can widen a sound. It does this by delaying one of the channels by up to 50ms. It can also invert the phase of each channel. |
| PWNED! By: blatanville, rebortbst |
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 Stereo Tool offers controls and visual feedback for the stereo stage. It features ultra precise controls of input gain and individual pan for left and right channels. A phase inverter is available for each channel. A global stereo pan and a stereo width setting are also implemented to complete the management of the stereo signal.
Stereo Tool also offers an accurate visual feedback reflecting the signal content. A vector scope display, Peak meters for both inputs and outputs, and a phase correlation meter permanently monitor the signal.
As all Flux:: plug-ins it features 64-bit floating point processing, up to 8 FS (384 KHz). |
| PWNED! By: tgersic, blatanville, West, shamanix |
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 The Stereo Tools VST Plug-in is a simple to use utility plug-in that allows you to pan or position both the left and right channels independently of one another. This is a 2 input and 2 output plug-in. It works well for stereo files that you don't want to have to convert to mono or if you want to fix a problem with the stereo file. For instance with the Stereo Tools plug-in you can MUTE one side of the file and then pan or position the other side to the center. You can then pan this file using the Nuendo or Cubase SX panner. You can also use the plug-in to remove the center information (voice remover), as well as sum both the left and right channels together. You can also work with files in the Mid/Side format. |
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 This plug-in can be used to add stereo width to audio tracks. This plug-in is most effective on mono pad sounds and alike. This effect works with mono stream generating stereo stream. It also works with stereo streams, however both channels get processed independently of each other like they are mono streams and then two resulting stereo streams get mixed together to produce one stereo stream. |
| PWNED! By: atomic_afro |
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 Two vrek's, one for each channel.
Just like the vrek, this sounds best when used as send-effect. |
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 Stereo-Delay is a plugIn for the creation of delay- and echo-effects. It provides two independent delay-lines for the left and the right channel. The delaylines have a feedback-loop with highpass- and lowpass-filter and can also interact via crossfeedback. The delay-times are not specified in seconds or milliseconds, but musically as a note-value. |
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 Stereo-Enhancer is a VST-plugIn for the PC-platform for the modification of stereo-width of a signal. The adjustment can be made for low, mid and high frequencies seperately. The separation of the frequency-bands is achieved by means of linear-phase FIR-filters. This is, because the sum of the three filtered (not yet modified) signals should sum up exactly to the original signal. |
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 Stereo-Flanger is a VST-plugIn for the creation of comb-filter and flanger effects. A comb-filter delays the incoming signal by a certain amount of time and mixes the delayed signal with the original signal. Because of interference between the two signals, there will be peaks and notches in the resulting signal - peaks occur at frequencies, where the original and delayed signal are in phase, notches occur at frequenceis, where the phase bewteen the original and the delayed signal is 180° - at these frequencies, the two signals cancel out each other. The positions of these peaks and notches is determined by the delay-time and they will always have a harmonic relationship - that is: they are all integer multiples of some fundamental frequency. It is also possible to feed back the output of the delayline back to its input - this emphasizes the peaks in the spectrum. When the delaytime is modulated over time (with a LFO, for example), the peaks and notches slide back and forth on the frequncy-axis - this is flanging. Stereo-Flanger provides two LFO-modulated delaylines - one for the left and one for the right channel. |
| PWNED! By: blatanville |
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 StereoBand is a stereo expander that splits the signal into 8 bands, and for each band's left / right signal you can set a delay that 'widens' the signal. You can also set the pan position of each band.
If you have problems, find any bugs or have any ideas for improvements then send us a message |
| PWNED! By: atomic_afro |
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 The very first Quasi Stereo algorithm available as a free VST plugin |
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 This stereoizer is different than most others. I modelled it after an old hardware-synth that I have. Its nothing fancy but its efficient. It works by adding a phase-inverted, slightly delayed, discrete chorus to the dry signal. Unlike a typical chorus effect, which tends to turn a solo-instrument into an ensemble sound, this stereoizer is more transparant. Its also not a typical "delay" effect, or a "surrounder" which isn't really mono-compatible.
Its mono-compatible: If you monoize the sound again (left channel + right channel) the added effect will dissapear completely, leaving only the original sound. This has the benefit that you can use it on basses, even kick-drums, as well as any other sound. People who listen to your music in mono will not hear the stereoizer at all ! Stereoized bass-sounds won't sound sloppy on sound-systems where there are only one loudspeaker (sub-woofer) for the bass. |
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 An insert effect to create a stereo signal from a mono input by modulating
delay time, frequency and amplitude of the incoming signal
Combines delay modulation and MS routines
to create natural sounding stereo effects
It can also be used as a chorus/flanger/phaser or
to modify the signal beyond recognition if pushed to the extremes
Very useful for doubling vocals or synthies
or to manipulate the stereo base of incoming audio
Dual mode modulates both input channels separately |
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 Adjust the position of percussion sounds in a stereo loop, or add stereo positioning to mono samples, placing frequencies exaclty where you want them. Stereoplacer gives you control that is simply not available with a traditional mix setup.
Stereoplacer is a fine-tune parametric EQ with the addition of stereo positioning controls. This allows you to tune each band into specific frequencies and move the frequency content around in the stereo sound stage. You can also apply different amounts of cut and boost to the Left and Right channels, or allow Stereoplacer to keep the balance of the original sounds while you choose the position.
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 Have you ever loaded up a sample library and discovered that the "stereo" samples are not really stereo? Classic examples are:
* Upright bass with microphone on the left, piezo pickup on the right
* Bass drum with one microphone panned left, a very different one panned right
You'll know the drill: split the track into two mono tracks, process each one separately.
Have you ever needed to tame a track where the panning was just a bit too radical? The same drill.
These tracks aren't stereo, they're steroid!
And you need a bouncer to knock them into shape.
Steroid Bouncer will save you heaps of effort in most of these situations. It gives you independent mixing, panning, EQ and (delicious) overdrive control over each channel of a "stereo" track. |
| PWNED! By: atomic_afro |
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 12 Guitar Effects |
| PWNED! By: blatanville, nathel, jorjee |
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 * Guitar Effects
* Midi Learn
* FCB1010 Ready
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 Free pattern-based drawable amplitude envelopes. |
| PWNED! By: blatanville, duckett |
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 StringChorus is a chorus that emulates the circuits used in the old string machines like Solina, Crumar or Farfisa. Get that famous, lush string sound known from Jean Michel Jarre and others with any synth which can create a simple sawtooth waveform. |
| PWNED! By: blatanville |
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 Striptool V1 includes the following features :
- -24 to +24 dB Input Gain.
- Semi-param EQ (pre-compressor).
- "Post-Compressor EQ" switch.
- "SIDE-CH" button allowing the EQ signal to be routed to the control input of the compressor.
- Compressor with 3 preset knee-settings (Hard, Medium, Soft).
- Output Gain Long-Throw Fader from -48 to +48 dB.
- Input Level VU-meter.
- Gain reduction VU-meter.
- Output level VU-meter.
- Global level-display window ("DISPLAY METER" button). |
| PWNED! By: snez |
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 Studio Devil BVC (British Valve Custom) from Gallo
Engineering is a guitar tube
amplifier modeling plug-in designed to mimic the character of
"British"-style vacuum tube heads. This virtual tube amplifier processor is
based on authentic models of 12AX7A vacuum tube preamps and tube power stages.
While primarily intended for guitar amp modeling and direct recording of both
electric guitar and bass, Studio Devil BVC excels wherever natural tube
overdrive and distortion is needed.
British Valve Custom features the basic controls of a guitar amp: GAIN, TONE,
and DRIVE. It is based on the gain structure of popular British Valve (Tube)
heads like those made by Marshall with some subtle modifications to give it
slightly more gain. The dynamic response and tone is faithful to those from real
vacuum tube amps and reacts to your playing style just like the real thing.
Features:
- Accurate 12AX7A vacuum tube preamplifier stage emulation with DRIVE
control.
- Gain structure signal path that's true to those on vintage tube amp
schematics.
- Authentic Bass, Mids, Treble, and Presence TONE controls just like those
on real tube amps.
- Push-pull tube power amplifier model with DRIVE control.
- FIR-based speaker/cabinet/mic modeling filter built in for a "miked-up"
tone.
- 4X Up-Sampling Engine with 64-bit Internal Floating-Point Precision.
- 44.1kHz, 48kHz, 88.2kHz, 96kHz, 176.4kHz, and 196kHz sampling rate
support.
Studio Devil BVC is available as a free VST effect plug-in for Windows.
For downloads and more info, visit Studio Devil's website:
www.studiodevil.com |
| PWNED! By: swonderme, blatanville, robojam, MarsHottentot, MIDIManNI, nathel, BroderYon |
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NBM-StudioVerb is totally free. But I kindly ask you to give me some written feedback after some period of use, and let me know if you use it in some recording.
... and if you really liked the plug:
Send me a postcard!!
I *love* postcards, so if you want to send me one from your country, I will be VERY happy.
