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A recent forum post by serezha.polunin:
Проблема возникла с волосами, ред...
Read More... |
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 Although this tool is not entirely complete, I decided to add this to the list of plugins as well. It features several audio processors to enhance the audio signal. However, right now I’m not convinced of the sound, so it’s more some kind of audio aggravation, but please decide yourself if you like! |
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 The ‘Party Delay’ is a nice little delay effect combined with a filter and a frequency shifter. |
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 An 12 Slot-wave-player-machine
Description:
- 12 Pads with some nice Drum/Perc Sounds
- 12 X 16 Stepsequencer !!
- Each Slot offering the follow Functions:
- Tuning -2 bis +1 Oktave (Pitch-poti)
- LoFi - Overdrive - Delay
- Filter (LP1-LP2-HP-BP) Cutoff-Resonance
- Attack-Decay-Hüllkurve > VCA > Cutoff
- 16 Step Gater -> Pitch - Cut - Reso - Lofi - Drive
- LFO (7 waves) -> Pitch - Cut - Reso - Lofi - Drive - Pan- DelayFB - DelayMOD
- Panorama und Volume – Midi-Chanel
- 16 Voices – 16 User-patches |
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 WTComp is an analogue tube compressor.
It distinguish itself from a common compressor due to its simple use. The only thing you have to do is just to set the warm-level (compression) instead of going crazy with dozen of parameters! The internal structure is very advanced, including an intelligent audio-clip system. Ideal for mastering and single tracks, but most importantly it is FREEWARE. |
| PWNED! By: blatanville, pattonfreak1 |
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 TAL-NoiseMaker is an improved version of TAL-Elek7ro and has a completely new synth engine and a lot of improvements in sound and usability. The synth also includes a small effect section with a reverb, chorus and a simple bit crusher effect.
A display shows the knob and slider values. This allows more control over the synth. A ringmodulator and a syncable triangle are also part of this synth. TAL-NoiseMaker includes new filter types as the self resonating 6dB low pass and a notch filter. Its improved amplitude ADSR is very suitable for slow pads as for really fast envelopes. 128 factory presets included, 80 made by Frank "Xenox" Neumann / Particular - Sound.
Properties and tutorial:
* 3 Oscillators
Osc 1, +- 24 semitones, fine tune, phase control (saw, pulse, noise).
Osc 2, +- 24 semitones, fine tune, phase control (saw, rectangle, triangle, sine).
Sub Osc (rectangle).
* Osc 1 PM for pulse waveform.
* Osc 2 FM controled by Osc 1.
* Osc 1 & Osc 2 sync to sub osc (saw, pulse, rectangle, triangle(bipolar sync)).
* Adjustable master tune and transpose.
* Up to 6 voices.
* Portamento in mono and poly mode (off, auto, on).
* Ringmod modulates Osc 1 with Osc 2
* Self resonating 4x oversampled filters (24 dB LP, 18 dB LP, 12 dB LP, 6 dB LP, 12 dB HP, 12 dB BP, Notch)
* Filter ADSR (negative and positive)
* Volume ADSR
* Routable ADSR, modulates Filter, Osc 1, Osc 2, PW, FM (negative and positive)
* 2 LFO's with different running modes: free, sync to host, triggered by note.
Modulates filter, osc 1, osc 2, fm, pw, lfo rate, panorama and volume.
Sine, triangle, saw square, s&h, noise.
Positive and negative modulation.
Phase control.
* Adjustable Velocity dependent control over volume filtercontour and cutoff.
* Adjustable Pitch Wheel control over Cutoff and Pitch.
* One pole HP filter.
* Detune, detunes notes randomly.
* Juno chorus with different modes.
* A built in reverb.
* Bitcrusher, affects osc 1 and osc 2. Its a pre the filter stage effect.
* Midi learn for all knobs.
* Panic button.
* Easy to use, no hidden panels.
* 128 great presets (80 Presets by Frank "Xenox" Neumann / Particular - Sound).
