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A recent forum post by arkmabat:
This what you're looking for? Phasetone Mac.
http://www.mediafire.com/?z3mndzulgtt
Read More... |
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 An Vintage 3 Band EQ-FX
3 EQ-Bands (Low-Mid-High) with
Gain – Warm Shaper – and warm diffusor-module
For a warm bold and loud sound.... or fine sound design....
Very Low CPU Load – 16 Patches (10 Presets) |
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 An American Drive/Amp Lovers
TQ,RP! |
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 Series – EQ v.1 as your ultimate tool in music production. Design to be different (to be its self) without prototyping a specific famous Equalizer but act just like the real one with 9 band adjustable. |
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 A Simple Compressor!
RPE mode is RP custom envelope setting in dealing with compressor.
It adapt with TEMPO in project (the 1st compressor did this, never before).
It is for mono and stereo track.
Free for digital recording world.
TQ,RP! |
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 The ultimate and the most character Equalizer ever in vst plugin.
After turn on the plugin, you will have already hear the result even you don't adjust anything, watch your back!
TQ,RP! |
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 Features:
-16 Voices Polyphony
-WaveMorph OSC with 10 slots
-Each slot 144 Waveforms included
-Amp Envelope
-LP Filter
-LFO(Sin,Saw,Tri,Ramp,Squ)
-Portamento
-Preset Manager
-available in two sizes,
one with small AND one with big GUI |
| PWNED! By: blatanville |
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 This is a simple 1-oscillator synth based on "virtual circuit-bending". The initial idea started out as an attempt at making a bass synth version of the APC synth. It turned out to be impossible to get it to track pitch at all, so more experimentation ensued, and this is the result. It does track pitch, but often sounds will change across the keyboard or possibly even stop making sound at a certain key.
Some of the ideas used here will doubtless be put to use in a larger multi-osc synth, though whether an expanded version of this exact synth will be developed remains to be seen. |
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 Its pretty self explanatory. You have MIDI files with a bunch of CC, Tempo, NRPN and other junk data. These files may cause issues if you drag them into hosts or export them to hardware. So, you use MFS to filter out the files. Now you have pure MIDI note files that will play pefectly in any host and hardware.
Midi File Stripper (MFS) features
* MFSc installs onto your computer and uses a ‘right click file’ context menu command. It only can process 1 file at a time.
* MFSp is a portable version that runs from removable media such as USB thumb drives, shared network folders optical media. It also supports multiple files dragged to the GUI or to the executable.
MFS is available to download as freeware for Windows PC. |
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 PhilterPlugs Deep Throat Synth
Features:
-Complex FM Synth (FM and SelfFM)
-Modulator/Carrier Selector
-Detuner
-2 FM Operators
-2 FM Envelopes
-Amp Envelope
-State Variable Filter
(HighPass,LowPass,BandPass,BandReject,Peaking)
-LFO (Sine,Saw,Triangle,Ramp,Square)
-Preset Manager
-Monophon / Polyphon Mode
-Max. Polyphony 16 Voices
-Portamento
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| PWNED! By: blatanville, bagigetto, Hempstapimp |
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 Spectrum Analyzer is a real-time spectrum analysis plugin. The idea was to create an old-fashioned tool reminiscent of classic hardware analyzers of the antecedent century. Another unique (and quite experimental) feature of the plugin is its detached spectrum display window, freely resizable independently of host application capabilities.
Features:
* 1/3, 1/4 or 1/6 octave mode (30, 40 or 60 bands respectively)
* Simultaneous peak, peak-hold and average (RMS) display
* Entirely adjustable ballistics
* Unrestrictedly resizable display window
* Customizable colors
* Freeze function
* Supports any sample rate |
| PWNED! By: Hempstapimp |
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 a FM Synth Project i am working on at the moment.
this beta is not 100 % stable,if you notice
crashes or bugs please send me a report and
i´ll try to fix it. credits go to MyCo, Exonerate,DigitalWhiteByte, DiscoSteve,
Tzarls and Aliasant for their incredible
help on the patch cables.
i will post a featurelist with the
finished version soon. have fun!