My adress is :
Tangará, 56 / 201A, Agronômica. Florianópolis - SC - Brazil - ZIP(CEP): 88025-460
And of course you can send me some money too if you want :) |
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| SubFilterII has a selectable cutoff slope of -12, -24 or -36dB/Octave and a cutoff frequency variable from 10Hz to 1KHz. The filter is extremely useful for removing thumps, bumps and low frequency rumble noise from your audio. The filter has 2 controls: cutoff slope and cutoff frequency. The passband is flat (Butterworth filter) and has unity gain. |
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 Substantial Amp is an amplifier simulator for the guitar. It has resonating filters, a harmonic eq, and a 3-stage resonating cabinet circuit. It is made for screaming riffs, not really for chords. |
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 sumo is an effect plugin to make any sound as fat as you like.
It's good for fattening up leads and basses, adding some weight to pads, making your vocals chubby and your drums obese.
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| PWNED! By: MarsHottentot |
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 SupaPhaser is an excellent phaser plugin with a 3 to 23 stage phaser with feedback. Phaser operation is controled by a mixture of LFO and envelope follower, both configurable.
Enhanced stereo effect.
Pre-phaser distort or saturate.
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| PWNED! By: PTV, blatanville, Moseph, BroderYon, shamanix, synthgeek, exi |
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 SupaTrigga is an autoglitch plugin. When synchronised to tempo this plugin will take the incoming audio and re-arrange it in a musicaly sensible way. Think of it as a realtime ReCyCle with fun options.
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| PWNED! By: swonderme, blatanville, MIDIManNI, synthgeek |
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 This plug-in is designed for use in Cubase and Nuendo. It simulates the bass management systems found on most dolby digital and dts surround sound receivers. This allows surround sound engineers to hear what their 5.1 surround mix sounds like without having to burn a CDr or DVDr and then play it through a consumer 5.1 surround receiver. |
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 SVF2 is a 2-pole State Variable Filter (12 dB/oct) which gives the user the option of using low pass, band pass, band reject, high pass, or peak filter output for each stereo channel. More importantly, the user can morph between filter types as he sees fit, and modify the order in which each filter type morphs into the next. This can result in some truly dramatic phase effects, making the SVF2 a powerful creative tool. |
| PWNED! By: blatanville |
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 Sweepie is a simple filter effect it rotates 2 filters |
| PWNED! By: blatanville |
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 Here's a sweet sounding plug in, something that will wet your throat, get your fork and knife ready, and make your beats, pump, the EQ section is kinda awkward, but I think the tits will keep you feeling even more awkward. Hint: Turn down the bass eq and play with her compressor. |
| PWNED! By: blazemc |
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 A simple audio-triggered envelope designed for use with electric guitars
Stereo in/out
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 Delay effect
Bpm Selecter
Tempo/delay length controls
Feedback Level
Wet - Dry level
Res Filter with 4 modes:
* Low Pass
* Hi Pass
* Band Reject
* Band Pass
3 LFO's (Filter Cutoff, Res and Pan) each with 7 modes:
* Sine
* Saw
* Ramp
* Triangle
* Pulse
* White Noise
* Pink Noise |
| PWNED! By: blatanville |
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 Allows you to route one of six stereo inputs, to one of 6 stereo outputs |
| PWNED! By: jorjee |
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 Stereo MIDI controllable 1. in 4. out switcher. |
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 TransientSwitcher0.3 routes incoming audio to a randomly selected output, selecting a new output each time a transient is detected in the incoming audio.
1-4 Switcher is a MIDI note controlled audio switchbox. It has one input and four outputs.
4-1 Switcher is a four-in, one-out version of 1-4 Switcher. |
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 Recreate that late-70’s early 80’s drum sound of short delay and pitch shift. You could do this with routing on some hosts, but this is much quicker & easier to set up --- and Swoosh’s quick and dirty analog-style pitch shift component doesn’t have the overhead of formant-preserving, etc. algorithms that standard pitch shifters have. |
| PWNED! By: blatanville, MarsHottentot |
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 A round-panner that creates a circular panning effect by modulating the audio volume in a circle (quieter at the back, louder at the front) as it pans. Also features a low pass filter with cutoff that can also be modulated by the same signal as modulates the volume, lowering the cutoff as the signal gets quieter. |
| PWNED! By: blatanville |
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 "Synodeia" is a VST effect, but instead of processing the incoming signal, it can recognize pitches (frequencies) from a monophonic source and trigger samples depending on each tone.
"Synodeia" is a greek word and it means "Accompaniment". This plug-in is made specifically for live performances where a soloist can trigger samples while playing his instrument. This applies to voice and any other monophonic instrument. |
| PWNED! By: blatanville, Strafano, jorjee |
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 With Synt you can play a synthesizer with a monophonic instrument.
Is very simple, only one oscillator and a low pass filter with resonance and the possibility of modulate the cutoff with a LFO. You can choose the wave. I joint also a delay.
You can use as insert or send. |
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 A simple tool to take some of the work out of multisampling a hardware synth or drum machine. Records one octave of notes (12 samples) with specified velocity / length / release time & names them accordingly.
Runs as standalone or vst-effect. |
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 Main features:
Dual band with adjustable cross-over frequency and mix of the two bands.
Adjustable look-ahead.
Ratio from 1:1 to 1:inf.
Attack and release times from 0.1ms to 10 seconds.
Threshold from 0 to -50dB.
Adjustable stereo linking.
Adjustable Auto Gain, can compensate for sustain and/or peaks during attack phase.
Adjustable amount of soft clipping applied, adjustable clipping curve.
VCA (feed-forward) and Opto (feedback) style compression.
Both up and down compression and expansion.
Option to force the low band to mono.
Adjustable Dry/Wet mix for "New York compression". |
| PWNED! By: tgersic, blatanville, MIDIManNI |
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 Main features:
Sound ranges from ordinary clean EQ'ing to utter sound mangling distortion.
Peaking/Low shelf/High shelf/Low pass/High pass band modes.
Adjustable saturation amount, saturation applied on a per-band basis.
Adjustable feedback amount.
Two feedback modes.
Editable text label on front panel (click on "bus 1"). |
| PWNED! By: blatanville, MIDIManNI |
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 Auto-pan effect. |
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 With T-SLEDGE, you can get even better results than any other
multi-band compressor for mastering or some else.
It is equipped with peak limiter, level maximizer and
4 compressors/expanders/limiters. And it is equipped with
2 kinds of dividing filter IIR/FIR. So, it also operates as a dynamics EQ.
(Needless to say, internal 64bit process & all samplerate support)
The core-compressor is just a mastering quality makes clear and
hi-quality sound for all dynamics process. Certainly T-SLEDGE has
many parameters and the operation of it is not easy,
but don't worry to use it, there are many useful presets
for many situations it will surely help your works! |
| PWNED! By: blackshadow, exi |
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 It's a common bitcrusher with some useful additions. There is a low- and highshelf EQ and a noise cross modulator included. It's maybe useful on drums, especially hats and for distorted leads.
Adjustable bit-depth (0..32 bit).
Adjustable sample rate divisor (up to / 512).
Noise cross modulator.
24 dB low- and high shelf filter.
10 presets for bass, leads and drums.
Low CPU.
Available in VST's and AU versions. |
| PWNED! By: blatanville, BroderYon, shamanix |
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 TAL-Dub is a vintage style delay effect. It can be used for a wide range of delay effects from clean to extreme distorted, resonating never ending delays.
* 12dB resonance filter
* Low cut filter
* Limiter for high feedbacks
* Delay time and feedback for each channel with link
* Input signal swap
* Filter feedback and filter fx mode
* Filter mode for input
* Easy to use midi learn |
| PWNED! By: blatanville, robojam, tweed, snez |
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 After the success of TAL-Dub, we decided to release TAL-DUB-II, an extended version with a completely new sound engine. A 4x oversampled distortion stage allows to add vintage distortion to the delayd signal, but its also possible to make clean delays.
A sinus LFO has the possibility to modulate delay time and low pass filter cutoff. Adjustable LFO stereo width is also included.
An analog sounding 6dB low pass filter with resonance and a 3dB high cut filter are also parts of TAL-DUB-II. Different routing options open a wide range of possibilities.
* Synced delay times (1/16, 1/8, 1/4, 1/2, 1/1, 2/1 and trippled and dotted notes).
* 4x oversampled distortion stage.
* VU-Meter shows gain reduction.
* LFO (low pass cutoff and delay modulation, stereo width).
* 6dB resonance low pass filter.
* 3dB high pass filter.
* Midi learn for all pots.
* 20 factory presets.
* Documentation.
Special thanks to Flemming Bloch from Mindless Studio for testing and user interface optimation. |
| PWNED! By: blatanville, martygras, Auan, BroderYon, shamanix, snez |
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 TAL-DUB-III is an easy to use delay device with some special features. Its no tape delay emulation and has its own sound. It has an alias free saturation stage, a non-linear 6dB low pass and a 3dB high pass filter that are included in the feedback path of the device. An input drive knob allows to adjust the saturation level. Pop-up menues show the current values of volume, delay-time and feedback knobs. A tab button allowing to adjust the delay time for live sessions.
* Delay time up to 4 seconds.
* Non linear 6dB Low-Pass filter.
* 3dB High Pass filter.
* Alias free stauration, adjustable with the input drive knob.
* Delay x2 for each channel.
* Synced delay times (1/16, 1/8, 1/4, 1/2, 1/1, 2/1 and trippled and dotted notes).
* Pop-ups show the actual values dB (input drive, dry, wet), ms(delay), 0..2 (feedback)
* Led-meter shows the sturation level.