* Its free and open source under the GPL license. |
| PWNED! By: blatanville, BroderYon |
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 BoomComb is a tuneable comb filter VST2.4 plugin. Now you may ask what is a comb filter? Well a comb filter a delay based effect where it feedsback a delayed version of itself. Because of this it can create an effect similar to a flanger and can also give resonation type effects. The delay time of the comb is specified in Hz rather than time this allows the delay time can also be set via MIDI input from the key pressed and the pitch can also be bent using the pitch wheel, this allows the effect to be played like an instrument.
In the feedback loop of the effect is a damping filter which allows you to soften the sound of the comb. There is also Saturation in the feedback loop which can also be overdriven to really dirty up the sound. You can also control how much of signal is feedback and with more feedback the effect will resonate more.
Finally the the input to the comb can mixed mixed with the output of the comb and is set by the dry/wet knob.
BoomComb can be used as like a flange like effect or can be used like a resonator with the frequency controlled by midi. It can also be used to create string like sounds via inputting noise in it. Another use is it can be used to add space to a sound and can be useful for spicing up synthetic drum sounds to make them sound a little more interesting.
BoomComb comes in 2 versions for download. The first version uses the custom GUI and the other uses the default GUI provided by the host. The reason for this is because the GUI version is not supported by Windows XP so a non GUI one is provided for Windows XP users. The GUI version is supported by Vista SP2 and Windows 7 and above.
Features:-
o Tuneable Comb Filter controlled via MIDI or knob.
o Damping Filter in Feedback to reduce the harmonics or resonation
o Saturation in feedback loop for really dirtying a sound or to be used subtly to add character
o Custom GUI designed by Leonard "paniq" Ritter
o Uses custom GUI Framework using the latest Windows Drawing API
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| PWNED! By: blatanville |
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 Genobazz is a free monophonic bass synthesizer plugin, designed to be simple to use, for all your bass need, from simple sine bass to acid bassline.
Feature highlights
- 8 Waveforms: saw, square, pulse, double sine, saw-pulse, reso1, reso2 and reso3
- 7 Filter types: Fat low-pass, 24dB low-pass, 24dB VCF Ladder, Modulo low-pass, 36dB State Variable, Fat filter, 12dB High-pass
- Full MIDI automation and MIDI learn on all parameters
- 2 Waveforms modulation types
- Sub amplification boost
- Integrated Patch manager
- Knob reset on initial patch value
- Randomize knobs position
- 32 Factory sound presets
- Note play mode control
- Easy installer |
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 Plektron has announced the release of WTComp, which is described as an analogue tube compressor. It's available for Windows as a VST effect plug-in and it is free.
WTCompWTComp distinguishes itself from a common compressor due to its simple use. The only thing you have to do is to set the warm-level (compression) instead of going crazy with dozens of parameters.
WTComp is based on the parallel compression technique that maximize the output signal rather than destroy the sound's dynamic. The tube simulation makes the sound warm and loads without distortion, processing a "fat" wave without square peaks.
The advanced internal structure includes an intelligent audio-clip system.
It is deal for mastering and use on single tracks. |
| PWNED! By: blatanville, pattonfreak1 |
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 BoomComb is a MIDI tuneable comb filter perfect for creating similar effects to a flanger or for just generally doing things like spicing up synthetic drums. The delay time to the comb is set in Hz and allows it to be set by the notes that are pressed on a midi keyboard as well as the pitchbend wheel. It can also be used to create sounds similar to stringed instruments if noise is input. Also it can be used to create resonating type sounds that can be shaped via it's damping filter or it can dirty up the sound of the resonation via its saturation.
Features:-
- Tuneable Comb Filter controlled via MIDI or knob.
- Damping Filter in Feedback loop helps control resonation.
- Saturation in feedback loop for dirtying sound or to be used subtly to add character
- Custom GUI aswell as a version that uses host default GUI.