PhilterPlugs |
| PWNED! By: Hempstapimp |
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 Theremin-Style Synth
Features:
1x OSC (Sine,Triangle,Saw & Square)
1x Sine LFO with Depth/Rate Control
Delay |
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 PhilterPlugs BellBoy brings you Xmas Feelings
Features:
2 Sine Osc, each with
Modulator Pitch
Carrier Pitch
FM Depth
Volume |
| PWNED! By: blatanville |
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 The free holiday "performer edition" of the Melohman by Ohm Force. Loads of fixed presets. |
| PWNED! By: blatanville |
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 This 'Performer Edition' is a simplified version of our Symptohm:Melohman powersynth, especially made for live use - but being also handy at the studio. The core of the synth, its oscillators and all the filters are there: it's the same audio engine of the 'normal' version. The only difference is that they're all already programmed/fixed for each one of the (up to 1200!) patches from Symptohm's sound library, the result being a simple and straight forward interface. |
| PWNED! By: blatanville, synthgeek, arkmabat |
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 PhilterPlugs Color Synth
features:
6 Osc´s
Detuner
Amp Envelope
Tremolo
Vibrato
Portamento |
| PWNED! By: Hempstapimp |
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 Strange Synth by PhilterPlugs
Features:
4 Voices
2x Morph OSC, each witch 144 Waveforms
2x ADSR Amp Envelopes
2x Lowpass Filter
2x LFO
2x randomize buttons for each OSC
1x randomize button for whole synth
1x presetmanager with 10 presets |
| PWNED! By: blatanville, Hempstapimp |
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 There are times when I want a reverb for its smearing, tail-producing qualities, but a regular reverb isn't ugly enough. This was created to solve that problem. It sounds just like the name implies, and sometimes that's just what the situation calls for. |
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 Specifications:
• 1 Oscillator with 5 Waveforms
• Vibrato (0.1-100Hz)
• Phase-Modulation with 3 Shapes and 3 Directions
• Frequency-Modulation
• ADSR Envelope (VCA)
• ADSR Envelope (VCF)
• Multipass Filter
• Chorus
• 8-Band EQ
• Master Section with Clipping
• Support for 32 presets each bank
• 32 presets for Pads, Leads and FX |
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 Wobbles is a simple vibrato plug-in featuring adjustable shape, depth and speed. Chorus and phaser type effects can also be achieved by using the dry/wet knob. |
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 Les Blattes Splatte is a 12-slot drum sample player. It is simple and straightforward to use without any more than basic controls (volume, pan, retrigger, pitch adjustment, MIDI note configuration, MIDI channel selection, and output routing). Each slot can be routed to one of 8 stereo outputs. It can use 16 or 24-bit WAV files and comes with a set of samples with which to get started. |
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 B8 Organ is a reproduction of the old organs of the '60s and '70s. It has 9 oscillators, switchable between sine and saw wave, with drawbars, vibrato, chorus and reverb. Sine waves result in tones typical of a church organ, or "hammond-type" sounds. Saw waves sound more like old combo organs, like Farfisas, Davoli, Crumar, for example. |
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 NoAmp! is based on a famous stomp box that made life easier for many guitar players and gained much popularity for its sound quality, versatility and ease of use.
With its simple layout, this effect will provide you with three classic amp tones, three modification and three cab simulations.
This let you play with 27 different configurations.
•3 amp sims
•3 "mods"
•3 cab sims
•mono / stereo modes
•Midi learn on every paramter |
| PWNED! By: synthgeek |
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 The major sketch pad is basically a step sequencer combined with a chorder. Each time it gets triggered by a midi note the step sequencer steps forward and each step can contain a new, different chord. The chords aren't locked to a predefined pitch. This means that you can try out chord combinations and see how your melodies will sound with different chords applied to them, or just jam away.
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| PWNED! By: blatanville, exi |
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 Skatcat is a 2-voice synth with unison, pitch and filter envelopes. Powerful sound. |
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 Land of Cockaigne lives! All their hard-to-find plugins in one download!
* Panzertank PM4: FM-Synth
* Oberon Poly-8: Analogue Emulation
* Satyr VA: Virtual Analogue Synth
* Phibes: Electric Organ
* Quantum 64: Commodore 64's SID sound chip
* Little Duck: Emulation of Stereo Filter Bank |
| PWNED! By: blatanville, Ezmyrelda |
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 our entry for the kvr developer challenge 2009:
this synth uses 8bit fourcycle waveforms instead of an oscillator,there are 300 to choose from.
it is split into 4 parts; amp/pitch/filter/badness.
each with ADSR and 2xLFO's(tempo-syncable or free).
plus samplerate and bit control.
this nasty beast was inspired by niffla's fourcycle synth. |
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 This is a not-quite-technically-correct stereo frequency shifter (with seperate controls for the left & right channels) based on techniques seen on this web page: http://www.cim.mcgill.ca/~clark/nordmodularbook/nm_spectrum_shift.html
The reason for this not being technically correct is that doing this the right way would require a lot more CPU. This implementation only achieves true frequency shifting in a certain range of frequencies, while frequencies outside of this range get an effect closer to ring modulation, which is still interesting. |
| PWNED! By: blatanville |
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 High-Gain guitar pre-amp. The plugin is preamp only so, you will need to use a cab simulator after the plugin.