* Tab button for delay time.
* Midi Learn for all knobs.
* The feedback knob is especially optimized for doing infinite delays. |
| PWNED! By: blatanville, BroderYon |
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 TAL-Filter is a multi-mode filter device, including a High Pass, Band Pass and Low Pass filter.
High Pass, Band Pass, Low Pass filter modes.
4 Pole, 2 x oversampled non linear filter.
LFO sync mode (full sync to host).
LFO waveforms: Sinus, Triangle, Saw, Square, S&H, Noise.
Envelope follower.
Input drive. |
| PWNED! By: BroderYon, exi, snez |
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 TAL-Flanger is a easy to tweak stereo flanger effect with its own special sound and some asymmetric analog like components in the feedback corner. Useful for a wide range of flanger effects from subtle to extreme. |
| PWNED! By: blatanville, robojam, duckett |
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 TAL-Phaser is a carefully modelled stereo phaser effect. The user can choose between two, four and six stages. Its possible to adjust the lowest and highest frequency of the filter.
* Two, four and six stages.
* Syncable LFO.
* Lowest- and highest-frequency adjustable.
* Stereo phase offset from 0 to 180 degree.
* Feedback (a very small amount of second order distortion in the feedback path).
* Adjustable Dry/Wet.
* Some default presets. |
| PWNED! By: blatanville, robojam, shamanix |
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 TAL-Reverb is a free open source stereo plate reverb based on juce. Its very diffuse and has its own sound because of its special signal routing. Slight modulated delay times avoid artefacts in the reverb tail and give this reverb its smooth sound.
This reverb is suitable if you need to put space around voices, drums, percussion, guitars and so on.
Maybe you try it on some percussion sounds to find out if you like it. Because of the few knobs, this plugin should be is easy to use. |
| PWNED! By: exi, snez |
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 TAL-Reverb-II is a free stereo plate reverb. TAL-Reverb II is an improved version of the successfully TAL-Reverb I. Improvements in usablity and sound were made. Added a simple subtractive EQ section and a stereo input mode. Each control has its own label that shows the actual value.
I tried to create a colorless and maximal diffuse plate reverb without grains and digital artefacts that is usable for a wide range of audio material. Its the result of intense tuning and testing. Think it has exactly the sound i wanted, hope i have good ears and a good taste :/
* Plate reverb sound.
* Room size / decay length control.
* Predelay up to one second.
* 3 band subtractive EQ section.
* Stereo width control.
* Stereo input mode.
* 10 factory presets. |
| PWNED! By: blatanville, BroderYon |
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 TAL-Tube is a saturation plugin that have the characteristic of tubes and an additional amplifier mode. It's very suitable for adding higher harmonics and can give more excitement and analog character to digital sounds or drums.
At extreme values it can also be used as a grungy distortion effect...
* Amplifier mode.
* Soft and hard mode (2 different tube types).
* Dry/Wet knob.
* Gain reduction display.
* 4x oversampled processing.
* Some presets.
* Low CPU |
| PWNED! By: blatanville, BroderYon, shamanix, snez |
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 TAL-TiltEq is especially designed after some tilt eq's from the 70's. This type of eq allows to adjust the audio material without changing the character of a sound to much.
Its an easy way, to make an audio signal sound darker or brighter with only one knob. The bass lift knob is a special addition that boosts or attenuates bass frequencies below 300Hz.
* 8 dB low / high shelf filter.
* 12 dB bass lift filter at 300 Hz.
* Variable center frequency (100 - 10'000Hz).
* Adjustable bandwidth (q: 0.1 to 2.0).
* Volume knob.
* On/Off switch.
* Very easy to use.
* Low CPU. |
| PWNED! By: blatanville |
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 TAL-Vocoder is a vintage vocoder emulation with 11 bands that emulates the sound of vocoders from the early 80’s. It includes analog modeled components in combination with digital algorithms such as the SFFT (Short-Time Fast Fourier Transform).
This vocoder is optimized for voice processing and includes some algorithms for consonants to make the voice more intelligible.
FEATURES:
11 band vocoder with adjustable volume.
Adjustable harmonic control adds harmonics to the carrier signal.
Adjustable speed of the envelope follower (smudge).
Carrier VCO (saw, pulse, sub osc, noise - poly and mono mode with portamento).
Mode for external carrier signals (left input channel as carrier, right channel as modulator).
Stereo chorus.
14 presets, including presets from Dynamix II
Manual.
All sample rates supported.
Available for pc and mac (vst, audio unit universal binaries).
Classic vocoder sound. |
| PWNED! By: blatanville, povov, BroderYon, jorjee |
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 Tamla?? For those unfamiliar with the origins of this name, this might seem to be quite a strange choice, after all, it's quite far removed from the puns you might have came to expect from the Preampus line (A damn sight more subtle than Dick Head and Meat Head, that's for sure!)
Well what the heck is Tamla? What does that mean? We'll come back to that, let's go for a description first!
Take yourself back in time to a point in History when MLK was still alive, the time of the Million Man March, a time of Riots and a time where someone refusing to give up their seat sparked a movement. |
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 Tap Tempo Plug-in
Features:
Tapped BPM calculated from a 4 tap average.
Midi Channel Selection.
Mouse, Midi Controller or MIDI Note Operation.
Fine BPM Adjustment Controls
Host Tempo Update (Host Dependant).
User Adjustable Metronome.
32 Patch Slots. |
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 On user request I made the tape delay from the DUB SIREN available as a separate plug-in. |
| PWNED! By: blatanville, MarsHottentot, aymat |
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 Twister is a delay effect - lenght of delay is controlled in real time by an amplitude of incoming audio signal - so the signal is being modulated by itself.
Twister is designed for strange, unusual and experimental sound processing. Experiment with different settings. This plugin can be used in really many ways.
Twist your sounds! |
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 A very simple tape delay effect for creating that specific tape delay sound.
Key features:
* Accurate tape delay emulation
* Smooth tape-like delay time changes
* Up to 1 second delay
* High and low cut
* Add noise for self resonance
* Midi-CC and VST Automation support |
| PWNED! By: blatanville |
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 Records audio streams to wave files in real-time.
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| PWNED! By: MarsHottentot |
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 This plugin will allow you to use a midi key or mouse to tap your tempo. It will then send a midi cc that you can map to an xt sequencer in Live mode with the tempo range of 10 to 250. It also should send a message to update host BPM but Xt doesn't support this and I have not tested it in other hosts.
Press the arrow in the right corner to access settings. |
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 4-Band Parametric Equalizer
Specifications:
- 4-Band Parametric Equalizer
- 4x Frequency Control
- 4x Q Control
- 4x Gain Control
- Output amplifier |
| PWNED! By: blatanville |
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 VST 8-Band Equalizer
Specifications:
- 8-Band Equalizer
- Input amplifier
- Output amplifier
- Clipping-Section |
| PWNED! By: blatanville |
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 VST Stereo Filter Delay
Specifications:
- Step-controlled Delay (1-16)
- Feedback control
- Separate controls for each stereo channel
- Dry/Wet control
- Delayfilter cutoff and resonance
- Adjustable Lowpass/Bandpass mix |
| PWNED! By: blatanville |
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| Telephone is a simple yet highly realistic telephone audio simulator. This plug-in uses very steep, 6 pole high-pass and low-pass filters to create the telephone audio bandwidth of 350Hz - 3KHz. A granulizer reduces the resolution to 8 bits just like the phone company! Works with both mono and stereo signals. |
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 This plug-in is a "packed-with-features" delay module based on tempo, incorporating EQ and tremolo sections with separate controls for each output channel. Instead of a single "length" control this plug-in implements two separate "delay" and "length" controls which allows you to create evenly sounding "ping-pong" echoes. |
| PWNED! By: blatanville |
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 Reverses the sound for a set amount of time (set according to note length) when the Reverse button is pressed. Probably best in a live environment, hence the option to assign a MIDI CC or note to trigger the reversing operation. (C++) |
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 * transformer style signal saturation.
* smooth transient polishing and increased RMS leveling.
* transient aware signal saturation.
* switchable subbass enhancements.
* subtle and nice audio coloration enhancements.
* SSE and Assembler optimized sound engine.
* state-of-the-art digital signal processing.
* minimum latency processing.
* harmonic enhancements with low artefacts (aliasing).
* plugin integration is done with Synthmaker software.
* performance crucial parts are written in assembler.
* completely SSE optimized.
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| PWNED! By: PTV, blatanville, pattonfreak1, West, besanane, BroderYon, snez |
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 TesslaSE - modelling pleasant sounding 'electric effects' coming from transformer coupled tube circuits in a digital controlled fashion.
features:
• zero latency processing, low CPU usage
• harmonic enhancements without artefacts (aliasing)
• dynamic noise model
• proprietary signal processing and modelling algorithms implemented
• performance crucial parts are written in assembler, completely SSE optimized |
| PWNED! By: tgersic, obstgegenrechz, William Fetter, blatanville, pattonfreak1, robojam, blackshadow, West, BroderYon, flynsk, Norse |
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A VST plug-in for the creation and manipulation of static and drone sounds using the phase vocoder.
Thaw was created as part of a Masters in Music Technology academic project whose aim was to explore the use of the phase vocoder for the creation and manipulation of static and drone sounds.