- Uses custom GUI Framework using the latest Windows Drawing API |
| PWNED! By: blatanville |
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 Plays two images (very poorly) as oscillator waveforms. The brightness of each pixel, starting at the top left, sets the amplitude of each sample.
Load images (png, jpg, gif) by drag & drop. Also converts wav files (32-bit float, 65536 samples long) to images by drag & drop. |
| PWNED! By: blatanville, BroderYon |
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 FMMF is a 4 operator FM (Frequency Modulation) synthesizer with 2 primary aims
• Make FM synthesis as accessible and user-friendly as possible
• Use multi-stage envelopes and LFOs to make give lots of movement and modulation
The default preset bank was created by sound designer brian botkiller and shows off the potential of FMMF to make atmospheric pads and leads with lots of movement, big fat bass sounds, funky arps and oddball sound fx.
The waveforms, algorithms and envelopes in FMMF are all shown graphically, with the envelopes allowing dragging of nodes and clicking to change contour. Special attention has been paid to the envelopes to allow you to customise them in many ways, such as the number of stages, the contour of each stage, sustain and repeat points and tempo-sync. There are envelopes for the volume of each operator, the pitch, and the effects section (filter, distortion and delay) all with velocity and key tracking. Further modulation comes in the form of LFO’s for the pitch and effects section, with many LFO waveforms available, including my favourite, randomising.
For further sound design potential you have a low pass filter, a multi-mode distortion and a flexible delay (with comb delay option). An arpeggiator let’s you add even more movement to create rhythmic sequences. |
| PWNED! By: blatanville |
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 This VST plugin produces granular delay synthesis effects. Inspired by the granular delay of Ableton Live, this plugin includes the ability to synchronize parameter changes with the tempo, which enables many different musical effects to be produced. The interface features an interactive genetic algorithm, permitting the user to explore the space of granular synthesis parameters. The interface is designed to allow the fast and effective auditioning and rating of the population of parameter sets. |
| PWNED! By: blatanville |
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 The current, optimised arcDev bucket-brigade echobox. New version should fix all memory-leak probs, and also work fine with multithreading hosts (does here, anyway). Not preset-compatible with earlier versions. PC-only.
Some extra goodies, too, but same basic sound as the original. |
| PWNED! By: blatanville, BroderYon |
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 Courvoisier is a single-band universal dynamics processor with adaptive attack and release algorithms optimized for complex program material (mixes and submixes). Courvoisier uses free-form curves drawn over the histogram of incoming audio material (as opposed to traditional ratio and threshold parameters) to determine the transfer function of the processing.
Courvoisier is available for free.
Features:
- Histogram representation (sliding-window statistics)
of incoming program material and the resulting gain change
on which the transfer function can be drawn
- Free-form upward and downward compression and/or expansion
- Spline interpolated control curves
- All performance-critical code optimized in assembly
(utilizing SSE2 flow instructions)
- Two different adaptive attack algorithms (program dependent)
- Adaptive release algorithm (program dependent, scalable)
- Additional user defined adaptive release behavior
- Side chain filtering (low and high pass)
- MS operation
(with support for different transfer curves for Mid and Side channels)
- Stereo operation (adjustable stereo link)
- Dry mix option for parallel processing
- Peak, RMS and Hybrid level detection
- Very low harmonic distortion
(THD during normal operation is below -105 dB FS)
- Lookahead processing for minimizing distortion
with extremely fast attack settings
- Complex mode (oversampling with a twist) |
| PWNED! By: blatanville |
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 Realtime granulator effect plugin for VST hosts. Free, licensed under GNU GPLv2.
Description
A grain is a short sample of an input audio stream. Argotlunar can play
up to 20 grains simultaneously, with each grain having unique and adjustably
random settings of delay, amplitude, panning, duration, filter, pitch and glissando.
The implementation is comparable to the AudioMulch® Nebulizer.
Details
* Parabolic grain amplitude envelope.