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| PWNED! By: pattonfreak1, synthgeek, arkmabat |
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 Synthgeek's grainbot is an experimental synth based on granular synthesis and mathematically generated noise. It's not made for traditional bass/lead/pad type stuff (though it can do that if pressed), but it is capable of a wide range of other sounds: mechanical and engine-type sounds, rhythmic percussion sequences, random bleepery, drones, ambiences, and more. It can also process external audio. |
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 Whilst TEV's aim is not to be ultra-realistic - it is designed to be just that little bit different : Two independent stereo echo and reverb units with enhancer and filtering to create a wide variety of spaces ranging from up-close and personal to large, larger, huge ... out there - beyond - other. |
| PWNED! By: blatanville, arkmabat, mimovnik |
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 AMT-1 is a quad multi-filter that can work like a sequencer.
Features:
4 parallel multi-filters (LP, HP, BP, Notch, Peak).
Each filter's parameters can be sequenced using up to 8 presets.
Presets can be chained with morphing. |
| PWNED! By: blatanville |
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 TAL-Filter is a multi-mode filter device, including a High Pass, Band Pass and Low Pass filter.
High Pass, Band Pass, Low Pass filter modes.
4 Pole, 2 x oversampled non linear filter.
LFO sync mode (full sync to host).
LFO waveforms: Sinus, Triangle, Saw, Square, S&H, Noise.
Envelope follower.
Input drive. |
| PWNED! By: exi |
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 Noise Reduction is a plug-in containing a spectral noise gate optimized to remove unwanted noise.
Features:
Highly customisable spectral noise gate.
Continuous and consistent characteristic.
Fully adjustable soft knee in dB (as margin below the threshold).
Several exotic window functions available.
Low CPU usage.
Different FFT sizes.
Manual included.
Open Source (as part of the Delphi ASIO & VST Project). |
| PWNED! By: blatanville, synthgeek |
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 transistordrums is a sample-based drum synthesizer module. |
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 bx_cleansweep is a new Hi-Pass filter and Lo-Pass filter plug-in from Brainworx, introducing the new "Anti Crush Technology":
Analog style filter curves without the typical Nyquist problems, in a new great sounding filter design (taken from our pro mastering EQ bx_digital V2!)...
Ffirst order filters (6dB) guarantee an extremely musically sounding filter set, and unique joystick control (taken from bx_hybrid) gives you fast and intuitive control.
bx_cleansweep is the plugin that should go into EVERY mix channel as the first plugin. This way you can filter out any unwanted hi-end and lo-end, and the result is a clean and tight mix.
Ever thought about why there are Hi-Pass and Lo-Pass filter in EVERY channel of the most expensive analog consoles (SSL, NEVE, etc.), but why most EQs are missing this feature?? |
| PWNED! By: blatanville |
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 DepthCharge is a compressor plug-in with analogue VU meters and a dimpled metal background. Designed specifically for tracking though it can be used in the master bus chain.
7AIR primarily uses it for drums, guitar and vocals, though it can be used for pretty much anything you throw at it, curbing some high frequencies on synths and pads for example. |
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 ganK the Synthesizer is an additive/subtractive synthesizer.
Features:
3 oscillators.
Moog-style filter.
LFO.
8-band EQ.
Delay. |
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 Bend Box is a software synthesizer that emulates a circuit-bending device. Can be useful for making experiments and for creating various noise FX. All knobs can be tweaked manually or thru easily assignable MIDI controllers. MIDI Automation is also available.
With Bend Box you can get wide range of noises: from the soft gurgling to ringing grinding, or even strange melodical timbres. |
| PWNED! By: synthgeek |
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 This is an experimental gating plugin- basically a rhythmic gate, but not set up in the standard way. There are two periodic gates which can be used for anything from regular rhythmic chopping to random rhythmic manipulations and strange dropouts. The gates are followed by a delay unit designed to enhance the glitchiness- it does not sync to tempo, and the delay time and gain can be randomized. There are 5 LFOs to add to the fun. A few presets are included to give you an idea of how things work. |
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 From the guy who made "Aradaz Amp 2 Green" comes this new guitar amp!