Thaw can be used for creating a perceptual ’snapshot’ of a sound and then creating drones using a number of effects including a low frequency oscillator and a pitch shifter. |
| PWNED! By: PTV, bleh |
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 THD analog-style saturator
This is no typical high-gain distortion device, nor a 'decimator' or bit crusher. The plugin is intended for a mixer's insert path to act as a preamp stage. It smoothes out the transients, gives more overall gain and warms a bit. |
| PWNED! By: blatanville, nathel |
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 realtime slice-reorder with MIDI triggering support |
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 A comprehensive modulation effect, offering 3 types of modulation of audio signals: amplitude modulation, ring modulation, and frequency modulation. There are three audio sources, all of which may be used as either the modulator signal, or the carrier signal (and in some cases, both simultaneously). Also includes a fairly comprehensive MIDI implementation. The GUI is by Tomasz Kaye, of Redshift Media. (C++) |
| PWNED! By: PTV, blatanville, BroderYon |
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 YES, The Nightmare Machine does exist,
it is the final VST made under the DarkWare brandname.
And now, thanks to Mark Piotrowski (aka Varminticus of KVR),
you can now download The Nightmare Machine. |
| PWNED! By: pattonfreak1, MarsHottentot |
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 The Nomad Bundle (formerly “Free Bundle”) has been designed specifically to acknowledge and show appreciation for our registered Nomad Factory customers. Each customer that purchases any Nomad Factory product receives this set of three high-quality effects plug-ins. The Nomad Bundle includes a Nomad-Phaser, Nomad-Sweeper, and Nomad-Tremolo. But do not let the "price" fool you! These plug-ins are serious pro audio tools by Nomad Factory. This means you still get the distinctive look and incredible sound you would come to expect from any Nomad Factory product. The classic effects in the Nomad Bundle allow you to instantly expand the creative possibilities for your recordings. Designed by musicians for musicians, the Free Bundle is an essential tool for your virtual studio. |
| PWNED! By: blatanville, Moseph |
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 The Project is an audio-triggered arpeggiator and detuner. |
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 therapy is an effect plugin that allows you to express your innermost feelings, neurotic ramblings or burning, muderous rage, and have the results presented in full stereo audio psychosis. Instead of the usual knobs or sliders, therapy invites you to type words to generate the psycho-somatic algorhythms that will shape, bend and fuck up your audio according to your own twisted mind. Express yourself through free association, random babbling or drug-induced, histrionic word-vomiting. Type it in, hear the results, scream at the moon.
features
· 3 band granulizer effect with absolutely no ability to deliberately control any parameter
· Word driven controls, even I don't know how it works, but it does
· Stares back at you without suggesting how to solve your problems, just like a real therapist
· What was your relationship with your mother like? |
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 Do you want to play your guitar or other picked instrument with a lot of echo, but not sound like you're lost down a long hallway? thresholdDelay silences the delay from previous notes when a new note goes over the threshold volume.
Good for interesting effects, and no buildup of echoes that can sound 'swampy'. ;) |
| PWNED! By: blatanville, nathel |
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 Throbber consists of an LFO driving a voltage-controlled amplifier (VCA) or multi-mode filter (VCF). Throbber is inspired by the description of the famous Throbbing Gristle "Gristleizer" effect box designed by Chris Carter, but is not intended to be an accurate simulation thereof.
Features:
• Voltage-controlled amplifier (VCA) mode includes simulated overdrive distortion; distortion amount is user-controllable.
• Resonant voltage-controlled filter (VCF) modes include 12dB/octave lowpass, highpass, bandpass, and notch as well as a 24dB/octave lowpass mode, all with user-controllable resonance.
• Versatile flanger/echo mode.
• 11 LFO waveforms drive the VCA gain or VCF cutoff frequency. LFO speed is user-controllable across a broad range.
• Compact and straightforward custom GUI. |
| PWNED! By: PTV, blatanville, MarsHottentot, synthgeek |
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 thrummaschine is a 3-band distortion effect with independant, LFO-driven filters. Make your bass, mid and high frequencies oscillate at different speeds, shapes and pan, with whatever flavour and level of distortion you dial in for each band
- 3 user-defined bands for bass, mid and high freqencies, with overlap if required
- 3 filters with tempo-sync LFO, for each freq band
- overdrive, distortion and bitcrush effects
- send level for each band to each effect
- pan and volume for each band
!!WARNING!! Thrummaschine is capable of nasty loudness if you push the settings hard, keep volumes low while you play with the controls |
| PWNED! By: MarsHottentot |
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 A tempo synced delay that with filtering and ducking.
The Signal is filtered with a flexible and resonant 24dB lowpass filter, then delayed and fed back. With the additional Ducking the dry/wet is regulated so that either the dry or the delayed signal is returned as result, based on wether there is an input signal or not.
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 A delay based effect. An ADSR is connected to the feedback of the delay, giving you the ability to control the feedback with varying envelope settings. There is also a Vibrato along with the delay. |
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 Time Shift is a free DigiRack™ AudioSuite™ plug-in that delivers high-quality time stretching and pitch shifting for all Digidesign® Pro Tools® and Avid DNA ™ systems. Equipped with four distinct algorithms, Time Shift lets you tailor the processing to different types of source material. Choose Polyphonic to change a guitar or keyboard performance, or a full mix. Select Monophonic if you’re altering vocals or solo instruments. Pick Rhythmic to compress or stretch a loop. Or use Varispeed when you’re converting the sample rate of an audio file.
Time Shift offers multichannel, multi-input phase-coherent processing so you can modify multi-tracked performances while maintaining the phase relationship between mics and tracks. With a wide range for stretching, compressing, and pitch-shifting, you can achieve anything from mild to extreme results. However you use it, Time Shift is an impressive addition to the free collection of DigiRack plug-ins included with all Digidesign Pro Tools and Avid® picture systems. |
| PWNED! By: marksy2008 |
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 This is an LFO-controlled delay-effect.
A simple concept with interesting results.... |
| PWNED! By: blatanville |
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 JB TimeMachine is a VST plugin that provides accurate reproduction of the characteristic sound of vintage samplers, such as the Commodore 64, or older Akai samplers. The (virtual) sampling rate can be varied, as well as the number of bits used for digital representation. furthermore, aliasing distortion can be generated individually for AD and DA conversion. |
| PWNED! By: blatanville, Auan, shamanix |
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 When you need an easy and good sounding studio reverb and you don't want to deal with tons of parameters, here comes TimeVerb! Five knobs for all your "easy" reverberation needs.
TimeVerb is a simple digital stereo studio reverb effect.
Features:
- Very easy to use
- Very light on CPU and memory
- Easy MIDI Learn feature |
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 This little effect records incoming audio for a
predefined time and drops it freezed back to
the main signal. |
| PWNED! By: blatanville |
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 A VST-Plugin, which simulates pseudo surround sound with 4 Speakers.
(Left speaker in front left, Right Speaker in front right, Left speaker behind RIGHT and right speaker behind LEFT)
Btw. it has a nice UI ;-) |
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 Features:
Increase gain by limiting the signal with a "pumping/saturated" character depending on pressure/release settings.
Adjustable input gain upwards.
Adjustable pressure (a mix of attack/ratio)
Adjustable release1 , the over all release time
Adjustable release2 , controls the "overload" portion of release1 where fast envelope moves will be suppressed.
Adjustable output , to compensate gain changes with clip indicator.
Soft/Hard mode button, 'Soft' mode will polish the envelope curve to minimize artifacts that would be obvious on vocals ect (using more CPU)
Low Punch mode button, control an allpass filter centered around 200hz, allowing the transients to pass before the low end and
thus giving a feeling of more "clicky" or "punchy" sound (IF a low end is present that is).
Stereo Link mode button to preserve stereo field.
Stereo link quality button normal/HQ ,
'normal' will merge the left/right input signals and only process the audio on one channel. (using less CPU)
'HQ' will process both left/right channels and then join the outgoing envelope curves. (using more CPU)
The two Stereo mode buttons will be greyed out when processing a mono signal. (since they do not provide any function at that point)
Gain Reduction led indicator.
Small indicator around the Gain Reduction led indicator showing the output peak level.
Plugin Latency: 0 samples
supported samplerates: 44.1khz - 192khz
What to expect:
When raising the input knob the volume will slowly drop ca 6-8db in the beginning due to the fact that the limiter stage is
using ca 7db soft limiting where this is to prevent overshoots on the output to get a kind of "one knob" action.
(using less than ca 50-60% pressure can produce overshoots anyway)
Minimum pressure will require compensation on the output knob since the attack/ratio will let through more of the signal. |
| PWNED! By: obstgegenrechz, blatanville, pattonfreak1, robojam, tweed, blackshadow, BroderYon, exi, snez |
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 A new leveling amplifier by TBT.
Features:
'Reduction Knob' - Set the amount of reduction (compression) by lowering the threshold starting from 0db and working downwards.
'Gain Knob' - Set the amount of makeup gain to compensate the loss of volume due to compression.
'Comp/Limit Switch' - Allow you to choose between slower (Comp) and faster (Limit) Reaction.
'Boost Switch' - will cause the reduction stage to "dig a bit deeper".
'Noise Gate' - When you apply reduction with the noise gate on it will boost the reduction at low signal levels to prevent the noise floor from being raised together with the makeup gain.
'Stereo Link' - will link the output reduction envelopes to prevent the stereo field from drifing.