* 12dB state variable filter (HP/BP/LP/Notch).
* Program change can be modulated by VST parameter.
* Feedback is capable of self-oscillation. |
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 The iSPINNER is a VST Rotary Speaker Simulation. It simulates the famous Leslie Speaker but with some differences.
General Features:
* One-Band Rotary Chorus
* Adjustable Overdrive
* Adjustable Rotator Off/On, Slow/Fast, Speed, Depth and Spread
* Vintage Look GUI
* Low CPU consumption
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| PWNED! By: blatanville |
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 The Euthymia Electronic Organ is a Hammond Clone Simulation. Clean Sine Drawbars for 2 Manuals and Bass Pedals, 2 Percussion Oscs with the 9 "Standard" Harmonics, a Key Click Imitation for both Manuals, Vibrato/Chorus, the Overdrive and all the work behind the Graphics made this instrument more professional.
General Features:
* 147 Notes Polyphony
* 9 Steps Drawbars
* 9 "Standard" Drawbars for the Upper Manual, 9 for the Lower and 4 for the Pedal (16', 5 1/3', 8', 4') with a clean Sine Sound
* 2 Percussion Oscs with the 9 "Standard" Harmonics. Adjustable Decay and Level. A Knob switches Off/On
* Key Click Imitation (for both Manuals). Adjustable Attack/Release, Carrier and Level. A Knob switches Off/On
* Vibrato/Chorus. Adjustable Mix, Speed, Depth and Delay. A Knob works as a Selector between Vibrato and Chorus. 2 Knobs are available for Off/On. One for the Upper and one for the Lower Manual.
* Midi Channel Selectors for the 2 Manuals and the Pedal
* Adjustable Overdrive, High Frq, Tune and Level
* 32 Programms available
* A LCD Screen
* Vintage Look GUI
* Low CPU consumption |
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 Combo Model V is a freeware virtual combo organ, modelled after a well-known combo organ from the 1960s.
Features
* 4-octave C-to-C keyboard
* Harmonic range 7 polyphonic octaves
* 4 footage drawbars
* 2 voice drawbars
* Vibrato unit with adjustable speed and depth
* Swell (volume) pedal
* Adjustable tuning per note
* Fully modelled (no samples inside)
* Model includes oscillators, dividers, crosstalk, filters, key contacts and key click
* Velocity-sensitive key contact attack and release
* Fully automatable
* 32 presets included |
| PWNED! By: blatanville |
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 TAL-DUB-III is an easy to use delay device with some special features. Its no tape delay emulation and has its own sound. It has an alias free saturation stage, a non-linear 6dB low pass and a 3dB high pass filter that are included in the feedback path of the device. An input drive knob allows to adjust the saturation level. Pop-up menues show the current values of volume, delay-time and feedback knobs. A tab button allowing to adjust the delay time for live sessions.
* Delay time up to 4 seconds.
* Non linear 6dB Low-Pass filter.
* 3dB High Pass filter.
* Alias free stauration, adjustable with the input drive knob.
* Delay x2 for each channel.
* Synced delay times (1/16, 1/8, 1/4, 1/2, 1/1, 2/1 and trippled and dotted notes).
* Pop-ups show the actual values dB (input drive, dry, wet), ms(delay), 0..2 (feedback)
* Led-meter shows the sturation level.
* Tab button for delay time.
* Midi Learn for all knobs.
* The feedback knob is especially optimized for doing infinite delays. |
| PWNED! By: blatanville, BroderYon |
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 TAL-Reverb-II is a free stereo plate reverb. TAL-Reverb II is an improved version of the successfully TAL-Reverb I. Improvements in usablity and sound were made. Added a simple subtractive EQ section and a stereo input mode. Each control has its own label that shows the actual value.
I tried to create a colorless and maximal diffuse plate reverb without grains and digital artefacts that is usable for a wide range of audio material. Its the result of intense tuning and testing. Think it has exactly the sound i wanted, hope i have good ears and a good taste :/
* Plate reverb sound.