Features:
1. Based on Kuassa Amplifikation Custom (soon!)
2. 3 channels (clean, rhythm, lead)
3. 9 Parameters: Input, Channel selector, Gain, Bass, Middle, Treble, Presence, Volume and Cabinet On/Off |
| PWNED! By: Ua_Small |
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 Ekose is a simple delay effect that allows you to tune delay, volume and feedback of left and right channels independently. |
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 bx_solo is a tool that Brainworx designed to get you started with, and used to, the way they approach the M/S technique - be it for recording-, mixing- or mastering purposes. The "heart" of their M/S tools are the Solo Buttons that allow you to actually listen to all components of a stereo mix / stereo signal individually:
L(left channel), R(ight channel), M(ono sum) & S(tereo difference signal) - all phase corrected (when needed) and mono-ed out on both speakers of your system. This is helpful when working in M/S modes and to check your signals / mixes for errors, noises, clicks, whatever...
bx_solo also contains a stepped M/S stereo width control, so you can get an impression about what you can actually do with it. |
| PWNED! By: blatanville |
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 Features:
4 Balls, each with:
x / y Speed Control
MIDI Note Control
Osc
(Sine,Saw,Trinagle,Square,Noise)
ADSR
Have fun!
to download you must register or login |
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 We offer you a free PUREVM monofon synthesizer for the V-Machine.
No limitation, it has the same functions like PURE-Pten and works also with all other VST hosts
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| PWNED! By: blatanville |
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 acidrack is a small virtual analog style synthesizer plug-in with 2 VCOs, 2 LFOs, arpeggiator, 3 envelopes and a multi-mode VCF. acidrack works in poly, mono, legato and with a switchable unison mode. It also has a random-generator for plug-in parameters. |
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 This is a dual filter bank with a ring modulator and distortion. This was created because my favorite filter plugin could only do ring modulation with one of the two filters, and I wanted to be able to have ring mod AND two filters. More distortion seemed like a good idea too. For modulation, there are 2 LFOs and 2 step sequencers, plus the combiner module as seen in the noisebots. "TADF" stands for Total Audio Destruction Filter. |
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 Based on the "data corruption" effect found in the noisebot synths. The results will always be somewhat unpredictable, and will probably only slightly resemble the input material, but that's the idea. |
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 Better run is a distortion effect for the guitar. It has 3 modes, and an optional midrange booster. |
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 Filt-Eq-R is a 3-band filter/eq/crossover plugin made to enhance guitars, for a smooth, scooped-out sound. |
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 Abyss is a simple synthesizer effect intended to be inserted on your bass drum channel. While allowing the original signal to come through untouched, it adds a secondary layer of tunable, low end bass synth. This is an easy way to add controlled low end to your bass drum without obliterating it with an equalizer. Includes lowpass filter, envelope and waveform selector for shaping (5 waveforms). |
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 B-400 is a simple synthesizer that provides a myriad of minor tonal variations to a core sound that falls somewhere in between an electronic piano and a basic poly-synth.
B-400 utilizes three oscillators (with 32 waveforms each) as well as a leslie / vibrato style flutter output plus two other main output channels - one being a simple clean out and the other a tube simulator with a 3-Band EQ. Each oscillator is able to be coarse tuned. |
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 Blister is designed to be used only when all other attempts at making something sound horrible have failed. By combining tube-style gain, bit crushing and a synthesizer that detects your signal frequency, Blister barfs out a stew of noisy, atonal junk along with a variable amount of your original signal. |
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 Designed with electric pianos, strings and pads in mind, Equivibe is a hybrid of an EQ and a vibrato effect. After splitting your input into 9 bands, those relative frequencies are then individually modulated by their own dedicated oscillator - which is, in turn, modulated by an additional oscillator. |
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 'SIXth MONTH JUNE'
Juno emulation
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| PWNED! By: amiga909, arkmabat |
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| PWNED! By: amiga909 |
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 Kuassa Amplifikation Lite is a "lite" version of the forthcoming Kuassa Amplifikation Custom Tube Amplification Software for real-time guitar processing. |
| PWNED! By: amiga909 |
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 ARP Odyssey emulation |
| PWNED! By: amiga909 |
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| PWNED! By: amiga909 |
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 8 VCO's, each with independant control over tune/pan/gain
Saw/Ramp/Tri/Pulse Waveforms (Global)
PWM - LFO/Manual
Filter Freq LFO
Pitch/Amp LFO
LP12/LP24/HP/BP/BR Filter
Seperate ADSR for AMP and ENV
Poly/Mono (with Portamento)
Thanks to all the ppl who made presets for Oktagon |
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 - CC Value Limiter: Choose a CC to limit within a certain range. Multi Channel Key Range / Transpose.
- CC Controlled (or not) MIDI Transposer: It acts on any channel, and when on, any CC assigned to increase/decrease transpose will be filtered.
- CC Time Blocker: Some buggy MIDI controllers will send more than just a 127 and a 0 value when you don't want, this is to prevent any clandestine CC to get thru, which otherwise would ruin, for example, tempo tapping. When enabled, only one message of the CC you specify (and only the values 127 or 0 get thru) will be allowed within the defined time period.