'Reduction meter' - will show the amount of gain reduction applied.
'clip led' - will light up if the signal go above 0 db. |
| PWNED! By: PTV, obstgegenrechz, blatanville, pattonfreak1, robojam, blackshadow, exi, snez |
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 TLs Pocket Limiter is a Transparent Brickwall Limiting with 0 db stop
Variable knee from 0% to 100% to keep limiting distortion at a minimum
"IQ" mode to get a more "intelligent" release from the knee with program emphasis
Low latency for live performance use (40 samples at 44.1khz = ca 1ms latency)
Stereo link to preserve stereo field
Supported samplerates: 44.1khz - 192khz
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| PWNED! By: tgersic, blatanville, pattonfreak1, robojam, blackshadow, martygras, BroderYon, exi, snez |
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 Something inbetween a Limiter/compressor to shape them peaks....
Features:
Adjustable input gain between -16db to 16db . input signal should stay below 0db.
Adjustable Attack from 0% to 100 %.
Adjustable Release from 0% to 100 %.
Adjustable Driver from 0% to 100 %.
Boost mode to use a "warmer" algorithm.
2X mode to produce more agressive results.
10 presets to get started.
Plugin Latency: 0 samples
Supported samplerates: 44.1khz - 192khz |
| PWNED! By: PTV, obstgegenrechz, pattonfreak1, robojam, blackshadow, Moseph, exi, snez |
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 Tom BandPass is a simple band pass filter. Sometimes you just want a simple, highly efficient filter that sounds good. If that's what you want, then this is your filter.
All TomPak filters are biquad filters based on transfer functions which are derived from analog prototypes. They are written in C++ to be highly efficient. |
| PWNED! By: tgersic |
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 Tom HiPass is a simple resonant hipass filter. Sometimes you just want a simple, highly efficient filter that sounds good. If that's what you want, then this is your filter.
All TomPak filters are biquad filters based on transfer functions which are derived from analog prototypes. They are written in C++ to be highly efficient. |
| PWNED! By: tgersic |
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 Tom LowPass is a simple resonant low pass filter. Sometimes you just want a simple, highly efficient filter that sounds good. If that's what you want, then this is your filter.
All TomPak filters are biquad filters based on transfer functions which are derived from analog prototypes. They are written in C++ to be highly efficient. |
| PWNED! By: tgersic |
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 Tom Notch is a simple notch (band reject) filter. Sometimes you just want a simple, highly efficient filter that sounds good. If that's what you want, then this is your filter.
All TomPak filters are biquad filters based on transfer functions which are derived from analog prototypes. They are written in C++ to be highly efficient. |
| PWNED! By: tgersic |
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 Tom Pong is a ping pong delay VST Plugin. A ping pong delay is a delay which alternates from one speaker to another. If the balance is set to 0.5, a stereo signal will invert itself each time the delay buffer is played back. If the balance is set to either side of 0.5, the signal bounces back and forth between the speakers. Tom Pong can be synced to the host sequencer, or delay times can be set by sample count. Feedback and output level are also adjustable. |
| PWNED! By: tgersic, nathel, martygras |
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 Tonmann DeEsser is a basic high frequency dynamic processor VST plugin, called a DeEsser because it's mainly designed to get rid of "stinging" sibilants that may occur on vocals after compression or adding a high boost.
It has been carefully designed to suppress any artificial or alienated sound that may arise under awkward situations with some other (even some hardware) DeEssers.
Features:
* True independent stereo operation, but also runs in mono mode
* Wideband and lowpass reduction modes selectable
* Fully adjustable center frequency and bandwidth of the detection range
* Adjustable detection threshold to retain the “crisp” sound character of a vocal
* Look ahead feature for sibilants with short and sharp attacks
* Adjustable release time
* Wide-ranging adjustable attenuation for being able to use it before or after a compressor, just like you prefer
* "What you remove" listen mode, one actually hears what's going to be suppressed
* Two level readouts for optical supervision |
| PWNED! By: tgersic, blazemc |
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 One mixer channel, 3 versions |
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 Track Meter is a plugin to display the current level of a stereo input signal separately for the left, right, mid and side channels and also to display the cross-correlation between the two channels. |
| PWNED! By: blatanville |
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 TranceGate is kind of like a tremolo on steroids, you'll notice a collection of vertical bars at the top of the screenshot. These bars represent volume levels, so if you imagine the signal travelling from Left to Right, as it hits a bar, the volume level of that bar is applied to it. If the bar is all the way at the top, the volume level is full, likewise all the way down it is off. There are also tempo in BPM, and Note duration. BPM is set by the host DAW, and if there is no DAW, then it is set to 120. The Note duration is Whole Note, Quarter Note, Half Note, etc. |
| PWNED! By: blatanville |
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 Trance-Gate is a plugIn for the creation of gate effects. The opening and closing of the gate is triggered by incoming MIDI-notes - note on events trigger the opening phase, note-off events trigger the closing phase. As opposed to gates with a built in step sequencer this has two advantages: first, it gives the user more flexibility in the rhythmic opening and closing because the user can take full advantage of all MIDI functions which the chosen sequencer software provides (different note-lengths for each step, changing rythms, etc.). And second: the plugIn is small and does not take much space on the monitor. ...and it did not take much time to implement it :-). |
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 The main difference between this and a regular noise gate is that here the threshold can have be set to behave dynamically. This makes it possible for the gate to let through transients at a range of volumes.
This 'transient gate' system works particularly well with percussive input audio with a fairly large dynamic range. |
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 Transilient is a versatile FSU/Glitch type multi-effect unit designed to make strange and unusual new sounds -- yet still (hopefully) easy to use. The 5 different effects can be modulated by one of two 16-step sequencers, a LFO, any WAV file, and/or manually controlled. Additionally, the modulators can be synced to your host's tempo. |
| PWNED! By: MarsHottentot |
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 a gate/duck effect which is driven by the envelope of its input, and is very analogish inaccurate. |
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 you can pitch up to 3 tones to the originial from -24 till +24 semitones.
NOTE: Requires Pluggo Runtime. |
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 Transverb is like a delay plugin, but it can play back the delay buffer at different speeds. Think of it like a tape loop with two independently-moving read heads. There are lots of parameters to control and a parameter randomizer for the impatient. Tom's first "released" plugin. Fun! |
| PWNED! By: PTV, blatanville, MarsHottentot, tweed |
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 A tube distortion effect with a distinct sound. You decide how hard to push the sound, and the Bias slider lets you emulate various tubes as well as solid-state distortion. |
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 Tremoloid is a simple but versatile plug for creating tremolo-type effects using pure AM.
Sounds range from classic 60's tremolo to extreme FSU/glitch goodness.
Excellent for EPs, strings/pads, and guitars.
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 Tribe is our all new clean amp, and is designed to give you pure, crystal clear clean tones, providing you with the perfect blank canvas to further sculpt your tone. Using technologies borrowed from Whisper and RedShift and with the option of loading an Impulse Response file of your choice, Tribe is designed to give out a smooth stream of constant clean tone. |
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 TriDirt is a stereo 3-band distortion VST plugin for PC
FEATURES
- Adjustable crossover frequencies with linked knobs -
- 7 different waveshapers for variety of sounds -
- Post filtering option (PF) applies lowpass filtering at first and second band -
- Balance control applied before waveshaping for wide stereo effects -
- All bands and post filtering don't use processing power when inactive - |
| PWNED! By: Moseph |
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 Trigger is a 4 audio to oscilator unit. Audio signals can be used to trigger the internal 4 oscilators that are routed through a filter, adsr and 2 lfo. It was an attempt to make something to generate melodic sounds and can make some nice stutters and drones :) |
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 Blue Cat's Triple EQ is a 3 bands semi-parametric equalizer that can be controlled as a single filter with customizable shape. It includes a low shelf filter, a high shelf filter and a boost/cut peak filter. Its wide range of gain (+/-40 dB per band) and bandwidth (.01 to 5 Octave) makes it very versatile to create any filter shape. The three filters are linked together so that when you change the center frequency or the bandwidth, the parameters of the three filters are modified accordingly: you can control the entire equalizer characteristics with a single mouse click. |
| PWNED! By: robojam |
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 truc was co-developed by de la Mancha and sink for the KVR Developer Challenge 2007.
truc is a multi-effect VST plug-in, with 4 banks of effects controlled by the movement of 2 pucks. The top puck controls the level of each effect bank, the bottom puck modulates any 4 of 13 parameters within the effect banks. This allows continuous morphing of the sound by moving the pucks to vary the impact of each effect bank.
As well as manually controlling each puck (either by mouse or midi controller) you can lock the pucks together and/or set them to move automatically, either randomly or by a configurable LFO, all in sync with your project tempo. |
| PWNED! By: blatanville |
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 High-Gain guitar pre-amp. The plugin is preamp only so, you will need to use a cab simulator after the plugin.
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| PWNED! By: pattonfreak1, synthgeek, arkmabat |
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 This plug-in can be used to add a tube-like warmness to any audio material. |
| PWNED! By: MarsHottentot, nathel |
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 It is a tube amplifier designed to enrich the signal with warm tubey distortion. It`s based on real tube stage modeling.