* Room size / decay length control.
* Predelay up to one second.
* 3 band subtractive EQ section.
* Stereo width control.
* Stereo input mode.
* 10 factory presets. |
| PWNED! By: blatanville, BroderYon |
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 A Simple plugin that I built for myself and thought I'd tidy it up and make it available to anyone else who may find it useful. It allows adding harmonic distortion at about 10k and 100hz, which is useful for creating presence in dull audio, especially useful for brightening up the top end.
Bass: This adds the distorted Bass to the mix.
Treble: Adds the top end sparkle
Bass Delay: Allows delaying the bass which can help with phase correction
Master: The master volume output.
FX Enable: Switches the Enhancements ON/OFF for comparison purposes.
Dry Enable: Enables switching off the dry signal to herar what the plugin is adding.
There are only a couple of presets, as presets are a bit pointless in a plugin like this. |
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 J1000 DELTA is a mixing EQ with a twist. It shares the same HP/LP and output section as Beta. The obvious differnce is the way Delta handles audio via it's tilt and concurve modules. Actually, they are just pairs of filters that are set to work parallely. In case of tilt when one filter goes up, other goes down. Since their central frequencies are far apart (at default they are 50Hz and 10.5kHz), it results in spectrum tilting. Horizontal fader [F] controls central frequency of tilting, where gain remains zero. In case of concurve, which name derives from convex/concave curve, both filters react the same way, so when you move [C] fader up the spectrum "smiles" :), and when you move it down it "frowns" :(. Loudness difference is automatically compensated. Horizontal fader [Q] adjusts bandwidth of opposite filters. Delta is suitable when you want to preserve the natural color of instrument, optimize it's presence in the mix and, figuratively speaking, adjust it's brightness and contrast. |
| PWNED! By: blatanville |
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 J1000 GAMMA is an equalizer intended primarily for mastering, probably first of it's kind. It is based on Fletcher-Munson curve, allowing you only to accent the parts of audio spectrum where ear is less sensitive and lower the ones where ear is more sensitive. Gamma can produce quite satisfactory results with non-synthesized music, but I developed it for my own personal mastering needs that revolve around soft-synths which often sound flat and harsh. Six faders control gain amounts of six corresponding peak filters. Each filter has fixed Q factor and few selectable central frequencies, except for the last one (labeled F) which is permanently set at 12.8kHz. On the right part of interface there is master multiply fader which controls total amount of EQ-ing applied and also a simple button for reducing input signal by 3dB. Beware - this plugin is tempting to be overused. |
| PWNED! By: blatanville |
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 J1000 BETA is very similar in functionality to Alpha, but adapted to mixing. It's frequency faders work in exactly the same way. Gain range is increased to 6dB (12dB with x2), which is also modest compared to usual mixing equalizers. There is no fader to contiunally adjust Q factor, but you can choose from four bandwidth curves that cover most needs. Also, high-pass and low-pass faders work different than in Alpha. They control frequency at which cutting occurs, which is traditional way of controlling HP i LP filters. Their steepness is non-adjustable and it was selected to preserve natural sound as much as possible. If you need drastic EQ-ing this is not an adequate plugin for the task. On other hand, if you wan't subtle tool for enhancing timbral properties of an instrument or voice, rather than altering them beyond recognition, Beta will suit just fine. |
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 J1000 ALPHA is an equalizer made for fine tuning in post-production. It separates stereo into mid and side signals and allows you independent equalization over both of them. Each of two sections consists of four identical peak filters. The controls are classic F/G/Q that you can find on every fully-parametric equalizer. Small distinctition is that two horizontal faders, located on top of each section, control filter frequency. The upper [F] is for rough selection and it has range from 50 to 12,500Hz, while lower [f] is for fine adjustments in +/-20% range. Vertical gain fader [G] can boost or cut signal by 3dB. This may seem too little, but for mastering it is quite enough and if you think you really need more you can always use x2 button that doubles gain for that filter, i.e., gives you +/-6dB operating range. Q factor is continually controlled by third horizontal fader [Q]. Master section at the right has high-pass and low-pass filters, input gain and stereo width faders. High-pass and low-pass filters have fixed frequencies and faders actually control filters' steepness. Stereo width adjustment is done with two opposite filters, so that bass remains almost intact. |
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 HandMade Echo is a boutique Delay/Echo unit that simulates classic machines of yesteryear.