-CC64 Emulator: Just a test tool, instead of sending the CC64 (sustain) out, it will filter it and mimic its effect with note on/offs.
- CC Inverter: Inverts a CC's value (i.e. if it's 127, it will become 0), this is aimed at inverted sustain pedals, some older controllers don't have the option to reverse the polarity.
- Aftertouch To CC: Remaps aftertouch/channel pressure to the desired CC.
- MIDI Random Note Delay: introduces a configurable random delay on every note on message, up to 200ms (which is clearly too much). For example, to provoke slight timing drifts in layered instruments of a brass section.
- CC-Controlled Channel Switcher: Define an origin channel, a destination channel, and a CC to change the routing from original->dest. For that CC's value <= 64: originalChannel. For that CC's value > 64: originalChannel->destCh. Note: any MIDI message except note on's from the original channel will always be doubled into the destination channel as well, this is to prevent any surprises.
- Velocity-Controlled Channel Switcher: Instead of a CC, any velocity value above the specified trigger will change the note's channel. Except this difference, all the rest from above applies.
- VST Metronome: A very simple metronome for practicing purposes, outputs audio or MIDI "ticks" (configurable channel/notes), can be run synchronously or asynchronously with the host's tempo.
- Chord Note-Channel-Switcher: J made this for making brass section chords. If you only play one note, the original channel will go thru unchanged. When 2 or 3 notes are played at the same time, the original channel will be routed to the ones defined for low/mid/high notes. Since in real life you'll never hit the two/three notes in the same exact instant, the algorithm calculates the lower / mid / higher notes each time a note on message is received, so if you have already pressed two keys and press the third one later, the ones that are not according to the new low/mid/high calculation will be "noted-off", the channel change will be made, and new note-ons will be sent again. |
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 Bitsmacker is a digital distortion swiss army knife for adding that certain digital crustiness to your pristine audio signal. It can simulate vintage samplers, classic video game systems, and other lo-fi paraphernalia. At extreme settings, it warps your audio with power you can't get from a stomp box or full stack. |
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 RedTron_MKV emulates the "Mellotron MKV" (essentially a double M400), one of the rarest Mellotrons ever made.
Features:
Six sound types: 3 Violins, 8-Voice Choir, Flute, Brass, String Section, Cello.
"Loop" and "Non-Loop" modes: as the original "Mellotron", each sound is eight seconds long but you can switch to "Loop Mode" and allows the samples to loop continuously.
Layer possibilities & independent parameters for layer A & B:
Volume, Tone, Reverb, Delay, Pan, Octave, Note & Attack parameters.
Delay effect (Amount, Time, Feedback & Pan parameters).
Reverb effect (Mix, Width, Size & Damp parameters).
Pitch control.
Can be used as Soundfont Player to mix any .sf2 file with "Tron sounds" or to extend the sound palette |
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 Glue Reeds is a faithful recreation of an electric piano that used sticky pads to trigger the reeds. It is based on reactive synthesis and captures that reed EP sound by reproducing both the reed motion and pickup response. Although the original had no much dynamic response, this virtual emulation let you recover some dynamic by changing the velocity curve. |
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 LE456 is a preamp sim roughly based on a piece of famous German gear.
LE456 has 2 channels and 2 modes per channel. Each channel/mode share the same features. Apart from the usual tone controls (drive, low, mid, high and contour), each channel/mode offers two different tone stacks that can be accessed via the focus switches. Bottom and bright switches can be used to boost the low and high frequencies respectively. On the low gain channel only (Clean/Crunch), the effectiveness of the bright switch decreases with the gain settings. |
| PWNED! By: pattonfreak1 |
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 Mothman 1966 is a two oscillator, two LFO synth that uses standard subtractive synthesis. It has three custom waveforms in the two oscillators - one is a "diamond wave" which was created using FM synthesis and the waveform image resembles a diamond; two is an 8 bit, buzzy and gritty, saw wave; three is a woodwind wave, used to create flutes and other wood instruments. The LFOs can be routed to either of the VCFs or VCAs. |
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 The GreenMachine II isn’t about a “faithful re-creation of prized vintage amps”, which
is mostly marketing blurb anyway. It is about providing you with a wide range of guitar
sounds that are highly useable when recording. And it is about giving you a greater
amount of control about the various tone-shaping components of guitar amplification. |
| PWNED! By: exi, arkmabat |
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 LSHS Corrective EQ is a tool that is designed to correct frequency balance issues in the most important frequencies, the low and high end. The LSHSEQ is designed to restore the musicality that may have been lost during recording, or post effects processing. With the LSHSEQ, your mixes will sound bright, punchy and clear, according to AcmeBarGig. |
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 TAL-Reverb is a free open source stereo plate reverb based on juce. Its very diffuse and has its own sound because of its special signal routing. Slight modulated delay times avoid artefacts in the reverb tail and give this reverb its smooth sound.