The plug-in has been developed by Nikolai "NickCrow" Voronin, electronics engineer. |
| PWNED! By: nathel |
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 tubePlug can connect several tubePlug users via the internet and allows high quality multichannel audio exchange between them and the t-u-b-e venue. |
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Tubester-1 is a simulation of high-gain, high-sustain classic English tube amplifier and speaker combos.
Features:
* Tubester is a combined preamp, EQ and guitar speaker simulator.
* Tubester is a 3 stage preamp with input and feedback filtering implemented to match original 1960's designs.
* Preamp tubes modelled on actual technical data for the Mullard EL83 triode.
* The EQ section gives you extremely fine control over bass, mid and treble bands (at roughly 100,300,750Hz with +/- 20db of boost and cut) with a presence control at slightly below 5KHz for additional control over tonal purity.
* Tubester is a zero latency highly efficient implementation with minimal CPU overhead, and is thus suitable for real-time (live) use.
NOTE: Uses the host's default plug-in interface.
Tubester-2 is a simulation of a classic high-gain American tube combo (combined preamp, EQ and guitar speaker simulator).
The sophisticated amp model is a 4-stage, 4-valve preamp with input and feedback filtering. Preamp tubes are modeled from actual RCA 12AX7 triode data sheets.
An 'extreme' setting switches in a 4th preamp section for ultra-high gain lead guitar sounds. An EQ section gives fine control over bass, mid and treble bands with a presence control additional control over tonal purity.
Tubester-2 is a zero-latency, highly efficient implementation with minimal CPU overhead, and is thus suitable for real-time, live use.
NOTE: Uses the host's default plug-in interface.
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 Tuna is a guitar tuner.. |
| PWNED! By: ayiE_gaLs |
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 Tune It! is a piece of software that helps musicians to tune their instrument.
It can also be used to monitor the pitch during live performance.
Tune It! is based on a original and very accurate pitch detection algorithm. It can tune a wide range of instruments such as guitar, bass, piano, flute, violin, saxophone, etc...
Tune It! is available for both Windows and Macintosh platforms.
It can be ran as a standalone application or as a plugin within a VST or AU host.
Features :
Automatic note recognition from A-1 up to A6.
Programmable A440 reference from 400 to 480Hz (step of 1Hz or 0,1Hz).
Programmable Precision
The highest precision, the finest tuning.
The lower precision, the lower latency (suited for tuning control during live performance)
Very fine and precise tuning based on an original pitch detection algorithm.
Tune any instrument : guitar, bass, piano, synths, flute, sax, trumpet, stick, violin...
Available as a VST plugin for Windows (Cubase, Tracktion, Nuendo, Logic, Fruity Loops...).
Available as a VST plugin for Macosx (Cubase, Tracktion, Nuendo, Live, Peak...).
Available as an AU plugin for Macosx
Available as a standalone version on Macosx. |
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 Twin Delay is a VST plugin designed for emulation of digital and analogue delay effects. The program is not an exact copy of already existing hardware-based equipment, nevertheless it can be used for producing a majority of popular effects, as well as some modulation and 'unusual' effects, for instance Flanger, Metallizer. Special attention have been given to analogue delay algorithms, that make it possible to create beautiful and original sounds, frequently used in such genres as IDM, Experimental, Breaks and especially Dub, as well as genres that use Dub elements: Dub techno, Dubstep, Dubwise and so on.
In installation package included English and Russian manuals.
Main features of the Twin Delay are:
- Digital algorithm and 3 original tape algorithms
- Channel Delay
- 3 types of sync: auto, ms and manual bpm
- Cross feedback function for ping-pong delay algorithms
- Mono/stereo smooth function
- HP and LP filters with tube drive emulation
- Programmed with Delphi and Assembler
- 65+ presets
Twin Delay is donation ware.
You can freely download and use it. We accept donation as payment for it. You can evaluate plug-in and pay as much, as you think it costs. |
| PWNED! By: blatanville, synthgeek |
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 Whilst TEV's aim is not to be ultra-realistic - it is designed to be just that little bit different : Two independent stereo echo and reverb units with enhancer and filtering to create a wide variety of spaces ranging from up-close and personal to large, larger, huge ... out there - beyond - other. |
| PWNED! By: blatanville, arkmabat, mimovnik |
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 ??? Effect. |
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 UTFX is a vst audio plugin for windows vst hosts.This effect is particularly designed for real time or live audio
work.The main idea behind this effect is 'triggering' : fx selection , fx 'synced parameter' and signal mixing can
be performed directly from two benchs of buttons or more simply from midi CC or midi notes.
Modules :
1 fx selector "button bench"
1 synced value "button bench"
1 synced delay with feedback, high and low damping
1 glifter (glide/drift) to produce some scratch/tape stop-like /granular fx
1 flanger with feedback damping
1 six stages standard phaser
1 decimator unit with sampling rate reduction , bit depth reduction and a saturation
1 realtime slicer with looping speed control ,random reverse and a quantized variator
1 "ring accumulator" with feedback and low damping
1 tri combs with a chord selector, feedback and root note selector.
1 shared lfo with 6 shapes (sin,tri,square,saw up,saw down and sample & hold)
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| PWNED! By: blatanville |
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 VCS UltraPhazer is a multi oscillated phaser VST plugin for Windows hosts. It sounds very cool on guitar tracks and on raw saw sound. It can also be used as stereo enhancer and auto panner. There are 14 sliders you can control, Resonance, Min Filter, Max Filter, LFO Freq, LFO Add 1-3, Filter 1-4, Num Filter, Stereo Phaz and Mix. You can also use it as multi notch filter. Windows only. |
| PWNED! By: blatanville |
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 Unify includes a 6 bands post-compression coloration tool which acts like an EQ but on fixed frequencies with limited gain range. |
| PWNED! By: snez |
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 UNIQUE is a matched recreation of EricSound’s Uni-Q
It’s more simple and was made as an example for the open source project. Since it is a “me-too” plugin it may only be used in non-commercial projects. |
| PWNED! By: blatanville |
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 Special delay with syncronised to pulse up or down modulation from a ADSR waveform. |
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 A FREE stereo enhancer.
* Loudness control enables a complex saturator to boost your mixes.
* Stereo width slider going from mono to wide, bringing the stereo image out and towards the listener.
* Subtle Air & Bass boosters to lift and help the audio 'breath'.
* Very low CPU usage.
* FREE!
UpStereo is a simple, useful tool - it makes your mixes bigger, in stereo width and loudness.
Using three basic basic systems:
1. A fixed frequency EQ designed to lift the highest audio frequencies, and boost the bass.
2. A stereo width unit, for expanding stereo sounds so they appear wider and fatter. At extreme levels other characteristics are also brought out of the sound, so this can also be used as a tonal control for individual instruments. This also has a mono setting, useful for squashing up those aggressive samples that take over the mix.
3. A loudness button that raises the waveform to the limits in a smooth curve. This saturation gives the mix a more perceived loudness, without clipping.
These stages create an overall loudness effect on the final output, so a gain control is included to keep the limits in check.
The main 'bubble' display on the plug-in is really a basic meter, when one of the stereo halves flash white, then the output is in danger of being clipped. Try and keep the levels so the white flashes only occasionally, this enables the loudness saturator to work at it's best. |
| PWNED! By: blatanville, West |
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 V.I is a free VST plugin for designed to convert a stereo input to a 5.1 audio output. You can then save this data in a file and encode it into a surround sound file using appropriate software. V.I cannot go back into a recording studio and separate the original multitrack audio into separate channels, but it can extract ambience information embedded in the stereo audio and redistribute it among 5.1 channels. Recording engineers, audio engineers and enthusiasts have been doing this kind of thing for years in one way or another. V.I simply combines some of their techniques in one VST plugin. |
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| ValhallaFreqEcho is a bode-style frequency shifter + analog echo emulation. Sonic results range from subtle chorusing and double tracking to barberpole phasing and flanging to runaway echos spinning through your skull to endless glissandos. Perfect for those Dr. Who sounds, dub and all of your psychedelic needs. |
| PWNED! By: blatanville, synthgeek |
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 This plugin is a sampled recreation of Tritone Digital’s Valve Tone EQ. It is completely written from scratch and no code/images were taken from the original plugin other than the impulse responses. However, since the IRs were only 16 Bit and slightly disordered, they have been sorted, cleaned and extrapolated in order to make it somewhat softer. It has the limitation to work at 44.1 kHz and the GUI is more ugly than the original one. So don’t hesistate and buy the original if you like this plugin.
As a “me-too” plugin it may only be used in non-commercial projects! |
| PWNED! By: blatanville |
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The Vanilla Compressor is a general-purpose, stereo compressor plugin, with optional sidechain input. It can be used on individual instruments, across aux busses, or even as a mastering effect. Its fine-tuned, “smooth as buttah” sidechain and specialized release shapes make it equally at home with vocals, drums, guitars and full mixes. Use it sparingly for subtle, transparent “tightening”; or drive it hard and fast for deep, “balls-to-the-walls” pumping. Obviously, there isn’t anything revolutionary about the Vanilla Compressor. This compressor isn’t about bells and whistles; it’s about getting the right sound, quickly and easily. Go ahead–try a little Vanilla!
The Vanilla Compressor is currently in the alpha stage, and is free to download and evaluate.
eatures:
* Threshold: -40dB to 0dB in 0.1dB increments.
* Ratio: 1:1 (no compression) to 20:1 (limiting).