Features:
•Extremely easy to use delay/Echo plugin.
•Controls for feedback, delay, dry/wet mix, tempo sync, unit on/off
•Preset system.
•Regular updates. |
| PWNED! By: blatanville |
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 Analogue Mini is the latest synth vst from Minimal System Instruments.
Features:
•2 Oscillators with sine, square, triangle, saw, and noise waveforms.
•Filter with 7 modes.
•Step LFO
•Delay/Echo/Reverb/Overdrive effects.
•32 Presets.
•High quality GUI.
•Regular updates. |
| PWNED! By: blatanville |
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 EezySqueeze 2 has made compression even easier. V2 is an effective compressor unit that can be added to independent tracks or your master track.
Features:
•Extremely easy to use compressor plugin.
•Controls for Attack, Release, Threshold, Ratio, Gain.
•Regular updates. |
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 Synthetic is a single oscillator synth that allows you to draw your own waveforms.
Features:
•Single oscillator.
•Draw your own waveforms
•Filter with 5 modes.
•Delay effect.
•Very low CPU usage. |
| PWNED! By: blatanville |
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 Sonnix is a soft knee compressor plugin that can really add that special something to your tracks.
Features:
•Soft knee compressor module.
•Controls for ratio, attack, release, threshold, hold, RMS, knee, gain.
•Glossy GUI.
•Very low CPU usage. |
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 Contakt is a 2 osc vst synth. It gives you the flexibility you need without compromising valuable CPU processing power.
Features:
•Two oscillators with 5 waveforms.
•Both oscillators can be mixed.
•Delay module.
•Reverb module.
•Filter module 5 modes.
•Inbuilt oscilloscope.
•Keyboard.
•Hand built Russian Design. |
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 The Mono/Fury is a VST™2.4 software synthesizer plug-in for Microsoft Windows® emulating the classic KORG Mono/Poly® analog synthesizer of the early 1980's. It is written in native C++ code for high performance even on "lighter" systems.
Main features are:
* Close emulation of behavior and all controls
* Monophonic/quadrophonic keyboard action
* Four band-limited oscillators
* Four-pole lowpass filter with self-oscillation
* "Effects" section including Cross modulation and hard sync
* Arpeggiator with sync-to-host option
* Additional tweak section |
| PWNED! By: blatanville |
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 What it does
The BootEQ mkII is an equalizer and pre-amp simulator combination which provides some nice and musical signal coloration effects.
Tips & tricks
utilize the pre-amp’s LF boost in combination with the EQ’s low-cut to obtain consistent low-end
tune MF and LF on (nearly) same frequency to boost and cut the same time (push/pull style effects) |
| PWNED! By: blatanville, pattonfreak1, BroderYon |
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 Inspired by the smooth dynamic and tone shaping capabilities of some high-end mixing consoles and channel strips, this plug-in implements the most distinctive and much appreciated sonic effects generated by these devices.
Built around an entirely new opto-electric style compression unit, NastyVCS offers everything you need to shape your channels dynamics and tone. It offers a dedicated input stage featuring crunchy pre-amp saturation and a brickwall safety limiter in the output stage. Everything is set up to work in zero latency and so be available for hassle free tracking and mixing.
Two dedicated filters can be used in either the audio path or in the compressor’s sidechain which can be external as well. Whether pre or post compression, the equalizer section offers four interacting coloring tools with well-selected musical sounding curves. The concept gets rounded off by a phase alignment tool which can be used for coloring purposes as well.