This reverb is suitable if you need to put space around voices, drums, percussion, guitars and so on.
Maybe you try it on some percussion sounds to find out if you like it. Because of the few knobs, this plugin should be is easy to use. |
| PWNED! By: exi |
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 -Two sample-based oscillators with 35 available waveforms. Each oscillator has it's own tempo-synced rhythmic gate, waveshaping, bitrate (4, 8, 16, or 24 bit) and tuning (octave, semitone, and fine). The oscillators hard-sync to each other to form a feedback loop. Output options: dry signal out, filter 1 or 2 (or both), or delay effect. |
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 2 Standard SE Oscillators with FM and PWM
Mono/Poly
2 SV Filters - several modes.
Dirt!, Grains!, Reverb
LFO (20 waveforms) and Contour Modulation
Mod Matrix (4 slots)
Arpeggiator |
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 Versatile 3 Oscillator LO-FI synthesizer. Not an emulation of any particular "chip", it's much more powerful than that. bLO-FIsh incorporates classic chip type (8 bit) sounds with more traditional synth elements to bring on a huge sonic range. Flexible, extensive modulation plus a 16-step gate for more musical and rhythmic options. Plus, bLO-FIsh has a distortion effect and a CPU-friendly reverb to garnish your 8 bit feast.
Try bLO-FIsh and change your definition of LO-FI today. |
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 A two-stage distortion unit. |
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 NEOkILLER III is the latest in a long line of favourite killerz. The secret of it's popularity is the super-fat Quad Oscillator from la-la.com. Sure, it aliases quite badly at higher frequencies [and sometimes with lots FM] but within it's best range it sounds fantastic. This synth also features some of the latest gizmos from its big brother, ULTRAkILLER, like dual wide stereo modes and hybrid envelopes, along with a noise oscillator and lots of modulation options. |
| PWNED! By: blatanville |
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 The thinking behind the synth is to emulate the early single oscillator mono-synths like SH-04 etc. The oscillator is specially modulated to create a noisy, unstable sound which for some sounds is really wonderful and organic. The filter is firy and at times a bit tempramental (not smooth and polite like modern synths) so a compressor is highly recommended.
A quick rundown on the knobs:
Choose an OSC Wave
Set the Analog effect with a) Character and b) amount of Drift
Set the Pitch to follow the ENV
Filter Cutuff, Resonance and ENV Mod
Monophonic or simple Duophonic
Portamento and PANning
Watch the VOLume as this little fellow can be LOUD!
Set LFO Wave and switch between Std LFO and S&H
Set LFO Mod to Destinations
Mod Wheel is tied to LFO to OSC for finer control
ADSR Env is assignable to AMP via Switch GATE/ENV
To download you must register or login
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 This is another "noisebox" synth, similar in attitude to the previous SG-APCX (in that it is designed to be used as a sound effect generator more than a standard synth), but based on a completely different method of sound generation. Based around two sound generators- one that uses a math formula capable of chaotic behavior, and another which is an oscillator-synched noise source. The combination of these two sources produces a wide range of strange sounds, from clicks & beeps to grinding mechanical mayhem. Another interesting feature present in both versions is the "data corruption" effect, which adds another level of chaos to the mix. This is something like a software circuit bend which taps the audio stream at several points along its path, randomly mangles the signals in various ways (which are affected by various combinations of control signals from the synth's modulators) & mixes the mess back into the output. |
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 The "WSS" stands for Wave Shaping Synth. This is a subtractive synth based on an idea inspired by my K2000. By no means an emulation, it merely makes use of waveshaping techniques similar to a couple of the K2000's DSP algorithms. Think VA with a twist, and some nice modulation options.
It was called DSS1 until someone reminded me of the Korg machine using the same letter/number combination. |
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 Very sophisticated amp modeler, with all the works:
"emulates different types of vintage gear: equalizers, filters, microphones, preamps, compressors, reverb and generic time-variant processors (chorus, flangers, phasers)"
-and more!
More libraries can be obtained here:
http://www.guitarampmodeling.com/viewtopic.php?f=90&t=5779 |
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 simple noise synth inspired by the Atari Punk Console (see http://en.wikipedia.org/wiki/Atari_Punk_Console). |
| PWNED! By: atomic_afro |
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 Cool little synth.