* Soft-knee: 0dB (linear/"hard knee") to 12dB (nonlinear/"soft knee") in 0.5dB steps.
* Max Make-up: Maximizes the output gain to 0dB, such that it is proportional to the threshold and ratio parameters.
* Compressor Output: -40dB to +40dB in 0.1dB increments.
* Attack.
* Release.
* Release Shape: Smooth, Pump, ARC-1 & ARC-2 (Auto Release Control).
* Key Input (for sidechain).
* Detection: Peak and RMS.
* SideChain Filter: Let the compressor react to certain frequencies, while ignoring others. Off, Low, High and Band settings.
* Frequency: Cutoff frequency for the sidechain filter (60Hz to 6kHz).
* Listen: Listen to the sidechain (control) signal at the output of the filter, before it is rectified/averaged.
* Mix: Wet/Dry mix.
* Output: -40dB to +40dB in 0.1dB increments.
* Limiter. |
| PWNED! By: tweed, blackshadow |
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 Variable tremolo which moves between minimum and maximum speeds at user-controlled or randomized rate. |
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 Mix up to 4 stereo signals using an X/Y pad (very cool if you have a hardware X/Y controller) |
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 A high-structured 4 voices chorus which filters every voice with a different harmonic modulation, then the tremolo section gives additional shine and sculpting possibilities using the same voicing architecture. Every parameter is fully customizable with dedicated knobs for speed and separation of chorusing, giving maximum flexibility and dramatic, smooth changes to the signal, that varies from monophonic tube-flangers to incredibly rich and detailed stereo smearings. |
| PWNED! By: blatanville |
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 Verzerrer 1.5 is a VST effects plugin that completely decimates audio. It throws both fists and feet at your audio with four different parameters for punishing your sounds.
NOTE: The Pluggo runtime is required for this plugin to operate.
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 Verzerrounder is a VST effects plugin for Mac OSX that rounds down the digital value of your audio. The effect creates a unique type of distortion.
NOTE: The Pluggo runtime is required for this plugin to operate. |
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 Tries to create the sound of an old tape delay, includes various effects. |
| PWNED! By: blatanville |
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 PSP VintageMeter (free plug-in VST, RTAS, MAS, AudioUnit for MAC and VST, RTAS and DirectX for PC hosts) provides professional VU and PPM metering for mono and stereo tracks. All parameters like integration times and reference levels are widely adjustable to make this free plug-in suitable for any application. |
| PWNED! By: MIDIManNI, Moseph, shamanix, snez |
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 The ultimate lo-fi weapon, iZotope Vinyl uses 64-bit processing and advanced filtering, modeling and resampling to create authentic "vinyl" simulation, as if the audio was a record being played on a record player. |
| PWNED! By: blatanville, Moseph, BroderYon, rebortbst, snez |
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 Adds vinyl noise of both real or semi real/programmed vinyl. |
| PWNED! By: blatanville |
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 Visualizer MusicTech Edition is a specially compiled free edition of Nugen Audio's Visualizer available on the MusicTech Magazine cover-mount DVD or via this link. There is also a two-page tutorial on taking spectral imprints within the MusicTech magazine itself (Issue 55). |
| PWNED! By: Moseph, ayiE_gaLs |
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 VisualVox VST is a free intonation correction VST Plugin. With it you can
- shift notes of a voice recording to perfect intonation
- fit a voice recording into rythm by stretching, cutting and moving parts of it
- fit a voice recording to another key with minimal pitch changes
- produce a perfect vibrato
- visualize how right or wrong you are singing
- create artificial polyphony from single voice recording
- draw frequency curves freely with your mouse
- let the VST plugin improve intonation automatically
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| PWNED! By: blatanville |
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 Vocalizer is a vowel effect which enables you to convert any sound into a human-voice-like sound.
Vocalizer is similar to a "formant filter" but it has its own original speech processing algorithm which enables it to apply human voice characteristics to any input sounds. Vocalizer can be used not only for lead sounds but also for various sound sources.
Features:
Strongly apply human voice characteristics.
Intuitive GUI control with XY-pad (Strength of effect, Vowels can be controlled with X-Y pad only).
Both Male and Female voice patterns are available. |
| PWNED! By: jorjee |
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 A freeware special vocal equalizer VST effect plugin.
VocEqPro comes in two versions, VOCEQPRO and VOCEQPRO-C, which includes a compressor effect.
Features
* 4 bands mono Vocal equalizer
* 65Hz ~ 7K (15K)
* Gender presets for male - female - default (- off VocEqPro-C only)
* 8 patch presets
* Boost modes: Pre-Mid-Air
* Gender attenuation controls
* Auto-limiter on main output with limit-led (VocEqPro-C only)
* Smooth compressor with Attack-Release-Ratio-Threshold and on/off controls (VocEqPro-C only)
* Vu-meters with zoom buttons
* For use on mono vocal tracks
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| PWNED! By: blazemc, snez |
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 MM FX 04 VOCODA is a VST effect. The incoming signal is divided into several bands, analysed and then vocoded with the internal oscillator. The Filter is controlled by a clockable 4step sequencer which syncs to host tempo. The pitch of the internal oscillator can be controlled via MIDI note in ( when the host allows this ) or manual with the PITCH knob
The sonic results of this FX vary from bizarre vocoder-like sounds to extremely lofi weird noises, depending on the input source. This effect does not intend to be a high quality vocoder. |
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 Morphing vocoder. |
| PWNED! By: blatanville, three |
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 Vocovee has no ‘Capture’ sidechain plugin but the latency is small. I recommend Vocovee instead of Vocov if you need real-time vocoding. In addition, Vocovee has a improved built-in synth.
Features
Built-in Synth Section
OSC 1 - 3
Form: waveform selection.
Tune: tuning -2oct to +2oct.
Detune: detune -100cent to +100cent.
PWidth: pulse width control NOT only for square wave (all wave forms will become intermittent waves by this parameter. it is very important for Vocoder carrier because the human’s vocal cords makes a intermittent waves like this)..
Level: OSC output level.
LFO 1 - 2
Form: waveform selection.
Sync: temp sync mode.
Freq: LFO frequency.
Destination: LFO modulation target On or Off OSC1,2,3 or Filter cutoff each. and FM/PWM/AM selectable for OSCs.
Level: modulation level.
Mono/Poly: Mono mode if ‘ON’ otherwise Poly 8voice mode.
BendRng: bend range setting 0 to 1oct.
Glide: Portament time control.
Vocoder Section
Follow: env-follower time of modulator audio. setting high will cause clear speech.
Shift: formant shift.
Mangle: mangle the formant. it will cause special effect.
Bands: freq resolution simulating fewer bands vocoder. setting high will cause clear speech.
EQ Section
6 Bands EQ.
Effect Section
Stereo Chorus.
TempoSync Delay.
Reverb.
Mix Section
Vocoder / Carrier / Voice(modulator) with HPF Carrier and Voice monitor button force through the vocoding. It is useful for checking original signals. |
| PWNED! By: blatanville |
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 8 band realtime vocoder with onboard synthesizer |
| PWNED! By: blatanville |
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 Vocoder is a vocoder based on FFT analysis. Mono audio input can be modulated by both the internal synthesizer or an external audio source (such as the output of an other synth or an audio track).
Various parameter are proposed to design the sound (Limiter, Compressor, Parametric Eq...) |
| PWNED! By: blatanville |
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 An easy to use plugin for mastering.
It combines peak limiter and level maximizer.
Only 4 parameters. |
| PWNED! By: blackshadow, Moseph |
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 VowelFilter/VowelSynth is a collaboration
between SmartElectronix and Tobybear:
a plugin (synth and effect) for creating
vowel-like formant-filtered sounds. |
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 Sound Delay is an auxiliary multi-channel signal delaying plug-in for professional audio applications. You may specify delay time in both milliseconds and samples, with a high level of precision. This plug-in - being technical in its purpose - provides a basic signal delaying function only, without signal feedback or modulation capabilities.
Sound Delay also features internal mid/side encoding and decoding, and allows you to delay mid and side channels independently.
Features:
Sample-accurate delaying
Millisecond-accurate delaying
Up to 3 seconds overall delay
Multi-channel processing
Internal channel routing
Channel grouping
Mid/side processing
Preset manager
Undo/redo history
A/B comparisons
Contextual hint messages |
| PWNED! By: blatanville, nathel, martygras |
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 This is a weird experimental lofi/delay effect. Well, actally it's a ring-modulator that uses a delay of the incomming signal as carrier frequency. Only the repeats ring-modulate your sound, so it sounds like a delay that interferes with your signal.
The one knob in the middle controls the delay time. |
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 This effect chops up a fixed loop length of incoming audio into 16 parts and allows you to position each of the parts in any order (with redundancy) and specify the level, pan, and whether each part is reversed. You can really mutate a drum beat or vocal part, or just make a single snare drum reversed and not touch the rest. The best way of understanding the effect is to fiddle with it. |
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 Vst-Amp is a synthedit made vst driver for the V-amp products.
It sends midi signals to control the hardware.
It loads as a VSTI but doesn't recive midi signals, except patch change.