The free download for PC (SSE2 or higher type CPU) and VST compatible systems is available via the download page or just click here instead and please acceppt the end-user license agreement. |
| PWNED! By: blatanville, pattonfreak1, BroderYon |
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 "Distortion M Plus" it's a multiband distortion plug-in system, that allows you to control the distortion effect for your sound.
It goes from the standard distortion to the multiband distortion, giving you the advantage to apply different amount of distortion by frequency zones, allowing you to expand your creativity.
The Distortion M Plus plug-in works also as an EQ section alone, and it can be used as a dual-stage effect, by combining the standard and multiband distortion altogether. Offering you the possibility to create complex harmonics.
Key Features
* Standard Distortion
* EQ Section
* Multiband Distortion
* Dual-Stage Distortion |
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 Dirtbag project began to make a bass synth for myself but somehow evolved into a dirty lead and bass like synth :) |
| PWNED! By: blatanville |
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 This is a VST/AU port of Tom Baran's open source pitch correction LADSPA plug-in. All credit goes to Tom for the algorithm. At the moment it is designed to be used on a mono track, if used on a stereo track, the left channel will be copied to the right. |
| PWNED! By: blatanville |
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 CrossOver is a plugin to split an incoming signal into several (at most 4) frequency ranges. It can be used to build your own multiband effects within a modular (sub)host environment. By using only 2 bands, you can also create bass-effects. These are effects which (counterintuitively) keep the low frequency range dry and affect only the high frequency range. The band-splitting is done by complementary pairs ofLinkwitz-Riley lowpass/highpass filters, the slope of which is adjustable between 12 and 96 dB/oct. For configurations with more than 2 output bands, the signal is first split into 2 bands (low and high) and then the low or high or both bands is/are split further, thus the splitting is done in a hierarchical manner. |
| PWNED! By: blatanville, synthgeek, jorjee |
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 EasyQ is an easy-to-use equalizer with an arbitrary number of filter stages in series connection. Each of the filter stages can operate in one of the following modes: peak/cut (aka bell or parametric EQ), high- or low-shelving, notch and low- or highpass (both with either 6 or 12 dB/oct slope). EasyQ is also easy on the CPU and just does what an EQ is supposed to do without performing any additional voodoo. As such, it is well suited to serve as a go-to EQ for the routinely equalizing tasks. |
| PWNED! By: blatanville, BroderYon, synthgeek |
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 Tactile Sounds TS-808 is a software emulation of the Roland TR-808 hardware drum machine. It was created with reference to the TR-808 service notes and by extensive analysis of samples. The TS-808 is a drum synth, not a sampler. The voices of the TS-808 have more parameters and a greater range than their hardware predecessors. All parameters can be automated. Remote control is available via host mapping or MIDI learn. There are 8 outputs. Each voice can be routed to any output. There are two versions of the TS-808, Mono & Stereo. Both are included in the download. |
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 Features:
* Synchronizable Pre-Delay Time.
* Room, Width, Damping.
* High/Low pass filter knobs.
* Customization of max. and min. reverb time.
* Customization of time curve and amp curve.
* Reverb Inversion (for awesome new effects).
* Multiplication/Division of the stages.
* Nice Graphic view.
* Stereo VU meter. |
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 'Pad Maker' is a fine 3 OSC virtual analog sinthesizer created to automaticly generate premium pads sounds!! Very nice interface and simple to use. |
| PWNED! By: blatanville |
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 BitTest is a sweet little bitcrusher VST, it converts your data to 8 bits, then you can turn the bit’s off (the top row) or invert them (the bottom row) individually. That is you can individually flip and invert the bits.
And that is all this little baby does, but she does it well. |
| PWNED! By: synthgeek |
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 The LoopDrive plugin received a major update. There are many new features and most of the old parts are now optimized, here are some of the most significand changes:
* Nearly every part of the audio processing has been optimized in assembler
* compared with version3, this version is up to 3 times faster
* added a pattern manager, that allows up to 8 different sequencer and LFO patterns that are switchable through midi keys
* load & save, copy & paste parts or whole patterns. There are also some default patterns.