"Silkworm is an easy to use "SuperSaw" style virtual analogue synth with built in gate sequencer and delay unit, plus powerful filter, modulation and dynamic controls." |
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 This Plate Reverb effect is directly based on the Plate Reverb described in Jon Datorro’s “Effect Design” paper (part 1). |
| PWNED! By: atomic_afro, blatanville |
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 Powerator is a dual MIDI/Audio triggered synth. It is a 7-oscillator synth with a powerful sound. |
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 Stereo Flanger
Classic, Free, Efficient.
- Two mode.
- Two LFO modulator.
- Built in multi-shape tremolo.
- Post or Pre resonant fllter (LP, HP, BP)
NAME CC DESCRIPTION
LFO1SPEED 065 LFO1 speed
LFO1DEPTH 066 LFO1 depth
LFO1SHAPE 067 LFO1 shape
LFO1HZBPM na Hz or BPM
LFO2SPEED 068 LFO2 speed
LFO2DEPTH 069 LFO2 depth
LFO2SHAPE 070 LFO2 shape
LFO2HZBPM na Hz or BPM
VCFMODE 072 LP, HP, BP, 12 or 24 dB MODE
VCFCUT 073 cut-off frequency
VCFRES 074 Resonance / Q
VCFPREPOST 075 PRE/POST flanger
MODE 076 flanger mode (color)
FEEDBACK 077 flanger FEEBACK rate
WIDE 078 flanger stereo field width
TREMSHAPE 080 TREMOLO shape
TREMSPEED 081 TREMOLO speed
TREMDEPTH 082 TREMOLO depth
DRYWET 010 dry / wet output
GAIN 007 gain
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| PWNED! By: blatanville |
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 16 stages stereo phase shifter (knows as PHASER.)
Classic, Free, Efficient.
2 x LFOs :
BPM/Hz : set the speed (0.01 to 480), click on label to select Hz or BPM mode,
DEPTH : set the FRQ amplitude modulation.
PHASE SHIFTER :
MODE :5 modes (click on label to change mode)
STAGES : allow 4, 8, 12 or 16 cells.
LPF/HPF : pre-filtering the signal sent to the phase-shifter.
HZ/REF (frequency) : select the frequency where the scan start.
WIDE : enlarge the stereo field by dephasing L & R
SAND : add noise.
FDBCK (feedback) : re-inject the processed signal to the filter network.
TRACK : Allow to drive frequency by the audio input.
LEVEL : amount :)
FRQ : pre-filter Hz (you can listen processed signal by selecting TRACK : MON) |
| PWNED! By: blatanville |
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 METAVERB is a creative tool built arround two reverb tank (A & B) and based on three modules:
FILTER LP, HP, BP 24dB :
MODULATION is a sine LFO, you can set the SPEED (BPM) and the DEPTH.
DEPTH set to 0 = MODULATION OFF
TRCK (tracking) grab the input signal to drive the CUT-OFF
REVERBERATION :
SIZE, WIDTH and DAMP are standard parameters. SIZE set to 0 = REVERBERATION OFF
COLOR : on left, digital 80's style, on right, smooth verb', 12 o'clock, neutral.
A/B MOD : swap smoothly between the two TANK. SPEED (BPM) set the speed of cross mix.
SLOPE : on left, smooth transition, on right, hard transition
SINGLE : only TANK A is online
FREEZE : freeze the input buffer
TRACKING :
this module allow some real-time handling from the audio input stream.
You can set the individual amount inside each module.
INPUT set to 0 = TRACKING OFF
Essentialy dedicated to drums and vocals, the presets should help you to
start, but this effect is dependant from the audio source.
RED labels allow direct input.
CC and more details ASAP. |
| PWNED! By: blatanville |
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 Clarity Haven is a guitar amp sim, to be used with distortion pedals. If you like pedals, you know how badly cheap amp sims color it, with this you keep the original tone. |
| PWNED! By: arkmabat |
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 SampleTrigger is a simple, small, rock solid player for WAV samples. Any key pressed plays the loaded sample file with the original speed (under influence of the ADSR volume envelope). |
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 SHEPPi (Stereo Haas Effect Ping Pong Inverter) is a stereo image enhancement tool modeled after the K-Stereo Ambience Processor by Algorithmix. SHEPPi imparts a subtle, natural sense of space thanks to a combination of EQ'able synthetic early reflections, M-S widening and inverted stereo delay feedback.
This plug-in has been enhanced for both track insert as well as aux send applications, making it an excellent tool for both mastering and stereoizing purposes.