It is fully automated, so you can write automation tracks in your favorite VST Host program. |
| PWNED! By: Jhopf124 |
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 VU2 is a 2 channel high precision meter. It can be used as Peak meter, Program Peak meter, VU meter or Power meter with integration times from 1 sample to 1 second and decay times from 1 sample to 10 seconds. The meter headroom can be adjusted in 0.1 dB steps from 0 to –20 dBfs. Each VU meter comes with an over-hold LED and features a second peak-hold needle. The VU2 also features a correlation meter.
Features:
• Peak Meter
• Program Peak Meter
• VU Meter
• Power Meter
• Correlation meter
• Over LED
• Peak Needle
• PDF Manual
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 The BetabugsAudio edition of George Yohng's W1 takes the same spectacular limiting engine and gives it a new interface. The W1 interface follows the BetabugsAudio tradition of simplicity and elegance, while providing an inspiring appearance that matches the plug-in's form to its function. |
| PWNED! By: blatanville, snez |
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 A voice-controlled wah-wah pedal.
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| PWNED! By: blatanville, MarsHottentot |
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 The Warmer Phaser XD-78's has been designed specifically to introduce users of the Mackie Spike Recording Package to the amazing sound and distinctive features of Nomad Factory products. Per request from Mackie Designs, we have developed an exceptional Special Edition plug-in that will put to rest all misconceptions about the harshness of digital audio processing. The incredibly warm sound of this phaser is a result of the best tube emulation available in a pro audio plug-in. The Warmer Phaser XD-78's is free for all purchasers of the Mackie Spike Recording Package. Designed by musicians for musicians, the Warmer Phaser XD-78's is an essential tool for your virtual studio. |
| PWNED! By: blatanville |
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 Waterfall has 4 channels, each with its own filter, LFO and delay. The cut-off of all filters can be modulated by the LFO.
The GUI is divided into three sections: On the top left there are basic controls for input/output levels and the stereo expander. The bottom left controls set the level of all channels. The four horizontal strips on the right are the four effect channels. The effects applied to each channel are mixed in the final output. |
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 Uses massive cascades of allpass filters interspersed with short randomised delay times. An FDN is located in the feedback loop for 'ocean floor' echoes.
Depending on the input and feedback levels, the signal may drop silent. Highpass filtering is suggested. |
| PWNED! By: Evelon, blatanville, MarsHottentot |
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 Wave changer 3 is a free PC VST audio plugin that replaces your sound waves with simple waveforms. It distorts the sound in unusual ways, ranging from weird to horrible. ;-)
Try it on some drum loops!
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 Waveform is a simple wave table synth and was created for making more organic (organ,ep) tones.
Features:
-2 wave tables
-ADSR Amp envelope
-ADSR Filter envelope
-LFO Fliter control |
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 Another vaguely granular-ish plugin. Grabs short samples (grains) from the input, and loops them, playing them at a chosen pitch-ratio. Grabbing can be triggered by a metronome running at a proportion of the current beat, peaks in the input, or the end of the previous grain. An envelope can be applied to the signal, retriggered when the grab is done. A grain-synched delay allows some smoothing of the grains or feedback effects.
Needs the Pluggo Runtime. |
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 Wavemorph was created from the combination of several ideas I was testing.
The first was user definable wave-shaping. I've seen many waveshapers based on polynomials and math functions for generating specific distortions, but this is a solution for those who want to draw in the way a waveform will actually be mangled. The x axis represents the incoming signal, and the y axis shows what values will come out.
The second concept was the emulation of old, nonlinear digital conversion. There are many bit-crushers and sample-reducers people use to add a nice layer of digital trash to a signal, but this takes bit-crushing a step further by adding in a controllable amount of nonlinearity. Additionally, bit depth can be altered for differing sample values. The lowest values of a signal can have 12 bit accuracy, while the highest values might only have a bit depth of 4.
The final idea, and my personal favorite, is dynamic morphing between wavetables. Not only can you make two separate wavetables and morph between them with the drag of a slider, you can assign the morphing to the signal's amplitude with attack and release characteristics! By dynamic morphing between tables, you can create distortion that actually changes based on the input level. You can even use it as a compressor that changes characteristics dynamically!
NOTE: Requires Pluggo Runtime |
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 Werd contains 2 independent delay lines, a multimode filter, and a re-pitcher each with independent wet/dry levels (requires Pluggo Runtime) |
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 A single-tap bpm-linked delay with adjustable delay time (down to 1/16), feedback and filter. Also features three lfos that can be used to modulate cutoff, resonance and pan of the delay independantly of each other. |
| PWNED! By: blatanville |
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 Whisper Tube still retains its fantastic crystal clear sound it's non-tube brethren possesses, but now we've added in the option of 'warming it up' via a 12AU7 tube. |
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Whix is made up from five simple pieces in a chain.
* Lowpass filter
* Gain
* Wave shaper (sine function)
* Lowpass filter
* Gain
Whix works best on simple sounds (think triangle, saw) and tends to be pretty noisy with complex sounds (voice and chords). |
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 WideBug - a simple tool to enhance the stereo sound of your audio material. |
| PWNED! By: blatanville, pattonfreak1 |
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 Wobbles is a simple vibrato plug-in featuring adjustable shape, depth and speed. Chorus and phaser type effects can also be achieved by using the dry/wet knob. |
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 This VST-plugin is an 8-band filterbank with adjustable volume and frequency for each band, a bandwidth control for all bands and a bypass switch.
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| PWNED! By: blatanville |
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 Virtual multi effects processor.
Key features: ! 2 reverbs, paralelled. ! 2 flangers ! delay ! on/off buttons and volume ! direct level gain !
Preset manager |
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 theremin effect |
| PWNED! By: blatanville |
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 Wormhole2 is for audio professionals and musicians, allowing routing of audio between machines on a network. Now you can make use of all the processing power in your studio. For example; set aside a machine for complex instruments or effects, route audio out to it, then back into your favorite DAW. Or route audio between your PCs and Macs to get the best of both worlds. Or share audio between laptops on stage. Or or or... there are lots of possibilities!
NOTE:
Used to be shareware - now opensource! |
| PWNED! By: synthgeek, krec |
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 Plektron has announced the release of WTComp, which is described as an analogue tube compressor. It's available for Windows as a VST effect plug-in and it is free.
WTCompWTComp distinguishes itself from a common compressor due to its simple use. The only thing you have to do is to set the warm-level (compression) instead of going crazy with dozens of parameters.
WTComp is based on the parallel compression technique that maximize the output signal rather than destroy the sound's dynamic. The tube simulation makes the sound warm and loads without distortion, processing a "fat" wave without square peaks.
The advanced internal structure includes an intelligent audio-clip system.
It is deal for mastering and use on single tracks. |
| PWNED! By: blatanville, pattonfreak1 |
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 Wurr Audio Filtertüte is a 2 band, full parametric, Hi-shelf, Lo-shelf, Eq filter with internal 4-time oversampling and speaker protection |
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 Wurr Audio Reverb is a small and handy VST reverb. |
| PWNED! By: nathel |
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 Analog style exciter for mastering purposes,
inspired on the BBE Maximizer models. Its warm sound and simplicity of using makes this exciter very suitable to add some subtle brightness in the high frequencies, and also make the lows more dense. Apart from the mastering stage, you'll find that it can also make a good work on individual tracks. |
| PWNED! By: tgersic, blatanville, MarsHottentot, blackshadow, clash, snez |
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 Designed to take ordinary monophonic
or stereo audio input and transform it
into a wide pseudo stereo field.It also
incorparates a 4 pole lowpass filter
an LFO |
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 X-ISM is a state of the art VST/AU plug-in which can interpret inter-sample peaks, allowing engineers to make informed judgements about the resultant sound quality of the mix.
There is currently a trend in the in the audio industry known euphemistically as ‘The loudness war’ in which the engineering process is driven to produce a product which is as loud as is technically possible within the constraints of the medium. Debate rages as to whether this produces problems that degrade and distort the audio. One reason for this distortion is often blamed on the presence of ‘inter-sample peaks’, where signals that are usually missed by the Fs sampling of DAW meters, may actually exceed 0dBfs in reconstruction from digital to analogue domain in some Digital to Analogue Converters (DACs). |
| PWNED! By: blatanville, brotha chinese, besanane, shamanix |
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 Softknee compressor with build-in stereo enhancer |
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 yoink is a vst effect best used for live performace. it has an inline sampler that you can grab samples from the current live effect channel. you can then trim the loop, reverse, and process with effects in realtime. the left joystick controls bitrate and pitch, while the right joystick controls delay time and delay feedback. the demo mp3 was a simple beat, processed in realtime. version 1.01 brings the new user interface, as well as some small bug fixes and optimizations. |
| PWNED! By: blatanville, MarsHottentot |
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 You Wa Shock ! is VST effect for brighten up and maximize any truck you hand him.
Use:
- There are two control: A/B/C/D selects the maximizing way, and Knob controls his amount of Shock ! |
| PWNED! By: tgersic, pattonfreak1, snez |
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 7AIR PRODUCTIONS : ZA8 Dual Delay V 1.00
A new VSTi plugin designed by our everpresent engineer RDM. The ZA8 Dual-Delay plugin is windows only @ the moment, it is more cpu friendly than the Dub Delay and acts pretty much in the same way. |
| PWNED! By: blatanville |
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 zipper is a envelope driven repeating effect.
you can switch between 3 envelopes with a step sequencer.
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 Glitch-FSU effect. |
| PWNED! By: MarsHottentot |
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