* the wave LFO has been replaced by a step/matrix LFO, so you can set volume, balance, filter cutoff, filter resonance, overdrive amount and grain pitch for every single step
* you can scale the modulation amount for a whole pattern of the step LFO with a single knob
* each mouse move in the step sequencer now highlights the used wave slice
* you have the option to mute a complete step with the right mouse button in the step sequencer
* updated the FX Routing GUI to make it easier to understand
* added interpolation option to the slicer, so you can avoid aliasing effects when you need it
* fixed a problem with the mix knob of the distortion section |
| PWNED! By: blatanville, BroderYon |
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 The blooo is a VST™ 2.4 polyphonic software synthesizer plug-in based on the classic subtractive synthesis architecture. It is written in native C++ code for high performance even on "lighter" systems. Main features are:
Up to 32 voices polyphony including portamento
Two band-limited oscillators including Ring modulation and hard sync
Four oscillator waveforms (sawtooth, pulse, sawpulse, sine) with shape control
Additional white noise generator
Two multi-mode four-pole filters (lowpass, highpass, bandpass, allpass, phaser) with resonance and panorama control
Three envelopes (ADSR) with exponential slopes
Three low frequency oscillators (LFOs) with tempo synchronization |
| PWNED! By: blatanville, Hate_eternal |
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 - THriCe -
THriCe is payware but also comes as a free version. The only restriction is the missing filter modulation by the 3 StepSeq LFOs
- 3 OSCs:
OSC 1: Waveforms: Saw, Sawx2, Square, Ramp, THriCe OSC
OSC 2: Waveforms: Sine, Saw, Triangle, Square, THriCe OSC
OSC 3: Waveforms: Saw, Sawx2, Square, Ramp, Detuned OSC
-THriCe OSCillator is a dedicated FM OSC. Detuned is a Unison OSC
- Each OSC has its own individual StepSeq LFO filter modulation(payware)
- One multiband filter block per OSC plus a moog-like main filter
- A main LFO to give more life to patches
- Velocity gater with adjustable timing and random sequence creation
- Internal sequencer with adjustable sequence length, speed, scale and random feature
- Three more random options for patch creation. Filter,Filter Seq or Full synth
- A main complete FX section with random features |
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 A high-structured 4 voices chorus which filters every voice with a different harmonic modulation, then the tremolo section gives additional shine and sculpting possibilities using the same voicing architecture. Every parameter is fully customizable with dedicated knobs for speed and separation of chorusing, giving maximum flexibility and dramatic, smooth changes to the signal, that varies from monophonic tube-flangers to incredibly rich and detailed stereo smearings. |
| PWNED! By: blatanville |
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 Features:
- no samples at all!
- lead & rhythm guitar modes
- bend, slide, and whammy bar pitch wheel modes
- palm muting
- harmonics (squeals)
- humanization control, which simulates the sync differences between the guitarists' fretting and picking hands
- adjustable pick position
- tone control
- volume control
- realistic vibrato
- advanced controller mapping |
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 The California Sun is a classic guitar combo amplifier simulator with two channels (Clean and Dirty). Part of Auraplug's Freetortion series. |
| PWNED! By: arkmabat |
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 Genobazz is a free monophonic bass synthesizer plugin, designed to be simple to use, for all your bass need.
Features:
- 8 Waveforms: saw, square, pulse, double sine, saw-pulse, reso1, reso2 and reso3
- 6 Filter types: Fat low pass, 24dB low pass, VCF Ladder, Modulo low pass, 36dB State Variable, Fat filter
- Full MIDI automation and MIDI learn on all parameters
- Integrated Patch manager
- 23 Factory sound presets
- Note play mode control
- Easy installer |
| PWNED! By: Mika |
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