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| PWNED! By: blatanville, besanane |
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 ViSYNTH is a monophonic synthesizer based on Synth Lite by MFB (but is not intended as a software clone). |
| PWNED! By: blatanville |
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 AcmeBarGig describes C-15 as "insanity controlled". "One turn of a knob lets you know this amp is one step away from being out of control, but the knob itself possesses all the harness required to make sure that C-15 does not lose its head. Forcing a C-15 to hold back is not the best way to treat it, in the real world that can manifest itself in many ways, in the ABG C-15 head it manifests itself in limited tone qualities, Crank it up and let it cut loose, you will be rewarded with a high gain that delivers crisp over tones and rich soundscape. This is a METAL Head, nothing else." |
| PWNED! By: pattonfreak1, synthgeek |
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 PolyGrid is a MIDI editor and pattern sequencer.
Features:
64 patterns, variable pattern length (in beats count).
User-defined grid frequency.
User-defined editor snapping value.
MIDI recording with optional input event quantizer.
MIDI channel and status input filter.
Most of the real time MIDI events handled (not poly AT).
Various playback modes (loop, sequential, triggers).
Pattern import/export (not MIDIfile).
Undo/redo history, action repeater.
Editable MIDI event list.
Solo CC output, making MIDI learning easier.
Notes operations: constrain to scale, chords, quantizing, transform.
Events operations: smooth, quantize, transform.
48 ticks per beat.
Each pattern owns its settings (grid frequency, quantizer value, MIDI filter, etc.).
Resizable user interface. |
| PWNED! By: synthgeek |
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 this is a beta version of a synth i´ve build with Synthmaker.
i will post a feature list when the plugin is finished.
the variety of sounds you can create with it is very limited atm,
but if you like to test the beta version here it is:
for downlad you must register or login
say thx to the programmer or use the Thank you Buttom
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| PWNED! By: ash, Sergio, hermesbombay, pabur, PassTheChalice |
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 6 voices polyphonic
2 oscillators
Saw / Pulse (PWM)
LPF / HPF
Envelope
LFO
Key-follow
Digital Chorus |
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 Wave Memory Synthesizer
4 voices polyphonic
2 envelopes
Attack, Decay, Release
Hold
Auto Pitch Bend |
| PWNED! By: blatanville |
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 8 voices polyphonic
2 oscillators
Sine
Saw
Square
Pulse
Double-Sine
Saw-Pulse
Resonance (Type 1, 2, 3)
3 envelopes
DCO
DCW
DCA
Ring Modulation |
| PWNED! By: blatanville |
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 5 analog drum synthesizers
Bass drum
Snare drum
Low tom
Mid tom
High tom
4 mono samplers
Closed hihat
Open hihat
Crash cymbal
Ride cymbal |
| PWNED! By: blatanville |
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 Psychic Modulation has re-worked and re-released Cerebrum-3 (v3.5) which is now available in free and full versions (the demo version is actually fully-functional, its only limitation being single instead of multiple outputs).
Cerebrum-3 is a hybrid groovebox-style drum machine comprised of 5 drum synth modules, over 150 built-in drum sounds and an onboard bassline synth. Each drum section has its own dual A/B sequencer for beat-matching, as well as an Auto-Mix function.
Designed with live operation in mind, Cerebrum can be used for making complex beats on the fly that can be randomized, mixed, matched and manipulated in a number of ways.
Features / Specification:
¡4 drum synth modules with Wav-layers.
¡1 bass synth module.
¡Kick, snare, hihat and percussion1 are drumsynth modules that each include imbedded Wavs for layering.
¡The 2nd percussion drum is a dedicated imbedded Wav synth with it's own Wav-layer for layering with user samples.
¡2 16-step pattern sequencers for each module.
¡Automatic beat matching functions for each sequencer.
¡2 accent switches for each sequencer (for gain, reverse, glide, glitch, etc.).
¡2 velocity grids for each sequencer (for pitch, level, filter, glitch rate, etc.).
¡4 types of random probability for each sequencer.
¡Each sequencer has independent control of speed, direction, length, etc.
¡Host sync.
¡MIDI options for triggering each sequencer.
¡Each drum sequencer can be assigned to be triggered by a separate key.
¡Bass sequencer can be assigned to different octave ranges.
¡Polyphonic option for all synths as well bass sequencer.
¡Volume/Panning vectors.
¡Onboard drum mixer.
¡Mute/solo switches for each module.
¡Patch randomization for each module.
¡Multiple audio outputs (channels 1-6).
¡32 presets. |
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 Tromine Z is a TR-909-style analog drum synthesizer.
Features:
7 Analog drum synthesizers:
Bass drum.
Snare drum.
Low tom.
Mid tom.
High tom.
Rimshot.
Hand clap.
4 mono samplers:
Closed hihat.
Open hihat.
Crash cymbal.
Ride cymbal.
9 outputs.
MIDI CC support. |
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